<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273850">
    <dcterms:title><![CDATA[A Chaucerian Crux: &quot;Spiced Conscience,&quot; &quot;CT&quot; I(A) 526, III(D) 435.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the meanings and implications of the phrase &quot;spiced conscience&quot; in Middle English and later English language history, arguing that in both the GP description of the Parson (1.526) and the Wife of Bath&#039;s admonition to her husband (WBP 3.435) the phrase means &quot;long-suffering sensibility,&quot; and adducing internal evidence and the English proverbial claim that beaten spice smells sweetly.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267511">
    <dcterms:title><![CDATA[A Chaucerian Narratology : &#039;Storie&#039; and &#039;Tale&#039; in Chaucer&#039;s Narrative Practice]]></dcterms:title>
    <dcterms:description><![CDATA[Computer-assisted analysis of &quot;storie&quot; and &quot;tale&quot; in context indicates that Chaucer uses them differently. &quot;Storie&quot; typically appears in relation to the historical, courtly, and clerical, associated with public memory and authority. &quot;Tale&quot; refers to the present external world, suggesting common daily life.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271169">
    <dcterms:title><![CDATA[A Chaucerian Pilgrimage]]></dcterms:title>
    <dcterms:description><![CDATA[Describes visits by American students to London and Canterbury Cathedral as part of a study-abroad program.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275354">
    <dcterms:title><![CDATA[A Chaucerian Puzzle.]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges the theory that ShT was originally intended to be narrated by the Wife of Bath, and suggests a major emendation:  moving lines 7.5-19 (which include first-person feminine pronouns) later in the tale and having them spoken by the merchant&#039;s wife rather than the narrator. Contrasts the characterizations of the merchant&#039;s wife and the Wife of Bath, argues that the tale is appropriate to the Shipman, and surveys critical history of the assignment of the tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265186">
    <dcterms:title><![CDATA[A Chaucerian Reader of Trevisa]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that two annotations in St. John&#039;s College Cambridge MS 204 of Trevisa&#039;s &quot;Polychronicon&quot; were inspired by a reading of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268034">
    <dcterms:title><![CDATA[A Chaucerian Year]]></dcterms:title>
    <dcterms:description><![CDATA[Month-by-month (April to March) commentary on the significance of dates and months in Chaucer&#039;s life and works, with occasional quotations. Initial version posted April 2001. An addendum includes the transcript of a &quot;Question and Answer Session&quot; with Martin Starkie, producer and director of the 1964 musical version of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272234">
    <dcterms:title><![CDATA[A Choice of Chaucer&#039;s Verse]]></dcterms:title>
    <dcterms:description><![CDATA[A selection of excerpts from Chaucer&#039;s verse with facing-page translations, arranged topically in several categories: &quot;Golden World&quot;; Heaven, Hell, and Purgatory; Dreams; Portraiture; Students; Science; and Matrimony. The excerpts (many with passages omitted) come from BD, PF, TC, CT, and several lyrics.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268531">
    <dcterms:title><![CDATA[A Cinema of Poetry : What Pasolini Did to Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Not a realization of CT, Pasolini&#039;s I racconti di Canterbury is a subversive parody, providing a critical model different from many contemporary approaches.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267460">
    <dcterms:title><![CDATA[A Class-Cultural Aspect in Chaucer&#039;s Early Works : From a Perspective of &#039;Authority&#039; and &#039;Experience&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the relationship between orality and literacy and between authority and experience in the context of medieval folk culture, dealing with BD and HF.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266224">
    <dcterms:title><![CDATA[A Clerk Ther Was of Oxenford Also]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the Clerk&#039;s sketch in GP as an idealized depiction of academic life in fourteenth-century Oxford, summarizing typical activities and outlooks.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261989">
    <dcterms:title><![CDATA[A Closer Look at Seinte Cecile&#039;s Special Vision]]></dcterms:title>
    <dcterms:description><![CDATA[In SNT, Chaucer works within the theological tradition of Plato, Augustine, and Prudentius to instruct Christians in their proper attitude toward this world: a &quot;thing&quot; perceived by the physical senses, especially sight, is an apparent reality that must be pierced by spiritual vision of the inward &quot;sign.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264719">
    <dcterms:title><![CDATA[A Collation of Richard Pynson&#039;s 1492 Edition of &#039;The Canterbury Tales&#039; and William Caxton&#039;s 1485 Edition, with a Study of Pynson&#039;s Variants (Volumes I-III)]]></dcterms:title>
    <dcterms:description><![CDATA[After William Caxton&#039;s 1485 edition of CT, Richard Pynson&#039;s is the earliest (c. 1492).  Pynson&#039;s printing practice and his role within the historical scope of English printing provide backgrounds for analysis between the two texts of major variants which are the result of printing practices rather than a reliance upon other sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276797">
    <dcterms:title><![CDATA[A College Treasury: Prose, Fiction, Drama, Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes PardP, translated by Theodore Morrison, as an example of narrative poetry, with brief commentary and a biographical note.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263372">
    <dcterms:title><![CDATA[A Comment on &#039;Tattle&#039;s Well&#039;s Faire&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Woman was made from Adam&#039;s rib (rather than his head or foot) so that she would be a fellow to man.  This idea is found in Chaucer&#039;s ParsT and earlier in Aquinas&#039;s &quot;Summa Theologica,&quot; pt. 1, chap. 92.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270262">
    <dcterms:title><![CDATA[A Commentary on &#039; The Canterbury Tales in The Faerie Queene &#039; by A. Kent Hieatt]]></dcterms:title>
    <dcterms:description><![CDATA[Reads Spenser&#039;s address to Chaucer in &quot;The Faerie Queene,&quot; Book 4, as a declaration of independence as well as an acknowledgement of influence and dependency, arguing that Spenser &quot;locates himself beyond the Middle Ages by invoking medievalisms&quot; (234).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273848">
    <dcterms:title><![CDATA[A Commentary on the General Prologue to the Canterbury Tales. Second edition, with Additional Material and New Preface.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints the original version of 1948, with a very brief second preface (half page) and appended additional material and bibliography (pp. 317-28). Throughout the reprinted text, the additional material is signaled by means of daggers included in the text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262330">
    <dcterms:title><![CDATA[A Community of Book Artisans in Chaucer&#039;s London]]></dcterms:title>
    <dcterms:description><![CDATA[A community of tradespeople-artisans in small shops on Paternoster Row near Saint Paul&#039;s Cathedral was engaged in book production during Chaucer&#039;s last decade and the early fifteenth century.  The editor, text writer, and artists of Ellesmere may be among those named in the archival sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274675">
    <dcterms:title><![CDATA[A Compaignye of Sondry Folk: Mereology, Medieval Poetics and Contemporary Evolutionary Narrative in Richard Dawkins&#039; &quot;The Ancestor&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that in &quot;The Ancestor&#039;s Tale: Richard Dawkins &quot;uses Chaucer&#039;s poetics to address interpretative problems with evolution,&quot; particularly the &quot;anthropocentric&quot; notion that &quot;humanity is the &#039;result&#039; of evolution.&quot; Dawkins&#039;s uses of the frame story, the pilgrimage allegory, and the manuscript stemmata of CT reveal a concern with unity in diversity that he shares with Chaucer. Dawkins treats fossils as relics and the evolutionary record as an analogue to manuscript transmission, bridging the science/literature divide and, in Chaucerian fashion, &quot;disrupting established orders.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275089">
    <dcterms:title><![CDATA[A Companion to British Literature. Vol. 1, Medieval Literature 700-1450.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes twenty-six essays by individual authors that survey a range of issues in understanding the concept of &quot;British literature&quot; in the medieval period, considering history, politics, modes of production, literary forms, reception, religion, gender, and critical tradition. The volume incudes a comprehensive index with numerous references to Chaucer and his works. For three essays that pertain to Chaucer, search for A Companion to British Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267484">
    <dcterms:title><![CDATA[A Companion to Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-nine essays on the literary, social, political, and geographical contexts within which Chaucer produced his work, as well as his response to contemporary ideologies. Each essay includes a survey of existing scholarship in a given area, discussing key issues; an application of those issues to specific passages from Chaucer&#039;s works; and an annotated bibliography.]]></dcterms:description>
    <dcterms:description><![CDATA[Contributors and topics are the following: &quot;Afterlife,&quot; Carolyn Collette; &quot;Authority,&quot; Andrew Galloway; &quot;Bodies,&quot; Linda Ehrsam Voigts; &quot;Chivalry,&quot; Derek Brewer; &quot;Christian Ideologies,&quot; Nicholas Watson; &quot;Comedy,&quot; Laura Kendrick; &quot;Contemporary English Writers,&quot; James Simpson; &quot;Crisis and Dissent,&quot; Alcuin Blamires; &quot;France,&quot; Michael Hanly; &quot;Games,&quot; Malcolm Andrew; &quot;Genre,&quot; Caroline D. Eckhardt; &quot;Geography and Travel,&quot; Scott D. Westrem; &quot;Italy,&quot; David Wallace; &quot;Language,&quot; David Burnley; &quot;Life Histories,&quot; Janette Dillon; &quot;London,&quot; Michael Hanrahan; &quot;Love,&quot; Helen Phillips; &quot;Modes of Representation,&quot; Edward Wheatley; &quot;Narrative,&quot; Robert R. Edwards; &quot;Other Thought-Worlds,&quot; Susanna Fein; &quot;Pagan Survivals,&quot; John M. Fyler; &quot;Personal Identity,&quot; Lynn Staley; &quot;Science,&quot; Irma Taavitsainen; &quot;Social Structures,&quot; Robert Swanson; &quot;Style,&quot; John F. Plummer; &quot;Texts,&quot; Tim William Machan; &quot;Translation,&quot; Roger Ellis; &quot;Visualizing,&quot; Sarah Stanbury; &quot;Women,&quot; Nicky Hallett.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270084">
    <dcterms:title><![CDATA[A Companion to Chaucer and His Contemporaries: Texts &amp; Contexts]]></dcterms:title>
    <dcterms:description><![CDATA[Readings in social and cultural history for classroom purposes, arranged in eight sections: politics and ideology, social structures, daily life, religious life and prayer, knighthood and war, reading and education, sciences and medicine, and international influences and exchanges. Each section includes a general introduction, followed by ten to fifteen texts and documents (usually excerpted), introduced individually and in Modern English translation. Throughout, the introductions link the texts and documents to details of Chaucer&#039;s works, with reference to those of his contemporaries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265855">
    <dcterms:title><![CDATA[A Companion to Chaucer&#039;s &quot;Canterbury Tales&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Intended as a &quot;do-it-yourself course&quot; for first-time readers of CT, the Companion is organized in a series of separate chapters devoted to GP and to most tales, although the Links, CkT and SqT, Thop, Mel, MkT, and ParsT are consigned to appendices.]]></dcterms:description>
    <dcterms:description><![CDATA[The discussions include basic descriptive and critical information, though a brief annotated bibliography, suggested for &quot;Further Reading,&quot; accompanies each section.]]></dcterms:description>
    <dcterms:description><![CDATA[Key passages are given in Middle English with modern translation.  ]]></dcterms:description>
    <dcterms:description><![CDATA[Also includes brief sections on Chaucer&#039;s world and his language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269379">
    <dcterms:title><![CDATA[A Companion to Medieval English Literature and Culture, c.1350-c.1500]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty-eight essays by various authors, arranged in seven subheadings: &quot;Overviews&quot;; &quot;The Production and Reception of Texts&quot;; &quot;Language and Literature&quot;; &quot;Encounters with Other Cultures&quot;; &quot;Special Themes&quot;; &quot;Genres&quot;; &quot;and Readings.&quot; Each essay includes suggestions for further reading, and the volume is indexed. Includes recurrent references to Chaucer; for two essays that pertain to Chaucer, search for Companion to Medieval English Literature and Culture under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270756">
    <dcterms:title><![CDATA[A Companion to Medieval Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty-four essays by various authors, with an introduction and an epilogue by the editor, all on topics pertaining to English poetry from its origins through the fifteenth century. Each essay includes suggestions for further reading, and the volume has a cumulative index. References to Chaucer occur in many essays. For nine essays that discuss Chaucer at length, search until the title of this volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269131">
    <dcterms:title><![CDATA[A Companion to Medieval Scottish Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays by various authors and an introduction by the editors. Topics include studies of individual poets and poems (Henryson, Dunbar, Douglas, Lyndsay, Richard Holland&#039;s &quot;Buke of Howlat,&quot; Gilbert Hay&#039;s &quot;Buik of King Alexander the Conqueror&quot;); the Selden manuscript (including works by Chaucer); historical writing; romance; and literary contexts. Includes a &quot;Guide to Further Reading,&quot; an index of manuscript references, and a general index. References to Chaucer recur throughout, addressing his influence on individual works and on broader traditions.]]></dcterms:description>
</rdf:Description></rdf:RDF>