<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266915">
    <dcterms:title><![CDATA[A Note on Spenser&#039;s Faerie Queene IV and Chaucer&#039;s Squire&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Spenser was influenced by the structure of SqT as well as by its subject matter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265513">
    <dcterms:title><![CDATA[A Note on the Affectivity of Criseyde&#039;s &#039;Pite&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Charts use of &quot;pite&quot; in Chaucer&#039;s works and argues that, as applied to and by Criseyde in TC, it signals transitions in her affections and enables the audience to view her both critically and empathetically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265064">
    <dcterms:title><![CDATA[A Note on the Conclusion of &#039;The Pardoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Though the Pardoner is consummately evil, the Host must be reconciled with him because the former is still a representative of the church.  The Host&#039;s outburst, though justified, is destructive because to the company the Pardoner is an embodiment of mystery and a representative of the church and its mercy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263073">
    <dcterms:title><![CDATA[A Note on the Dramatic Point of View in Chaucer&#039;s &#039;Rosemounde&#039;: Carnal vs. Spiritual Love]]></dcterms:title>
    <dcterms:description><![CDATA[The love ballad &quot;Rosemounde&quot; is a &quot;sophisticated dramatic monologue&quot; in which Chaucer unconventionally develops the theme of carnal versus spiritual love &quot;through the &#039;persona&#039; of a boastful knight.&quot;  Through the comic irony of the ballad and the use of oral narration, Chaucer the poet is identified with the persona.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261981">
    <dcterms:title><![CDATA[A Note on the Epigraph to Conrad&#039;s &#039;The Rescue&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Joseph&#039;s Conrad&#039;s epigraph to &quot;The Rescue&quot; quotes FranT 5.1342-44, and the two works share concern with &quot;chivalric idealism&quot; and &#039;amour courtois&#039;.&quot; The heroines of the two works are &quot;captives of illusion,&quot; and they abandon courtly suitors when directed to these suitors by their husbands. However, Conrad&#039;s characters suffer more &quot;complete paralysis of will.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264511">
    <dcterms:title><![CDATA[A Note on the Ink in Some Chaucer Manuscripts]]></dcterms:title>
    <dcterms:description><![CDATA[Variations in the ink color of MSS. Ellesmere and Hengwrt have yet to be accurately described and may provide information concerning the order in which the parts of the mss were written.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270441">
    <dcterms:title><![CDATA[A Note on the Meaning of &#039;Wombe&#039;: Merchant&#039;s Tale l.2414]]></dcterms:title>
    <dcterms:description><![CDATA[Reported by MLA International Bibliography; essay not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276301">
    <dcterms:title><![CDATA[A Note on the Paper Castle in &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Adduces ParsT 10.445 and &quot;Purity&quot; 1407-8 to argue that the paper castle in &quot;Sir Gawain and the Green Knight&quot; (800-02) has moral implications of luxury and excess.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262106">
    <dcterms:title><![CDATA[A Note on the Sources of Chaucer&#039;s &#039;Troilus&#039; V, 540-613]]></dcterms:title>
    <dcterms:description><![CDATA[Not only does Troilus&#039;s address to the &quot;paleys desolat&quot; of Criseyde echo the lament over the deserted Jerusalem in the first two chapters of Lamentations, but also Troilus&#039;s fixation upon that house is designed to evoke the self-punishing behavior Ovid warns against in &quot;Remedia amoris.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269394">
    <dcterms:title><![CDATA[A Note on the Urry-Edition Pilgrim Portraits]]></dcterms:title>
    <dcterms:description><![CDATA[Contrary to Stephen R. Reimer&#039;s crediting them to George Vertue (in Chaucer Review 41 [2006]), the drawings for the Urry portraits were executed by J. Chalmer and printed thereafter from engravings by Vertue.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277407">
    <dcterms:title><![CDATA[A Note on the Use of &quot;Wring One&#039;s Hands&quot; in Middle English Literature with a Focus on Middle English Romances and Chaucer&#039;s Works.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the expression &quot;wring one&#039;s hands&quot; in TC, HF, MLT, and ClT, and other Middle English romances. Focuses on frequency, associated gestures, and the gender of the person performing the action. Finds that the expression often accompanies other gestures to convey deep grief, is used more to depict women&#039;s sorrow, and plays a crucial role in advancing the narrative in scenes of grief. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267503">
    <dcterms:title><![CDATA[A Note on the Use of Nonfinite Forms of Intransitive Mutative Verbs with the Verb To Come in Old and Middle English]]></dcterms:title>
    <dcterms:description><![CDATA[Several examples from Chaucer illustrate late Middle English combinations of come with infinitives and with participles.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261380">
    <dcterms:title><![CDATA[A Note on the Verbal Association in The Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Explores nuances of select words in MilT (especially 1.3187-215).]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Kanno&#039;s Studies in Chaucer&#039;s Words (Tokyo: Eihosha, 1996), pp. 14-24.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268439">
    <dcterms:title><![CDATA[A Note on Troilus and Criseyde: Shakespeare Reading Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Compares how Chaucer&#039;s Criseyde and Shakespeare&#039;s Cressida reflect each respective author&#039;s concerns with literary and historical authority.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270577">
    <dcterms:title><![CDATA[A Parlor Game for Teaching Imagery]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on selected images in &quot;Beowulf,&quot; Langland&#039;s &quot;Piers Plowman,&quot; and MilT, where the &quot;imagery of holiness&quot; can be seen to align Nicholas and Alisoun&#039;s love-making with divine pattern. Also includes a classroom exercise to sensitize students to imagery.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268126">
    <dcterms:title><![CDATA[A Perfect Marriage on the Rocks: Geoffrey and Philippa Chaucer, and the Franklin&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[In its concerns with social rank and professional distractions, the marriage of Arveragus and Dorigen in FranT mirrors that of Chaucer and Philippa. The theme of the Tale (that true love cannot be maintained without outside considerations) might mirror what the poet and his wife came to learn, and its genre (Breton lai), by convention concerned with the growing pains of love over time and ultimate optimism, is perfectly suited for a union such as Chaucer may have had.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277264">
    <dcterms:title><![CDATA[A Performer&#039;s Guide to Selected Tenor Songs of Ralph Vaughan Williams.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes &quot;the literary and musical tools used by Ralph Vaughan Williams to aid in an informed performance&quot; of songs composed by Vaughan to various texts; includes discussion of MercB, accompanied by musical score and commentary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275272">
    <dcterms:title><![CDATA[A Perpetual Prison: The Design of Chaucer&#039;s &quot;The Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Article not seen; no abstract available.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268556">
    <dcterms:title><![CDATA[A Piers Plowman Manuscript by the Hengwrt/Ellesmere Scribe and Its Implications for London Standard English]]></dcterms:title>
    <dcterms:description><![CDATA[Attributes Trinity College, Cambridge, MS B.15.17 (which includes the B-text of &quot;Piers Plowman,&quot; Richard Rolle&#039;s &quot;Form of Living,&quot; and a devotional poem) to the Hengwrt/Ellesmere scribe (Scribe B), summarizing and illustrating the graphetic features of his hand.]]></dcterms:description>
    <dcterms:description><![CDATA[Spelling features of the manuscript parallel those of Hengwrt and Ellesmere, indicating that such features are idiosyncratic rather than evidence of a rising standard. The scribe (like Scribe D) was probably a &quot;full-time&quot; textwriter or a freelance scribe.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265229">
    <dcterms:title><![CDATA[A Pilgrimage Through Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-seven articles on Chaucer, Langland, Malory, and others. For fourteen essays that pertain to Chaucer, search for Pilgrimage Through Medieval Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269677">
    <dcterms:title><![CDATA[A Place Among the Leaves: The Manuscript Contexts of Chaucer&#039;s Parliament of Fowls]]></dcterms:title>
    <dcterms:description><![CDATA[Using the fourteen extant manuscripts of PF as points of reference, Preston questions reductive thematic approaches to compilations and argues that other factors--authorial attribution and class, for instance--are equally plausible as explanations for compilation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270868">
    <dcterms:title><![CDATA[A Play of Opposites in the &#039;Nun&#039;s Priest&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Through its &quot;aversion to binary opposites,&quot; NPT promulgates &quot;an inclusive perspective that avoids fixed interpretations&quot; of notions of poverty, gender, free will, and authenticity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261425">
    <dcterms:title><![CDATA[A Plug for Pluralism? A Note on the Manciple&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Critical attempts to find a single meaning for ManT reveal the tale&#039;s own defiance of any didactic or schematized moral.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270446">
    <dcterms:title><![CDATA[A Poet&#039;s Choice]]></dcterms:title>
    <dcterms:description><![CDATA[A selection of Jennings&#039; personal favorites among English poems, beginning with selections from GP (lines 1-78, 101-62, 219-330, 411-76, and 822-35), in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262246">
    <dcterms:title><![CDATA[A Poetics of Personification]]></dcterms:title>
    <dcterms:description><![CDATA[Although personification is currently devalued, analysis of its poetic codes of invention reveals its complexity in the works of Prudentius, Langland, Spenser and Chaucer (HF and PF).]]></dcterms:description>
</rdf:Description></rdf:RDF>