<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272761">
    <dcterms:title><![CDATA[The Play of the &#039;Miller&#039;s Tale&#039;: A Game within a Game]]></dcterms:title>
    <dcterms:description><![CDATA[Reads Chaucer&#039;s reference to &quot;game&quot; in MilT 1.3186 as a reference to mystery drama and discusses allusions to cycle plays in the details and correspondences of the Tale, including aspects of the Fall, the Flood, the Annunciation, the Slaughter of the Innocents, and the St. Joseph legend.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275069">
    <dcterms:title><![CDATA[The Pleasure of English Language and Literature: A Festschrift for Akiyuki Jimura.]]></dcterms:title>
    <dcterms:description><![CDATA[Contains essays on Chaucer&#039;s use of language, speech, and tone. For essays that pertain to Chaucer, search for The Pleasure of English Language and Literature under Alternative Title. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265185">
    <dcterms:title><![CDATA[The Pleasure of Influence: Dunbar&#039;s &#039;Golden Tare&#039; and Dream Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[The major interpretations of Dunbar&#039;s poem fall into two groups:  those arguing the poem is representational and those arguing it is reflexive.  Comparing &quot;Golden Targe&quot; to Chaucer&#039;s dream poetry and to other dream poetry by Dunbar reveals that both schools of interpretation are right; it must be read both ways.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272655">
    <dcterms:title><![CDATA[The Pleasures of Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of poetry for beginners, with an introduction to understanding and explicating poetry, selections from &quot;Ten Great Poets,&quot; and an additional &quot;One Hundred Poems&quot; which includes the GP description of the Wife of Bath]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272394">
    <dcterms:title><![CDATA[The Plot of Bigamous Return]]></dcterms:title>
    <dcterms:description><![CDATA[Refers to Elizabeth Gaskell&#039;s footnotes to &quot;Mary Barton&quot; that explain unfamiliar phrasing in terms of Chaucer and Langland, identifying them as evidence for the synchronic nature of the bigamous return plot in sensation novels.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273118">
    <dcterms:title><![CDATA[The Ploughman]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews the history of rural society in late fourteenth-century England, as well as stereotypes of medieval ploughmen.  Reinforces how the plagues affected labor issues and &quot;social relations within the third estate.&quot; Argues that Chaucer&#039;s Ploughman combines &quot;characteristics of the estates ideal and the model Christian.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275499">
    <dcterms:title><![CDATA[The Ploughman&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Mel and Langland&#039;s &quot;Piers Plowman&quot; share common features that derive from medieval school texts: axioms and proverbs, recurrent attention to the &quot;Distiches of Cato,&quot; and citational and translational practices grounded in school exercises. In these ways, Mel is Chaucer&#039;s most &quot;Langlandian&quot; text and, though Chaucer lends it credibility by assigning it to his Canterbury persona, he might well have assigned it to his Plowman.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266620">
    <dcterms:title><![CDATA[The Plowman&#039;s Tale: The c. 1532 and 1606 Editions of a Spurious Canterbury Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Prints two versions of &quot;The Plowman&#039;s Tale&quot; (ca. 1400)--the 1533 edition originally intended for publication in Francis Thynne&#039;s 1532 edition of Chaucer&#039;s &quot;Works&quot; but suppressed and the 1606 edition by additional explanatory notes, a glossary and index, and a sixty-five-page introduction exploring the textual history of the poem, its Lollard roots and Puritan response, and its relations with Chaucer&#039;s corpus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277628">
    <dcterms:title><![CDATA[The Plowman&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[A critical edition of the &quot;Plowman&#039;s Tale,&quot; with notes, glossary, and extensive critical commentary, including discussion of it as an example of Chaucerian apocrypha. Also includes discussion of its relation to &quot;Piers Plowman,&quot; the &quot;Pilgrim&#039;s Tale,&quot; Lollardy, and the English Reformation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276326">
    <dcterms:title><![CDATA[The Poem: An Anthology.]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of English poetry, arranged chronologically, with a brief introduction on &quot;The Experience of a Poem&quot; and a glossary of poetic terminology. The selections from Old and Middle English poetry are generally given in modern verse translation, but Chaucer&#039;s &quot;Friar&#039;s Tale&quot; is in facing-page versions: A. C. Baugh&#039;s 1963 edition and a translation in free verse.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274000">
    <dcterms:title><![CDATA[The Poems of &quot;Ch&quot;: Taxonomizing Literary Tradition.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the appearance of the &quot;mysterious inscription &#039;Ch&#039;&quot; beside several poems in MS Codex 902 in the University of Pennsylvania Libraries collection. Scholars have assumed that the &quot;Ch&quot; stands for Chaucer, but Strakhov argues that the poems are organized not by author, but by &quot;the formal characteristics of French lyric,&quot; thus challenging earlier notions about the manuscript taxonomy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271104">
    <dcterms:title><![CDATA[The Poems: Venus and Adonis, The Rape of Lucrece, The Phoenix and the Turtle, The Passionate Pilgrim, A Lover&#039;s Complaint]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion (pp. 35-41) of the influence of Chaucer&#039;s account of Lucrece (LGW) on Shakespeare&#039;s &quot;The Rape of Lucrece,&quot; focusing on Chaucer&#039;s &quot;particularly sympathetic defence&quot; of Lucrece, despite his overstating of St. Augustine&#039;s compassion for her.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275511">
    <dcterms:title><![CDATA[The Poet and the Antiquaries: Chaucerian Scholarship and the Rise of Literary History, 1532-1635]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how Tudor English antiquarians, including &quot;historians, lexicographers, religious polemicists, and other readers with a professional, but, not necessary literary interest in the English past,&quot; played significant role&quot; in the development and maintenance of Chaucer&#039;s fame and canonicity. Presents a series of case studies on Chaucer and his works in relation to sixteenth-century texts of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271492">
    <dcterms:title><![CDATA[The Poet and the Antiquaries: Renaissance Readers and Chaucerian Scholarship]]></dcterms:title>
    <dcterms:description><![CDATA[Looks at Tudor scholarship&#039;s role in the development and maintenance of Chaucer&#039;s fame and canonicity, with particular attention to Speght, Thynne, and post-Reformation views of Chaucer&#039;s work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266109">
    <dcterms:title><![CDATA[The Poet as Master Builder: Compositional and Locational Memory in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Dante and Chaucer use &quot;buildings of the imagination&quot; to organize lists of names, lists less informational than &quot;inventional&quot;--sets of associated plots or ideas that may reverberate in the work in which they appear.  Examples from HF and BD as well as from Dante&#039;s &quot;Inferno&quot;, help clarify the technique, which Carruthers explores further as a monastic procedure for composing prayers and for studying Scripture.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264285">
    <dcterms:title><![CDATA[The Poet as Petitioner]]></dcterms:title>
    <dcterms:description><![CDATA[Although Chaucer frequently uses petitionary devices, he seldom seems comfortable in the humble role (cf. For, Purse,Scog).  Usually he distorts the pattern in fictive and outrageous fashion (HF, LGW) to make jest of humility.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270493">
    <dcterms:title><![CDATA[The Poet as Pilgrim: The Narrator of the &#039;General Prologue&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the narrator of the GP as &quot;naïve but all-seeing,&quot; used variably by Chaucer to guide reader response and provoke unsettled reactions. Not wholly consistent, the narrator is a device that evokes &quot;complex, contradictory attitudes&quot; that seem to be shared by Chaucer himself.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271973">
    <dcterms:title><![CDATA[The Poet as Sunday Man: &#039;The Complaint of Chaucer to His Purse&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Purse was written soon after the accession of Henry IV, addressed to the new monarch and composed as Chaucer&#039;s plea for funds while he was residing in the close of Westminster Abbey in order to avoid debts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273734">
    <dcterms:title><![CDATA[The Poet Chaucer. 2nd ed.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints the 1949 edition, with few minor changes and an added &quot;Selected Reading List&quot; (pp. 137-39.)]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269950">
    <dcterms:title><![CDATA[The Poet Disarming Himself: Chaucer&#039;s &#039;Tale of Sir Thopas&#039; and the Death of the Author]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer uses Th to &quot;debunk his own textual  authority&quot; and subvert patriarchal power, enacting the &quot;death of the author&quot;  that is completed in Ret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272917">
    <dcterms:title><![CDATA[The Poet in &#039;The Palice of Honour&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads Gavin Douglas&#039;s poem as an examination of how poetry can lead to honor, focusing on the originality of the poem but noting its dependencies as well, including the influence of the eagle from HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262791">
    <dcterms:title><![CDATA[The Poet of Unlikeness: Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Dahlberg suggests that &quot;Chaucer&#039;s use of first person reflects in its stylistic variations the ambiguities of love&quot; and that &quot;the serious third-person poet of the Boethian short poems is essentially the same as the...first-person narrator or persona of the dream visions, &#039;Troilus and Criseyde&#039;, and even &#039;The Canterbury Tales&#039;.&quot;  Dahlberg concentrates on the &quot;thematic doubleness of love in a land of unlikeness&quot; in the Proem to Bk. 3 of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275082">
    <dcterms:title><![CDATA[The Poet, the Painter, and the Bishop&#039;s Wife: Chaucer on the Prairie.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the cultural ties between the Anglican Church on the American frontier and the Church of England through Elizabeth Whipple&#039;s Chaucer portrait.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277012">
    <dcterms:title><![CDATA[The Poet&#039;s &quot;Matere&quot;: Materiality, Temporality, and the Making of Literary History in Chaucer and Lydgate&#039;s Inset-Lyric Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Chaucer&#039;s and Lydgate&#039;s inset lyrics for the ways that they imply &quot;a sense of poetry as an assemblage of physical materials collected from the past, and poets as the collectors and mediators of those materials.&quot; Considers aspects of BD; Lydgate&#039;s &quot;Temple of Glas&quot; and &quot;Siege of Thebes&quot;; and Cambridge University Library, MS Gg.4.27.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261992">
    <dcterms:title><![CDATA[The Poet&#039;s Last Words: Text and Meaning at the End of the Parson&#039;s Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[Manly&#039;s reordering of the final lines of ParsP in his 1928 edition is contested by manuscript evidence, Chaucer&#039;s general usage of pronouns, and the intelligibility and literary excellence of the original version.]]></dcterms:description>
</rdf:Description></rdf:RDF>