<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265001">
    <dcterms:title><![CDATA[A Curious Correspondence: &#039;Canterbury Tales&#039; A24-25, Mirk&#039;s &#039;Festial,&#039; and Becket&#039;s Martyrdom]]></dcterms:title>
    <dcterms:description><![CDATA[The 29 pilgrims may allude to Becket&#039;s feast day, December 29. The etymology of &quot;Thomas&quot; in Mirk&#039;s &quot;Festial&quot; as &quot;alle mon&quot; corresponds to the representative range of pilgrims and sounds like the Knight&#039;s description.  Readers might add this description to the &quot;29&quot; and relate the sum to the saint.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267881">
    <dcterms:title><![CDATA[A Curious Error? Geoffrey Chaucer&#039;s Legend of Hypermnestra]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s changes to the Ovidian version of Hypermnestra in LGW--exchanging the names of Danaus and Aegyptus and then reducing the number of daughters from fifty to one--were not an &quot;error.&quot; Chaucer both indicates that men are not &quot;stably positioned as agents and transactors&quot; and &quot;radically questions the very nature of the exchange of women.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268335">
    <dcterms:title><![CDATA[A Dab of Dickens and a Touch of Twain: Literary Lives from Shakespeare&#039;s Old England to Frost&#039;s New England]]></dcterms:title>
    <dcterms:description><![CDATA[Summary information about the lives and works of English authors; includes Chaucer&#039;s biography and introductory presentation of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271832">
    <dcterms:title><![CDATA[A Dark Stain and a Non-Encounter]]></dcterms:title>
    <dcterms:description><![CDATA[Concentrates on Ceyx and Alcyone&#039;s encounter in BD as a communication failure that aligns with a series of other failed attempts at communication throughout the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263551">
    <dcterms:title><![CDATA[A Dating for the &#039;Book of the Duchess&#039;: Line 1314]]></dcterms:title>
    <dcterms:description><![CDATA[Line 1314 begins a series of topical references to the real as opposed to the poetic world.  Allusions to the king and Gaunt establish the terminus a quo before the end of 1371, although most of the poem may predate 1371.  Accepting 1371 as the date of the poem alters views of Chaucer&#039;s skill and Gaunt&#039;s mourning.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275856">
    <dcterms:title><![CDATA[A Death in Catte Street.]]></dcterms:title>
    <dcterms:description><![CDATA[A murder mystery set in medieval London, told by Geoffrey Chaucer recounting events in the first person. Includes various historical persons and provides chapter notes at the end of the narrative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276402">
    <dcterms:title><![CDATA[A Defence of Arcite.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Arcite is as much a romantic hero of KnT as is Palamon, both as a &quot;Chaucerian idealization of love&quot; and as a representative of humanity&#039;s &quot;proper relationship to Fortune.&quot; Includes comparison of Arcite with Boccaccio&#039;s analogous Arcita in his &quot;Teseida&quot; and discusses Arcite as a Boethian standard of accepting destiny.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265087">
    <dcterms:title><![CDATA[A Defence of Dorigen&#039;s Complaint]]></dcterms:title>
    <dcterms:description><![CDATA[Rather than an incoherent outpouring of emotions, Dorigen&#039;s Complaint (FranT, 5.1355-456) is a coherent, moral response to the random world Aurelius presents her.  Chaucer manipulates &quot;exempla&quot; from Jerome&#039;s &quot;Adversus Jovinianum&quot; to compose a rhetorical complaint dealing with chastity (1367-423), fidelity (1424-41), and honor (1442-56).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264987">
    <dcterms:title><![CDATA[A Defense of the Ellesmere Order]]></dcterms:title>
    <dcterms:description><![CDATA[The Summoner&#039;s highly-qualified reference to Sittingbourne does not imply that the pilgrimage has progressed past Rochester.  The shift of fragment B2 is not justified.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266120">
    <dcterms:title><![CDATA[A Description of the Confession Miniatures for Gowers&#039; &#039;Confessio Amantis&#039; with Special Reference to the Illustrator&#039;s Role as Reader and Critic]]></dcterms:title>
    <dcterms:description><![CDATA[Examines illumintions in manuscripts of Gower&#039;s &quot;Confessio Amantis,&quot; arguing that they reflect contemporary difficulties in distinguishing between the author and the fictional persona.  Includes depictions of Chaucer in miniatures and comparisons with Chaucer&#039;s self-depictions in poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261210">
    <dcterms:title><![CDATA[A Descriptive Catalog of British Library MS. Harley 7333]]></dcterms:title>
    <dcterms:description><![CDATA[This first in-depth description of MS. Harley 7333 provides textual information, lists editions, and describes relationships to other medieval texts.  The contents shed light on scribal editing in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266923">
    <dcterms:title><![CDATA[A Dictionary of Alchemical Imagery]]></dcterms:title>
    <dcterms:description><![CDATA[Alphabetical arrangement of alchemical terms and images from &quot;ablution&quot; to &quot;zephyr.&quot; The entries define the terms and illustrate the images, citing works in which they appear, including CYPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262660">
    <dcterms:title><![CDATA[A Dictionary of Classical Reference in English Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Indexes classical references in Chaucer, work by work (pp. 268-74).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272268">
    <dcterms:title><![CDATA[A Dictionary of Classical, Mythological, and Sideral Names in the Works of Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Provides historical and literary background to names used and mentioned in Chaucer&#039;s works, identifying their Arabic, Greek, and/or Latin equivalents, exploring the relations of the names to their contexts in Chaucer&#039;s works, and commenting on linguistic aspects of the names.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272780">
    <dcterms:title><![CDATA[A Dictionary of Literature in the English Language: From Chaucer to 1940]]></dcterms:title>
    <dcterms:description><![CDATA[The entry for Chaucer (pp. 168) includes brief biographical information, critical bibliography, a list of editions, and a tally of individual works with dates of first publication. Accompanied by a b&amp;w plate from Thynne&#039;s 1532 edition, the first page of ClT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272115">
    <dcterms:title><![CDATA[A Dictionary of Personal, Mythological, Allegorical, and Astrological Proper Names and Allusions in the Works of Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Alphabetically arranged, cross-listed dictionary of proper names in Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271053">
    <dcterms:title><![CDATA[A Digital Approach to the History of the Book: The Case of Caxton]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests several revisions to traditional classifications of the typefaces of William Caxton, drawing evidence, in part, from the digital reproductions of British Museum copies of Caxton&#039;s two editions of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270641">
    <dcterms:title><![CDATA[A Digital Catalogue of the Pre-1500 Manuscripts and Incunables of the &quot;Canterbury Tales&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Comprehensive description of the eighty-four manuscript witnesses to CT and four pre-1500 editions, each including contents, tale order, progress of copying, materials, page size, collation, format, hands, illumination, binding, date, language, provenance, and bibliography. Descriptions include links, internal and external, to supporting data. The disk contains an essay on each of the following scribes: B, D, Hammond, Petworth, Beryn, and Hooked-g (i.e., scribe of the Devonshire group).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269392">
    <dcterms:title><![CDATA[A Diplomatic Edition of Chaucer&#039;s Parson&#039;s Tale (Bodleian MS Arch. Selden B.14, fol. 269r, l.104-fol. 275v, l. 290): A Supplement to Furnivall&#039;s A Six-Text Print of Chaucer&#039;s Canterbury Tales (Series 1, No. 49) in the Chaucer Society]]></dcterms:title>
    <dcterms:description><![CDATA[Furnivall&#039;s Six-Text Print transcribes ParsT from Selden B.17, except for lines 104-290, which come from Lansdowne 851. The lines from Seldan are given here.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270507">
    <dcterms:title><![CDATA[A Discussion of Chaucer&#039;s &#039;The Prioress&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the anti-Semitism of PrT and suggests that it does not lessen the beauty of the tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261662">
    <dcterms:title><![CDATA[A Discussion of the Archetype of the Supernatural Husband and the Supernatural Wife As It Appears in Some of Geoffrey Chaucer&#039;s &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s tales of marriage in light of patterns of the supernatural marriages in folktales, identifying MLT and SNT as tales that transcend marital opposition through allegory, and viewing ClT, MerT, FranT, and SqT as tales in which the &quot;strangeness&quot; of the marital relation is realistically left &quot;unmediated.&quot;  WBT is most like folktales of supernatural marriage, harmonizing the marital conflict in a pervasive &quot;all-connectedness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271803">
    <dcterms:title><![CDATA[A Distinction of Poetic Form: What Happened to Rhyme Royal in Scotland?]]></dcterms:title>
    <dcterms:description><![CDATA[Employs both stylistic and codicological analysis to consider Chaucer&#039;s inheritance of the French rhyme royal stanza form and his use of it in TC. Demonstrates how rhyme royal flourished in Scotland, initially in &quot;The Kingis Quair,&quot; and later in the compositions of Robert Henryson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264358">
    <dcterms:title><![CDATA[A Distinction of Stories: The Medieval Unity of Chaucer&#039;s Fair Chain of Narratives for Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Medieval literary theory in general, and commentary on Ovid&#039;s &quot;Metamorphoses,&quot; the tales-in-a-frame book most certainly important to Chaucer, suggest that CT can best be understood when grouped in four kinds:  natural, magical, moral, and spiritual.  ]]></dcterms:description>
    <dcterms:description><![CDATA[When Chaucer&#039;s established fragments are reordered, under the guidance of this medieval precedent, as I, VIII, V, III, VI,II, IV, IX, VII, X, a structure emerges of four groups of tales.  In each group--KnT to CkT, SNT to PardT, MLT to ShT,PrT to ParsT--the tales come in a logically descending order. ]]></dcterms:description>
    <dcterms:description><![CDATA[Although marriage is in some sense paradigmatic for the whole collection, the third, moral, group is a newly proposed marriage group.  The tales are put into a fresh order that stimulates new ideas.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273048">
    <dcterms:title><![CDATA[A Double Sorrow: &quot;Troilus and Criseyde&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reconstructs the narrative progress of TC in a sequence of some 200 seven-line poems, approximating rhyme royal, keyed by line numbers to Chaucer&#039;s work, and arranged in five books; running footers link the verse with the plot. Individual poems give voice to the major characters or describe their attitudes, highlighting thematic concerns in Chaucer&#039;s work and interpreting the characters&#039; thoughts and feelings  and the conditions of their love. The Introduction comments on Chaucer&#039;s art and his use of Boccaccio.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272251">
    <dcterms:title><![CDATA[A Draft for the Analysis of Verbal Periphrases in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes a sample of periphrastic verbal phrases drawn from GP, describing practices and problems in pursuing computer analysis of Middle English. Focuses on frequency of verbal periphrases, uses of auxiliaries, ordering of elements, and grammatical functions.]]></dcterms:description>
</rdf:Description></rdf:RDF>