<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276053">
    <dcterms:title><![CDATA[The Metre of the &quot;Tale of Gamelyn.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Middle English metrical predecessors to &quot;The Tale of Gamelyn&quot; and assesses its regularities and place in the tradition of alliterative long-line verse. Also comments on its status as an example of Chaucerian apocrypha.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276052">
    <dcterms:title><![CDATA[The Transmission of Medieval Romance: Metres, Manuscripts and Early PrintsTransmission of Medieval Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven essays by various authors and an introduction by the editors focus on the codicology and metrical forms of Middle English romances; the volume includes an index. For three essays that pertain to Chaucer, search for Transmission of Medieval Romance under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276051">
    <dcterms:title><![CDATA[Rhyme Royal and Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that rhyme royal was rarely used in Middle English romances because it &quot;mitigates against some of the aims and purposes&quot; of the genre, creating &quot;a self-consciousness about temporality that presses against the fairy-tale temporality of romance&quot; better served by octosyllabic couplets. Reviews and corrects descriptions of the development and functions of rhyme royal, and discusses Chaucer&#039;s dexterous uses of the stanza form in various works, especially TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276050">
    <dcterms:title><![CDATA[The Problem of John Metham&#039;s Prosody.]]></dcterms:title>
    <dcterms:description><![CDATA[Attributes the lack of critical attention to John Metham&#039;s &quot;Amoryus and Cleopes&quot; to its &quot;prosodic eccentricity,&quot; demonstrating that it &quot;does not descend from, and does not participate in, the transmission or reception of Chaucer&#039;s Anglicized hendecasyllable&quot; as do works by Lydgate and Hoccleve.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276049">
    <dcterms:title><![CDATA[Chaucer&#039;s Polyphony: The Modern in Medieval Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s work &quot;contributed to the birth of English polyphonic verse,&quot; a claim supported through discussions of Mikhail Bakhtin and the growth of scholasticism, debate, and music. Connects Chaucer&#039;s verse, including BD, HF, TC, and CT, to other French and Italian medieval poetry, along with events such as the Norman Conquest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276048">
    <dcterms:title><![CDATA[The Valentine&#039;s Day Book.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates that the volume includes a section entitled &quot;The Chaucer Connection.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276047">
    <dcterms:title><![CDATA[Leaving the Final Trace: Testamentary Poetics in the &quot;Troilus and Cressida&quot; Story: Chaucer, Henryson, Shakespeare.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes differences in the uses of personal testaments in TC (Troilus&#039;s) and in the versions of the story by Henryson (Cresseid&#039;s) and Shakespeare, focusing on Pandarus&#039;s testament in &quot;Troilus and Cressida&quot; and on how it reflects the influence of the earlier poets.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276046">
    <dcterms:title><![CDATA[Cresseid, Dido, and the Power of Speech.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the representation of Cresseid and Dido in Robert Henryson&#039;s &quot;The Testament of Cresseid&quot; and in Gavin Douglas&#039;s &quot;Eneados,&quot; along with other female figures, mortal and immortal, and reflects on the differences between these Scottish poems and their Chaucerian models in TC, HF, and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276045">
    <dcterms:title><![CDATA[Trouthe, Lies, &amp; Basketball: A Novel.]]></dcterms:title>
    <dcterms:description><![CDATA[A basketball exposé and coming-of-age novel about a basketball player, Elliott Hersch, and his struggles to find a true life and game, guided by Chaucer&#039;s aphorism in FranT, 1479: &quot;Trouthe is the hyeste thyng that man may kepe.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276044">
    <dcterms:title><![CDATA[&quot;But that was but favour of makers&quot;: Retractions, Editions, and Authorship in Malory&#039;s &quot;Le Morte Darthur.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the two instances of Malory&#039;s refutation of his sources in &quot;Morte&quot; are &quot;a form of retraction,&quot; and that combined with the work&#039;s final explicit they &quot;lie in the literary shadow Ret,&quot; comparing and contrasting Ret with Malory&#039;s withdrawals, and aligning them with learning through retrospection.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276043">
    <dcterms:title><![CDATA[A Conspiracy of Wolves.]]></dcterms:title>
    <dcterms:description><![CDATA[A detective mystery of murder in medieval Yorkshire, with the investigation led by Owen Archer, former Captain of the Guard, assisted by Geoffrey Chaucer, poet, who is on a covert mission for Prince Edward.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276042">
    <dcterms:title><![CDATA[The Graceland Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Identified in WorldCat as a modern reworking of CT set on a twenty-first-century train trip from Chicago to Memphis to visit Graceland, home of Elvis Presley, with characters and tales adapted from Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276041">
    <dcterms:title><![CDATA[Arthur Hugh Clough, Francis James Child, and Mid-Victorian Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Explains how written correspondence between Arthur Hugh Clough and Francis James Child--recurrently concerned with metrical and linguistic issues--reveals influence of Clough on Child&#039;s &quot;Observations on the Language of Chaucer&quot;(1862); Clough&#039;s comments on Child&#039;s proposed but never completed edition of Chaucer; and Clough&#039;s Chaucer-inspired series of poems, &quot;Mari Magno.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276040">
    <dcterms:title><![CDATA[&quot;Heer Y die in thy presence&quot;: The Rewriting of Martyrs in and after Hoccleve.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the reception and impact of Thomas Hoccleve in the sixteenth century, including the linking of him with   Chaucer and proto-Protestant reform. Includes comments on paratextual materials in Speght&#039;s 1598 &quot;Works of Chaucer&quot; that pose the poet as a proto-Protestant, and argues that &quot;the fact that Hoccleve&#039;s reputation was keyed to Chaucer meant that as the latter&#039;s religious affiliations were reframed to suit early modern priorities, so too were Hoccleve&#039;s altered.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276039">
    <dcterms:title><![CDATA[Incident on the Road to Canterbury.]]></dcterms:title>
    <dcterms:description><![CDATA[Fictional prequel to the CT, set in 1366, when Chaucer and his fellow pilgrims (many from CT) are involved with a kidnapping and murder plot while traveling to Canterbury.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276038">
    <dcterms:title><![CDATA[In My Ear Continuously like a Stream.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates that this is a poem composed of lines drawn from a select group of literary works, including CT and works by Kerouac, Camus, Hemingway, Pound, and more.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276037">
    <dcterms:title><![CDATA[Being Boethius: &quot;Vitae,&quot; Politics, and Treason in Thomas Usk&#039;s &quot;Testament of Love.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies that Boethius was a model for &quot;medieval authors with political ambitions--and missteps--of their own.&quot; Imprisoned and accused of treason, Usk aligned himself in his &quot;Testament&quot; with Boethius, although his depiction of his own &quot;seditious activities&quot; is mediated by Chaucer&#039;s TC, particularly Criseyde&#039;s betrayal and self-accusation. Although Chaucer ignores Boethius&#039;s political situation in Bo, he moves &quot;treason deep into the heart&quot; of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276036">
    <dcterms:title><![CDATA[Medieval Crime Fiction: A Critical Overview.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers brief backgrounds to historical novels, medievalism, and crime fiction, and surveys the subgenre of medieval crime fiction, i.e., novels &quot;featuring   crime or mystery that is solved by a &#039;detective&#039; and set during the European Middle Ages.&quot; Chapter 6, &quot;Poet or PI?,&quot; considers narratives about medieval historical figures who are &quot;recast as detectives,&quot; and shows that Chaucer is &quot;by far the most popular medieval figure to be fictionalized this way,&quot; describing some fifteen novels in which he appears in major roles, and commenting on Chaucerian characters and motifs that appear in similar works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276035">
    <dcterms:title><![CDATA[Hakluyt&#039;s Use of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the inclusion of information from the GP description of the Knight in Richard Hakluyt&#039;s &quot;The Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation,&quot; where Hakluyt presents Chaucer&#039;s fiction &quot;as a genuine historical source,&quot; joins it with data from Thomas Hoccleve&#039;s &quot;Letter of Cupid&quot; (attributed to Chaucer), and attempts to validate it with a &quot;smothering of critical apparatus.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276034">
    <dcterms:title><![CDATA[Middle English in Early Auden.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses references and allusions to Middle English in poetry written by W. H. Auden between 1922 and 1930, including echoes of GP, MilT, and BD in &quot;The Mill (Hempstead)&quot; and &quot;April in a Town,&quot; and perhaps TC and NPT in &quot;Troy Town.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276033">
    <dcterms:title><![CDATA[The Kantorbury Tails.]]></dcterms:title>
    <dcterms:description><![CDATA[A version of GP for children, with the pilgrims imagined and illustrated, verbally and visually, as puppies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276032">
    <dcterms:title><![CDATA[Two Uncollected Poems of Christopher Smart?]]></dcterms:title>
    <dcterms:description><![CDATA[Confirms evidence that Smart was the author of the poem praising Chaucer that appeared in the frontispiece of the February 1756 issue of &quot;The Universal Visiter or<br />
Monthly Memorialist&quot; (UV). Claims that Smart is also responsible for the translation of Truth that was tucked into a footnote of his own essay on Chaucer in the same issue of UV.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276031">
    <dcterms:title><![CDATA[A New Noble Kinsmen: The Play On! Project and Making New Plays Out of Old.]]></dcterms:title>
    <dcterms:description><![CDATA[Explains efforts to prepare for and stage a production of Shakespeare and Fletcher&#039;s &quot;The Two Noble Kinsmen,&quot; using Timothy Slover&#039;s modernization of the play. Includes comments on the dynamics of seriatim translation from Chaucer&#039;s sources in KnT, to the translation of KnT in &quot;The Two Noble Kinsmen,&quot; to Slover&#039;s modernization of &quot;Kinsmen,&quot; to stage production of Slover.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276030">
    <dcterms:title><![CDATA[Grumbly Grimblies, Frozen Dogs, and Other Boojums: Eccentricity from Chaucer to Carroll in English Psychedelia]]></dcterms:title>
    <dcterms:description><![CDATA[Traces a tradition of nonsense and humor in English psychedelic rock music, mentioning Chaucer&#039;s influence (specifically NPT as a mock epic) and a few allusions to Chaucer in the lyrics of psychedelic songs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276029">
    <dcterms:title><![CDATA[Chaucer, Geoffrey (c. 1340–1400), Poet.]]></dcterms:title>
    <dcterms:description><![CDATA[Synopsizes critical opinion about Chaucer&#039;s influence on Shakespeare, especially the impact of TC, KnT, and MerT, with attention to other works. Comments on the knowledge and status of Chaucer in Shakespeare&#039;s age and includes a bibliography updated from the first edition published in 2001 by Athlone Press.]]></dcterms:description>
</rdf:Description></rdf:RDF>