<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263064">
    <dcterms:title><![CDATA[The Narrator-Audience Relationship in Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Sato suggests that the narrator involves his audience in the narration and makes them comakers of the story and even narrative agents.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264633">
    <dcterms:title><![CDATA[The Narrator&#039;s Frame for &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Opening and closing stanzas of TC combine high, epic style with &quot;sermo humilis,&quot; creating a rising and sinking pattern of &quot;unlikeness.&quot;  The verse and rhetoric reflect the meanings, the sublimest points made in simplest statement.  The conclusion thus parallels the opening pattern.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261749">
    <dcterms:title><![CDATA[The Narrators in the &#039;Book of the Duchess&#039; and the &#039;Parlement of Foules&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The narrator of the dream poems is not a consistent character,as previously thought, but a progressive one, embodying Chaucer&#039;s later preoccupation with experience versus authority.  The narrator of BD is a doer; that of PF, a reader.  Their one-sidedness makes them comic and ineffectual.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275704">
    <dcterms:title><![CDATA[The National Allegory of the Household: &quot;Domus&quot; and &quot;Lingua&quot; in John Gower&#039;s &quot;Vox clamantis&quot; and Geoffrey Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Unpacks allegorical aspects of &quot;domus&quot; (household, community, regulation, tradition, order) and &quot;lingua&quot; (speech, noise, murmuring, poetry, vernacularity) in Gower&#039;s &quot;Vox clamantis&quot; and in HF, using Fredric Jameson&#039;s notion of &quot;national allegory&quot; to explore complex relations between private and public levels of meaning, and clarifying Ovidian models that underlie the two poems. Also comments on the dynamics of household and language in NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274598">
    <dcterms:title><![CDATA[The Nature of Material Evidence.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers how manuscript evidence informs our understanding of Middle English, addressing the value of autograph manuscripts and personal letters, the process of standardization, and the importance of sociolinguistics. Includes analysis of the habits of Chaucer scribes Geoffrey Spirleng and Adam Pinkhurst and maintains that, generally, when &quot;copying Chaucer, scribes tended to preserve older London forms associated with Chaucer&#039;s own usage.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265128">
    <dcterms:title><![CDATA[The Nature of Nature: Criseyde&#039;s &#039;Slydyng Corage&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Criseyde&#039;s characterization and role in Chaucer&#039;s fiction define the way Nature herself looks and functions in the world.  Troilus and Pandarus as &quot;priests of Nature&quot; cannot reconcile their image of her with a nature that is &quot;slyding of corage.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268788">
    <dcterms:title><![CDATA[The Nature of Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Seeks to define &quot;romance&quot; in Western literary tradition, commenting on its development from classical roots up to modern fantasy literature. Common formal features help to define the term, along with recurrent narrative patterns and themes. The article treats a wide range of literature, including Arthurian romance and works by Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271848">
    <dcterms:title><![CDATA[The Naughty Bits: Dating Chaucer&#039;s &#039;House of Fame&#039; and &#039;Legend of Good Women&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Dates HF in the mid-1380s, positioning it as a &quot;transitional work&quot; between TC and CT and a reflection of Chaucer&#039;s status at the time as a king&#039;s man. Argues that LGW was written concurrently with CT, with LGWP-F as early as 1392, and revised as LGWP-G after 1394. LGW is addressed to Richard II and his court; CT to &quot;literary posterity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270973">
    <dcterms:title><![CDATA[The Naughty Bits: The Steamiest (and Most Scandalous) Sex Scenes from the World&#039;s Greatest Books]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes excerpts from more than eighty works of literature, from the Old Testament to the Starr Report, including a selection from WBP (pp. 128-31), modernized by Murnighan; includes an appreciative introduction which refers to the Wife as &quot;a kind of Mae West of the Middle Ages.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269291">
    <dcterms:title><![CDATA[The Necessity of History: The Example of Chaucer&#039;s &#039;Clerk&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Patterson reads ClT in light of negotiations over the marriage of Richard II and Isabelle of France in 1396 and of the texts surrounding those negotiations, especially those concerned with the ideology of sacral kingship. Chaucer knew of the marriage negotiations through John Pritwell, the royal sergeant-at-arms who obtained safe conduct for diplomats and who worked with Chaucer when Chaucer was Clerk of the King&#039;s Works. Chaucer may have used &quot;L&#039;estoire de Griseldis&quot; as well as Petrarch and the French translation as a reaction to the muting of political and literary issues.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268828">
    <dcterms:title><![CDATA[The Need for Re-editing Gamelyn]]></dcterms:title>
    <dcterms:description><![CDATA[Justifies the need for a new edition of the &quot;Tale of Gamelyn&quot; on the grounds that previous editions rely on limited manuscript authority and reflect various editorial biases.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270034">
    <dcterms:title><![CDATA[The Negative Erotics of Medievalism]]></dcterms:title>
    <dcterms:description><![CDATA[The authors contemplate the relationship of medievalism to medieval studies, considering several (re)constructions of the Middle Ages, including Brian Helgeland&#039;s A Knight&#039;s Tale and various critics&#039; efforts to gloss &quot;queynte.&quot; Such considerations reveal more about the desires of the present than about the nature of the past.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271469">
    <dcterms:title><![CDATA[The Neighboring Text: Chaucer, Boccaccio, Henryson]]></dcterms:title>
    <dcterms:description><![CDATA[Applies psychoanalytical analysis to Boccaccio&#039;s &quot;Il Filostrato,&quot; Chaucer&#039;s TC, and Robert Henryson&#039;s &quot;Testament of Cresseid,&quot; tying &quot;literary neighbor relations to the social and political realities of the late Middle Ages.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265740">
    <dcterms:title><![CDATA[The New Ellesmere Chaucer Facsimile]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the new facsimile of Ellesmere and the project that led to its production and the accompanying volume.]]></dcterms:description>
    <dcterms:description><![CDATA[The facsimile was produced in three forms, and some copies of the bound version have trimmed margins that do not match the original exactly.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266415">
    <dcterms:title><![CDATA[The New Humanism and Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the evolution of the word &quot;humanism&quot; and explores Chaucer&#039;s artistic application of fourteenth-century nominalism as it relates to his fusion of medieval ideas of community, tradition, and the emerging figure of the individual.  Treats CT, KnT, MLT, SNT, PrT, TC, LGWP, and HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268076">
    <dcterms:title><![CDATA[The New Medievalization of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Trigg explores how efforts to introduce philology and recent challenges to canonicity complicate Chaucer pedagogy and its relations with the teaching of other medieval authors, contemplating questions of Chaucer&#039;s continuing appeal despite these challenges.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272333">
    <dcterms:title><![CDATA[The New Oxford Book of English Verse, 1250-1950]]></dcterms:title>
    <dcterms:description><![CDATA[Includes selections from Chaucer&#039;s poetry, in Middle English with editorial titles: &quot;The Complaint of Troilus&quot; (TC 5.547-53, 561-81, 638-44, 1688-1901), &quot;Love Unfeigned&quot; (TC 5.1835-48), &quot;Ballade&quot; (LGWP F249-69), and &quot;Madame Eglantine&quot; (GP 1.118-62).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270397">
    <dcterms:title><![CDATA[The New Pelican Guide to English Literature, Volume 1, Part 1: Medieval Literature: Chaucer and the Alliterative Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[Capacious anatomy of Middle English literature, with a variety of essays by individual authors; a selection of lyrics, narrative poems, and dramas; suggestions for further readings, and comprehensive index.  The selection includes no works by Chaucer, but pertinent selections for further readings are included (pp. 620-21), and six essays pertain to Chaucer, some of which appeared originally in the predecessor to this volume, &quot;The Age of Chaucer&quot; (London: Penguin, 1954), also edited by Boris Ford.  For three newly published essays, search for Medieval Literature: Chaucer and the Alliterative Tradition under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267571">
    <dcterms:title><![CDATA[The New Penguin Book of English Verse]]></dcterms:title>
    <dcterms:description><![CDATA[Representative British poetry (lyrics and selections from narrative verse), ranging from Middle English lyrics to poetry written in the 1990s. Arranged chronologically, with no introduction or notes, but with indexes of poets, first lines, and titles. Chaucer selections (pp. 9-15, 20-30) include portions of The Parliament of Fowls, Troilus and Criseyde, The General Prologue, The Knight&#039;s Tale, The Miller&#039;s Tale, The Wife of Bath&#039;s Prologue, and The Pardoner&#039;s Tale, with glosses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262659">
    <dcterms:title><![CDATA[The New Reader and Female Textuality in Two Early Commentaries on Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[The glosses to the Ellesmere and Egerton manuscripts of WBP and WBT illustrate how differently two readers may respond to a single text.  Condemning not only the Wife&#039;s sexuality but her &quot;textuality&quot; as well, the Egerton commentator struggles to wrest control of the text; the Ellesmere commentator, however, echoes, augments, and supports the Wife&#039;s text. ]]></dcterms:description>
    <dcterms:description><![CDATA[Analysis of marginal glosses and the role of the narrator in WBP, WBT, ManT, BD, HF, PF, and TC suggests that Chaucer himself had accepted both the emerging private reader and &quot;female textuality&quot; by the time he wrote CT.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Daniel J. Pinti, &quot;Writings After Chaucer&quot; (New York and London: Garland, 1998), pp. 45-80.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277378">
    <dcterms:title><![CDATA[The Night of the Wolf.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel in which friar-detective Rodric Chandler investigates murder as he seeks to hide Adam Pinkhurst&#039;s copy of CT from Lancastrian censors.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263271">
    <dcterms:title><![CDATA[The Nobility of Soul: Uncharted Echoes of the Peraldean Tradition in Late Medieval German Literature]]></dcterms:title>
    <dcterms:description><![CDATA[ParsT&#039;s statement of the medieval idea (of Peraldus) that true virtue derives from nobility of the spirit rather than from nobility of birth is examined in relation to its treatment by the late-medieval German authors Heinrich von Langenstein and Michel Beheim.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272026">
    <dcterms:title><![CDATA[The Noble Rhetor: Chaucer and Medieval Poetic Traditions]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the importance of classical and medieval rhetorical theories that underlie late medieval poetry, and discusses the &quot;flowering of rhetorico-poetic technique in Chaucer&#039;s verse,&quot; analyzing samples of his poetry in light of Geoffrey of Vinsauf&#039;s &quot;Documentum de arte versificandi.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273707">
    <dcterms:title><![CDATA[The Non-Comic &quot;Merchant&#039;s Tale,&quot; Maximianus, and the Sources.]]></dcterms:title>
    <dcterms:description><![CDATA[Evaluates MerT in light of its sources and analogues, including the &quot;Miroir de Mariage,&quot; Boccaccio&#039;s &quot;Ameto,&quot; and the &quot;Elegies of Maximianus,&quot; the latter identified here as an analogue for the first time, with its presentation of &quot;amorous senility that Chaucer would have known longest and most intimately.&quot; Focuses on the characterization of January and the pear tree episode, arguing that, although not bitterly satiric, MerT is &quot;non-comic,&quot; a serious critique of human folly.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265037">
    <dcterms:title><![CDATA[The Non-Comic, Non-Tragic Wife: Chaucer&#039;s Dame Alys as Sociopath]]></dcterms:title>
    <dcterms:description><![CDATA[The Wife of Bath is neither a comic figure as Donaldson and others see her, nor a tragic figure as several other critics see her.  Instead she is, as Beryl Rowland suggests, a neurotic and a misfit.]]></dcterms:description>
</rdf:Description></rdf:RDF>