<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275459">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2016, divided into five subcategories: general, CT, TC, other works, and reputation and reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275458">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2017.]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 336 items, plus listing of reviews for 40 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275457">
    <dcterms:title><![CDATA[English Poetry: A Short History.]]></dcterms:title>
    <dcterms:description><![CDATA[Praises Chaucer (pp. 17-31) as the first poet in English to be &quot;read for pleasure&quot; because he &quot;invented in English the pleasant habit of writing for the sake of writing.&quot; Commends Chaucer&#039;s innovative uses of French and Italian models and the &quot;wealth of observed character&quot; to be found in CT. Includes a summary of Chaucer&#039;s life and his &quot;natural genius.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275456">
    <dcterms:title><![CDATA[The Ship of Fools.]]></dcterms:title>
    <dcterms:description><![CDATA[A comic, absurdist, satirical novel of interlocking tales told by a series of ship&#039;s passengers, loosely modeled on CT, opening with a &quot;General Prologue&quot; that introduces the tale-tellers and proceeds in chapters dedicated to individual tellers and their tales (e.g., &quot;The Swimmer&#039;s Tale,&quot; &quot;The Drinking Woman&#039;s Tale,&quot; &quot;The Nun&#039;s Tale,&quot; etc.) of varying tones and techniques, each with its own prologue.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275455">
    <dcterms:title><![CDATA[A New History of English Metre.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses comparative and linguistic metrics and statistical analysis to describe the history of English meter from early Germanic verse to modern metrical experiments. Chapter 4, &quot;Versifying in Bilingual England&quot; (pp. 73-95), focuses on the metrical practices and innovations of Gower and Chaucer, concentrating on Chaucer&#039;s early &quot;short-line&quot; verse as a &quot;four-ictic dolnik with a transitionally iambic rhythm&quot; and explaining his &quot;great innovation&quot;--the &quot;first true iambic pentameter in any European language,&quot; made flexible, effective, and non-monotonous by Chaucer&#039;s techniques of evasion, inversion, void, and caesural variation. Identifies Chaucer&#039;s metrical influences and provides examples throughout. Includes comments on the French dialect and metrics of the so-called &quot;Poems of Ch.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275454">
    <dcterms:title><![CDATA[Cosmopolitan Imaginaries.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the presence of cosmopolitan thinking in medieval literature, drawing examples from Fulcher of Chartres&#039; &quot;Historia Hierosolymitana,&quot; TC, and the medieval Troy story at large. In Chaucer&#039;s poem, Criseyde discovers through Diomedes&#039; amorous advances in the Greek camp that the &quot;cosmopolite . . . operates among strangers as a stranger in order to confirm her place in the cultural system they share&quot;--i.e., the &quot;chivalric-Ovidian world structured by love&quot; that is common to Trojans and Greeks alike.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275453">
    <dcterms:title><![CDATA[Wicked Words.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a brief comical introduction to Chaucer&#039;s poetry and a modernized selection from the conclusion to NPT, with b&amp;w illustrations by Philip Reeve.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275452">
    <dcterms:title><![CDATA[Misreading English Meter: 1400-1514.]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges &quot;the standard view that fifteenth-century poets wrote irregular meters in artless imitation of Chaucer,&quot; arguing instead that &quot;Chaucer&#039;s followers deliberately misread his meter in order to challenge his authority&quot; and rather than reproducing that meter, &quot;they reformed it, creating three distinct meters that vied for dominance in the first decades of the fifteenth century.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275451">
    <dcterms:title><![CDATA[Questioning Nature: Dryden&#039;s &quot;Fables, Ancient and Modern.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Advocates teaching John Dryden&#039;s &quot;Fables, Ancient and Modern&quot; as &quot;his most accomplished poetical production,&quot; discussing the status-resistant view of natural gentility in his translation of WBT and of Boccaccio&#039;s tale of Sigismunda and Guiscardo. Includes comments on similarities and differences between the original poems and Dryden&#039;s versions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275450">
    <dcterms:title><![CDATA[The Double Bind of Chivalric Sexuality in Late Medieval Romance. ]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of KnT in a group of late-medieval English romances that differ from Continental romances in that they &quot;outline a male heterosexual model informed by a Boethian contemptus mundi theme in which sobriety and reservedness replaces eroticism and sexual desire as the center and defining factor of sexual identity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275449">
    <dcterms:title><![CDATA[Stress, Etymology, and Metre in Four Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Abstract available at https://ethos.bl.uk. Examines stress in Middle English verse, exploring &quot;how tension is created through the matching or mis-matching of lexical stress with the expected metrical template&quot; in the Hengwrt version of four of the CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275448">
    <dcterms:title><![CDATA[Two Danish Chaucer Translators in the 1940s and Their Editors at the Literary Magazine &quot;Cavalcade.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the emphasis on short stories in the Danish literary magazine &quot;Cavalcade&quot; and analyzes several of its Danish translations from CT published in the late 1940s, suggesting that the translators--Lis Thorbjørnsen and Jørgen Sonne--were influenced by editorial policy in presenting Chaucer&#039;s tales as prose short stories rather than narrative poetry. Examines changes in plot, detail, and diction.  In English with an abstract in French.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275447">
    <dcterms:title><![CDATA[Fostering Medieval Studies within &quot;Sondry&quot; General Education Curricula.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers how to attract students to medieval courses in minority-serving institutions, particularly general education courses. Includes description of a course that juxtaposes CT with Ibn Battuta&#039;s &quot;The Rihla.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275446">
    <dcterms:title><![CDATA[Crossing the &quot;Grisly Rokkes Blak&quot;: Teaching Chaucer at an HBCU.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers issues of color symbolism, the history of the concept of &quot;race,&quot; and ongoing &quot;white normativity&quot; in describing an approach to teaching FranT to African-American students at an historically black college or university (HBCU).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275445">
    <dcterms:title><![CDATA[Teaching the Man of Law&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers an approach to teaching MLT that encourages &quot;students to question their own identities and own attitudes toward race and, in doing so, come to a more complex understanding&quot; of Chaucer&#039;s story. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275444">
    <dcterms:title><![CDATA[Thanne Longen Morehouse Men to Goon on Pilgrimages.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes teaching Chaucer at Morehouse College, an HBCU institution (historically black college or university), considering topics such as canon expansion, dress codes, linguistic standards, and student identity. Includes student reactions to the class as well some of their creative projects and presentations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275443">
    <dcterms:title><![CDATA[Kuyruklu Yıldız Altında Bir İzdivaç İçin Muhtemel Bir Kaynak: Canterbury Hikâyeleri [A Probable Source for A Marriage under the Comet: The Canterbury Tales].]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that MilT and WBPT influenced the plot, characters, and themes of Hüseyin Rahmi Gürpınar&#039;s twentieth-century novel &quot;A Marriage under the Comet.&quot; In Turkish with an abstract in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275442">
    <dcterms:title><![CDATA[The Connell Guide to Chaucer&#039;s The Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes CT with recurrent attention to major critical approaches. Focuses on several recurrent themes (&quot;how we come to know something&quot; and the &quot;interpretation of authority&quot;), with sustained discussions of GP, KnT, MilT and RvT, WBPT, FranT, PardT, and Chaucer&#039;s &quot;use of language.&quot; Includes several side-bar topics, illustrations in b&amp;w and color, a brief chronology, suggestions for further reading, and an index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275441">
    <dcterms:title><![CDATA[The True Cross: Chaucer, Calvin, and Relic Mongers.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments briefly on PardT as &quot;a satirical attack on relic mongering,&quot; and notes the Host&#039;s seemingly earnest reference to St. Helen&#039;s finding of the cross (6.951) and the possible implication that Chaucer &quot;accepts the relic . . . as authentic.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275440">
    <dcterms:title><![CDATA[Inmyddes: The Place of Form in Middle English Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies the &quot;sense of middleness&quot; found in Middle English verse that rejects &quot;received concepts of poetic form and offers alternatives.&quot; Includes a reading of HF &quot;in which Chaucer presents a radically unconventional definition of &#039;poetic voice&#039; in order to forge a new basis for the vernacular poetry he proposes to begin.&quot; Also treats &quot;Pearl&quot; and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275439">
    <dcterms:title><![CDATA[Sex and the (Hetero) Erotic in Chaucer&#039;s &quot;Canterbury Tales&quot; and &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;by subverting traditional literary genres, and inventing new ones, Chaucer provided alternative life-views,&quot; reframing traditional views of eroticism in CT (KnT, MilT, RvT, WBPT, PhyT, ShT) and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275438">
    <dcterms:title><![CDATA[Theories of the Nonsense Word in Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces medieval theory of human voice and nonsense tracing its roots in Aristotle and Boethius, its tradition in medieval logic, and its impact on &quot;The Cloud of Unknowing&quot; and HF. In HF &quot;Chaucer revises academic theories of &#039;vox&#039; into a theory of &#039;tydynges,&#039; or rumors, in which it is nonsense that allows for speech to emerge from a state of dumbness proper to the poet.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275437">
    <dcterms:title><![CDATA[Writing the Apocalypse: Literary Representations of Eschatology at the End of the Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of the pilgrimage motif of CT and the PardPT as examples of the late-medieval eschatological imagination that manifest the &quot;Augustinian&quot; version of apocalypticism which&quot; subscribed to an expectation of cosmic and personal annihilation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275436">
    <dcterms:title><![CDATA[Remembering Things: Transformative Objects in Texts About Conflict, 1160-1390.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a chapter on PrT and three of its analogues that considers the &quot;greyn&quot; in Chaucer&#039;s version.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275435">
    <dcterms:title><![CDATA[Boethian Music in Thomas of Britain, Dante, Chaucer, Spenser, and their Contemporaries, c. 1200-1600.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of &quot;a shared six-part musical structure, hitherto unnoticed&quot; in the pairing of KnT and MilT.]]></dcterms:description>
</rdf:Description></rdf:RDF>