<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271828">
    <dcterms:title><![CDATA[The Physician&#039;s Tale as Hagioclasm]]></dcterms:title>
    <dcterms:description><![CDATA[Reads PhyT as a deliberate inversion of hagiography, seen particularly in its failure to end with any positive consequences of the martyrdom.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261408">
    <dcterms:title><![CDATA[The Physician&#039;s Tale: A Distorted Sense of Justice]]></dcterms:title>
    <dcterms:description><![CDATA[Effective use of repetition solves the question of justice through obvious devices such as polyptoton, semantic implantation, and verbal association.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Kanno&#039;s Studies in Chaucer&#039;s Words (Tokyo: Eihosha, 1996), pp. 85-97.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265091">
    <dcterms:title><![CDATA[The Physician&#039;s Tale: Geoffrey Chaucer and Fray Juan Garcia de Castrojeriz]]></dcterms:title>
    <dcterms:description><![CDATA[Fray Juan&#039;s widely known fourteenth-century Spanish gloss on Aegidius Romanus&#039; &quot;De regimine principum&quot; provides parallel passages for nearly all patristic components in Virginia&#039;s catalogue of virtues; it could also have suggested narrative deviations from the &quot;Roman de la Rose.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275853">
    <dcterms:title><![CDATA[The Piccadilly Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[A frame-tale collection of stories that adapts aspects of CT, told while travelers are trapped on a stalled subway car. Written in rhymed couplets, with a General Prologue and nineteen tales without prologues.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262527">
    <dcterms:title><![CDATA[The Picture in the Text: Ecphrasis as Self-Reflectivity in Chaucer&#039;s &#039;Parliament of Fowles,&#039; &#039;Book of the Duchess&#039; and &#039;House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In PF, BD, and HF, descriptions of mural paintings serve a common function:  Chaucer endows the visual artifact with the status of a narrative fiction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263089">
    <dcterms:title><![CDATA[The Pierpont Morgan Library Manuscript M.817: A Facsimile]]></dcterms:title>
    <dcterms:description><![CDATA[Contains only TC by an excellent fifteenth-century scribe.  R. K. Root considered this a gamma text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262935">
    <dcterms:title><![CDATA[The Pilgrim and the Book: A Study of Dante, Langland and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Drawing on medieval music, iconography, typology, and anthropology, Holloway uses &quot;medieval theory and practice of pilgrimage&quot; to illuminate the &quot;Commedia,&quot;  &quot;Piers Plowman,&quot; and CT.  Explains why each author made himself a pilgrim in his own book.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262676">
    <dcterms:title><![CDATA[The Pilgrim in the Poem: Dante, Langland and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Using CT, &quot;Piers Plowman,&quot; and Dante&#039;s &quot;Commedia,&quot; Holloway looks at traditions of pilgrims and pilgrimages in their figural connections, the role of play and playfulness as correctives for error, and the pilgrim as &quot;pharmakoi,&quot; &quot;scapegoat figures of error and folly, warning as well as guiding their readers&quot;--the purpose of the poets&#039; presence within the &quot;Commedia&quot; and CT. ]]></dcterms:description>
    <dcterms:description><![CDATA[Paradoxically, in the medieval Emmaus Pilgrim tradition, Christ, who according to the Gospels forbade pilgrim garb, assumes pilgrim disguise and tells fables (&quot;dum fabularentur&quot; (Vulgate)).  In the common medieval understanding of this tradition, Chaucer in CT presents a &quot;true sermon in the pilgrim disguise of lying fables,&quot; with confidence in his audience&#039;s reception and participaiton in the redemptive design.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277534">
    <dcterms:title><![CDATA[The Pilgrim&#039;s Carnivalesque: The Textual Chaucer and the Negation of Narration in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads Th through the lens of Mikhail Bakhtin&#039;s concept of the carnivalesque as a dismantling of the religious and moral authority established by PrT in order to reassert the carnivalesque as the organizing principle of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271673">
    <dcterms:title><![CDATA[The Pilgrim&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Short story in which Chaucer, on peace mission to France, solves the mystery of a murder thereby helping Bertrand du Guesclin, who had been falsely accused.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272821">
    <dcterms:title><![CDATA[The Pilgrimage Narrative and the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers CT among other medieval pilgrimage narratives, distinguishing them from other journey narratives and emphasizing what makes CT unusual: &quot;concretization, fragmentation, and emphasis on the human.&quot; Comments on pilgrimage as the &quot;dynamic principle&quot; of CT, the tale-tellers as &quot;true and false seekers,&quot; the reading audience as pilgrims, the fittingness of ParsT as a conclusion, and the importance of the number twenty-nine in GP and ParsP as &quot;approaching most closely to 30,&quot; a sign of spiritual perfection.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272205">
    <dcterms:title><![CDATA[The Pilgrimage of Troilus&#039;s Sailing Heart in Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys nautical imagery and pilgrimage-on-the-sea-of-life metaphors in the sources to TC, and discusses book by book Chaucer&#039;s uses of such figures in his poem, especially the sailing heart image, arguing that the varieties of imagery cohere to &quot;articulate the idea of spiritual pilgrimage.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274709">
    <dcterms:title><![CDATA[The Pilgrimage Road in Late Medieval English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;artistic and ideological purposes&quot; of the notion of a pilgrimage road in the &quot;imaginary of the Middle Ages,&quot; focusing on late medieval England and commenting on the attention (or lack of attention) to the road in CT and the Ellesmere illustrations, particularly where they evince &quot;metaliterary&quot; concerns.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273065">
    <dcterms:title><![CDATA[The Pilgrimage to Canterbury and the One to Ise Shrine]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the historical context of pilgrimage in both the West and Japan in order to interpret the opening lines of GP. Argues that &quot;kejime&quot; as represented in pilgrims in &quot;Tokaidochu  Hizakurige,&quot; written by Jippensha Ikku, can also be read in the opening lines of GP. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267264">
    <dcterms:title><![CDATA[The Pitchman in Print : Oral Performance Art in Text and Context]]></dcterms:title>
    <dcterms:description><![CDATA[Defines oral performance art as an artistic genre, with written representations of it also manifesting distinctive generic qualities. Ugoretz examines these matters on the basis of contemporary oral performance and analyzes them in relation to five authors&#039; works, including PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269682">
    <dcterms:title><![CDATA[The Place of Chivalry in the New Trojan Court: Gawain, Troilus, and Richard II]]></dcterms:title>
    <dcterms:description><![CDATA[Federico explores how &quot;Ricardian court culture haunts the chivalric spaces inhabited and visited by&quot; Chaucer&#039;s TC and by Gawain in &quot;Sir Gawain and the Green Knight.&quot; Parallels between the &quot;moral lapses&quot; of Richard II and those of the two protagonists are cast into relief by the ideal of Troy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269748">
    <dcterms:title><![CDATA[The Place of Christine de Pizan&#039;s &#039;Enseignemens moraulx&#039; in Paris BnF fr. 1551]]></dcterms:title>
    <dcterms:description><![CDATA[Fresco draws attention to the imitation of Chaucer&#039;s enchâssement (encasement, enshirement) in Christine&#039;s Enseignemens moraulx BnF fr. 1551.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262333">
    <dcterms:title><![CDATA[The Place of Fredson Bowers in Mediaeval Editing]]></dcterms:title>
    <dcterms:description><![CDATA[Review controversies regarding the editing of medieval texts, faults the new &quot;Riverside Chaucer,&quot; which represents no &quot;textual advance over Robinson 2,&quot; and judges that &quot;what Bowers offers is the best of two worlds--fidelity to auctorial usage through the selection of a manuscript copy-text close in provenance to the author, and the critical evaluation of substantive variants from other witnesses.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273597">
    <dcterms:title><![CDATA[The Place of the Bedchamber in Chaucer&#039;s &quot;Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Contextualizes the bedchamber of BD, exploring its adaptations of French source material, the otherness of France, the social and psychological implications of beds and textiles, and the imagery of black and white. Emphatically English in its wordplays and domestic situation, BD locates the process of poetic composition &quot;on English ground.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266569">
    <dcterms:title><![CDATA[The Place of the Modern in the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[A revised, shortened version of Patterson&#039;s &quot;Perpetual  Motion: Alchemy and the Technology of the Self.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273879">
    <dcterms:title><![CDATA[The Place of the Poet in Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;ability of the poet to secure a just and enduring fame&quot; is an important and unifying theme in HF, focusing on the poem&#039;s concerns with poetic authority and patronage, and suggesting that its &quot;missing conclusion&quot; was to entail the narrator&#039;s return to Fame&#039;s palace with some piece of contemporary news.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264193">
    <dcterms:title><![CDATA[The Plague and Chaucer&#039;s Pardoner]]></dcterms:title>
    <dcterms:description><![CDATA[Only Chaucer places the story of the rioters&#039; search for gold in plague time.  The article examines the implications of the plague setting and the plague in literature to explain Chaucer&#039;s choice of plague setting.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262316">
    <dcterms:title><![CDATA[The Planetary Gods in Chaucer and Henryson]]></dcterms:title>
    <dcterms:description><![CDATA[In giving the planetary gods a role in the narrative dynamics of &quot;The Testament of Cresseid,&quot; Henryson is following in the steps of Chaucer in KnT, Mars, and TC.  Mann examines &quot;both the resemblances and the differences between the two poets in their use of this cosmological dimension,&quot; revealing the intelligence and creativity of Henryson&#039;s response to Chaucer as well as an understanding of the structural principle underlying Henryson&#039;s poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265757">
    <dcterms:title><![CDATA[The Planning and Construction of the Ellesmere Manuscript]]></dcterms:title>
    <dcterms:description><![CDATA[Codicologically, Ellesmere was constructed by methods commonly used for fifteenth-century English books, including techniques by which &quot;the scribe and the artists accommodated their work so precisely to the format predetermined by the size and number of leaves&quot; and made a good fit for all elements of the book.]]></dcterms:description>
    <dcterms:description><![CDATA[Parkes discusses preparation of the skins for the pages, plus &quot;practices of the scribe&quot; in accommodating the text, the marginalia, and the illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275695">
    <dcterms:title><![CDATA[The Play of Breath: Chaucer&#039;s Narratives of Feeling.]]></dcterms:title>
    <dcterms:description><![CDATA[Treats the connections between &quot;mind, body and affect&quot; in BD, KnT, TC, MLT, LGW, and elsewhere, describing classical and medieval theories of breathing, sighing, and swooning as physiological movements of vital spirits. Playing a key role in Chaucer&#039;s depiction of emotions, &quot;particularly love and grief,&quot; this &quot;physiological emphasis creates narratives of feeling that are deeply embodied&quot; and convey virtues and agency.]]></dcterms:description>
</rdf:Description></rdf:RDF>