<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261781">
    <dcterms:title><![CDATA[A Note on &#039;Troilus and Criseyde&#039; V.1786-92]]></dcterms:title>
    <dcterms:description><![CDATA[Richly rhetorical and allusive, Chaucer&#039;s &quot;Go, litel bok&quot; stanza, in its undercutting of the opposition between &quot;makyng&quot; and &quot;poesye,&quot; reflects his ambivalence toward the new classicizing poetics of trecento Italy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274276">
    <dcterms:title><![CDATA[A Note on &quot;Troilus and Criseyde, Book III, Line 1309.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies similarities between Criseyde&#039;s address to Troilus in TC 3.1309 with &quot;levation&quot; prayers, i.e., popular devotional prayers aligned with the &quot;looking at the host at the elevation of Mass.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264414">
    <dcterms:title><![CDATA[A Note on Canacee&#039;s Magic Ring]]></dcterms:title>
    <dcterms:description><![CDATA[The legend of Moses&#039; magic, alluded to in SqT 247-51, first occurs in Peter Comestor&#039;s &quot;Historia scholastica.&quot;  Nicholas Trevet and Gower also mention this motif, but probably Chaucer&#039;s source for the allusion is Roger Bacon&#039;s &quot;Opus maius.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264935">
    <dcterms:title><![CDATA[A Note on Chaucer and the &#039;Ovide moralise&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Supports James Wimsatt&#039;s contention that the story of Ceyx and Alcyone in BD owes certain details  to &quot;Ovide moralise&quot; rather than to the &quot;Metamorphoses&quot; by offering one piece of evidence, namely, that the narrator says that, to drive away the sleepless night, he read a &quot;romaunce,&quot; a term more likely to be used by Chaucer for a French work such as the &quot;Ovide moralise&quot; than for a Latin text such as the &quot;Metamorphoses.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266498">
    <dcterms:title><![CDATA[A Note on Chaucer&#039;s &#039;Knight&#039;s Tale&#039; Compared with Boccaccio&#039;s &#039;Teseida&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Unlike &quot;Teseida,&quot; KnT lacks the formal invocations of the epic, perhaps as a result of Chaucer&#039;s fitting the story into the CT frame.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264614">
    <dcterms:title><![CDATA[A Note on Chaucer&#039;s &#039;Manciple&#039;s Tale&#039; 105-10]]></dcterms:title>
    <dcterms:description><![CDATA[Links the python slain by Apollo with an alchemic symbol and argues that ManT is thematically related to CYT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275401">
    <dcterms:title><![CDATA[A Note on Chaucer&#039;s Obscenity.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the &quot;real and alleged obscenity of the farting scene in MilT, focusing on its, narrative technique, humor, and the use of &quot;thonder-dent.&quot; ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261731">
    <dcterms:title><![CDATA[A Note on Chaucer&#039;s Prioress and Her Literary Kinship with the Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Since Chaucer uses the same passage in the Roman de la Rose as a source for the Prioress and the Wife of Bath, these two characters &quot;are bonded in ironic literary sisterhood.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275822">
    <dcterms:title><![CDATA[A Note on Chaucer&#039;s Pronunciation of French &quot;u.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Offers evidence (rhymes and phonetic patterns in English and French) to indicate &quot;Chaucer having pronounced &#039;iu&#039; in French loanwords, with the stress on the first element of the diphthong.&quot; Further this &quot;&#039;iu&#039; coalesced with earlier &#039;ew&#039;, &#039;iw&#039;, and, later on, developed into the rising diphthong &#039;jū&#039; of &#039;new&#039;, &#039;knew&#039; and &#039;due&#039;.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276686">
    <dcterms:title><![CDATA[A Note on Chaucer&#039;s Women.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores similarities of Chaucer&#039;s description of women&#039;s hair (KnT 1.1048-50, PF 267-68, and TC 5.808-12) and Apuleius&#039;s &quot;Metamorphoses&quot; II.10, suggesting a similar aesthetic rather than a source relationship, and noting that all resonate with Virgil&#039;s &quot;Aeneid&quot; 1.318-20.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268867">
    <dcterms:title><![CDATA[A Note on Dr. Samuel Johnson and the Reception of Chaucer in Eighteenth-Century England]]></dcterms:title>
    <dcterms:description><![CDATA[Explores why Samuel Johnson did not carry out his publicized intention to produce an annotated edition of Chaucer&#039;s works. If he had relied on Urry&#039;s edition, the annotated edition would have proved a sorry rival to Tyrwhitt&#039;s.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277296">
    <dcterms:title><![CDATA[A Note on Henry Vaughan.]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes an influence of KnT 1.1995 (&quot;dirke ymaginning&quot;) on Vaughan&#039;s &quot;The importunate Fortune, written to Doctor &#039;Powel&#039; of Cantre,&quot; and accounts for Vaughan&#039;s confusion of Mars and Saturn.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263981">
    <dcterms:title><![CDATA[A Note on Line 1196 of &#039;The Wife of Bath&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;a ful greet bryngere out of bisynesse&quot; means &quot;remover of worries.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265423">
    <dcterms:title><![CDATA[A Note on Pandarus&#039;s Strategy]]></dcterms:title>
    <dcterms:description><![CDATA[In Chaucer&#039;s TC and in Boccaccio&#039;s &quot;Filostrato,&quot; love is irresistible.  Sudo considers Pandarus&#039;s role in effecting love&#039;s irresistibility and assesses the function of nautical imagery in conveying it.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262093">
    <dcterms:title><![CDATA[A Note on Planetary Tables and a Planetary Conjunction in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The planetary conjunction in TC 3 is a description of an actual event that occurred in 1385.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261643">
    <dcterms:title><![CDATA[A Note on Repetition and Contrast in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the important role of rhetorical figures--particularly repetition and contrast--in the meaning, the structure, and the description of characters in NPT, BD, and TC.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Kanno&#039;s Studies in Chaucer&#039;s Words (Tokyo: Eihosha, 1996), pp. 196-210.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267715">
    <dcterms:title><![CDATA[A Note on Some Pregnant Words in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Words and phrases discussed include &quot;lust,&quot; &quot;blynde,&quot; &quot;a fewe wordes white,&quot; &quot;glosynge,&quot; &quot;ambages,&quot; &quot;amphibologie,&quot; &quot;double,&quot; &quot;sophyme,&quot; &quot;swete wordes,&quot; &quot;plesante wordes,&quot; and &quot;peinten.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270335">
    <dcterms:title><![CDATA[A Note on Sonnet 38]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the &quot;cluster of ideas&quot; that conclude Shakespeare&#039;s Sonnet 38 are a version of the &quot;topos of supplication&quot; that Bawcutt traces back to Boccaccio&#039;s &quot;Filostrato,&quot; citing mediating examples in TC (1.15-21), KnT (2405-6), and Gavin Douglas&#039;s &quot;Eneados&quot; (1 Prol 51-2).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266915">
    <dcterms:title><![CDATA[A Note on Spenser&#039;s Faerie Queene IV and Chaucer&#039;s Squire&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Spenser was influenced by the structure of SqT as well as by its subject matter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277752">
    <dcterms:title><![CDATA[A Note on St. Caecilia.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies an overlooked resource for the study of the sources and analogues of SNT: H. Delehaye&#039;s 1936 &quot;Etude sur le legendier romain, les saints de Novembre et de Decembre&quot; (Bruxelles, 1936).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265513">
    <dcterms:title><![CDATA[A Note on the Affectivity of Criseyde&#039;s &#039;Pite&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Charts use of &quot;pite&quot; in Chaucer&#039;s works and argues that, as applied to and by Criseyde in TC, it signals transitions in her affections and enables the audience to view her both critically and empathetically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265064">
    <dcterms:title><![CDATA[A Note on the Conclusion of &#039;The Pardoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Though the Pardoner is consummately evil, the Host must be reconciled with him because the former is still a representative of the church.  The Host&#039;s outburst, though justified, is destructive because to the company the Pardoner is an embodiment of mystery and a representative of the church and its mercy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263073">
    <dcterms:title><![CDATA[A Note on the Dramatic Point of View in Chaucer&#039;s &#039;Rosemounde&#039;: Carnal vs. Spiritual Love]]></dcterms:title>
    <dcterms:description><![CDATA[The love ballad &quot;Rosemounde&quot; is a &quot;sophisticated dramatic monologue&quot; in which Chaucer unconventionally develops the theme of carnal versus spiritual love &quot;through the &#039;persona&#039; of a boastful knight.&quot;  Through the comic irony of the ballad and the use of oral narration, Chaucer the poet is identified with the persona.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261981">
    <dcterms:title><![CDATA[A Note on the Epigraph to Conrad&#039;s &#039;The Rescue&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Joseph&#039;s Conrad&#039;s epigraph to &quot;The Rescue&quot; quotes FranT 5.1342-44, and the two works share concern with &quot;chivalric idealism&quot; and &#039;amour courtois&#039;.&quot; The heroines of the two works are &quot;captives of illusion,&quot; and they abandon courtly suitors when directed to these suitors by their husbands. However, Conrad&#039;s characters suffer more &quot;complete paralysis of will.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264511">
    <dcterms:title><![CDATA[A Note on the Ink in Some Chaucer Manuscripts]]></dcterms:title>
    <dcterms:description><![CDATA[Variations in the ink color of MSS. Ellesmere and Hengwrt have yet to be accurately described and may provide information concerning the order in which the parts of the mss were written.]]></dcterms:description>
</rdf:Description></rdf:RDF>