<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277538">
    <dcterms:title><![CDATA[Alchemists Behaving Badly in Chaucer&#039;s &quot;Canon&#039;s Yeoman&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;moral value for Chaucer&#039;s audience&quot; of CYPT and articulates &quot;alchemical connections&quot; elsewhere in CT, especially SNT. Focuses on the diction and imagery of CYP, on CYT as a negative exemplum, and on the Yeoman&#039;s final rejection of alchemy as evidence of Chaucer&#039;s disclosure of &quot;the misuse of power and human intellect and the impact of moral blindness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272334">
    <dcterms:title><![CDATA[Alchemy and the English Literary Imagination: 1385-1633]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the literary treatment of alchemy from Chaucer&#039;s CYT through works by John Donne and Ben Jonson; presents CYT as the foundational text in the &quot;long tradition of alchemical satire.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269662">
    <dcterms:title><![CDATA[Alchemy and the Metamorphosis of History in Chaucer&#039;s House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that an &quot;individual&#039;s knowledge of history&quot; is presented in HF in a way that is metaphorically linked to alchemical transformation--with &quot;tydynges&quot; either substantially transformed or flying into uncontrollable energy. CYT shows Chaucer&#039;s knowledge of alchemy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267321">
    <dcterms:title><![CDATA[Alchemy and Transformation in the Works of Chaucer, Jonson and Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses alchemy in Chaucer&#039;s CYT, Jonson&#039;s &quot;The Alchemist,&quot; and Shakespeare&#039;s &quot;The Tempest.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276199">
    <dcterms:title><![CDATA[Alchemy and Verse in Late-Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the portrayals of alchemy and alchemists in fourteenth-and fifteenth-century English verse, including discussion of Chaucer&#039;s negative depiction of alchemy and its practitioners in CYPT, and John Gower&#039;s positive view in &quot;Confessio Amantis.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277009">
    <dcterms:title><![CDATA[Alcohol, Community, and Chaucer&#039;s Pardoner: Ale as a Populist Antidote to Alienating Avant-Gardism.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses references to ale and wine in PardPT as they reflect the Pardoner&#039;s &quot;submerged desire&quot; to bond with the Host and his simultaneous attempt to compete with Harry as leader of the pilgrimage. Argues that &quot;the metaphorical ale-stake associated with the Summoners&#039; body&quot; in GP frames the ale-stake of PardP, setting the Pardoner&#039;s &quot;conflicted masculinity&quot; in competition for and against the &quot;hyper-masculine&quot; Host, who repudiates the Pardoner&#039;s over-reaching efforts to reach and outreach him.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275191">
    <dcterms:title><![CDATA[Alcyone&#039;s Grave: Inscription and Intertextuality in Chaucer, Spenser, and Ovid.]]></dcterms:title>
    <dcterms:description><![CDATA[Highlights the thematic centrality of memorialization, tombs, and inscription in the Ceyx and Alcyone story from Ovid to Chaucer to Spenser. The intertextual relations among these versions is predicated not on the principle of genealogical succession but on transhistorical contiguity imagined as touch.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272660">
    <dcterms:title><![CDATA[Aldous Huxley Speaking Personally]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; the WorldCat records indicate that this is an interview of Huxley with John Chandos, recorded July 7, 1961, and includes discussion of Chaucer and psychology. First published in 1964.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264785">
    <dcterms:title><![CDATA[Alexander Pope and Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Hunter describes a copy of the 1602 edition of Chaucer in his possession signed &quot;A. Pope.&quot;  The volume is defective, lacking the first gathering.  The signature comes at the beginning of gathering B.  There are no marginalia.  Presumably this was a duplicate in Pope&#039;s library.  In the Hurd library at Hartlebury Castle, Worcestershire, there is a copy of the 1598 Chaucer inscribed &quot;Ex libris Alexandri Popei&quot; with marginal annotations.  Presumably this was Pope&#039;s working copy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272177">
    <dcterms:title><![CDATA[Algunas Analogias Entre El Arcipreste de Hita y Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies various similarities between Chaucer&#039;s works and that of Juan Ruiz, the Archpriest of Hita, comparing techniques  and concerns of Ruiz&#039;s &quot;Libro de Buen Amor&quot; with CT, TC, and other Chaucerian works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268347">
    <dcterms:title><![CDATA[Alice de Bath o el Poder de la Palabra]]></dcterms:title>
    <dcterms:description><![CDATA[Feminist narratological analysis of WBPT reveals that the Wife&#039;s arguments, based in traditional misogyny, overwhelm this misogyny through dynamic engagement of it.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262171">
    <dcterms:title><![CDATA[Alice in Iceland: An Image of the Wife of Bath in Nordic Myth]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the imagery of beautiful feet in Deschamps, Homer, the Old Irish tale of Derdriu, and Nordic myth.  Using the motif of Jankin&#039;s attractive legs and feet, Taylor draws correspondences between the Wife of Bath&#039;s choice of the fifth husband and a similar motif in Icelandic myth.  &quot;Scathe,&quot; which appears in Chaucer only in association with Alison, may have connections to the Old Norse giantess Skadi (from ON &quot;skadi&quot; (harmer)).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274455">
    <dcterms:title><![CDATA[Alice of Bath: Her &quot;Secte&quot; and &quot;Gentil Text.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Accepts that the first eighty-eight lines of WBP are a late addition, and argues that they reflect comic awareness of the unorthodox movement, the Brotherhood of the Free Spirit, echoing its valorization of sexual activity and multiple marriages, especially as it interprets the Biblical enjoinder to &quot;wexe and multiplye,&quot; (WBP 3.28), and part of the reason that the Clerk responds so directly to the Wife.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267357">
    <dcterms:title><![CDATA[Alice of Bath&#039;s Astral Destiny : A Re-Appraisal]]></dcterms:title>
    <dcterms:description><![CDATA[Medieval astrological-medical texts underlie the characterization of the Wife of Bath in both GP and WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270829">
    <dcterms:title><![CDATA[Alice on the Couch: A 21st Century Psychoanalytic Interpretation of the Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Mruk mines details and perspectives in the Wife of Bath materials to imagine the Wife as a real patient undergoing therapy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262700">
    <dcterms:title><![CDATA[Alison and the Swallow]]></dcterms:title>
    <dcterms:description><![CDATA[The comparison of Alison to a swallow in MilT 3257-58 may refer to the story of Procne.  The tale (from Ovid) is mentioned both in Gower&#039;s &quot;Confessio Amantis&quot; and in Chaucer&#039;s TC; it suggests the very sort of material woe found in MiltT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274514">
    <dcterms:title><![CDATA[Alison Identified (&quot;The Miller&#039;s Tale,&quot; 3234). [Three parts]]]></dcterms:title>
    <dcterms:description><![CDATA[Explores anatomical and associative parallels between Alison of MilT and the weasel, an animal to which she is likened via simile (1.3234); maintains that the connections lend symbolic depth to the characterization.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262709">
    <dcterms:title><![CDATA[Alison of Bath Accused of Murder: Case Dismissed]]></dcterms:title>
    <dcterms:description><![CDATA[No case can be made that the Wife of Bath murdered her fourth husband.  Such claims are made only by readers who invent for her an extratextual history and psychology or who believe that she &quot;merely fulfills antifeminist expectations rather than reassessing the tradition.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272473">
    <dcterms:title><![CDATA[Alison, una Figura Femenina Controvertia Prólogo de las Esposa de Bath en Los Cuentos de Canterbury, de Geoffrey Chaucer&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Spanish version of Arboleda Guirao&#039;s essay &quot;Chaucer&#039;s &#039;Wife of Bath&#039;s Prologue&#039; in &#039;The Canterbury Tales.&#039; The Wife&#039;s Personality, Language and Life: Revisiting Feminism,&quot; published in 2011.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262973">
    <dcterms:title><![CDATA[Alison&#039;s Incapacity and Poetic Instability in the Wife of Bath&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Galled by clerical antifeminism (woman is weak and hence evil), the power-obsessed Alison turns for her tale to courtly romance (woman is weak and hence good).  Thus, ultimately she subverts the conventions of estates, gender, and genre, proving herself inconsistent.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263491">
    <dcterms:title><![CDATA[Alison&#039;s Sorrow--her Old Age and Marriages]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the themes of WBP and WBT.  The main theme is old age related with marriage. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265034">
    <dcterms:title><![CDATA[Alisoun and the Saved Harlots: A Cozening of Our Expectation]]></dcterms:title>
    <dcterms:description><![CDATA[D. W. Robertson has already demonstrated the relationship between the Samaritan Woman (Matt. 4:4) and the Wife of Bath.  But the similarities are even deeper, extending to an ironic typology of the harlot saved, including Mary Magdalene.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262440">
    <dcterms:title><![CDATA[Alisoun of Bathe and the Reappropriation of Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[In WBP and WBT, Chaucer dramatizes a powerful reorientation of tradition.  In the endings of both, Alison images a reconciliation that awards women justification and a degree of self-definition, without injuring men.  The comic genre of CT does not insist that we see the Wife as capable of living out this destiny; it requires only that we see her as capable of creating it as an appropriate ideal and a valid conclusion from the logic she uses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275510">
    <dcterms:title><![CDATA[Alisoun Sings.]]></dcterms:title>
    <dcterms:description><![CDATA[An extended prose-poem (with portions lineated), presented as a dialogue between &quot;Caroline&quot; and &quot;Alisoun,&quot; the latter an adaptation of the Wife of Bath. Transgresses temporal, linguistic, modal, and thematic categories, and includes references to medieval and modern social and political events and conditions, with recurrent attention to feminism, fabrics, desire, and the making of art.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261696">
    <dcterms:title><![CDATA[Alisoun Still Lives Here: Provocations, Politics, and Pedagogy in &#039;The Wife of Bath&#039;s Tale,&#039; &#039;Hamlet,&#039; and &#039;Paradise Lost&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[WBT supplies the feminine gloss to the masculinist texts underlying WBP.  It provides a marriage pedagogy in which the partners discover their own desires by attempting to learn each other&#039;s desires.]]></dcterms:description>
</rdf:Description></rdf:RDF>