<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272254">
    <dcterms:title><![CDATA[A Short Essay on the Middle English Secular Lyric]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the historical and formal stumbling blocks involved in describing a tradition of Middle English secular lyrics, with comments on Chaucer&#039;s innovations and on the evidence in his works for courtly and popular legacies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275094">
    <dcterms:title><![CDATA[A Short History of Medieval Christianity.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses the history of medieval Christianity from the fall of Rome to the ideas of the Reformation. Focuses less on secular and ecclesiastical religious elites and more on how the general public viewed issues of damnation and salvation in the Middle Ages. Pays attention to lives of saints, writings by mystical women, the appeal of monasticism, the Crusades, and the rise of friars amidst the crisis of heresy within the Church. Chapter 4 includes discussion of relationships among Muslims, Jews, and Christians and Chaucer&#039;s satirical view of pilgrimage in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276982">
    <dcterms:title><![CDATA[A Short Media History of English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical survey of the relations between literary texts in English and material presentation, from oral and dramatic performance through manuscripts and books, to audio, visual, and digital forms. Includes a section on key terms, a timeline, and an extensive index. A section on Chaucer emphasizes CT, and its variety and flexibility of voicing in manuscript, print, and later adaptation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263777">
    <dcterms:title><![CDATA[A Sixteenth-Century Allusion to Chaucer&#039;s &#039;Soler Halle&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[A reference in Matthew Parker&#039;s &quot;De antiquitate britannicae ecclesiae&quot; (1572) to Clare Hall, Cambridge, as &quot;vocatum in Chaucero in fabula de Reve the soller Halle&quot; (cf. RvT 3990).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269107">
    <dcterms:title><![CDATA[A Sixth Hand in Cambridge, Trinity College, MS R.3.19]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies characteristics of a sixth scribe (Scribe F) of MS R.3.19, copyist of the &quot;whole of fol. 42, recto and verso.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262645">
    <dcterms:title><![CDATA[A Small Sound of the Trumpet: Women in Medieval Life]]></dcterms:title>
    <dcterms:description><![CDATA[Despite repressive laws and the misogyny of clerical writers, it appears that wives, widows, religious women, mystics, townswomen, and peasant women had more control, respect, and influence than has been thought.  Labarge presents the whole social gamut, from queens to prostitutes in France, England,the Low Countries. and southern Germany, and includes women as healers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277186">
    <dcterms:title><![CDATA[A Song-cycle on the Birth of Jesus: For Soprano and Harp or Piano (1951).]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate this printed musical score includes settings for poetry by Chaucer, Myles Pinkney, St. Teresa of Jesus, and Richard Verstegan (Rowlands), with printed lyrics. An online reprint of page 1 shows the Chaucer selection is from PrP 467ff., in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261710">
    <dcterms:title><![CDATA[A Source for &#039;Old Fish . . . Young Flesh&#039; (U8.867)]]></dcterms:title>
    <dcterms:description><![CDATA[MerT 4.1418 may be the source for the image in Joyce&#039;s Ulysses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272968">
    <dcterms:title><![CDATA[A Sourcebook in the History of English]]></dcterms:title>
    <dcterms:description><![CDATA[Designed as a textbook for study of the history of the English language; includes 24 samples of English prose and poetry, with facing-page translations and brief intoductions.  Two selections from Chaucer&#039;s works:  ABC (pp. 63-75) and Bo 1.prose 6 (pp. 77-81).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274761">
    <dcterms:title><![CDATA[A Southwark Tale: Gower, the 1381 Poll Tax, and Chaucer&#039;s &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer spent much of the 1380s and 1390s in Southwark as a recipient of a sort of patronage from William Wykeham, chancellor of England, alongside others such as Gower and John Cobham. Asserts that GP is based on the format of the 1381 Southwark Poll Tax&#039;s &quot;check-roll or counter roll&quot; format, which contrasts other claims that GP is based on estates satire.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273687">
    <dcterms:title><![CDATA[A Spanish Analogue of the Pear-Tree Episode in the &quot;Merchant&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies an analogue to the pear-tree episode in MerT, a folktale entitled &quot;Women Always Get Away With It,&quot; first published in Puerto Rico in 1915-16 but evidently part of oral tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269722">
    <dcterms:title><![CDATA[A Spanish Version of Chaucer&#039;s &quot;Troilus and Criseyde&quot;/Versión española del &quot;Troili y Criseida&quot; de Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Translation of TC into modern Spanish, with facing-page copy text reprint  of Barry Windeatt&#039;s text of Corpus Christi College, Cambridge University, MS 61. The translation is arranged in stanzas, but  without rhyme or regular meter. The introduction (pp. 1-5) comments on TC as a translation of Boccaccio&#039;s &quot;Filostrato.&quot; The apparatus includes a list of manuscripts, a bibliography (pp. 581-95), and a glossary of Middle English words with brief definitions in modern English and Spanish (pp. 599-649).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262434">
    <dcterms:title><![CDATA[A Spark of Love: Medieval Recognition]]></dcterms:title>
    <dcterms:description><![CDATA[Examines medieval tragic scenes of recognition, including those in Chaucer&#039;s MLT and TC and in Henryson&#039;s &quot;Testament of Cresseid.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273322">
    <dcterms:title><![CDATA[A Speculation Concerning the Grain in Chaucer&#039;s &quot;Prioress&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that the &quot;greyn&quot; in the mouth of the clergeon in PrT (7.622) may be related to a common medieval medical prescription for various maladies, including loss of speech: a &quot;castorea.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276166">
    <dcterms:title><![CDATA[A Spirit of Another Sort: The Evolution and Transformation of the Fairy King from Medieval Romance to Early Modern Prose, Poetry, and Drama.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes commentary on the &quot;figure of Pluto&quot; in MerT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269768">
    <dcterms:title><![CDATA[A Statistical Study of &#039;shall&#039; and &#039;will&#039; in Chaucer&#039;s &#039;Canterbury Tales&#039; and its Relevance to Style]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates the &quot;frequency and percentage&quot; of the modal auxiliaries shall/will and should/would in CT, presenting in eight tables the statistical data in relation to grammar (types of sentences and clauses, person, etc.), mode (poetry and prose), and style (conventional, naturalistic, mixed, and didactic). Comments on the implications of the data and calls for greater attention to Chaucer&#039;s language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262951">
    <dcterms:title><![CDATA[A Story of Athens: Chaucer&#039;s Critique of Classical Ideals in the &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In KnT, the medieval view of the deficiencies of classical ideals is demonstrated through the tacit presence of Christianity.  In its light, the ancient order breaks down; thus, KnT fills a significant place in CT as Christian pilgrimage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261376">
    <dcterms:title><![CDATA[A Structural Interpretation of the Knight&#039;s Tale--Chaucerian Triangle in the Global Perspective]]></dcterms:title>
    <dcterms:description><![CDATA[A narratological description of the love triangle in KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271714">
    <dcterms:title><![CDATA[A Structuralist Analysis of the &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the analytic methods of anthropologist Claude Lévi-Strauss to argue that KnT &quot;embodies in the syntax of its plot the basic rules and taboos of a perfectly structured and unchallenged social and cosmological order&quot;--in short, a &quot;mythic structure.&quot; Within its own frame, the balanced hierarchies, harmonious oppositions, and circular pattern of KnT are inviolable, but this mythic perfection is challenged by parody in MilT (and RvT) in the broader frame of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275880">
    <dcterms:title><![CDATA[A Student Guide to Chaucer&#039;s Middle English.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers instructions for pronunciation and phonetic transcription of passages from Chaucer&#039;s works, with an introduction to the history and grammar of his Middle English dialect, and a glossary of his basic vocabulary. Designed for classroom use, with exercises and advice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273382">
    <dcterms:title><![CDATA[A Study in the Sources and Rhetoric of Chaucer&#039;s &quot;Legend of Good Women&quot; and Ovid&#039;s &quot;Heroides.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads LGW as a comic &quot;parody . . . partially directed at sentimental readings of the Ovidian complaint&quot; found in &quot;Heroides,&quot; focusing on the palinode, love vision, and characters of LGWP and the &quot;humorous inconsistencies&quot; of the legends.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272030">
    <dcterms:title><![CDATA[A Study of &#039;Invidia&#039; in Medieval and Renaissance English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s (and others&#039;) treatment of envy as a Deadly Sin as background to the Renaissance understanding of the vice, which was influenced by classical tradition as well.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272034">
    <dcterms:title><![CDATA[A Study of Character Motivation in Chretien&#039;s &#039;Cligés,&#039; Chaucer&#039;s &#039;Troilus and Criseyde,&#039; and Malory&#039;s &#039;Morte D&#039;Arthur&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that the private motivations of Chaucer&#039;s Troilus help us to understand why critics have &quot;tended to exclude&quot; TC from the romance genre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267377">
    <dcterms:title><![CDATA[A Study of Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Includes eight essays pertaining to CT, examining the similarities between the narrative structure of CT and the multi-layered system particular to Gothic aesthetics.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272878">
    <dcterms:title><![CDATA[A Study of Chaucer&#039;s Use of Time in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how narrative time in TC interacts with the theme of time in the poem, considering the epilogue to have its own, third time scheme.]]></dcterms:description>
</rdf:Description></rdf:RDF>