<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275749">
    <dcterms:title><![CDATA[Il Poema Onirico: Boccaccio e Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies Chaucer&#039;s and Boccaccio&#039;s dream vision narratives and their references to dreaming in light of the history of the genre, focusing on the secularization of the genre, the rising importance of the poet as dreamer-viator, and aesthetic successes of the poets in expanding the range and uses of the dream vision. Considers HF at greatest length among Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275748">
    <dcterms:title><![CDATA[Entendre des Voix: Réception et Perception dans Deux Lais Bretons Moyen-Englais (&quot;Lay le Freine,&quot; &quot;Sir Orfeo&quot;) et le &quot;Franklin&#039;s Tale&quot; de Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relations among voice, genre, music, orality, and memorial transmission in &quot;Lay le Freine,&quot; &quot;Sir Orfeo,&quot; and FranT, including assessment of the ambiguities and Bahktinian polyphony of voices in the GP description of the Franklin&#039;s oral associations with food and in Sq-FranL and FranP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275747">
    <dcterms:title><![CDATA[Delicious, Tender Chaucer: Coleridge, Emotion and Affect.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relations between the reception of Chaucer and the &quot;study of the history of emotion,&quot; focusing on the &quot;symbolic capital&quot; of Samuel Taylor Coleridge&#039;s brief comments on Chaucer in &quot;Table Talk,&quot; the &quot;social context&quot; in which the comments were practiced, distinctions between &quot;emotional&quot; and &quot;affective&quot; responses that may be observed in the comments, and the &quot; emotional work performed&quot; by them. Includes comments on Chaucer&#039;s uses of &quot;tender.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275746">
    <dcterms:title><![CDATA[&quot;Otium,&quot; &quot;Negotium,&quot; and the Fear of &quot;Acedia&quot; in the Writings of England&#039;s Late Medieval Ricardian Poets.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers background to late-medieval English literary notion of &quot;otium&quot; (idleness) and explores tensions between leisure and productivity in works by Chaucer, Gower, Langland, and the &quot;Gawain&quot; poet, particularly their representations of the morality of leisure and labor in aristocratic love (treating LGWP and TC) and in the daily lives of clerics and seculars (treating GP and SNP).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275745">
    <dcterms:title><![CDATA[Natural Law in Dryden&#039;s Translations of Chaucer and Boccaccio.]]></dcterms:title>
    <dcterms:description><![CDATA[Discloses John Dryden&#039;s &quot;profound interest in the rich cultural history of natural law philosophy&quot; through close comparisons of his translations/adaptations of KnT and WBT with their Chaucerian originals, as well as through similar examinations of his translations of two tales by Boccaccio.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275744">
    <dcterms:title><![CDATA[The Political Nature of Romance: Focusing on Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s alterations of the conventions of romance in KnT indicate the poet&#039;s political caution in giving advice to his king, advising him in the figure of Theseus to deal with political trouble by valuing Parliament. In Korean with an abstract in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275743">
    <dcterms:title><![CDATA[The Green Otherworlds of Early Medieval Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the ecopoetics of the Celtic underworld in the &quot;Immram Brain,&quot; &quot;Tochmarc Étaíne,&quot; and the &quot;Mabinogi&quot; as background to green-world concerns in &quot;Sir Gawain and the Green Knight.&quot; Closes with commentary on parallel concerns in the opening of GP and several aspects of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275742">
    <dcterms:title><![CDATA[The Wife of Bath&#039;s Ideal Marriage and Late Medieval Ideas about the Domestic Sphere.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that WBPT provides &quot;a serious defence of women,&quot; claiming that the Wife&#039;s ideas about &quot;about mutuality and domestic partnership&quot; in marriage &quot;coincide with ideas which were developing in Chaucer&#039;s society as a result of social and economic changes.&quot; Also shows that similar ideas were &quot;expressed in marriage sermons from the late thirteenth to the sixteenth century.&quot; Connects the queen in WBT with Prudence in Mel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275741">
    <dcterms:title><![CDATA[Pleyes of Myracles.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the meanings and dating of &quot;miracle play&quot; / &quot;miraculum&quot; as descriptors for medieval drama, discussing a range of historical records and offering WBP (3.543-59) and details from MilT as evidence of fourteenth-century dramatic activities in England.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275740">
    <dcterms:title><![CDATA[&quot;Bride-habited but maiden-hearted&quot;: Language and Gender in &quot;The Two Noble Kinsmen.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores aspects of the diction of &quot;The Two Noble Kinsmen,&quot; focusing on nuances derived from the glossaries in Thomas Speght&#039;s editions of Chaucer&#039;s Works, with particular attention to KnT, the source of &quot;Kinsmen,&quot; and to issues of gender identity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275739">
    <dcterms:title><![CDATA[Re-reading Chaucer&#039;s Women: Focusing on Fabliau and Clothing.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on the clothing of Alisoun of MilT and the Wife of Bath, with attention to color, stereotyping, and economic conditions. In Korean, with an abstract in English (pp. 158-59).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275738">
    <dcterms:title><![CDATA[Postcolonialisms: Caribbean Rereadings of Medieval English Discourse.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Old and Middle English language and literature in light of postcolonial conditions and theories, particularly those of Caribbean studies, considering issues of cultural contact, vernacularity, competing discourses, power, transgression, and the social and psychological reflexes of the colonized. Includes numerous references to Chaucer and his works, with commentary on masquerade, carnival, and authority in CT, along with extended analysis of the Pardoner as a &quot;discontinuous identity&quot; and a trickster disclosed, with PardPT as &quot;discourse of sliding genres,&quot; shifting lexicons, and &quot;Chaucerian gap-filled contemplation of finite humanity&quot; that &quot;deconstructs&quot; the Pardoner&#039;s &quot;bogus authority.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275737">
    <dcterms:title><![CDATA[Chaucer and His Bastard Child: Social Disjunction and Metaliterariness in &quot;The Two Noble Kinsmen.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Revisits the &quot;authorship question&quot; of &quot;The Two Noble Kinsmen,&quot; exploring not what was composed by Shakespeare or by Fletcher, but rather the social tensions between characters found in KnT, the play&#039;s source, and those nameless ones of the &quot;Jailer&#039;s group&quot; introduced into the plot. Suggests that the disjunctions of the play be understood &quot;as a metanarrative of the creative process in the shadow of a great precursor poet,&quot; Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275736">
    <dcterms:title><![CDATA[Language Barriers.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on a wide variety of examples--comic and/or serious--of boundaries and sutures between languages in the late medieval literature, exploring issues of translation, including biblical translation; perceived contrasts between &quot;supposedly fixed languages such as Latin and ever-changing vernaculars&quot;; Latin as a vernacular; the relations between vernaculars, especially English and French; animal and human language; and gendered language. Includes many instances drawn from Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275735">
    <dcterms:title><![CDATA[The Routledge Anthology of Poets on Poetry: Poetic Responses to English Poetry from Chaucer to Yeats.]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of &quot;English poets&#039; commentary on their English peers,&quot; with a &quot;selection of the poets&#039; more general reflections on their art.&quot; The section on Chaucer (pp. 72-82) includes comments from Hoccleve through Wordsworth, and the volume&#039;s topical indexes includes numerous citations to Chaucer on poetry and to Chaucerian reception. Originally published by Routledge in 1990 under the title &quot;English Poetry.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275734">
    <dcterms:title><![CDATA[Geoffrey Chaucer: 1340?-1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes nine critical essays or excerpts from books published between 1970 and 1997 on issues of gender and sexuality in Chaucer&#039;s works, with a brief introduction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275733">
    <dcterms:title><![CDATA[Geoffrey Chaucer: 1340?-1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints forty-eight examples of critical commentary on Chaucer and his poetry, from Deschamps, Gower, and Caxton to 1989, some excerpted and some complete essays, with an annotated list of suggestions for further reading. The Introduction (pp. 42-44) comments on Chaucer&#039;s life and principal works, with a chronological listing of editions. For updates and additions, search for Literature Criticism from 1400 to 1800 under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275732">
    <dcterms:title><![CDATA[The House of Fame: Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints twenty essays on HF published between 1896 and 2006. The introduction by Ludwig (pp. 37-39) summarizes the plot and characters of HF, and comments on its plot and sources, major themes, and critical reception. Includes a selected bibliography of Chaucer&#039;s works and editions, and annotated suggestions for further reading about HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275731">
    <dcterms:title><![CDATA[The Book of the Duchess: Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints twelve essays on BD published between 1934 and 2007. The introduction by Ludwig (pp. 1-4) summarizes the plot and characters of BD, and comments on its plot and sources, major themes, and critical reception. Includes a selected bibliography of Chaucer&#039;s works and editions, and annotated suggestions for further reading about BD.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275730">
    <dcterms:title><![CDATA[A Language for Ethics and Eloquence: Politics and Linguistic Order in Chaucer&#039;s &quot;Lak of Stedfastnesse.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how Sted is a poem not only about political issues, but also about the relationship between the local and the universal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275729">
    <dcterms:title><![CDATA[&quot;Far semed her hart from obeysaunce&quot;: Strategies of Resistance in &quot;The Isle of Ladies.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads &quot;The Isle of Ladies&quot; for its &quot;covert feminine resistance,&quot; arguing that such resistance is evident through the &quot;divided, ambivalent lens&quot; of the half-asleep dream vision of a city of ladies--perhaps influenced by Christine de Pizan&#039;s &quot;Le livre de la Cité des Dames.&quot; The English poem discloses &quot;networks and desires sustained by women&quot; that are &quot;lesbian-like,&quot; and its narrator participates in these networks, including literary production, and leads readers to &quot;desire to reenter the isle of women.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275728">
    <dcterms:title><![CDATA[The Tour of the &quot;Court of Love&quot;: The Tradition of Amatory Poetry and Its Readjustments in Chaucerian Apocrypha.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the literary conventions and intellectual context of &quot;The Court of Love,&quot; a sixteenth-century poem thought to be by Chaucer until the twentieth century. Emphasizes early modern modifications of medieval amatory verse, and includes comments on Alceste of LGW as one of the poem&#039;s sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275727">
    <dcterms:title><![CDATA[Queer Blood.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the iconography of Thomas Becket&#039;s blood in Canterbury Cathedral and its &quot;Christomimetic&quot; associations, and explores parallels between Becket&#039;s blood and the Pardoner&#039;s blood in the &quot;Canterbury Interlude&quot; that precedes the &quot;Tale of Beryn,&quot; suggesting the latter can be read as a queer, &quot;deviant strain of . . . redemptive blood&quot; and analyzing the implications of this suggestion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275726">
    <dcterms:title><![CDATA[Mapping Desire in Chaucer&#039;s &quot;To Rosemounde,&quot; Shakespeare&#039;s &quot;Rape of Lucrece,&quot; and Donne&#039;s &quot;A Valediction: Of Weeping.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the &quot;thematic sexualization of the mappaemundi&quot; in Ros, Shakespeare&#039;s &quot;Lucrece,&quot; and Donne&#039;s &quot;Weeping,&quot; providing interpretive background for the imagery, explaining the poets&#039; familiarity with T-O maps, and exploring the range of implications in each of the poems, including comparison of Chaucer&#039;s treatment with that in Ranulf Higden&#039;s &quot;Polychronicon.&quot; Three color illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275725">
    <dcterms:title><![CDATA[Three Chaucer Songs (1926): Merciless Beauty for Soprano and String Quartet.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate that this vocal–piano score, composed by Bennett for Percy E. Fletcher, was edited by Janet Schlein Somers and Paul Mack Somers. Sets MercB to music in three parts: &quot;Captivity,&quot; &quot;Rejection,&quot; and &quot;Escape,&quot; evidently in modern translation.]]></dcterms:description>
</rdf:Description></rdf:RDF>