<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261646">
    <dcterms:title><![CDATA[Anatomy of the Resisting Reader: The Implications of Resistence to Sexual Wordplay in Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Critics&#039; resistence to sexual wordplay in medieval texts such as Chaucer&#039;s TC and CT stems not only from a radical difference between medieval and modern standards of good taste, but also from the critics&#039; desire to repress unsettling textual pluralism and polysemy to retain control over meaning.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273441">
    <dcterms:title><![CDATA[Ancient Chaucer: Temporalities of Fame.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;reciprocal status of antiquity and celebrity&quot; in the reception of Chaucer, his &quot;construction (and self-construction) as a vernacular authority,&quot; and the relations of fame and temporality in his works, especially MLP.  Recurrent concerns with time, time-passing, and old age inflect his characterizations and his Ovidian poetics. Includes comments on early modern canon formation, Byron&#039;s views of Chaucer, and a 2011 on-demand reprint of HF by Nabu Press.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262472">
    <dcterms:title><![CDATA[Ancora in margine al &#039;Doctour of Phisik&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Despite Chaucer&#039;s satirical manner, his delineation of the GP Physician demonstrates his respect for physicians and his understanding of medicine.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277181">
    <dcterms:title><![CDATA[And Gladly Edit: &quot;Studies in the Age of Chaucer&quot; 1997–2003.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on editing SAC and offers personal and historical perspective on the journal&#039;s development.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261939">
    <dcterms:title><![CDATA[And Gladly Teche]]></dcterms:title>
    <dcterms:description><![CDATA[The famous descriptive epithet of the Clerk, &quot;And gladly wolde he lerne and gladly teche&quot; (GP, 308), may have been suggested by a sentence from Seneca&#039;s epistle to Lucilius (VI,4):  &quot;Ego vero omnia in te cupio transfundere, et in hoc aliquid gaudeo discere, ut doceam.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262984">
    <dcterms:title><![CDATA[And Gladly Teche: &#039;Steadfastnesse&#039; in the Clerk&#039;s Tale and the Pedagogy of Charlton Laird]]></dcterms:title>
    <dcterms:description><![CDATA[At a memorial conference for Charlton Laird, a former student pays tribute to the late medievalist and Chaucer scholar.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267750">
    <dcterms:title><![CDATA[And Gladly Wolde He Lerne and Gladly Teche : Studies on Language and Literature in Honour of Professor Dr. Karl Heinz Göller]]></dcterms:title>
    <dcterms:description><![CDATA[Nineteen essays on a variety of subjects, medieval to postmodern, literary and linguistic. For two essays that pertain to Chaucer, search for And Gladly Wolde He Lerne and Gladly Teche (Goller) under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268021">
    <dcterms:title><![CDATA[And Gladly Wolde He Lerne and Gladly Teche: Essays on Medieval English Presented to Professor Matsuji Tajima on His Sixtieth Birthday]]></dcterms:title>
    <dcterms:description><![CDATA[Fourteen essays by various authors, seven on Old and Middle English linguistics and seven on medieval literature, including romance and Arthurian literature, Chaucer, Malory, Caxton, devotional writing, and manuscript studies. The volume includes an introduction that honors Tajima&#039;s scholarship, a bibliography of his works, and a testimonial by E. F. K. Koerner. For five essays that pertain to Chaucer, search for And Gladly Wolde He Lerne and Gladly Teche (Tajima) under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268997">
    <dcterms:title><![CDATA[And I seyde his opinion was good: How Irony Works in the Monk&#039;s Portrait]]></dcterms:title>
    <dcterms:description><![CDATA[Close reading of the GP description of the Monk shows how a &quot;complex interaction of the reader with Chaucer&#039;s text&quot; produces a more satisfactory reading than does the positing of a naive narrator.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264595">
    <dcterms:title><![CDATA[And now for Something Completely Different: The Relationship between the &#039;Prioress&#039;s Tale&#039; and the &#039;Rime of Sir Thopas&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Th contains a covert similarity to PrT.  If, by means of the lily, the elf-queen is identified with the Virgin Mary, the structure of Th may be seen to parody that of PrT.  Both protagonists have gemlike chastity, are born &quot;in fer contree,&quot; and are devoted to an immortal woman.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272543">
    <dcterms:title><![CDATA[And of Great Reverence: Chaucer&#039;s Man of Law]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;interstitial pattern of errors about things literary&quot; in MLPT that characterize the teller as a &quot;not-quite scholar&quot; and highlight a tension between his &quot;rhetorical excess and religious exhibitionism&quot; and his penchant for legalisms, especially clear when seen in light of source material. Like the Prioress, the Man of Law shows his self-righteousness in his characterizations and punishments of non-Christians; further, he is a &quot;pharisaical legalist&quot; inspired partially by &quot;Wycliffite polemics.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261279">
    <dcterms:title><![CDATA[And Pave It Al of Silver and of Gold&#039;: The Humane Artistry of The Canon&#039;s Yeoman&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[CYP offers an earthly perspective that counterbalances the heavenly perspective in SNT.  Moreover, the structure of CYP/T affirms artistic striving for &quot;something higher and more beautiful&quot; while suggesting the &quot;tendency to corruption that threatens each of our lives.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266265">
    <dcterms:title><![CDATA[And Preestes Thre]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the medieval ecclesiastical hierarchy and places Chaucer&#039;s Nun&#039;s Priest in the hierarchy, identifying the training and responsibilities of medieval priests and the particular activities of priests who ministered to cloistered nuns and accompanied them while they traveled.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266279">
    <dcterms:title><![CDATA[And Was a Poure Persoun of a Toun]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on ecclesiastical reform of the late Middle Ages as background to the Parson&#039;s sketch in GP and presents ParsT as a confessional manual.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271481">
    <dcterms:title><![CDATA[And---?: Using Digital Tools to Reread &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores some possible uses for newly developed digital technologies in the teaching of CT, presenting the data for &quot;and,&quot; Chaucer&#039;s most used word, suggesting the types of questions that might arise from word count and word usage data. This data can be used to help students generate meaningful questions about texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273279">
    <dcterms:title><![CDATA[Andreas Capellanus and the Gate in the &quot;Parlement of Foules.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the gate in PF, exploring &quot;remarkable parallels which the inscriptions on the gate and the further description of the garden&quot; in PF &quot;have to certain sections of the Fifth Dialogue&quot; of Andreas Cappellanus&#039;s  &quot;Art of Courtly Love.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262650">
    <dcterms:title><![CDATA[Andreas Capellanus and the Problem of Irony]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a theory of irony, examines various ironic interpretations of &quot;De amore,&quot; including those by Alfred Karnein, Betsy Bowden, and D. W. Robertson, Jr., and concludes that the numerous inconsistencies in the work either were unintentional on Andreas&#039;s part or resulted from his attempt to use &quot;the tools of dialectic to reduce functional poetic ambiguities to unambiguous, didactic statement.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270974">
    <dcterms:title><![CDATA[Anelida and Arcite]]></dcterms:title>
    <dcterms:description><![CDATA[Read by Helen Cooper. Edited and mastered in 2003 as a CD by Troy Sales and Paul Thomas. Design by Carie Jackson]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261430">
    <dcterms:title><![CDATA[Anelida and Arcite: Anti-Feminist Allegory, Pro-Feminist Complaint]]></dcterms:title>
    <dcterms:description><![CDATA[In Anel, Chaucer worked out his strategy of pitting profeminist impulses (the poet assumes the voice of the betrayed woman) against antifeminist allegory &quot;in which men&#039;s betrayal of women represents poetic language&#039;s necessary betrayal of literal meaning.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268619">
    <dcterms:title><![CDATA[Angels and Earthly Creatures: Preaching, Performance, and Gender in the Later Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Conflicted cooperation between authority and authorization is a manifestation of the fundamentally hybrid nature of the preacher&#039;s calling, one recognized in medieval handbooks as standing between earth and heaven. Significantly, women&#039;s preaching was a formative influence on ideas of men&#039;s preaching, particularly because theorists&#039; discussions of women preachers raise and examine questions about personal authority and the body&#039;s role in that authority without directing those questions toward male preachers.]]></dcterms:description>
    <dcterms:description><![CDATA[Chapter 2 argues that Chaucer&#039;s CT, with its intense emphasis on speech, embodiment, and authority, illuminates central issues in preaching theory by presenting them in concentrated and personified forms. The Parson and the Pardoner encapsulate a central ethical and moral issue: the appropriate relationship between the preacher&#039;s human body and his spiritual task.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267350">
    <dcterms:title><![CDATA[Angels on the Edge of the World : The Geography of English Identity from Aelfric to Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[The remoteness and insularity of England led to the belief that its people were different, both barbarian and angelic. Lavezzo discusses Aelfric, Higden, Chaucer (MLT), and the alliterative &quot;Morte Arthure.&quot; Use of the English language contributed to the sense of alterity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264394">
    <dcterms:title><![CDATA[Angelus ad virginem: The History of a Medieval Song]]></dcterms:title>
    <dcterms:description><![CDATA[A valuable edition based on British Library Arundel 248 with variants from other texts of the late-thirteenth-century Latin song sung by &quot;hende Nicolas&quot; in MilT.  In addition to its sources, Stevens discusses it as a type of canto that eventually found a place in the liturgy as part of the masses of Our Lady especially during Advent.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261362">
    <dcterms:title><![CDATA[Anger and &#039;Glosynge&#039; in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Anger and glossing--linked by their common &quot;refusal to accommodate the self either to events in the world outside, or to the autonomous meaning of the text&quot;--are evident in SumT and throughout CT.  The Marriage Group centers around patience, the counter to anger, and therefore includes FrT and SumT.  ManT suggests that the &quot;alternative to &#039;glosynge&#039; . . . is silence,&quot; but it is balanced by the comic celebration&quot; of NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271132">
    <dcterms:title><![CDATA[Anger and Community in the Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Reads KnT as a &quot;tale of anger rather than (as is often the case) a tale of pity&quot; which reveals Chaucer&#039;s ambivalence about anger as both &quot;necessary and destructive&quot; in human affairs. Explores Thomistic and Stoic notions of anger and assesses the character of Theseus as a figure of anger--one who &quot;struggles with the burden of making his peace with God&quot;--commenting on Chaucer&#039;s attitudes toward anger elsewhere in his works, especially Mel and PrT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268925">
    <dcterms:title><![CDATA[Anger in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Anger &quot;rises to the level of a philosophical and ethical problem for Chaucer.&quot; An understanding of the role anger plays in the formation of self and community is useful in understanding the communities Chaucer creates and examines in CT.]]></dcterms:description>
</rdf:Description></rdf:RDF>