<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263362">
    <dcterms:title><![CDATA[A Fabliau in the &#039;Prologue to the Tale of Beryn&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Parallels in diction, phrasing, portrayal, and plot suggest that the episode of the Pardoner and the tapster is shaped according to the model of the Chaucerian fabliau.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273595">
    <dcterms:title><![CDATA[A Fallen Language and the Consolation of Art in the &quot;Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Links BD with Freudian method, arguing that the poem &quot;foreshadows&quot; psychoanalysis through its depiction of how certain uses of language can heal trauma from painful memories]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267222">
    <dcterms:title><![CDATA[A False Imprint in Chaucer&#039;s Workes: Protestant Printers in London (and Zurich?)]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes a flyleaf from a ca.1548 printing by Robert Toye of William Thynne&#039;s edition of Chaucer&#039;s Workes as evidence that Toye was part of a group of &quot;active radical Protestant&quot; printers. The flyleaf includes Ulrich Zwingli&#039;s The Rekenynge and Declaracion of the Fayth, and the imprint carefully incorporates The Plowman&#039;s Tale. This essay includes information about Dutch printers working in mid-sixteenth-century England.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268449">
    <dcterms:title><![CDATA[A Farewell to Arms? Criticism of Warfare in Late Fourteenth-Century England]]></dcterms:title>
    <dcterms:description><![CDATA[Criticism of warfare at the end of the fourteenth century focused on greed and pride as &quot;evils of the times,&quot; rather than on burdens of taxation, an earlier preoccupation. In Sted, Form Age, Mel, and Th, Chaucer&#039;s dislike of war is evident, and his concerns are similar to those of his contemporaries--John Gower, Sir John Clanvowe, and others--perhaps as a result of the way warfare was financed.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269123">
    <dcterms:title><![CDATA[A Feel for the Game: Bourdieu, Source Study, and the Legend]]></dcterms:title>
    <dcterms:description><![CDATA[Uses game theory and Pierre Bourdieu&#039;s theory of &quot;radical contextualization&quot; to encourage more deeply engaged source-in-context analysis of LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265991">
    <dcterms:title><![CDATA[A Female I-deal: Chaucer&#039;s Second Nun]]></dcterms:title>
    <dcterms:description><![CDATA[SNT reflects a Marian-driven ideal of virginal power, mayde and martyr,&quot; while SNP stresses Mary as mediatrix, &quot;Mayde and Mooder.&quot;  The absent female-gendered body of the Second Nun, undescribed in GP, bears witness to the bodies of female spiritual heroines.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266069">
    <dcterms:title><![CDATA[A Fifteenth-Century Confession Sermon on &#039;Unkyndensess&#039; (CUL MS Gg 6.26) and Its Literary Parallels and Parodies]]></dcterms:title>
    <dcterms:description><![CDATA[Observes parallels between a confessional sermon and the following:  the Wit section of &quot;Piers Plowman,&quot; the &quot;Somme le Roi,&quot; &quot;Mankind,&quot; and both SumT and PardT.   Includesa text of the Middle English sermon.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273295">
    <dcterms:title><![CDATA[A Flock of Words: An Anthology of Poetry for Children and Others.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes selections from GP (pp. 16-33) in Middle English with Nevill Coghill&#039;s modern translation on facing pages and brief comments and notes (pp. 296-97).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271909">
    <dcterms:title><![CDATA[A Fourteenth-Century Ecology: &#039;The Former Age&#039; with Dindimus]]></dcterms:title>
    <dcterms:description><![CDATA[Form Age shares thematic elements with Alexander legends, including vegetarianism and prohibitions against agriculture. In these poems humans live as, and eat as, animals do, a contrast to the mastery described in Genesis. The life described in these poems, one of &quot;moral sensitivity without limits,&quot; would be not utopian, but wretched.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268488">
    <dcterms:title><![CDATA[A Franciscan Reads the &#039;Facetus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Olson examines Gerard of Odo&#039;s &quot;Facetus, multa documenta,&quot; a commentary on Aristotle&#039;s &quot;Nichomachean Ethics,&quot; as background to the Prioress&#039;s description in GP. The Franciscan commentary may indicate that the courtliness of the description is more than just satire.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266242">
    <dcterms:title><![CDATA[A Frankeleyn Was in His Compaignye]]></dcterms:title>
    <dcterms:description><![CDATA[The ambiguous social and legal status of franklins in fourteenth-century England makes it difficult to know whether Chaucer&#039;s Franklin was a member of the gentry or an aspirant to the gentle class.  Sembler surveys critical opinions about the Franklin&#039;s gentility.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266218">
    <dcterms:title><![CDATA[A Frere Ther Was, a Wantowne and a Meryee]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the history and organization of the four fraternal orders, focusing on the Franciscans and Dominicans.  Chaucer&#039;s Friar and the friar of SumT are fictional renderings of the antifraternal outlooks of William of St. Amour and Richard Fitz-Ralph.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276568">
    <dcterms:title><![CDATA[A fronteira entre o cânone e a margem em &quot;The Miller&#039;s Tale&quot; (&quot;O conto do moleiro&quot;)--em &quot;Contos da Cantuária&quot; (&quot;The Canterbury Tales&quot;), de Geoffrey Chaucer (c. 1340-1400).&quot;<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the aesthetic features--the linguistic, prosodic, and structural form and the aesthetic tradition of  MilT--and the vulgar and humorous content of the Tale to emphasize its importance in the canon of popular poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262166">
    <dcterms:title><![CDATA[A Further Note on &#039;Hostes Man&#039; &#039;Canterbury Tales&#039; D 1755]]></dcterms:title>
    <dcterms:description><![CDATA[The &quot;hostes man&quot; who follows the begging friars of SumT can be identified as the servant of their innkeeper, who follows after them to carry their ill-gotten gains.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273147">
    <dcterms:title><![CDATA[A Further Note on Editorial Punctuation of the &#039;General Prologue,&#039; ll. 12-16]]></dcterms:title>
    <dcterms:description><![CDATA[Notes that Liddell&#039;s 1901 and Pollard&#039;s 1903 editions of GP end line 13 with a full stop. This &quot;aligns with the conclusions of Bernhard ten Brink and Otto Jespersen and solves a difficulty with the syntax that Julius Zupitza noted after &#039;serve&#039; was correctly identified as &#039;ferne.&#039; &quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266275">
    <dcterms:title><![CDATA[A Gentil Maunciple Was Ther of a Temple]]></dcterms:title>
    <dcterms:description><![CDATA[The GP sketch of the Manciple is interesting insofar as it reflects Chaucer&#039;s possible associations with the Inns of Court.  The profession was a rare one in Chaucer&#039;s day, although there are similarities between reeves and manciples.  The antagonism between the Manciple and the Cook in ManP is justified historically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267811">
    <dcterms:title><![CDATA[A Ghost Proverbial Expression from Chaucer&#039;s Reeve&#039;s Tale : &#039;Digne as Water in Dich&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Dialectical and textual evidence suggests that the simile in RvT 1.3964 means &quot;&#039;she is as worthy as ditch-water is stinking&#039; that is to say &#039;very worthy,&#039; with no pejorative implication.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271143">
    <dcterms:title><![CDATA[A Gift of Sanctuary: An Owen Archer Mystery]]></dcterms:title>
    <dcterms:description><![CDATA[Historical detective novel in which Geoffrey Chaucer, while recruiting Welsh archers for defense against the French, assists Owen Archer&#039;s investigations of a murder in Wales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263060">
    <dcterms:title><![CDATA[A Glimpse of Chaucer in a Toga: Kynaston&#039;s Version of &#039;Troilus and Criseyde&#039;, Book I (Part Two)]]></dcterms:title>
    <dcterms:description><![CDATA[Treats Sir Francis Kynaston&#039;s edition of the TC text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264690">
    <dcterms:title><![CDATA[A Glossarial Concordance to the &quot;Riverside Chaucer&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[A complete concordance to Benson&#039;s &quot;Riverside Chaucer,&quot; excluding only titles, glosses, implicits, and explicits.  Includes brief definitions of words and references to definitions in the OED and MED. ]]></dcterms:description>
    <dcterms:description><![CDATA[Volume 1 describes the principles of organization and usage and includes the main concordance.  ]]></dcterms:description>
    <dcterms:description><![CDATA[Volume 2 adds a supplementary concordance for the B and C fragments of Rom, the &quot;Supplementary Propositions to the Astrolabe,&quot; and two lyrics, &quot;Compl d&#039;Am&quot; and &quot;Bal Compl.&quot;  Volume 2 also includes spelling indexes for both concordances, and index of Modern English equivalents, and ranked lists of high-frequency spellings and words.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262677">
    <dcterms:title><![CDATA[A Glossary of Scriptural and Ecclesial References in &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Lists references both to the Vulgate and to the mass, prayers,holy office, and hymns, as noted in the Baugh, Benson, Fisher, Pratt, and Robinson editions.  The Latin passage, modern English translation, and Chaucer&#039;s treatment follow.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266634">
    <dcterms:title><![CDATA[A Golden Ring: English Poets in Florence from 1373 to the Present Day]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 1 (pp. 15-31) describes Chaucer&#039;s 1373 visit to Florence, a great industrial and financial center declining into political factionalism.  Italian meters influenced Chaucer&#039;s rhyme royal.  Boccaccio taught him the potential of romance; Dante provided a model of mixed high and low style.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266215">
    <dcterms:title><![CDATA[A Good Wive Was Ther of Biside Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys medieval attitudes of and about women as background to the GP sketch of the Wife of Bath, WBP, and WBT.  Reads the Wife as a conscious manipulator of antifeminist texts, her husbands, and the conventions of romance--all aspects of her proto-liberation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271040">
    <dcterms:title><![CDATA[A Görög-Római Újkomédia Szolga-Típusa Chaucer &#039;Troilus és Cressida Címü Müvében]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the characterization of Pandarus in TC was influenced by the tradition of the comic servant in Greco-Roman New Comedy. In Hungarian.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264840">
    <dcterms:title><![CDATA[A Grammar of Narrative]]></dcterms:title>
    <dcterms:description><![CDATA[The basic narrative unit is limited to nine possible combinations.  These combinations can be illustrated by application to the four tales of the Marriage Group in CT.  These nine relationships can also be applied to characters, to the relationships among speech acts, and to the relationships of the participants in story-telling sessions. All of these interactions serve to illustrate the difference between successful and unsuccessful narratives.]]></dcterms:description>
</rdf:Description></rdf:RDF>