<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275912">
    <dcterms:title><![CDATA[Chaucer&#039;s Travels for the Court]]></dcterms:title>
    <dcterms:description><![CDATA[Details the extant evidence for Chaucer&#039;s travel, both in England and abroad, noting that all known travel is for the court, if we define it as &quot;the various royal households with which Geoffrey Chaucer was associated.&quot; Explores countries and places Chaucer would have known from books and does not limit analysis to physical travel. Traces the complex relationship between travel and Chaucer&#039;s works, suggesting that there is no simple link between that travel and his writing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275911">
    <dcterms:title><![CDATA[The Malins in Chaucer&#039;s Ipswich Ancestry.]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges the traditional &quot;misleading&quot; explanation of a Chaucer life-record, particularly the uses of the name Malin/a, reopening &quot;the question of the Malin branch of Chaucer&#039;s ancestry.&quot; Observes that the name is used in RvT]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275910">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2018, divided into six subcategories: general, CT, TC, LGW, other works, and reputation and reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275909">
    <dcterms:title><![CDATA[The Encyclopedia of Medieval Literature in Britain.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents over 600 entries on texts, critical debates, methodologies, cultural and historical contexts, and terminology on British literature from the fifth to the sixteenth century. Represents all medieval literatures, including Chaucer, and presents a &quot;multilingual and intercultural approach&quot;&quot; that reflects the latest scholarship for use as reference for teaching and studying medieval British literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275908">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2018.]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 232 items, plus a listing of reviews for 34 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275907">
    <dcterms:title><![CDATA[The Phenomenology of Frames in Chaucer, Dante and Boccaccio.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that frame narratives make &quot;language both a represented object and a representing agent&quot; and &quot;thus perfectly mimetic.&quot; Following both Dante and Boccaccio in using the device, Chaucer unsettles &quot;easy assignations of identity&quot; for his pilgrim-tellers in CT and thus &quot;makes the temporality within his Tales strange and poignant in a way that fully mimics our own experience of extra-narrative time.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275906">
    <dcterms:title><![CDATA[Earle Birney: Medievalist Bard of British Columbia.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes comments on Earle Birney&#039;s use of Chaucerian motifs in his poetry and his writing about Chaucer&#039;s irony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275905">
    <dcterms:title><![CDATA[Margaret Atwood and Chaucer: Truth and Lies.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies parallels between CT and Margaret Atwood&#039;s &quot;The Handmaid&#039;s Tale,&quot; found particularly in the fictional &quot;Historical Notes&quot; that follow the main text of the novel. Notes the echo of Chaucer in Atwood&#039;s title and a single reference to Chaucer in her work, but focuses on textual complexity and &quot;the problem of language as a vehicle for meaning&quot; in both texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275904">
    <dcterms:title><![CDATA[Response Essay: Chaucer&#039;s Inquisition.]]></dcterms:title>
    <dcterms:description><![CDATA[Responds to the nine essays in this volume, exploring relations among inquisition, innovation, creativity, and imagination. Discusses LGWP as a poem that &quot;seeks its inventiveness in law at the same time that it invites its readers to enjoy the inquisition of the poet&quot; and thereby &quot;generates an authorship that feels modern, rather than pre-modern.&quot; Parallels the inquisitorial list of Chaucer&#039;s works in LGWP with the confessional one in Ret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275903">
    <dcterms:title><![CDATA[Ambiguous Negations in Chaucer and Queen Elizabeth.]]></dcterms:title>
    <dcterms:description><![CDATA[Draws examples from Bo and Elizabeth I&#039;s translation of Boethius (&quot;noght,&quot; &quot;nowt,&quot; &quot;nothing,&quot; etc.) to show that the ambiguity of morphological negation disappears between Middle and Early Modern English while that of syntactical negation survives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275902">
    <dcterms:title><![CDATA[The Short Lyric Poems of Jean Froissart: Fixed Forms and the Expression of the Courtly Ideal.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the nature and quality of Froissart&#039;s short poems: lays, chansons royales, pastourelles, ballades, virelays, and rondeaux, providing texts and commentary. The Introduction includes a survey of scholarship about Froissart&#039;s influence on Chaucer, and comments further about his possible influence on Chaucer&#039;s verse and style.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275901">
    <dcterms:title><![CDATA[Call Me Ishmael, Still.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates that this volume of poetry includes two poems entitled &quot;From Chaucer&#039;s The Franklin tale&quot; and &quot;The Franklin&#039;s tale told twice.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275900">
    <dcterms:title><![CDATA[My Gay Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Autobiographical remembrance/contemplation by a gay medievalist in New York. Includes frequent references and allusions to medieval topics, including Chaucer, here described as &quot;really the most important thing in the world.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275899">
    <dcterms:title><![CDATA[Troya Historiada en &quot;The Book of the Duchess&quot; y &quot;The House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the Troy stories in BD and HF, exploring issues of cultural memory, authorization, and Chaucer&#039;s visual depiction of the traditional narrative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275898">
    <dcterms:title><![CDATA[Medievalism in English Renaissance Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the &quot;scope and range of Tudor responses to the Middle Ages,&quot; tracing the &quot;literary afterlife&quot; of Chaucer, Tudor &quot;editions and redactions&quot; of medieval romances, and &quot;Elizabethan dramatizations of medieval history.&quot; Poetic and editorial treatments of Chaucer mostly &quot;honor him for endowing England with a literary history and identity,&quot; although some &quot;treat him more like a colleague or poetic contemporary.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275897">
    <dcterms:title><![CDATA[The Beginning of Writing about Painting in English: Chaucer to Shakespeare.]]></dcterms:title>
    <dcterms:description><![CDATA[Claims that writing about painting in England began with Chaucer&#039;s &quot;definition of visual art&quot; in PhyT 6.9ff., sketching classical and medieval background to Chaucer&#039;s description, particularly Pliny, Bartholomeus Anglicus, John Trevisa, and the Roman de la Rose. Also comments in detail on Chaucer&#039;s visual techniques and uses of ekphrasis in PF and KnT before tracing concerns with art writing, image-making, and iconoclasm in pre-modern English writing and the rise of humanism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275895">
    <dcterms:title><![CDATA[&quot;What&#039;s Past Is Prologue&quot;: Medieval English Studies in China in Recent Decades (1978-2014).]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys translations and studies of medieval English literature produced in the People&#039;s Republic of China, commenting on the important role of Professor Li Fu-ning and describing translations, theses and dissertations, and critical books and essays. Emphasizes Chaucer throughout, with mention of &quot;over 150&quot; essays written about his works, and discusses various ideological and aesthetic approaches to translation and critical study.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275894">
    <dcterms:title><![CDATA[&quot;From Pandaro to Pandarus: Sexuality and Power in Chaucer&#039;s &#039;Troilus and Criseyde&#039;.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares Chaucer&#039;s Pandarus with Boccaccio&#039;s Pandaro, arguing that &quot;that Pandarus so loves Troilus that he consummates his passion vicariously on Criseyde, telling lies which kill the affair before the lady leaves Troy.&quot; The &quot;cues&quot; for this characterization &quot;all lie in&quot; the &quot;Filostrato,&quot; but the &quot;darkness&quot; of Pandarus &quot;is a product of Chaucer&#039;s London.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275893">
    <dcterms:title><![CDATA[Triptych for Tenor and Orchestra.]]></dcterms:title>
    <dcterms:description><![CDATA[Sets MerB to orchestral music, sung by tenor; text in Middle English. A Special Oder Edition / Study Score was commissioned by the Saltire Music Group, apparently in 2009.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275892">
    <dcterms:title><![CDATA[Einführung in das Studium des Mittelenglischen unter Der Prologs der &quot;Canterbury Tale.&quot;.]]></dcterms:title>
    <dcterms:description><![CDATA[Part 2 (pp. 225-379) prints the entire GP, based on the text of Manly and Rickert (1940), with phonetic transcription of lines 1-78; introductory commentary on its meter, stress patterns, syllabification, and rhyme techniques; and a comprehensive glossary of its vocabulary. Also includes an introductory survey of Chaucer&#039;s life and works, with particular emphasis on CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275891">
    <dcterms:title><![CDATA[Middle English: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive review of Chaucerian scholarship and research published in 1957.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275890">
    <dcterms:title><![CDATA[Middle English: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive review of Chaucerian scholarship and research published in 1958.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275889">
    <dcterms:title><![CDATA[Middle English: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive review of Chaucerian scholarship and research published in 1959.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275888">
    <dcterms:title><![CDATA[Cantate sur des Poèmes de Chaucer: Pour Choeurs Mixtes et Orchestre.]]></dcterms:title>
    <dcterms:description><![CDATA[Score in six parts for orchestra and voices: Prélude I, Captivity, Prélude II, Escape, Prélude III, and Rejection. The text of the three parts between the preludes is MercB in Middle English with an interlinear French translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275887">
    <dcterms:title><![CDATA[Animal Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes an oral retelling of NPT for children, &quot;Chanticleer the Rooster,&quot; adapted and read by Jim Weiss, with a brief introduction. Track 9; ca. 15 min.]]></dcterms:description>
</rdf:Description></rdf:RDF>