<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275574">
    <dcterms:title><![CDATA[The Mexican Chaucer: Philology South of the Border.]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates the concept of &quot;of a &#039;medieval Mexico&#039; as a historically significant paradigm&quot; in light of the nation&#039;s colonial past. Considers various translations of CT into Spanish and comments on Chaucer studies in Mexico, including the lack of translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275573">
    <dcterms:title><![CDATA[Language as a Memory Carrier of Perceptually-Based Knowledge: Selected Aspects of Imagery in Chaucer&#039;s &quot;Knight&#039;s Tale&quot; and &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes aspects of cognition theory and posits that the &quot;knowledge accumulated by past generations is encapsulated in language&quot; and that, like a &quot;palimpsest,&quot; imagery retains &quot;vestiges&quot; of the worldviews of the past. Discusses examples of Fortune&#039;s wheel, astral reference, and modal usage (&quot;mot&quot;-) in TC and KnT for the ways they record still apprehensible Ptolemaic assumptions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275572">
    <dcterms:title><![CDATA[Spatio-Temporal Systems in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes factors involved in English language spatio-temporal systems, i.e., the uses of pronouns, demonstratives, adverbs, verb tenses, and modals that indicate proximity and distance between speakers in space and time. Draws evidence from Astr and from CT (GP, KnT, and WBPT), contrasting their differing spatio-temporal systems as &quot;handbook&quot; and &quot;fiction&quot; respectively: Astr is more &quot;proximal&quot; via first-person address, and CT more &quot;distal&quot; in its more &quot;complex discourse structure.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275571">
    <dcterms:title><![CDATA[&quot;It is a brotherhood&quot;: Obscene Storytelling and Fraternal Community in Fifteenth-Century Britain and Today.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes similarities between medieval and modern uses of obscenity to establish homosocial identity and assert power, using evidence from CT manuscripts to clarify the &quot;sexually explicit status&quot; of the late medieval verb &quot;swyven.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275570">
    <dcterms:title><![CDATA[Geoffrey Chaucer et le dédale de Renommée.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s uses of &quot;fama,&quot; perhaps reflecting his ambiguous relationship with the concept. At times, he seems to switch from desire of acknowledgment to a more bitter view.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275569">
    <dcterms:title><![CDATA[&quot;This wol be doon at leyser parfitly&quot;: The Presence of Old Norse Substratum in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Exemplifies the &quot;Scandinavian influence&quot; on Middle English, offering morphological, syntactical, and lexical samples of this influence on CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275568">
    <dcterms:title><![CDATA[The Dream of Language: Chaucer&#039;s &quot;en son Latin.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates the pains of language change and language death, distinguishing between change and the perception of it; exploring Latinity, vernacularity, and their continuities; and expanding upon the &quot;dream of language&quot; theorized by Giorgio Agamben. Discusses attitudes toward language in the &quot;Hypnerotomachia Polyphili,&quot; Agamben&#039;s focus; in works by Dante, Villon, and Machaut; and in TC, where Chaucer poses Criseyde as an emblem of language&#039;s constant change--a figure of love and loss and of &quot;language&#039;s history as enfolded in a past present.&quot; Comments on dreams in TC and links medieval views of language with the modern notion of rapid &quot;translanguaging.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275567">
    <dcterms:title><![CDATA[Later Middle English Literature, Materiality, and Culture: Essays in Honor of James M. Dean.]]></dcterms:title>
    <dcterms:description><![CDATA[Comprises ten essays by various authors, with summaries by the editors in an introduction, a bibliography, and subject index. For six essays pertaining to Chaucer, search for Later Middle English Literature, Materiality, and Culture under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275566">
    <dcterms:title><![CDATA[The Tales of Two Transactions: The Franklin, the Shipman, Feudalism, and the Medieval Atlantic Maritime World System.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares ShT and FranT as works that assign different values to &quot;the transaction for a woman&#039;s body . . . couched in the tale-teller&#039;s understanding of his own economic system.&quot; ShT reflects the coin-based economy of the &quot;Atlantic maritime commercial economy&quot;; FranT, the oath-based economy of feudalism--two different but contemporaneous systems of negotiating &quot;the commodity of worthiness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275565">
    <dcterms:title><![CDATA[The Motives of Reeds: The Wife of Bath&#039;s Midas and Literary Tradition.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Sergej Karcevskij&#039;s theory of miscommunication to clarify the amalgamation and &quot;redoctrinations&quot; of various versions and interpretations of the Midas story, exploring how Chaucer&#039;s version in WBT engages Ovid&#039;s original and related materials.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275564">
    <dcterms:title><![CDATA[A Taxonomy of Medieval English Travel Writings.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes known examples of late medieval travel writing in English, discussing several ways they might be categorized. Includes commentary on pilgrimage narratives and on CT as a fictional example.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275563">
    <dcterms:title><![CDATA[Ampullae and Badges: Pilgrim Paraphernalia in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes (with illustrations) the &quot;material remainders of late medieval English practices of pilgrimage,&quot; discussing them &quot;in the context of Chaucer&#039;s and Langland&#039;s portraits of pilgrim attire,&quot; and commenting on relations between extant badges and flasks and the literary descriptions in CT and &quot;Piers Plowman,&quot; satirical and otherwise.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275562">
    <dcterms:title><![CDATA[Anarchy in the UK: Chaos and Community in Late Medieval Political Writings.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces attitudes toward and depictions of anarchy and apocalypse in medieval political and penitential traditions, suggesting that they can be associated with communalism as well as with disruption, then and now. Includes  comments on Chaucer&#039;s (and Gower&#039;s) allusions to the Revolt of 1381 as views from an elite perspective.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275561">
    <dcterms:title><![CDATA[More than Words Can Say: Late Medieval Affective Vocabularies.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the semantic field of &quot;affectus&quot;/&quot;affeccioun&quot; in medieval Latin grammar, Chaucer (MilT and TC), Margery Kempe, and several devotional texts, clarifying its wide &quot;range of meanings and connotations . . . as a feeling category term,&quot; positive and negative, interior and exterior, secular and religious, semantic and performative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275560">
    <dcterms:title><![CDATA[The Invention of Style.]]></dcterms:title>
    <dcterms:description><![CDATA[Combines computer-assisted stylometry and close reading to explore Chaucer&#039;s concept of style and his uses of the word &quot;style&quot; itself as they compare with those of John Gower and John Lydgate. Clarifies aspects of stylometric analysis, distinguishes between Chaucer&#039;s &quot;high&quot; style and Gower&#039;s &quot;plain&quot; style, and argues that in seeking to assert his own style Lydgate is particularly important in the &quot;development of the notion of literary style&quot; in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275559">
    <dcterms:title><![CDATA[Chaucer&#039;s Verse in Its European Context.]]></dcterms:title>
    <dcterms:description><![CDATA[Combines &quot;generative&quot; metrical analysis with statistical sampling, synchronic and diachronic comparisons, and attention to the history of metrical criticism to proclaim Chaucer the &quot;father of English poetry&#039;s metrical artistry.&quot; Describes native English, classical, French, and Italian metrical traditions and their influences on Chaucer as a versifier and metrical artist, articulating his &quot;innovations,&quot; &quot;improvements,&quot; &quot;versatility,&quot; and &quot;discretion,&quot; and clarifying the &quot;extent of his achievement&quot; and later influence. Assesses a wide variety of metrical topics, with a glossary of technical terms, and evaluates Chaucer&#039;s metrical practices in comparison with those of Gower, English and Scottish Chaucerians, Wyatt and Surrey, Shakespeare, Milton, and later poets.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275558">
    <dcterms:title><![CDATA[&quot;Pronomination&quot; in the Poetry of Chaucer, Gower, and Skelton.]]></dcterms:title>
    <dcterms:description><![CDATA[Defines &quot;pronominatio&quot; and traces its background in medieval rhetorical handbooks; then surveys instances in the works of Chaucer, Gower, and Skelton, analyzing individual uses that convey either praise or censure given to characters by associating them with classical or biblical exemplars. For example, Chaucer&#039;s Troilus is &quot;Ector the secounde&quot; (TC, I2.158), the mother in PrT a &quot;newe Rachel&quot; (7.627), etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275557">
    <dcterms:title><![CDATA[The Canterbury Sisters.]]></dcterms:title>
    <dcterms:description><![CDATA[A novel about a small group of women in a modern setting who travel on pilgrimage from Southwark to Canterbury, telling stories along the way. Includes occasional references and allusions to CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275556">
    <dcterms:title><![CDATA[A Middle English Translation from Petrarch&#039;s &quot;Secretum.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Edits the Middle English verse translation (906 lines) of the Prologue and Book I of Francis Petrarch&#039;s Latin prose dialogue &quot;Secretum de contemptu mundi,&quot; with a comprehensive introduction, explanatory notes, and glossary. The introduction and notes include recurrent references to Chaucer&#039;s influence on the verse, style, and diction of the translation, as well as to Chaucer&#039;s uses of Petrarch as a source.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275555">
    <dcterms:title><![CDATA[Anti-Maternal Rewriting in Ryder: Djuna Barnes&#039;s Feminist Twist on Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that in her experimental novel &quot;Ryder,&quot; Djuna Barnes wrote &quot;under the influence of Chaucer by employing a similar style,&quot; that her &quot;use of glosses&quot; in Chapter 10 &quot;demonstrates an intertextuality&quot; with CT, and that in Chapter 22 she &quot;rewrites a portion&quot; of PrT, adding a &quot;feminist twist.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275554">
    <dcterms:title><![CDATA[&quot;Dear Penis, My Love!&quot;: A Hilarious Study of a Penis Obsession.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate that this is a fictional narrative that includes phallic parodies of various works of literature; CT is among them in a short account of a pilgrimage to the ketchup-bottle-shaped water tower in Ketchup City, Illinois.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275553">
    <dcterms:title><![CDATA[Other Families: Dryden&#039;s Theory of Congeniality in Dante, Chaucer, and Naylor.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores ways that John Dryden&#039;s notions of congeniality and the value of the vernacular in his commentary on Chaucer help to clarify Gloria Naylor&#039;s adaptations of Dante&#039;s &quot;Inferno&quot; in &quot;Linden Hills&quot; and of CT in &quot;Bailey&#039;s Café, &quot;identifying in the two novels thematic and formal concerns with vernacularity, voice, community, subversion, and relations between &quot;codified and unruly forms of literary production.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275552">
    <dcterms:title><![CDATA[Rechanneling Chaucer, Decentering Circulation.]]></dcterms:title>
    <dcterms:description><![CDATA[Places the cluster of Chaucer essays in this special issue of &quot;Literature Compass&quot;--entitled &quot;Chaucer&#039;s Global Compaignye&quot;--in the context of the journal&#039;s &quot;Global Circulation Project,&quot; and comments on each of the included essays. For individual essays included in the cluster, search for Literature Compass 15 (2018) under Journal by Volume Number.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275551">
    <dcterms:title><![CDATA[Poetry 101: From Shakespeare and Rupi Kaur to Iambic Pentameter and Blank Verse; Everything You Need to Know about Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to poetry in English, its history, and its forms, arranged by author and topic. Includes a brief introduction to Chaucer that emphasizes his social mobility, CT, and his use of English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275550">
    <dcterms:title><![CDATA[Medieval Affect, Feeling, and Emotion.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays charting new investigations of intersectionality of affects, feelings, and emotions in non-religious texts. Authors range from Chaucer to Gavin Douglas, and essays explore practices of witness to the &quot;adoration of objects,&quot; and the co-existence of emotion and affect in late medieval representations of feeling. For essays pertaining to Chaucer, search for Medieval Affect, Feeling, and Emotion under Alternative Title.]]></dcterms:description>
</rdf:Description></rdf:RDF>