<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277427">
    <dcterms:title><![CDATA[Chaucer and Gower.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the &quot;depiction of women as ethical signifiers&quot; in Chaucer&#039;s and Gower&#039;s writings, summarizing the &quot;multilingual and transnational networks on which both poets draw,&quot; exploring the &quot;ethical valences&quot; of gender (especially feminine) in their major works, and comparing &quot;the major female figures&quot; they both portray: Dido, Medea, Constance, the &quot;loathly lady,&quot; and Alcyone. Finds Chaucer to be &quot;more adaptive&quot; than Gower in his engagement with the &quot;interpretative framework that limited women&#039;s power to signify.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277426">
    <dcterms:title><![CDATA[Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-nine essays devoted to the examination of poetry from the end of Old English verse through the Ricardian poets, including an introduction by the editors. For nine essays that pertain to Chaucer, search for Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400 under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277425">
    <dcterms:title><![CDATA[Saints&#039; Lives and Sacred Biography.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the writing of saints&#039; legends in poetry in the thirteenth and fourteenth centuries, highlighting the innovative approaches taken by a number of poets, including Chaucer in SNT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277424">
    <dcterms:title><![CDATA[The Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Emphasizes and traces a poetic method common to the CT that Windeatt explores in terms of the tales and their openings; their emphasis on time, chance, and astrology; and the generic hybridity that defines the Tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277423">
    <dcterms:title><![CDATA[Verse Forms.]]></dcterms:title>
    <dcterms:description><![CDATA[Catalogues the stylistic choices made by English poets in terms of meter, rhyme, and alliteration, before concluding with examples from Middle English poets, including Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277422">
    <dcterms:title><![CDATA[Chaucer&#039;s Courtly Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Highlights the enduring role of court poet for Chaucer, including his debts to &quot;The Romance of the Rose&quot; and the complicity of the narrator in TC. Discusses the creation of Alcestis in LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277421">
    <dcterms:title><![CDATA[Manuscripts: The Textual Record of Middle English Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the specifics of the material form and transmission of Middle English poetry, touching on the idea of the anthology, along with examples. Concludes by tracing the dearth of evidence for pre-1400 transmission of Chaucer&#039;s works (along with Gower&#039;s and Langland&#039;s).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277420">
    <dcterms:title><![CDATA[Poetic and Literary Theory.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Chaucer, Gower, and Langland, demonstrating how these poets bring together philosophical and theological ideas as they craft their poetry. Considers the innovations of Chaucer and Gower in terms of literary and poetic theory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277419">
    <dcterms:title><![CDATA[The Poetic Field, I: Old and Middle English Language and Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Concentrates on the relationship between Old and Middle English poetic forms, especially during the transition from Old to Middle English, focusing on the &quot;Soul&#039;s Address to the Body&quot; and &quot;The Ormulum&quot; before concluding with a discussion of Chaucer&#039;s and the &quot;Gawain&quot;-poet&#039;s methods]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277418">
    <dcterms:title><![CDATA[Narrative on the Margins: Tales and Fabliaux.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a history of the fable in Middle English poetry, with examples from several poems, including discussing four extant fables. Concludes by showing the importance of the fable to the idea of the CT as a whole.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277417">
    <dcterms:title><![CDATA[Reception of the Middle English Poetic Tradition.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the legacy and survival of fourteenth-century poetry and poetic innovations in the fifteenth century, emphasizing the influence of Chaucer and Gower, especially with regard to their shaping of the role of the poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277416">
    <dcterms:title><![CDATA[The Guise of Translation: The Case for Chaucer&#039;s &quot;Oeuvre.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;contemporary critical translation theories shed light on&quot; Chaucer&#039;s &quot;translational environment&quot; and identifies &quot;a cluster of five translational actions&quot;--&quot;communication, transformation, transportation, hermeneutics, and liminality&quot;--that leave traces in Chaucer&#039;s works. Then addresses SqT as it takes on &quot;the guise of a translation, one that stretches&quot; widely &quot;beyond the British Isles.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277415">
    <dcterms:title><![CDATA[The Global Pilgrimage of Geoffrey Chaucer&#039;s &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the &quot;global reach&quot; of the literatures and languages that underlie the sources and settings of CT (with particular attention to SqT), and describes the multilingual, international range of translations, modernizations, adaptations, and other &quot;creative re-writings&quot; of Chaucer&#039;s work. Suggests that because CT &quot;began by reconfiguring relationships among the world&#039;s people and languages, they now can be remade to similar ends, thereby allowing us to understand Chaucer as England&#039;s first global poet.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277414">
    <dcterms:title><![CDATA[News from the East.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates late fifteenth-century English representations of Ottoman Turks and Rhodes, assessing Caxton&#039;s first-printed indulgence (and related ones), John Kay&#039;s &quot;Siege of Rhodes,&quot; a Paston letter, and &quot;The Turke and Sir Gawaine&quot; for the ways they imagine &quot;the Turk&quot; and relations between Latin Christendom (especially the Hospitallers) and the growing Ottoman empire. Notes Chaucer&#039;s depictions of related concerns, identifies early uses of &quot;poet laureate&quot; and &quot;renegade,&quot; and assesses &quot;news reporting&quot; and &quot;contemporaneity&quot;  in late medieval media productions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277413">
    <dcterms:title><![CDATA[Trees of Thought: Arboreal Matter and Metaphor in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores &quot;how late medieval English poets used the properties of trees, from their branching forms to their growth cycles, to negotiate literary influence and construct poetic meaning.&quot; Includes a chapter on  HF as well as one each on &quot;Piers Plowman,&quot; &quot;The Floure and the Leaf,&quot; and &quot;Laureation and Vegetal Poetics&quot; in works by John Lydgate and John Skelton.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277412">
    <dcterms:title><![CDATA[The Notebook: A History of Thinking on Paper.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the history and utilities of various forms of notebook, emphasizing their commercial roots and widespread uses, claiming in a brief section that Chaucer, on his 1372/73 trip to Florence, &quot;must have seen&quot; there &quot;how plentiful, and cheap, personal notebooks were,&quot; especially varieties of &quot;zibaldoni, ricordanzi, and libri di famiglia&quot; (all introduced and defined in a preceding section). Further claims that Chaucer&#039;s &quot;book&quot; in HF, 657, is his own notebook, that Jankyn&#039;s &quot;book of wikked wyves&quot; (WBP, 685) is a &quot;zabaldone,&quot; and that Chaucer&#039;s personal use of notebooks must have influenced his writing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277411">
    <dcterms:title><![CDATA[Alle Thyng Hath Tyme: Time and Medieval Life.]]></dcterms:title>
    <dcterms:description><![CDATA[Reconstructs &quot;medieval people&#039;s experience of time as continuous, discontinuous, linear, and cyclical--from creation through judgment and into eternity,&quot; clarifying concepts of aging, eternity, planetary motion, time-keeping, apocalypse, etc., evinced in material objects, philosophy, art, and literature. Includes recurrent mention of Chaucer&#039;s works, commenting on varieties of time-reckoning in CT and assessing time as a theme and narrative device in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277410">
    <dcterms:title><![CDATA[Chaucer and the Ethics of Time.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how Chaucer uses the &quot;temporality of poetic form to explore the ethics of time&quot; in CT, BD, and TC. Connects Chaucer&#039;s poetic techniques to broader philosophical and ethical discourses of Augustine and Boethius.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277409">
    <dcterms:title><![CDATA[Linguistic Change and Metre: A Reply.]]></dcterms:title>
    <dcterms:description><![CDATA[Responds to Ad Putter, &quot;Linguistic Change and Metre: The Demise of Adjectival Inflections and the Scansion of &#039;High&#039; and &#039;Sly&#039; in Chaucer, Gower and Hoccleve&quot; (2022). Claims that the dropping of inflectional   &quot;-e&quot; in &quot;high&quot; and &quot;sly&quot; in poetry by Chaucer, Gower, and Hoccleve should not be understood as a linguistic shift, for it follows the &quot;metrical subrule,&quot; whereby the inflectional &quot;-e&quot; is dropped when a weak adjective precedes a word with &quot;aft stress.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277407">
    <dcterms:title><![CDATA[A Note on the Use of &quot;Wring One&#039;s Hands&quot; in Middle English Literature with a Focus on Middle English Romances and Chaucer&#039;s Works.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the expression &quot;wring one&#039;s hands&quot; in TC, HF, MLT, and ClT, and other Middle English romances. Focuses on frequency, associated gestures, and the gender of the person performing the action. Finds that the expression often accompanies other gestures to convey deep grief, is used more to depict women&#039;s sorrow, and plays a crucial role in advancing the narrative in scenes of grief. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277406">
    <dcterms:title><![CDATA[Chaucer&#039;s Wenches.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys and critiques &quot;wench&quot; as a term and a concept in medieval English texts and explores how &quot;Chaucer&#039;s wenches [in CT] embody the term&#039;s developing signification of intersectional disadvantage connected to age, gender, labor, reproductive capacity, and socioeconomic status.&quot; Links this signification with discourse about Black women in the American South and with the US Supreme Court&#039;s anti-abortion decision, &quot;Dobbs v. Jackson Women&#039;s Health Organization&quot; (June 2022).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277405">
    <dcterms:title><![CDATA[&quot;Out, Harrow&quot; and &quot;Alas!&quot;: Chaucer, Shouts and Narrative.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses shouting in Chaucer&#039;s narratives, focusing on &quot;the hue and cry,&quot; which, &quot;strikingly frequent,&quot; engages &quot;with questions about the reliability of narratives, and also with problems of rape and sexual consent, misogynistic narratives and fictions of social class.&quot; Surveys cries of alarm and exclamations of misdeeds in Chaucer&#039;s works, with particular attention to NPT, MilT, RvT, and PrT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277404">
    <dcterms:title><![CDATA[Narratorial Involvement in Hagiography: Chaucer, the Scottish &quot;Legendary&quot; and Lydgate&#039;s &quot;Albon and Amphibalus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the term &quot;narrator&quot; as a technical term to refer to &quot;the contours of the narratorial functions and the textual voice as these are inscribed,&quot; focusing on &quot;expansion of narratorial functions&quot; in fifteenth-century English hagiography. Includes discussion of the increasing role of the &quot;prologue or proëmium,&quot; with attention to the limits of narratorial &quot;voice&quot; in PrP and SNP and to Chaucer&#039;s stylistic influence on Lydgate.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277403">
    <dcterms:title><![CDATA[The Phenomenology of &quot;-e.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers various conditions of and approaches to pronouncing--or not pronouncing--final &quot;-e&quot; in Chaucer&#039;s verse, arguing that &quot;Chaucer&#039;s final &quot;-es&quot; are a subjective quality of his verse, a series of phonological events structured not by metrical or grammatical rule but by the feelings they produce&quot;--a phenomenology of desire. Examines a range of examples with particular attention to &quot;speche&quot; in HF, 766.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277402">
    <dcterms:title><![CDATA[The Canterbury Nightmares.]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven tales of macabre fiction by various authors, loosely modeled on CT.]]></dcterms:description>
</rdf:Description></rdf:RDF>