<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267244">
    <dcterms:title><![CDATA[The Origins of Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Although the love affair between Criseyde and Troilus is a medieval invention, Criseyde had a significant literary ancestry. In Latin versions of the Iliad, in Ovid&#039;s Heroides and Ars amatoria, and in the later romance tradition, Chryseis-Briseis-Briseida-Criseyde is interesting for the ways she is--or is not--represented as possessing a &quot;distinctive speaking voice.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263483">
    <dcterms:title><![CDATA[The Orthodoxy of the Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[The Wife wishes to be released from the orthodoxy of marriage and obedience to her husband.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264807">
    <dcterms:title><![CDATA[The Other Side of the Garden: An Interpretive Comparison of Chaucer&#039;s &#039;Book of the Duchess&#039; and Spenser&#039;s &#039;Daphnaida&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[That &quot;Daphnaida&quot; is based on BD has long been recognized.  But whereas Chaucer&#039;s poem works within the conventions to assuage grief, Spenser&#039;s anti-pastoral produces an uncomfortable tension between instruction and pity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262632">
    <dcterms:title><![CDATA[The Other Woman: Discovering a Dual Presence in Medieval Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Following consideration of the duality of women&#039;s nature in Old English poetry, chapters are devoted to Criseyde, to the Prioress, and to the Wife of Bath to illuminate their submerged qualities.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274116">
    <dcterms:title><![CDATA[The Overheard Song: Medieval Lyric in the Mixed Genre.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses KnT, among other works, in a study of medieval works combining prose and lyric poetry (common in France, but less studied in English.)]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270443">
    <dcterms:title><![CDATA[The Owl and the Cuckoo: Shakespeare&#039;s Natural Dialogue]]></dcterms:title>
    <dcterms:description><![CDATA[Places Shakespeare&#039;s bird dialogue from the end of &quot;Love&#039;s Labour&#039;s Lost&quot; in the tradition of bird debates, commenting on other examples of the genre, and noting parallels with PF and Sir John Clanvowe&#039;s &quot;The Boke of Cupid,&quot; attributed to Chaucer during Shakespeare&#039;s lifetime.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262751">
    <dcterms:title><![CDATA[The Owl and the Nightingale&#039;: Mundlichkeit und Schriftlichkeit im Streitgesprach]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the oral and legal literary character of the bird debate, with references to NPT and PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265745">
    <dcterms:title><![CDATA[The Ownership and Use of the Ellesmere Manuscript]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the ownership of Ellesmere from (speculatively) Thomas Chaucer and the de Vere family to Henry E. Huntington.]]></dcterms:description>
    <dcterms:description><![CDATA[Includes commentary on the relations of Ellesmere to Hengwrt and on the problematic nature of Chaucer&#039;s original &quot;text&quot; as it has been presented in printed editions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272185">
    <dcterms:title><![CDATA[The Oxford Book of Children&#039;s Verse]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of samples of English verse for children, ranging from selections by Chaucer and Lydgate to works by A. A. Milne and T. S. Eliot. Includes one sample from Chaucer: &quot;Controlling the Tongue&quot; (i.e., ManT 9.319-42), in Middle English, with glosses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270485">
    <dcterms:title><![CDATA[The Oxford Book of Comic Verse]]></dcterms:title>
    <dcterms:description><![CDATA[Selections of comic verse in English, from Chaucer to Glyn Maxwell. The Chaucer selection (pp. 1-4) includes the descriptions of the Monk, Summoner, and Pardoner from the GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272785">
    <dcterms:title><![CDATA[The Oxford Book of Medieval English Verse]]></dcterms:title>
    <dcterms:description><![CDATA[Selections from Chaucer (pp. 257-316) include excerpts from HF, LGWP, TC, GP (Prioress, Clerk, Wife of Bath, and Reeve), WBP, and PardT, along with the complete RvT, Form Age, the rondeau from PF, Truth, Purse, and MercB. All are in Middle English, with explanatory notes, glosses, and textual information.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271096">
    <dcterms:title><![CDATA[The Oxford Book of Money]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of excerpts and selections from poetry, fiction, drama, and essays on the topic of money, arranged by sub-topics. Includes the following pieces by Chaucer:  Purse and the apostrophe to poverty from MLP, in the section called &quot;Riches and Poverty&quot;; selections from PardPT, in &quot;Vice&quot;; and a selection from the GP description of the Merchant, in &quot;Exchange and Mart.&quot; Includes side-bar glosses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270358">
    <dcterms:title><![CDATA[The Oxford Book of Narrative Verse]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of British narrative verse, ranging from Chaucer to W. H. Auden; includes Middle English versions of NPT (&quot;The Cock and the Hen&quot;) and PardT (&quot;Death and the Three Revellers&quot;), with bottom-of-the-page glosses and diacritical marks to indicate scansion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270671">
    <dcterms:title><![CDATA[The Oxford Book of Parodies]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys parodies in English, including two brief examples from Alexander Pope that parody Chaucer, plus Stanley J. Sharpless&#039;s &quot;The Tale of Miss Hunter Dunn [Geoffrey Chaucer Rewrites Sir John Betjeman]&quot; (pp. 6-7).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271261">
    <dcterms:title><![CDATA[The Oxford Book of War Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Arranged chronologically, this anthology of 259 poems and excerpts about war ranges from the Bible and Homer to Peter Porter, including a selection from John Dryden&#039;s translation of the description of the temple of Mars in KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268361">
    <dcterms:title><![CDATA[The Oxford Companion to Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[A single-volume encyclopedia with more than 2,000 entries, composed by a team of thirteen contributors and the editor. Alphabetized entries include each of Chaucer&#039;s works, important sources and analogues, character and place names, select contemporaries and critics of Chaucer, and a variety of general literary and cultural topics (e.g., &quot;allusion,&quot; &quot;London,&quot; &quot;versification&quot;). Longer entries include brief bibliographies keyed to a reference bibliography, and the entries are cross-listed.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271285">
    <dcterms:title><![CDATA[The Oxford Companion to the English Language]]></dcterms:title>
    <dcterms:description><![CDATA[Includes an entry entitled &quot;Chaucer, Geoffrey [1343?-1400],&quot; by Whitney F. Bolton, which surveys Chaucer&#039;s life, works, language, and style, with a brief bibliography. The same information is published in McArthur&#039;s &quot;Concise Oxford Companion to the English Language&quot; (New York: Oxford University Press, 1998).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262173">
    <dcterms:title><![CDATA[The Oxford Computers and Manuscripts Projects]]></dcterms:title>
    <dcterms:description><![CDATA[Reports on research in progress using computer collation for the textual tradition of WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275914">
    <dcterms:title><![CDATA[The Oxford Handbook of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a comprehensive, &quot;stereoscopic,&quot; and wide-ranging view of Chaucer&#039;s culture and connections in a collection of essays focusing on current work in Middle English studies. For twenty-nine individual essays by various authors, search for Oxford Handbook of Chaucer under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270678">
    <dcterms:title><![CDATA[The Oxford Handbook of Edmund Spenser]]></dcterms:title>
    <dcterms:description><![CDATA[Covers a wide range of concerns in Spenser criticism, with forty-two individual essays arranged under five headings: Contexts, Works, Poetic Craft, Sources and Influence, and Reception. The handbook cites Chaucer and his works recurrently, with particular attention to Chaucerianism in Spenser&#039;s language and Spenser&#039;s emulation of his predecessor. In &quot;Spenser&#039;s Language(s): Linguistic Theory and Poetic Diction&quot; (pp. 367-84), Dorothy Stephens discusses Chaucer&#039;s linguistic influence. In &quot;Spenser, Chaucer, and Medieval Romance&quot; (pp. 553-72), Andrew King assesses how Spenser successfully bridges the &quot;opposition&quot; between English medieval romance and Chaucer&#039;s works. King focuses on TC, SqT, MerT, and the openendedness of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270768">
    <dcterms:title><![CDATA[The Oxford Handbook of Medieval Literature in English]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty-five essays by various authors, with a prologue by Treharne, an epilogue by Walker, and a cumulative index. The individual essays, each accompanied by a bibliography, are arranged thematically under seven thematic headings: Literary Production; Literary Consumption; Literature, Clerical and Lay; Literary Realities; Complex Identities; Literary Place, Space, and Time; and Literary Journeys. Recurrent references to Chaucer and occasional references to individual works. For seven essays that pertain to Chaucer, search for The Oxford Handbook of Medieval Literature in English under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276504">
    <dcterms:title><![CDATA[The Oxford Handbook of Victorian Medievalism.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes thirty-nine essays by various authors on a wide range of topics relating to medievalisms in Victorian culture, generally British and American, with attention to the historical development of interest in medieval languages, literature, arts, architecture, social attitudes, and religious practices. The capacious index includes numerous references to Chaucer, his works, and his influence. For one essay that pertains to Chaucer, search for  Oxford Handbook of Victorian Medievalism under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274632">
    <dcterms:title><![CDATA[The Oxford History of Classical Reception in English Literature, Vol. 1, 800–1558.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes twenty-eight sections by various authors (four by Copeland) who address the impact of the classics on medieval and early modern English culture: education, mythology, historiography, moral philosophy, humanism, translations, individual authors, and more. References to Chaucer and most of his works recur throughout, with attention to his &quot;engagement&quot; with classical writers such as Boethius, Lucan, Ovid and &quot;Ovidianism,&quot; Statius, and Virgil, as well as his depictions of Troy, Greece, and Rome, and discussion of his influence on later English classicism. The volume offers primary and secondary bibliographies as well as a comprehensive index. For an essay that pertains to Chaucer, search for The Oxford History of Classical Reception in English Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271131">
    <dcterms:title><![CDATA[The Oxford History of Literary Translation in English. Volume I: To 1550]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes nineteen essays by various authors, with topics ranging from theory of translation to individual translators.  Includes two essays that pertain to Chaucer:  Barry Windeatt, &quot;Geoffrey Chaucer&quot; (pp. 137-48) and Stephen Medcalf, &quot;Classical Authors&quot; (pp. 364-89).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269605">
    <dcterms:title><![CDATA[The Oxford Scholar&#039;s Tale: La versión disidente de Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Compares ClT with Boccaccio&#039;s tale of Griselda and the version by Juan de Timoneda, showing that Chaucer makes more extensive, more explicit, and more radical the class politics of the narrative, critiquing traditional assumptions about marriage and feudal order.]]></dcterms:description>
</rdf:Description></rdf:RDF>