<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270141">
    <dcterms:title><![CDATA[The Miller&#039;s Tale and Decameron 3.4]]></dcterms:title>
    <dcterms:description><![CDATA[Biggs argues that Decameron 3.4 is a source for MilT, inspiring the latter&#039;s density of detail, its religious sentiment, and many of its narrative features, particularly the Flood story. MilP also echoes Boccaccio&#039;s &quot;Conclusione dell&#039;autore&quot; and its concern with religious rather than rational judgment.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268995">
    <dcterms:title><![CDATA[The Miller&#039;s Tale and Heile van Beersele]]></dcterms:title>
    <dcterms:description><![CDATA[Difficulties in dealing with the role of the three tubs (along with other issues) suggest that Chaucer&#039;s MilT is the source for the Flemish version. Chaucer may have originated this Tale to reflect on the theme of God&#039;s control, an idea also important in KnT and ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264389">
    <dcterms:title><![CDATA[The Miller&#039;s Tale as Critical Problem and Dirty Joke]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes plot and content to show that MilT is a popular tale, not a bookish one, and is based on twelve &quot;joke motifs.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262325">
    <dcterms:title><![CDATA[The Miller&#039;s Tale in China]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes &quot;the state of Chaucer studies in China&quot; by reviewing &quot;Fang Zhong&#039;s translation into Chinese&quot; of MilT.  Beginning in the 1930s, Fang Zhong translated TC and most of CT in prose, modifying the Middle English version in two ways:  changes to make the translation &quot;more vivid to a Chinese audience&quot; and omission of bawdy elements.]]></dcterms:description>
    <dcterms:description><![CDATA[Thus, the Chinese translation makes changes in Nicholas&#039;s songs, in the &quot;knedyng trough,&quot; in making Alison John&#039;s &quot;first wife,&quot; and so on, and omits or mutes the obscenity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268546">
    <dcterms:title><![CDATA[The Miller&#039;s Tale on CD-ROM]]></dcterms:title>
    <dcterms:description><![CDATA[Includes interlinked images and transcriptions of all fifty-eight pre-1500 versions of MilPT, with complete collations (linked to variant maps), commentaries on family relationships of the versions, and stemmatic commentary on key readings.]]></dcterms:description>
    <dcterms:description><![CDATA[The search engine enables comparisons by spelling, word, line, witness, and complex combinations. Includes full descriptions of all witnesses and scribes (by Mosser), fully lemmatized databases of all spellings and words, and a bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273914">
    <dcterms:title><![CDATA[The Miller&#039;s Tale Read in Middle English by Norman Davis.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272841">
    <dcterms:title><![CDATA[The Miller&#039;s Tale--An UnBoethian Interpretation]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that MilT differs from both KnT and RvT in its presentation of a world that lacks rational order or poetic justice. Alison escapes punishment and John is punished unfairly so that behind the jollity and illusion of order in the MilT lies &quot;essential disorder.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269892">
    <dcterms:title><![CDATA[The Miller&#039;s Tale, by Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page version of MilPT and the GP description of the Miller, with modernization in iambic pentameter facing the Middle English text from the Riverside edition. Contains a descriptive introduction, brief notes (pp. 53-55), and a biographical note.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269878">
    <dcterms:title><![CDATA[The Miller&#039;s Tale, Lines 3466-3499: Narrative Inconsistency and the First Fragment of The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Nicholas&#039;s door in MilT (knocked off of its hinges in one moment and then closed on its hinges a few minutes later) is a semiotic hinge in the play between public and private space, echoing Theseus&#039;s attempts to control space in KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271753">
    <dcterms:title><![CDATA[The Miller&#039;s Tale: A Complete Episode from the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Limited edition art-book version of MilT that uses the Nevill Coghill trans.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261910">
    <dcterms:title><![CDATA[The Miller&#039;s True Story]]></dcterms:title>
    <dcterms:description><![CDATA[By examining Chaucer&#039;s handling of his material and the verbal texture of MilT, we can determine the nature of the prior acquaintance of the Reeve and the Miller.  The tale &quot;is almost certainly based on a real episode...Robyn the Miller is Old John&#039;s young apprentice, also named Robyn.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272327">
    <dcterms:title><![CDATA[The Miller&#039;s Wife in Chaucer&#039;s &#039;Reeve&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes RvT and explores the characterization and motives of Symkyn&#039;s wife, suggesting the possibility that she intentionally hit her husband with the staff.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266186">
    <dcterms:title><![CDATA[The Millere Was a Stout Carl for the Nones]]></dcterms:title>
    <dcterms:description><![CDATA[Consistent with contemporary social and economic conditions, the Miller of GP aspires to the gentry although he &quot;is still rooted in the peasantry.&quot;  Bridging the courtly KnT and the low-class RvT, Chaucer&#039;s MilT--like the Miller&#039;s profession--reflects &quot;changes that were ocurring in England.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265569">
    <dcterms:title><![CDATA[The Mind Distended: The &#039;Retraction&#039; &#039;Miller&#039;s Tale,&#039; and &#039;Summoner&#039;sTale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Like Ret, the farts in MiltT and SumT remake something for their recipients.  On the highest level of abstraction, they combine to remake time from the &quot;end&quot; perspective of death.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275002">
    <dcterms:title><![CDATA[The Mind of the Book: Pictorial Title Pages.]]></dcterms:title>
    <dcterms:description><![CDATA[Contributes to a history of the &quot;pictorial title page&quot; in English printing, identifying continuities and developments by studying sixteen examples (sixteenth-nineteenth centuries), including the frontispiece to William Thynne&#039;s edition of Chaucer&#039;s Workes (pp. 72-76) and to the Kelmscott Chaucer (pp. 189–92). The volume includes an extensive introduction (pp. 1-59), a glossary of terms, and an index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271371">
    <dcterms:title><![CDATA[The Miner&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[A poetic tribute in thirty-six lines that recalls memorizing GP in a tenth-grade English class.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273748">
    <dcterms:title><![CDATA[The Minor Poems of Stephen Hawes.]]></dcterms:title>
    <dcterms:description><![CDATA[Edits the minor poem of Stephen Hawes, with notes that include recurrent comments on the influence of Chaucer and Lydgate.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264380">
    <dcterms:title><![CDATA[The Minor Poems: Part One]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Part One&quot; contains five moral or &quot;Boethian&quot; poems, four humorous poems addressed to individuals, four love lyrics, and one gnomic poem: Truth, Gent, Sted, Form Age, For; Purse, Adam, Buk, Scog; Ros, MercB, Wom Nob, Wom Unc; and Prov.]]></dcterms:description>
    <dcterms:description><![CDATA[Introductions for each poem survey scholarship and identify important lines of inquiry; prefatory essays deal with dates, allusions, versification, sources, and relevance to Chaucer&#039;s life and other works.  Includes index and bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274198">
    <dcterms:title><![CDATA[The Minster and the Privy: Rereading the Prioress&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Reads PrT and its concern with usury in light of medieval architectural construction and its dependence upon financing through lending, arguing that although the Tale demonizes Jewish lenders and exalts Christians through associations with, respectively, the latrine and the minster, it undermines these associations by presenting contaminating continuities between the two locales, obliquely critiquing notions of pure Christian identity. Reads the &quot;greyn&quot; as Mary&#039;s &quot;loan&quot; to the clergeon, describes Chaucer&#039;s familiarity with lending practices and architecture, comments on his alterations of his sources for PrT, and includes five b&amp;w figures.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270332">
    <dcterms:title><![CDATA[The Minstrel in the Theatre: Arnold, Chaucer, and Yeats&#039;s New Spiritual Democracy]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the development of Yeats&#039;s concern with &quot;writing for a listening audience,&quot; and identifies his reading of Chaucer in 1905 as crucial to this process.  As several of his letters and lectures attest, Yeats for a time regarded Chaucer as the &quot;artistic paragon of his spiritual democracy.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262900">
    <dcterms:title><![CDATA[The Mirour of Mans Saluacioune]]></dcterms:title>
    <dcterms:description><![CDATA[Critical edition of a fifteenth-century manuscript of a Middle English translation of &quot;Speculum humanae salvationis,&quot; written between 1310 and 1324.  The work is a compilation for both laity and clergy, a handbook or compendium of images and stories that served as a sourcebook for sermons.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267741">
    <dcterms:title><![CDATA[The Mirror in the Marketplace : Subjectivity in Late-Medieval English Culture]]></dcterms:title>
    <dcterms:description><![CDATA[The late-medieval sense of individualism (identified by New Historicists) produced anxiety among writers, including Chaucer, Lydgate, and Hoccleve. Through various genres, these writers show a need to redefine sovereignty.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266914">
    <dcterms:title><![CDATA[The Mirror in the Marketplace: Januarie Through the Looking Glass]]></dcterms:title>
    <dcterms:description><![CDATA[January&#039;s comparison of looking for a bride to reflections in a mirror evokes associations of limited and distorted vision, of two-dimensional representations, and of reversals of left and right. This image of &quot;imperfect vision&quot; is reflected in January&#039;s own blindness and in his misperception of May in MerT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264046">
    <dcterms:title><![CDATA[The Mirror of the Mind: A Study of &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the relationship of the psychological and artistic motifs in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268505">
    <dcterms:title><![CDATA[The Miscellany and the Monument: Collecting in Chaucer, Gower, and Langland]]></dcterms:title>
    <dcterms:description><![CDATA[As part of larger argument that miscellanies were an &quot;essential material condition of vernacular literature before the introduction of printing,&quot; Shuffelton considers CT as a booklet miscellany.]]></dcterms:description>
</rdf:Description></rdf:RDF>