<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269935">
    <dcterms:title><![CDATA[An Exploration of the Public and Private in Chaucer&#039;s Shipman&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[ShT reflects Chaucer&#039;s belief that &quot;the dominance of a husband over his wife is too strict&quot; in traditional marriages. Private games threaten to open out into public scandal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266310">
    <dcterms:title><![CDATA[An Haberdasher...]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the development of various fashions in late-medieval England in an attempt to explain the rising importance of haberdashers and why Chaucer may have included one among his GP Guildsmen.  Also comments on the history and status of the haberdashers&#039; guild.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272194">
    <dcterms:title><![CDATA[An Historical Analogue to the &#039;Shipman&#039;s Tale&#039;?]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that details of ShT may reflect historical incidents involving Pedro I (&quot;the Cruel&quot;) of Castile, his various marital scandals, and a Spanish-English naval battle near Bruges. Comments on Chaucer&#039;s connections with Spain.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273795">
    <dcterms:title><![CDATA[An Honest Debtor?: A Note on Chaucer&#039;s Merchant, Line A276.]]></dcterms:title>
    <dcterms:description><![CDATA[Adduces evidence from late-medieval maritime law and practice and from details in the GP description of the Merchant (compared with those of the Friar and the Clerk) to argue that the Merchant &quot;has probably committed every money-crime in the books.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265759">
    <dcterms:title><![CDATA[An Hours and Psalter by Two Ellesmere Illuminators]]></dcterms:title>
    <dcterms:description><![CDATA[MS Bodleian Library Hatton 4, a combined hours and psalter, contains borders created by two Ellesmere limners.]]></dcterms:description>
    <dcterms:description><![CDATA[  Comparison of the borders in the two manuscripts shows &quot;the methodology of using borderwork as a codicological tool&quot;; strengthens &quot;the existing case for locating the limners in London&quot;; and suggests a date for Ellesmere of 1400-1405.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271707">
    <dcterms:title><![CDATA[An Iconographic Detail in the &#039;Roman de la Rose&#039; and the Middle English &#039;Romaunt&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Establishes that the suggestion of amorousness is implicit in the basting of (tight-fitting) sleeves in the &quot;Roman de la Rose,&quot; Rom, and related illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263392">
    <dcterms:title><![CDATA[An Iconography of Noses: Directions in the History of a Physical Styereotype]]></dcterms:title>
    <dcterms:description><![CDATA[Examines physiognomical traditions of noses in medieval &quot;descriptio&quot; in rhetoric books, noses of the Miller and Prioress in GP, noses in RvT, and noses in French romances and in later literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273018">
    <dcterms:title><![CDATA[An Index of Images in English Manuscripts from the Time of Chaucer to Henry VIII, c. 1380-c.1509]]></dcterms:title>
    <dcterms:description><![CDATA[Reports on the Additional collection of medieval manuscripts from the British Library. Indexed manuscripts include literary works by Gower, Chaucer, Lydgate, and Nicholas Love, as well as historical works, noted for their imagery and illustration.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265369">
    <dcterms:title><![CDATA[An Inspiration for Chaucer&#039;s Description of Chauntecleer]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses several possible influences and prototypes for Chaucer&#039;s Chauntecleer in NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271607">
    <dcterms:title><![CDATA[An Interpretation of &#039;Alysoun&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Prosodic analysis of the Middle English lyric &quot;Alysoun&quot; that identiies several commonplace parallels with the description of Alisoun in MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277311">
    <dcterms:title><![CDATA[An Interpretation of Chaucer&#039;s &quot;Parlement of Foules.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how the theme of common profit and the figure of tolerant Nature bridge the opposing views of the love among the high- and low-class birds in PF. Other contrastive pairs in the poem--the two sides of the gate, Priapus and Venus, etc.--anticipate the idealistic and realistic attitudes of the birds.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268131">
    <dcterms:title><![CDATA[An Interpretive Crux in Januarie&#039;s Garden: Chaucer&#039;s Merchant&#039;s Tale and the Crucifixion]]></dcterms:title>
    <dcterms:description><![CDATA[Building on three generally acknowledged biblical motifs in MerT, Fumo suggests &quot;the presence, indeed the dominance, of a fourth&quot;: the Crucifixion. Januarie&#039;s pain in marriage is associated with &quot;Christ&#039;s suffering on the cross&quot;; however, the pear-tree climax parodies events associated with the Crucifixion, the husband is complicit in his own suffering, and the climax is an &quot;enactment&quot; of Januarie&#039;s &quot;spiritual choice . . . to reject Christian truth.&quot; Whatever the Merchant&#039;s intentions in telling the Tale, he is &quot;blind&quot; to its implications.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272132">
    <dcterms:title><![CDATA[An Interpretive Study of Chaucer&#039;s &#039;Legend of Good Women&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys medieval attitudes toward the women featured as protagonists in Chaucer&#039;s LGW and reads Chaucer&#039;s characters in light of these attitudes, observing that they vary as &quot;not-so-good&quot; women and &quot;not-so-bad&quot; ones, a reflection of the limits of human love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263068">
    <dcterms:title><![CDATA[An Introduction to &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Short introduction.]]></dcterms:description>
    <dcterms:description><![CDATA[In Chinese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274008">
    <dcterms:title><![CDATA[An Introduction to &quot;Piers Plowman.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Presents comprehensive overview of all three iterations of Langland&#039;s &quot;Piers Plowman.&quot; Provides discussion of differences between Langland&#039;s characters and Chaucer&#039;s depictions of social characters in GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267569">
    <dcterms:title><![CDATA[An Introduction to a Textual Comparison of Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Compares each line of TC in Larry Benson&#039;s, F. N. Robinson&#039;s, R. K. Root&#039;s, and B. A. Windeatt&#039;s editions in preparation for a larger study that will account for differences of word choice and syntax among these editions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263648">
    <dcterms:title><![CDATA[An Introduction to Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[General, introductory work in fourteen chapters on Chaucer&#039;s schooling, courtly life, literary traditions, BD, Chaucer as diplomat, HF and PF, from Boethius to Venus, KnT, TC, LGW, GP and CT, and Chaucer&#039;s last years.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274330">
    <dcterms:title><![CDATA[An Introduction to Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Designed as a &quot;not too bulky&quot; introduction to Chaucer and his life for the Cambridge University Press series &quot;Selected Tales of Chaucer,&quot; providing fundamental information about Chaucer&#039;s life, language, social contexts, and intellectual background, accompanied by a brief guide to &quot;Some difficult words&quot; and a bibliography and index. Includes six chapters: &quot;Chaucer Himself&quot; and &quot;Chaucer&#039;s Science&quot; by Winny, &quot;Chaucer&#039;s England&quot; and &quot;The Church&quot; by Hussey, and &quot;Chaucer&#039;s Language&quot; and &quot;Chaucer the Writer&quot; by Spearing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272462">
    <dcterms:title><![CDATA[An Introduction to Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Includes biographical information, historical context, Chaucer&#039;s sources, a pronunciation guide, and glossary of common Middle English words.  Chapter 2, &quot;Chaucer&#039;s Literature,&quot; is a comprehensive guide for beginning readers, and covers Chaucer&#039;s works for students of all levels to use as reference.  Explanations go beyond plot summaries. Also uses genre theory to contextualize each text and show how and when Chaucer subverts the reader&#039;s expectations.  Rather than translate Chaucer&#039;s language, aims to help readers understand Chaucer&#039;s language for a greater appreciation of his writing.  Includes overview of Chaucer&#039;s influences and adaptations of his work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271328">
    <dcterms:title><![CDATA[An Introduction to Literature, Criticism and Theory: Key Critical Concepts]]></dcterms:title>
    <dcterms:description><![CDATA[Comments (pp. 6-7) on T. S. Eliot&#039;s allusion to GP at the beginning of his &quot;The Waste Land&quot; and discusses (pp. 78-79) the comedy of MilT as &quot;very specifically linguistic,&quot; turning on a double meaning of the word &quot;water,&quot; as well as depending upon the audience&#039;s sense of superiority. Revised, second edition in 1999.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272338">
    <dcterms:title><![CDATA[An Introduction to Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Textbook introduction to appreciating and analyzing poetry, with a chronological anthology of English and American verse which includes excerpts from GP: 1.1-34 (opening), 79-100 (Squire), 165-207 (Monk), and 445-76, (Wife of Bath). Expanded versions published in 1972 and 1986.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273915">
    <dcterms:title><![CDATA[An Introduction to Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[A textbook designed for reading and analyzing poetry in the college classroom, with discussions of prosody, poetic devices, and genres; study questions; and an anthology of illustrative poems, including Chaucer&#039;s Purse in Middle English (p. 292) with same-page glosses and brief notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274083">
    <dcterms:title><![CDATA[An Introduction to the &quot;Gawain&quot; Poet.]]></dcterms:title>
    <dcterms:description><![CDATA[Places the &quot;Gawain&quot;-poet &quot;within the context of Richard II&#039;s court and its numerous intrigues&quot; (ix), with chapters on each of his poems (including &quot;Saint Erkenwald&quot;); a life; &quot;A Survey of Sources and Influences&quot;; and a chronology, glossary of critical terms, and index. The index lists many references to Chaucer (ten to LGW alone), including one that asserts that Chaucer &quot;seems alone among Londoners in knowing anything about&quot; &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267387">
    <dcterms:title><![CDATA[An Introduction to the Canterbury Tales : Reading, Fiction, Context]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses all of the Tales in Ellesmere order, surveying past and current critical approaches. Emphasizes the diversity of CT, discusses the narrative voice, and places the work in historical, political, and economic contexts. Concludes that Chaucer offers no unified message in CT other than &quot;the importance of moral discernment.&quot; Includes notes, bibliography, and index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270504">
    <dcterms:title><![CDATA[An Introduction to the Music of Chaucer&#039;s Time]]></dcterms:title>
    <dcterms:description><![CDATA[Introductory comments on late-medieval musical notation, melody and harmony, rhythm and meter, instruments, and forms, with notes for an accompanying tape recording.]]></dcterms:description>
</rdf:Description></rdf:RDF>