<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275434">
    <dcterms:title><![CDATA[Barnyard Pedagogy: An Approach to Teaching Chaucer&#039;s Nun&#039;s Priest&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes a pedagogy for teaching NPT that guides student discussions &quot;beyond basic descriptive understandings . . . into critical arguments,&quot; using genre and background material, performative readings, gender concerns, the politics of revolt, and philosophical issues of personal responsibility.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275433">
    <dcterms:title><![CDATA[Crafting Text Languages: Spelling Systems in Manuscripts of the &quot;Man of Law&#039;s Tale&quot; as a Means of Construing Scribal Community of Practice.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;shared practice&quot; of late-medieval English scribes, particularly their adherence to &quot;a negotiated set of norms and procedures&quot; that constitutes their &quot;community of practice.&quot; Exemplifies such practice by describing the orthography and abbreviations used in the &quot;d&quot;-group of ten manuscripts of MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275432">
    <dcterms:title><![CDATA[Teaching Chaucer Out Loud.]]></dcterms:title>
    <dcterms:description><![CDATA[Personal account of learning and teaching Chaucer in Middle English by a college student/instructor. Emphasizes oral performance, and includes summaries of student evaluations and descriptions of resources available for use by students and teachers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275431">
    <dcterms:title><![CDATA[Epic.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the epic from classical roots to postmodern versions in various media; includes brief comments on KnT as epic with elements of romance, the latter challenged by MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275430">
    <dcterms:title><![CDATA[Chronicles of Old London: Exploring England&#039;s Historic Capital.]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty vignettes of London and its citizens arranged chronologically, with nine recommended walking tours and an Index. Chapter 7, &quot;Geoffrey Chaucer is Appointed Comptroller of the Port of London: 8 June, 1374&quot; (pp. 46-51; 4 figs.), briefly describes aspects of Chaucer&#039;s biography and comments appreciatively on his works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275429">
    <dcterms:title><![CDATA[Chaucer, Geoffrey.]]></dcterms:title>
    <dcterms:description><![CDATA[Encyclopedia entry that summarizes Chaucer&#039;s debt to classical tradition as source material for his plots, imaginings of the classical past, and &quot;voicings&quot; of classical speakers throughout his corpus. Comments on Chaucer&#039;s awareness of mediation and the necessary of &quot;betraying&quot; classical material.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275428">
    <dcterms:title><![CDATA[A Vigil of Spies.]]></dcterms:title>
    <dcterms:description><![CDATA[Murder mystery set against the backdrop of political uncertainty over the impending death of Archbishop Thoresby of York and investigated by Owen Archer, aided by his confidante Geoffrey Chaucer, recently appointed chamber squire to Edward III. Other historical figures include Joan, Princess of Wales, and Lewis Clifford.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275427">
    <dcterms:title><![CDATA[&quot;The Friar&#039;s Tale&quot; and Its Pulpit Background.]]></dcterms:title>
    <dcterms:description><![CDATA[Reads FrT as an exemplum against greed that is informed by commonplaces drawn from sermon tradition, specifically the &quot;pulpit practice of late medieval mendicants.&quot; Aligns details of the plot and rhetoric in FrT with parallels found in works by John Bromyard, William Peraldus, Caesarius of Heisterbach, Guillaume de Deguileville, and others.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275426">
    <dcterms:title><![CDATA[A Chaucer Gazetteer.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies and describes geographical names and places used by Chaucer or evidently known to him. Arranged alphabetically, the dictionary lists names, describes the places, and their occurrences in Chaucer&#039;s works, offering etymologies for British and Continental examples but not Biblical or classical ones. Bracketed entries indicate that Chaucer probably knew the place but did not refer to it explicitly.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275425">
    <dcterms:title><![CDATA[Jargon Transmuted: Alchemy in Chaucer&#039;s &quot;Canon&#039;s Yeoman&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads CYPT as Chaucer&#039;s response to the &quot;pretentiousness, perverseness, and confusion he found in alchemy,&quot; exploring the poet&#039;s knowledge of alchemical sources, the place of CYPT in CT (especially in juxtaposition with SNT), and the skill and irony of Chaucer&#039;s depiction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275424">
    <dcterms:title><![CDATA[Techniques of Characterization in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;process whereby realism evolved in Chaucer&#039;s work,&quot; particularly the &quot;stylistic devices by which it was secured,&quot; considering  Anel, TC, and various aspects of CT: early and late tales, the frame, and fabliaux.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275423">
    <dcterms:title><![CDATA[Fifty Great Poets.]]></dcterms:title>
    <dcterms:description><![CDATA[On pp. 67-83 this anthology includes WBP in Theodore Morrison&#039;s modern verse translation and the ballade from LGWP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275422">
    <dcterms:title><![CDATA[Textual Study of Thomas Tyrwhitt&#039;s Edition of the Canterbury Tales (1775-1778).]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the Collation Text and the Printer&#039;s Copy of Tyrwhitt&#039;s edition of CT, identifying his reliance on two manuscript witnesses--British Library Harley 7335 and Cambridge University Library Dd.4.24--and establishing &quot;his fidelity to the manuscripts and the extent of his contribution to the restoration of the text&quot; of the poem. Affirms that Tyrwhitt produced the &quot;first modern critical edition&quot; of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275421">
    <dcterms:title><![CDATA[Langland&#039;s and Chaucer&#039;s Treatment of Monks, Friars, and Priests.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts Chaucer&#039;s and Langland&#039;s views of the &quot;lower clergy&quot; (monks, friars, and parish priests) in light of the &quot;religious backgrounds&quot; of their age, arguing that despite their stylistic differences their views are very similar in this regard, and largely conservative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275420">
    <dcterms:title><![CDATA[Imaginative Literature I: From Homer to Shakespeare.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes introductions to seven authors and works of western literature, keyed to texts in translation or modernization available in the &quot;Great Books of the Western World&quot; series. The &quot;Sixth Reading&quot; here (pp. 139-66) pertains to Chaucer and CT, treating GP, aspects of the links between tales, individual tales, characterization, verse, sources, and narrative variety.  Designed for self-teaching, each reading concludes with a series of questions; answers are collected at the end of the volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275419">
    <dcterms:title><![CDATA[The Lady Brewer of London: A Novel.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel set in late-medieval England. Includes a character modeled on the Wife of Bath: Alyson, who owns a bathhouse/brothel in Southwark. Originally published as &quot;The Brewer&#039;s Tale,&quot; North Sydney: Harlequin, 2014; 584 pp.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275418">
    <dcterms:title><![CDATA[Transcendental.]]></dcterms:title>
    <dcterms:description><![CDATA[Frame-tale science fiction novel with echoes of CT, e.g., quotation of GP 1.12 on the opening page, recurrent references to travelers as &quot;pilgrims,&quot; a galactic ship named &quot;Geoffrey,&quot; interpolated tales (although purportedly autobiographical), etc. Subsequently expanded in &quot;Transgalactic&quot; (Tor, 2016) and &quot;Transformation&quot; (Tor, 2017) to comprise a Trilogy, with additional short narratives in &quot;Pilgrims to Transcendence&quot; (Smashwords, 2020).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275417">
    <dcterms:title><![CDATA[Music and Poetry in the Early Tudor Court.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on three extant Tudor song-books to chart the relations between lyric and song in early English tradition, including discussion of popular and courtly works, late-medieval and early modern music, and the impact of the Reformation. Two issues pertain to Chaucer: reconstructing the fiction of courtly love, and the development of courtly poetry from Chaucer to Thomas Wyatt. Includes discussion of the &quot;Angelus ad Virginem&quot; (MilT 1.3216; lyrics and score included) and courtliness in PF and TC; also comments on a number of other works by Chaucer, listed in the Index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275416">
    <dcterms:title><![CDATA[Le Roman de Renart dans la Littérature Française et dans les Littératures Étrangères au Moyen Age.]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 15, &quot;Le Roman de Renart en Angleterre&quot; (pp. 672-88), summarizes NPT and treats Pierre de Saint-Cloud&#039;s &quot;Roman de Renart&quot; (branch 2) as its major source, focusing on tone and spirit, and attributing differences to Chaucer&#039;s art, originality, and thematic concerns: predeterminism, dream theory, and marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275415">
    <dcterms:title><![CDATA[The Medieval Consolation of Philosophy: An Annotated Bibliography.]]></dcterms:title>
    <dcterms:description><![CDATA[An annotated bibliography, listing materials that pertain to the &quot;Consolation of Philosophy&quot; in French, German, Old English and Middle English, with sections on Chaucer&#039;s translation and to its influence, with seventy-six and forty-three items respectively. The volume and each separate section are accompanied by discursive introductions that describe Boethius&#039;s influence and importance. A version of the author&#039;s 1985 Fordham Ph.D. dissertation. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275414">
    <dcterms:title><![CDATA[Medieval Masterpieces.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the manuscript of the Luttrell Psalter and the Oxford copy of William Caxton&#039;s second edition of CT (with hand-colored woodcuts), with extensive visual representation of the codices (panning many details) and their library settings, explained and appreciated by a team of expert curators and scholars. Focuses on the religious iconography and &quot;political vision&quot; of the Psalter, and on the production, reception, and social variety of the Caxton volume and its text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275413">
    <dcterms:title><![CDATA[The Deadliest Sin in &quot;The Pardoner&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Treats PardPT as parts of a structured sermon against gluttony, gambling, swearing, and &quot;&#039;superbia&#039;, pride in its most Satanic form.&quot; The revelers and the Pardoner himself are guilty of the latter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275412">
    <dcterms:title><![CDATA[Zur Allegorischen Deutung der Nonnes Preestes Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes several layers of allegorical meaning in NPT, explaining them in an ascending scheme of specific to general, content to form; suggests that Chaucer artfully combines the incommensurable to maintain both jest and earnest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275411">
    <dcterms:title><![CDATA[Chaucer and Don Juan.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;[p]ossible influence&quot; of ShT &quot;on the Don Juan theme&quot; in England and in Spain, observing that the former &quot;is likely enough but difficult to prove,&quot; while the latter is &quot;very unlikely and virtually unprovable.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275410">
    <dcterms:title><![CDATA[Hunter and Prey: Functional Imagery in Chaucer&#039;s &quot;Friar&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s use of conventional hunter and prey images in FrT &quot;serves an organic function within the aesthetic whole of the work.&quot; Rather than &quot;functioning as mere decoration&quot; it reinforces and deepens &quot;the comic irony both inherent and explicit within the framework of the story.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>