<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275927">
    <dcterms:title><![CDATA[Dante and the Medieval City: How the Dead Live.]]></dcterms:title>
    <dcterms:description><![CDATA[Maps out Dante&#039;s depiction of the infernal city and traces the &quot;infernal mode of representation of urban experience,&quot; by suggesting that Dante describes the city<br />
with an &quot;urban variation on the vertical cosmos of the Last Judgment.&quot; Documents the influence of this depiction of the infernal city on Boccaccio, Chaucer, François Villon, and Christine de Pizan.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275926">
    <dcterms:title><![CDATA[Vernacular Authorship and Public Poetry: John Gower.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the &quot;very novelty of Gower&#039;s claim to be a nationally significant, elite, literary author by examining specific articulations of this claim.&quot; Examining the implications of such a claim, McCabe argues for Gower&#039;s influence on English poetry through Hoccleve and Lydgate, and on Chaucer&#039;s own poetic mode in Ret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275925">
    <dcterms:title><![CDATA[Chaucer&#039;s Petrarch: &quot;enlumyned ben they.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the connections between Petrarch and Dante for Chaucer, while simultaneously showing the depth of Petrarch&#039;s influence on Chaucer&#039;s verse. Discusses fame and Petrarch in ClT, MkT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275924">
    <dcterms:title><![CDATA[The Poetics of Trespass and Duress: Chaucer and the Fifth Inn of Court.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the &quot;the rise and coalescence of trespass law, both as a theory of legal relationality and a practice of litigation.&quot; Traces the effect of trespass law on other forms of English law and demonstrates the effect of this law on poetry. Emphasizes TC and its relationship to Boccaccio&#039;s &quot;Filostrato,&quot; highlighting how the former can be viewed through the evolution of English law.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275923">
    <dcterms:title><![CDATA[Medicine and Science in Chaucer&#039;s Day.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the influence of Dominican friar Henry Daniel, and his efforts, along with other English scientists, &quot;to appropriate into their language the scientific learning available in Latin, and to lay the foundations for future development.&quot; Demonstrates how Daniel&#039;s appropriation of Latin scientific language applies to Chaucer&#039;s own verse.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275922">
    <dcterms:title><![CDATA[Boccaccio&#039;s Early Romances.]]></dcterms:title>
    <dcterms:description><![CDATA[Treats Boccaccio&#039;s romances, concentrating on &quot;Filostrato&quot; and &quot;Teseida,&quot; &quot;as if they were intralingual translations,&#039; by analyzing the collusion and contravention of the narratives&#039; aims by their own prologues. These prologues, apparently unknown or ignored by Chaucer, &quot;nevertheless produced poems that are [Walter] Benjamin-like translations of them.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275921">
    <dcterms:title><![CDATA[Ovid: Artistic Identity and Intertextuality.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces connections between Ovid and Chaucer and asserts that &quot;Chaucer emerges not simply as a conveyor of or apprentice to Ovid, but as a &#039;collaborator&#039; in an Ovidian poetic, one who necessarily and wilfully transforms Ovid&#039;s &#039;book&#039; into his own.&quot; In the sections that follow an introduction of Chaucerian and Ovidian resonances, makes a case for viewing Chaucer as Ovid&#039;s &quot;dynamic partner and active contributor to Ovidian intertextuality.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275920">
    <dcterms:title><![CDATA[Dante and the Author of the &quot;Decameron.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues &quot;that far from being occasional, accidental, or haphazard, Boccaccio&#039;s engagement with Dante structures the authorial interventions in the frame of the &quot;&#039;Decameron/.&quot; Traces Boccaccio&#039;s use of Dante to demonstrate how Chaucer uses Boccaccio in similar ways.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275919">
    <dcterms:title><![CDATA[Chaucer and the Textualities of Troy.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys some of the sources of and connections among the various texts that predate Chaucer and that describe Troy and its fall. Discusses a range of Chaucerian engagements with Troy, including BD and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275918">
    <dcterms:title><![CDATA[Lydgate&#039;s Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines connections between Chaucer and Lydgate, tracing &quot;some of the ways in which Lydgate received and (re)constructed Chaucer&#039;s poetry.&quot; Concentrating on &quot;The Mumming at Bishopswood,&quot; the &quot;Siege of Thebes,&quot; and the patronage between Lydgate and the Chaucer family, demonstrates how &quot;Lydgate&#039;s use of Chaucer finds new meanings for Chaucer&#039;s poetry.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275917">
    <dcterms:title><![CDATA[Historiography: Nicholas Trevet&#039;s Transnational History.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Nicholas Trevet&#039;s Anglo-Norman chronicle and discusses &quot;the ways in which Trevet&#039;s larger vision of history is reflected in Chaucer&#039;s writing.&quot; Catalogues the various models for history available to and used by Chaucer, including Geoffrey of Monmouth, Ranulf Higden, and Orosius, before moving on to &quot;moments of intensification in Chaucer that correspond to moments of intensification . . . in Trevet.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275916">
    <dcterms:title><![CDATA[The Role of the Scribe: Genius of the Book.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the figure of Genius from Alan of Lille&#039;s &quot;De planctu Naturae&quot; to flesh out the role of the scribe for Chaucer and his works. Focuses on the role of the scribe not only in Chaucer&#039;s work and manuscripts, but also in contemporary scholarship, and claims that, similarly to Genius, &quot;these scribes function at times as a mirror or other self of the author whose work they produce.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275915">
    <dcterms:title><![CDATA[At Home and in the &quot;Counter-Hous&quot;: Chaucer&#039;s Polyglot Dwellings.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the way connections of polyglot London and England trace how &quot;London&#039;s polyglot character informs Chaucer&#039;s fictive portrayal of urban living&quot; in HF and ShT. Connects Chaucer&#039;s work at the customs house and his house in Aldgate with HF and highlights the &quot;shared urban contexts&quot; by mapping out the complex linguistic interplay in HF and ShT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275914">
    <dcterms:title><![CDATA[The Oxford Handbook of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a comprehensive, &quot;stereoscopic,&quot; and wide-ranging view of Chaucer&#039;s culture and connections in a collection of essays focusing on current work in Middle English studies. For twenty-nine individual essays by various authors, search for Oxford Handbook of Chaucer under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275912">
    <dcterms:title><![CDATA[Chaucer&#039;s Travels for the Court]]></dcterms:title>
    <dcterms:description><![CDATA[Details the extant evidence for Chaucer&#039;s travel, both in England and abroad, noting that all known travel is for the court, if we define it as &quot;the various royal households with which Geoffrey Chaucer was associated.&quot; Explores countries and places Chaucer would have known from books and does not limit analysis to physical travel. Traces the complex relationship between travel and Chaucer&#039;s works, suggesting that there is no simple link between that travel and his writing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275911">
    <dcterms:title><![CDATA[The Malins in Chaucer&#039;s Ipswich Ancestry.]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges the traditional &quot;misleading&quot; explanation of a Chaucer life-record, particularly the uses of the name Malin/a, reopening &quot;the question of the Malin branch of Chaucer&#039;s ancestry.&quot; Observes that the name is used in RvT]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275910">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2018, divided into six subcategories: general, CT, TC, LGW, other works, and reputation and reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275909">
    <dcterms:title><![CDATA[The Encyclopedia of Medieval Literature in Britain.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents over 600 entries on texts, critical debates, methodologies, cultural and historical contexts, and terminology on British literature from the fifth to the sixteenth century. Represents all medieval literatures, including Chaucer, and presents a &quot;multilingual and intercultural approach&quot;&quot; that reflects the latest scholarship for use as reference for teaching and studying medieval British literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275908">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2018.]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 232 items, plus a listing of reviews for 34 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275907">
    <dcterms:title><![CDATA[The Phenomenology of Frames in Chaucer, Dante and Boccaccio.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that frame narratives make &quot;language both a represented object and a representing agent&quot; and &quot;thus perfectly mimetic.&quot; Following both Dante and Boccaccio in using the device, Chaucer unsettles &quot;easy assignations of identity&quot; for his pilgrim-tellers in CT and thus &quot;makes the temporality within his Tales strange and poignant in a way that fully mimics our own experience of extra-narrative time.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275906">
    <dcterms:title><![CDATA[Earle Birney: Medievalist Bard of British Columbia.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes comments on Earle Birney&#039;s use of Chaucerian motifs in his poetry and his writing about Chaucer&#039;s irony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275905">
    <dcterms:title><![CDATA[Margaret Atwood and Chaucer: Truth and Lies.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies parallels between CT and Margaret Atwood&#039;s &quot;The Handmaid&#039;s Tale,&quot; found particularly in the fictional &quot;Historical Notes&quot; that follow the main text of the novel. Notes the echo of Chaucer in Atwood&#039;s title and a single reference to Chaucer in her work, but focuses on textual complexity and &quot;the problem of language as a vehicle for meaning&quot; in both texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275904">
    <dcterms:title><![CDATA[Response Essay: Chaucer&#039;s Inquisition.]]></dcterms:title>
    <dcterms:description><![CDATA[Responds to the nine essays in this volume, exploring relations among inquisition, innovation, creativity, and imagination. Discusses LGWP as a poem that &quot;seeks its inventiveness in law at the same time that it invites its readers to enjoy the inquisition of the poet&quot; and thereby &quot;generates an authorship that feels modern, rather than pre-modern.&quot; Parallels the inquisitorial list of Chaucer&#039;s works in LGWP with the confessional one in Ret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275903">
    <dcterms:title><![CDATA[Ambiguous Negations in Chaucer and Queen Elizabeth.]]></dcterms:title>
    <dcterms:description><![CDATA[Draws examples from Bo and Elizabeth I&#039;s translation of Boethius (&quot;noght,&quot; &quot;nowt,&quot; &quot;nothing,&quot; etc.) to show that the ambiguity of morphological negation disappears between Middle and Early Modern English while that of syntactical negation survives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275902">
    <dcterms:title><![CDATA[The Short Lyric Poems of Jean Froissart: Fixed Forms and the Expression of the Courtly Ideal.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the nature and quality of Froissart&#039;s short poems: lays, chansons royales, pastourelles, ballades, virelays, and rondeaux, providing texts and commentary. The Introduction includes a survey of scholarship about Froissart&#039;s influence on Chaucer, and comments further about his possible influence on Chaucer&#039;s verse and style.]]></dcterms:description>
</rdf:Description></rdf:RDF>
