<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272474">
    <dcterms:title><![CDATA[Alisoun Takes Exception: Medieval Legal Pleading and the Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the Wife of Bath &quot;employs the courtroom pleading techniques of &#039;excepcion&#039; and &#039;confession&#039; and &#039;avoidance&#039; to challenge the misogynist teachings of clerical authority.&quot; Demonstrates how Alisoun&#039;s discourse in WBP reveals her familiarity with legal argument, and her understanding and use of &quot;masculine language&quot; enhances her authority within WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272904">
    <dcterms:title><![CDATA[Alisoun through the Looking Glass: Or Every Man His Own Midas]]></dcterms:title>
    <dcterms:description><![CDATA[Excavates the multi-layered ironies of WBT, focusing on the motifs of transformation and bad judgment and on the Wife of Bath&#039;s manipulations of her narrative materials, particularly the Ovidian Midas exemplum.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263226">
    <dcterms:title><![CDATA[Alisoun Weaves a Text]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses four readings of WBP:  (1) Alison as a shrewd, aggressive entrepreneur, (2) Alison as a feminist in a society that constantly maligns her, (3) Alison as an archteypical Eve guilty of the sin of pride, and (4) Alison as a sociopath.  These interpretations depend on readers&#039; generic expectations; the text is coherently woven to allow for them all.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272753">
    <dcterms:title><![CDATA[Alisoun&#039;s &#039;Coler&#039;: Chaucer&#039;s &#039;Miller&#039;s Tale,&#039; ll. 3239, 3242, 3265]]></dcterms:title>
    <dcterms:description><![CDATA[Provides linguistic evidence to show that the three references to Alisoun&#039;s &quot;coler&quot; in MilT contribute to the animal imagery of her description.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264405">
    <dcterms:title><![CDATA[Alisoun&#039;s Ear]]></dcterms:title>
    <dcterms:description><![CDATA[The deafness of the Wife of Bath is viewed as an iconographic reflection of her unbalanced intellectual and spiritual position.  Hearing as she does with only one ear, the Wife&#039;s views are skewed to improper attention to the present--to the things of this world--at the expense of the things of the next.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261676">
    <dcterms:title><![CDATA[Alisoun&#039;s Language: Body, Text, and Glossing in Chaucer&#039;s &#039;The Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Absolon appropriates the language of courtly love, thereby rendering himself deaf to Alisoun&#039;s realistic language and setting himself up as a glossator of Alisoun&#039;s body/text.  When Alisoun disrupts his gloss by exposing &quot;hir hole&quot; (i.e., her sexuality), Absolon turns to violence in an attempt to reclaim her body as a text he can control.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270085">
    <dcterms:title><![CDATA[All England : &#039;The Canterbury Tales&#039; Retold]]></dcterms:title>
    <dcterms:description><![CDATA[Appreciative criticism of Chaucer&#039;s art and reputation; includes a review of Peter Ackroyd&#039;s 2009 translation of &quot;The Can terbury Tales&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272439">
    <dcterms:title><![CDATA[All Kinds of Time]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates the queer potential of parody and other forms of &quot;engaging multiple temporalities,&quot; commenting on two nineteenth-century responses to the &quot;Book of John Mandeville&quot; and on a fictional incident posted on Brantley Bryant&#039;s &quot;Chaucer Hath a Blog.&quot; Discloses how awareness of asynchronicity can and should disturb boundaries that divide medieval studies and medievalism, academic study and pleasure, and other perceived binaries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269036">
    <dcterms:title><![CDATA[All That Glisters : The Historical Setting of the Tale of Sir Thopas]]></dcterms:title>
    <dcterms:description><![CDATA[Askins reads Th for details that reflect Anglo-Flemish relations during the Hundred Years War. He identifies heraldic details, commercial concerns, and echoes of the Ghent war of 1379-84.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269380">
    <dcterms:title><![CDATA[All Things Chaucer: An Encyclopedia of Chaucer&#039;s World. 2 vols. 1: A-J; 2: K-Z]]></dcterms:title>
    <dcterms:description><![CDATA[Nearly 200 encyclopedia entries on wide-ranging topics, allusions, and sociohistorical contexts, many with illustrations and all with suggestions for further reading. Does not include entries for individual works by Chaucer but surveys them in the biographical introduction, which is printed in each volume. The second volume includes appendices: genealogy of Edward III, map of the route from London to Canterbury, bibliography, and comprehensive index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272580">
    <dcterms:title><![CDATA[All Those Voices: The Minority Experience]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of literary depictions of &quot;overt prejudice&quot; (p. xi) including a modern translation of PrT in rhyme royal (by Nevill Coghill) in a section called &quot;Roots of Prejudice.&quot; The volume is designed for classroom use, with discussion questions included at the end.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277192">
    <dcterms:title><![CDATA[Allas, Myn Hertes Queene: For Male Chorus, a Cappella.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates this is a printed reproduction for rehearsal, for four male voices. Evidently a musical setting for KnT 1.2775ff.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276126">
    <dcterms:title><![CDATA[Alle Schall Be Wele? In Search of Unhappy Emotions in Middle English Metrical Romances.]]></dcterms:title>
    <dcterms:description><![CDATA[Aligns happy endings with the &quot;rhetoric of bliss&quot; in Middle English romances and includes discussion of jealousy as the crux of KnT, arguing that the &quot;happy closure&quot; of the narrative can only come about when the jealousy between Palamon and Arcite is &quot;suppressed.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277411">
    <dcterms:title><![CDATA[Alle Thyng Hath Tyme: Time and Medieval Life.]]></dcterms:title>
    <dcterms:description><![CDATA[Reconstructs &quot;medieval people&#039;s experience of time as continuous, discontinuous, linear, and cyclical--from creation through judgment and into eternity,&quot; clarifying concepts of aging, eternity, planetary motion, time-keeping, apocalypse, etc., evinced in material objects, philosophy, art, and literature. Includes recurrent mention of Chaucer&#039;s works, commenting on varieties of time-reckoning in CT and assessing time as a theme and narrative device in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262657">
    <dcterms:title><![CDATA[Allegoresis: The Craft of Allegory in Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Dedicated to the memory of Judson Boyce Allen, this collection of ten articles by various hands examines medieval allegory in terms of modern critical theory. For three essays that pertain to Chaucer, search for  Allegoresis under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272695">
    <dcterms:title><![CDATA[Allegorical Consolation in &#039;The Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the extent to which the narrator and the dreamer, as separate psychologies, experience consolation through the progress of BD, assessing parallels between the Ceyx and Alcyone account and the dream of the knight&#039; sorrow.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269661">
    <dcterms:title><![CDATA[Allégorie et grotesque dans The House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the architectural features of HF, particularly in relation to memory, allegory, and the function of the grotesque.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266364">
    <dcterms:title><![CDATA[Allegories of Contamination: Pier Paolo Pasolini&#039;s &quot;Trilogy of Life&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[The films &quot;The Decameron,&quot; &quot;Canterbury Tales,&quot; and &quot;The Arabian Knights&quot; make up Pasolini&#039;s &quot;Trilogy,&quot; here explored for how the films reflect understanding of the literary works from which they derive--in particular, how Pasolini&#039;s &quot;Abiura,&quot; or recantation, recalls and parodies Chaucer&#039;s Ret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264098">
    <dcterms:title><![CDATA[Allegories of History, Allegories of Love]]></dcterms:title>
    <dcterms:description><![CDATA[Derives theory and definition from close readings of Prudentius&#039;s &quot;Psychomachis,&quot; &quot;Piers Plowman,&quot; &quot;The Romance of the Rose,&quot; and &quot;The Faerie Queene&quot; as well as four more modern allegories.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276496">
    <dcterms:title><![CDATA[Allegories of Influence: Spenser, Chaucer, and Italian Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores references and allusions to Chaucer (SqT and KnT), Ariosto, and Boiardo in Spenser&#039;s &quot;densely self-reflective meta-critical mediation&quot; on national and international poetic influences in Book IV of his &quot;Faerie Queene.&quot; Focuses on the character of Cambina who, &quot;perhaps not unlike Spenser himself,&quot; is &quot;an original and a combiner.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261690">
    <dcterms:title><![CDATA[Allegories of Learning: Vernacular Authority and Literary Identity in Fourteenth-Century England]]></dcterms:title>
    <dcterms:description><![CDATA[Higden&#039;s Latin universal history reflects his critical and individual approach.  Trevisa&#039;s translation and its continuations further this individuality.  The Wife of Bath also reworks authorities in a distinctive way, bending them so that Chaucer&#039;s followers &quot;correct&quot; her.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270753">
    <dcterms:title><![CDATA[Allegory]]></dcterms:title>
    <dcterms:description><![CDATA[Examines allegory as a mode in English and American literature (and art), surveying its roots in classical and medieval traditions, exploring its relations with other literary devices and forms (irony, personification, apostrophe, prosopopoeia, etc.), and examining several attempts to theorize the mode (Maureen Quilligan, Walter Benjamin, Paul de Man, etc.). Considers literary uses of allegory from Saint Paul to postmodernists, including discussion (pp. 52-55) of Chaucer&#039;s Pardoner as an adaptation of Jean de Meun&#039;s personification False Seeming.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268366">
    <dcterms:title><![CDATA[Allegory and Materiality: Medieval Foundations of the Modern Debate]]></dcterms:title>
    <dcterms:description><![CDATA[Modern notions of the &quot;key role of materiality in allegory,&quot; as theorized by Walter Benjamin and echoed by Paul de Man, have clear precedents in patristic and medieval commentaries on allegory and supposition, although the sense of &quot;material&quot; is more broadly construed in medieval thought. In PardPT, Chaucer explores the materiality of allegory, the random contingency of reference, and the self-referential nature of the allegorical mode.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272792">
    <dcterms:title><![CDATA[Allegory and Mirror: Tradition and Structure in Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Defines the medieval literary modes/genres of personification allegory and mirror, using them to analyze various works of Middle English literature and their models in Latin, French, and Italian. Treats HF as a personification allegory; aspects of BD, TC, and MerT as descendants of the &quot;Roman de la Rose&quot; as love allegory; aspects of TC and Mel as allegories of reason; ParsT as a confessional manual; and CT as a mirror of late-medieval society. Also discusses Middle English works by John Gower, William Langland, and the Pearl-poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268423">
    <dcterms:title><![CDATA[Allegory and Realism in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Chaucer&#039;s organic use of allegory in TC and MerT, focusing on personified abstractions.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description></rdf:RDF>