<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274521">
    <dcterms:title><![CDATA[Archers&#039; Feathers in Chaucer and Ascham.]]></dcterms:title>
    <dcterms:description><![CDATA[Adduces the testimony of modern archer, Robert P. Elmer, corroborating that peacock feathers are high quality material for fletching, and a notion thought to underlie Chaucer&#039;s reference in the GP description of the Yeoman (1.104).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268345">
    <dcterms:title><![CDATA[Archetypal Chaucer: The Case of the Disappearing Hag in The Wife of Bath&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Herold reads WBT as an &quot;individuation myth&quot; in which the knight gains &quot;wisdom and self-empowerment&quot; in his encounters with the anima, manifested in the &quot;triple-aspect of the Great Mother Archetype&quot;: maiden, queen, and loathly lady.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268500">
    <dcterms:title><![CDATA[Archetypal Readings of Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Nine readings by various authors of archetypal patterns in medieval works. Topics include Marie de France, Christine de Pizan, Julian of Norwich, Joan of Arc, Gottfried von Strassburg, Chrétien de Troyes, the Spanish &quot;Shriek of the Sage Merlin,&quot; &quot;Sir Gawain and the Green Knight,&quot; and Chaucer. For two essays that pertain to Chaucer, search for Archetypal Readings of Medieval Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272131">
    <dcterms:title><![CDATA[Archetypes of Transformation: A Jungian Analysis of Chaucer&#039;s &#039;Wife of Bath&#039;s Tale&#039; and &#039;Clerk&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Psychoanalytic analysis of WBT and ClT, reading the two as parallel transformation stories. The first &quot;seems to commemorate the event of the separation of consciousness&quot;; in the second, Griselda &quot;achieved individuation by recognizing her animus.&quot; Also comments on MerT and FranT as parts of the &quot;Marriage Group.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262260">
    <dcterms:title><![CDATA[Architectonic Allusions: Gothic Perspectives and Perimeters as an Approach to Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the &quot;Gothic&quot; aesthetics of Chaucer&#039;s work: duality, complexity, progression, juxtaposition of jarringly opposite elements, exposure of structural features, audience participation, incompleteness, ambiguity, and physicality of thought.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264459">
    <dcterms:title><![CDATA[Architectural Portraiture in Chaucer&#039;s House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Far from being &quot;entirely tropological&quot; or imaginative, the descriptions of the Temple of Venus and the House of Fame and Rumor accurately reflect the forms and details of contemporary structures.  As Clerk of the Works and perhaps an acquaintance of Henry Yevele, Chaucer would have had opportunity to observe fourteenth-century architecture.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274162">
    <dcterms:title><![CDATA[Architectural Satire in the Tales of the Miller and the Reeve.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the two houses in RvT and MilT and contends that Chaucer&#039;s precise description of architectural setting displays how architecture shaped medieval social life and communicated social and class satire.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269553">
    <dcterms:title><![CDATA[Architecture and Nature in The Knight&#039;s Tale: Action Overt and Covert]]></dcterms:title>
    <dcterms:description><![CDATA[Explores connections between text and places (landscapes, architecture, textual architecture) in KnT, focusing on Theseus&#039;s efforts to organize space and events and on the narrative&#039;s introduction of original motifs and discrepancies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264382">
    <dcterms:title><![CDATA[Arcite at Court]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s digression from Boccaccio concerning Arcite&#039;s career at court should be interpreted not biographically but rather in the context of the career of Havelock the Dane.  Both tales show the social stigma of being a page; Arcite&#039;s role emphasizes his subservience to love, and his rise to squire idealizes the Athenian court, where true merit is rewarded.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274770">
    <dcterms:title><![CDATA[Arcite&#039;s Consolation: Boethian Argumentation and the Phenomenology of Drunkenness.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how the figure of a drunken man, originating in Boethius&#039;s &quot;Consolation of Philosophy&quot; and &quot;De topicis differentiis,&quot; and used by Chaucer in Arcite&#039;s complaint in KnT, I.1260–67, &quot;blurs the line between universal and particular&quot; and thereby challenges the categories of traditional argumentation. The figure serves as the &quot;syntactical locus of a dynamic exchange between two authoritative axes of knowledge-making [metaphysics and sensory] that strives to situate temporal conditions.&quot; Also comments on the names written in ice in HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263462">
    <dcterms:title><![CDATA[Arcite&#039;s Death and the New Surgery in &#039;The Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The bitterest controversy between &quot;ancients&quot; and &quot;moderns&quot; in fourteenth-century medicine concerned the treatment of wounds.  Whereas Boccaccio in &quot;Teseida&quot; aligns his &quot;medici&quot; with the ancients and prolongs Arcita&#039;s death, Chaucer in KnT aligns himself with moderns and makes the death of Arcite more excruciating and immediate.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263968">
    <dcterms:title><![CDATA[Arcite&#039;s Injury]]></dcterms:title>
    <dcterms:description><![CDATA[The traditional reading is that Arcite&#039;s horse pitches him to the ground so that Arcite, falling on his head, has his chest shattered by the saddlebow.  The words &quot;pomel&quot; and &quot;pighte,&quot; however, show that Arcite is not thrown from his horse but is impaled on the saddlebow.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275142">
    <dcterms:title><![CDATA[Arcite&#039;s Overheard Song: &quot;The Knight&#039;s Tale&quot; and the Prosimetrum &quot;Tristan en prose.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores prosimetrum in the Arthurian &quot;Tristan en prose&quot; as a way to understand Palamon&#039;s actions after he overhears Arcite&#039;s &quot;formally elegant rondeau&quot; in KnT 1.1510ff.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262953">
    <dcterms:title><![CDATA[Arcite&#039;s Song in Chaucer&#039;s &#039;Knight&#039;s Take&#039; 1510-12]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Grene&quot; in many contexts in Middle English poetry including Chaucer implies fertility and sexual desire.  Hence, the line &quot;In hope that I som grene gete may&quot; may mean &quot;In hope that I may get some sex.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272768">
    <dcterms:title><![CDATA[Are Chaucer&#039;s Pilgrims Keyed to the Zodiac?]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies evidence that the &quot;twelvefold pattern of [zodiacal] signs and planets&quot; of medieval astrology is the &quot;hidden ground plan&quot; of GP, underlying its sequence of characters and some details of their descriptions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267731">
    <dcterms:title><![CDATA[Are Mothers Saints? Changes in the Perception of Motherhood in the Later Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Medieval idealizations of motherhood developed alongside the rising emphasis on the suffering of Christ and the saints. Kuhn discusses works by Jacobus de Voragine, Chaucer (LGW, MLT, ClT, and PrT), Osbern Bokenham, and Margery Kempe. The tradition survived into later centuries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275132">
    <dcterms:title><![CDATA[Are the &quot;Canterbury Tales&quot; a Book?]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that in their ordering of Chaucer&#039;s text and in their various and dynamic forms, manuscripts of CT successfully instantiate Chaucer&#039;s dynamic idea of his text, the complex conditions for pre-print book production, and the disaggregated forms of the medieval codex. CT is thus shaped as an answer to the question posted by the title--Are the Canterbury Tales a book?--and to some of Chaucer&#039;s broader questions, about experience, authority, and the limits to human modes of knowing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269159">
    <dcterms:title><![CDATA[Are We So Different?: Towards a New Reading of the Wife of Bath and the Pardoner in Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses linguistic pragmatics to disclose parallels between WBPT and PardPT, focusing on the relationship between the characters&#039; uses of speech and the two works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267983">
    <dcterms:title><![CDATA[Arestyus Is Noucht bot Gude Vertewe : The Perplexing Moralitas to Henryson&#039;s Orpheus and Erudices]]></dcterms:title>
    <dcterms:description><![CDATA[The &quot;accumulation of Chaucerisms&quot; in Henryson&#039;s Orpheus encourages readers to posit a fallible narrator; the gap between tale and moralization can be seen as an artful effort to dissuade readers from too easily accepting the premise that meaning is stable.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268729">
    <dcterms:title><![CDATA[Argument and Emotion in Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Mack examines public and private oratory in Book 4 of TC, exploring the emotional emphases that Chaucer adds to Boccaccio and focusing on the relationship between emotion and argument in rhetorical theory. Mack&#039;s essay tallies Chaucer&#039;s various ways of depicting the &quot;conflict and collaboration between argument and emotion&quot; throughout TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265496">
    <dcterms:title><![CDATA[Arguments Without Number: The Case of &#039;it&#039; and &#039;het&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In Chaucer&#039;s Middle English usage and in modern Dutch usage, &quot;it&quot; and &quot;het&quot; are &quot;defective in number.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262011">
    <dcterms:title><![CDATA[Argus and Argyve: Etymology and Characterization in Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer defines characters through both natural and conventional theories of etymology.  Argyve, related to Argus and foresight, succintly describes the wife of Calchas the visionary.  Convention, not inherent association, connects Criseyde with infidelity.  Actions and not her name or sex determine Criseyde&#039;s character and reputation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269583">
    <dcterms:title><![CDATA[Argus&#039; Eyes, Midas&#039; Ears, and the Wife of Bath as Storyteller]]></dcterms:title>
    <dcterms:description><![CDATA[The Wife of Bath&#039;s &quot;manipulations of the Argus and Midas myths&quot; reflect her Ovid-like &quot;delight in sensuality and embeddedness of narrative&quot; and her recognition of the power of story to &quot;control and deceive.&quot; The myths help unify WBPT; through them, Chaucer explores the techniques and motivations of story-telling.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268392">
    <dcterms:title><![CDATA[Aristocratic Friendship in Troilus and Criseyde: Pandarus, Courtly Love and Ciceronian Brotherhood in Troy]]></dcterms:title>
    <dcterms:description><![CDATA[In light of Cicero&#039;s &quot;De amicitia,&quot; the noble friendship between Troilus and Pandarus helps to elevate TC to a great tragedy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263315">
    <dcterms:title><![CDATA[Aristotelian Ideas in Chaucer&#039;s &#039;Troilus&#039;: A Preliminary Study]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s concept of &quot;fyn,&quot; or end, is illuminated by the &quot;Nicomachean Ethics&quot; of Aristotle, which is more important as a source for Chaucer than has been recognized.]]></dcterms:description>
</rdf:Description></rdf:RDF>