<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262401">
    <dcterms:title><![CDATA[The Medieval Church and the Patronage of Art]]></dcterms:title>
    <dcterms:description><![CDATA[An essay on ecclesiastical patronage of art in the Middle Ages.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265157">
    <dcterms:title><![CDATA[The Medieval Cleopatra: The Classical and Medieval Tradition of Chaucer&#039;s &#039;Legend of Cleopatra&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[LGW contains examples of &quot;the destructive results of excessive passion.&quot;  Classical, patristic, and medieval attitudes to Cleopatra are negative; Chaucer is thus ironic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266800">
    <dcterms:title><![CDATA[The Medieval Concepts of the Poet, Narrator, and Reader Related to the Poet, Narrator, and Reader Found in Chaucer&#039;s Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Examining passages from BD, TC, and CT, Kim contrasts Chaucer&#039;s uses of multiple narrative voices with the ways other medieval writers write themselves and their readers into their texts.]]></dcterms:description>
    <dcterms:description><![CDATA[In Korean.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275415">
    <dcterms:title><![CDATA[The Medieval Consolation of Philosophy: An Annotated Bibliography.]]></dcterms:title>
    <dcterms:description><![CDATA[An annotated bibliography, listing materials that pertain to the &quot;Consolation of Philosophy&quot; in French, German, Old English and Middle English, with sections on Chaucer&#039;s translation and to its influence, with seventy-six and forty-three items respectively. The volume and each separate section are accompanied by discursive introductions that describe Boethius&#039;s influence and importance. A version of the author&#039;s 1985 Fordham Ph.D. dissertation. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271034">
    <dcterms:title><![CDATA[The Medieval Cookbook]]></dcterms:title>
    <dcterms:description><![CDATA[An illustrated, indexed cookbook of medieval recipes, drawn from the resources of the British Museum, with one chapter entitled &quot;Chaucer&#039;s Company&quot; (pp. 34-50) that includes seven recipes, linked to the CT pilgrims.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269227">
    <dcterms:title><![CDATA[The Medieval Dream Vision as Survey of Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Watts explains the pedagogy of teaching the dream vision at the undergraduate level, covering texts that include Macrobius, the &quot;Dream of the Rood,&quot; the&quot; Roman de la Rose,&quot; Dante, &quot;Pearl,&quot; &quot;Piers Plowman,&quot; Christine de Pizan&#039;s &quot;Book of the City of Ladies,&quot; and selections from Chaucer. Comments that BD and HF (like other works surveyed) allow students to explore the &quot;processes of imitation, appropriation, and innovation&quot; that characterize much medieval literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272337">
    <dcterms:title><![CDATA[The Medieval Erotic Alba: Structure as Meaning]]></dcterms:title>
    <dcterms:description><![CDATA[Characterizes the &quot;alba scene&quot; of TC (3.1408-1533) as &quot;in many ways the culminating point in the medieval development of the genre,&quot; even though Chaucer places the scene in the context of tragic mutability, a context unique for the genre. Considers a wide range of English and Continental albas, including brief comments on RvT and Mars. Offers the text of the alba scene in TC as an appendix.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269318">
    <dcterms:title><![CDATA[The Medieval Gaze at Grips with a Medieval World]]></dcterms:title>
    <dcterms:description><![CDATA[Huxtable surveys medieval philosophical and religious understanding of sight and color as background to commentary on social concerns with color in sumptuary habits and heraldry. In ParsT 10.424-27, colorful clothing indicates a sinful nature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264486">
    <dcterms:title><![CDATA[The Medieval Hector: A Double Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[The Middle Ages provided two contrasting traditions in the characterization of Hector, one celebrating his heroism, the other viewing him as possessed of physical flaws and spiritual debilities.  In TC, Chaucer combines the two traditions in his characterization.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276974">
    <dcterms:title><![CDATA[The Medieval Life of Language: Grammar and Pragmatics from Bacon to Kempe]]></dcterms:title>
    <dcterms:description><![CDATA[Studies &quot;pragmatics as an important aspect of premodern understanding of language and meaning,&quot; exploring &quot;pragmatic ideas and metapragmatic awareness&quot; in various kinds of medieval discourse. Details the contexts, functions, and significations of the interjection &quot;allas&quot; in portions of CT and TC, and examines MilPT for ways it &quot;deconstructs the notion of stable, authorial, intentional meaning and explores narrative dialogism and the pragmatics of identity and affective power for comic and satiric effect.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275604">
    <dcterms:title><![CDATA[The Medieval Literary: Beyond Form.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes an introduction by the editors and ten essays by various authors that &quot;aim to rethink the relationship between form and the literary&quot; in a variety of Middle English works. For two essays pertaining to Chaucer, search for The Medieval Literary: Beyond Form under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263553">
    <dcterms:title><![CDATA[The Medieval Lyric Romance]]></dcterms:title>
    <dcterms:description><![CDATA[BD provides at once a reaction to its French predecessors of three centuries and also the means by which they can be reexamined.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274603">
    <dcterms:title><![CDATA[The Medieval Manuscript Book: Cultural Approaches.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on aspects of the cultural situations of the medieval book. Examines elements of bibliography, social context, linguistics, archeology, and conservation within a broader view of the theory and praxis of manuscript study. For an essay that pertains to Chaucer, search for The Medieval Manuscript Book: Cultural Approaches under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266290">
    <dcterms:title><![CDATA[The Medieval Medea]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the depictions of Medea in medieval literature and its backgrounds, focusing on how, in the Middle Ages, the character reflects issues of dynastic rivalry, legitimacy, and presumptions about the passions of females.  Comments on how Chaucer&#039;s depiction of Medea in LGW involves a double reversal, whereby Jason is feminized and Medea is suppressed.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274110">
    <dcterms:title><![CDATA[The Medieval New: Ambivalence in an Age of Innovation.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on the &quot;preoccupation with newness and novelty in literary, scientific, and religious discourses of the twelfth through sixteenth centuries.&quot; Examines the &quot;newfangledness&quot; of the &quot;romance discourse&quot; in SqT and alchemy in CYT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272881">
    <dcterms:title><![CDATA[The Medieval Pilgrimage and Its Use in &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Treats pilgrimage as a &quot;unifying device&quot; in CT, exploring the influences of Boethius, Virgil, and Dante and parallels with &quot;Piers Plowman&quot; and Deguilleville&#039;s &quot;Pèlerinage de la Vie Humanie.&quot; Focuses on the frame of CT, KnT and its theme of exile, and the voyage in MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263129">
    <dcterms:title><![CDATA[The Medieval Poet and His World]]></dcterms:title>
    <dcterms:description><![CDATA[Seventeen previously published essays study rhetoric, color imagery, genres--fabliaux, lyrics, ballads--Latin poetry, Dante, cosmic lore, Chaucer&#039;s TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265260">
    <dcterms:title><![CDATA[The Medieval Poet as Voyeur: Looking and Listening in Medieval Love-Narratives]]></dcterms:title>
    <dcterms:description><![CDATA[Examines a wide range of medieval romances and first-person personification love-narratives for the ways they compel their audiences to assume voyeuristic perspectives.  Romances include scenes of secret watching of private love, and in love-narratives medieval poets cast themselves as voyeurs.  Spearing explores questions of desire and participation, power and gender, in narratives from Tristan to Phyllyp Sparowe, critiquing reductionist theories of the &quot;masculine gaze.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[In TC, Chaucer acknowledges and foregrounds the voyeurism of medieval romance, presenting several violations of privacy and space by Pandarus, by the narrator, and by the reader; in ManT, he rebukes the voyeur-poet.  The &quot;predominance of the visual&quot; in KnT represses feminine outlook, often signaled through &quot;occupatio&quot;; three varieties of voyeurism in MerT fascinate and hold its audience. ]]></dcterms:description>
    <dcterms:description><![CDATA[The first-person narration of Rom is fundamental to its idealization of male desire, while the frame and garden of PF establish it as a poem of &quot;postponement.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269430">
    <dcterms:title><![CDATA[The Medieval Poetics of Pilgrimage and Multiple Voices]]></dcterms:title>
    <dcterms:description><![CDATA[Kim gauges T. S. Eliot&#039;s debt to CT in &quot;The Waste Land,&quot; examining Eliot&#039;s poem as a pilgrimage that modifies a number of Chaucer&#039;s techniques and devices: the opening reverdie, multiple voices and tales, use of sources, focus on marriage, and more.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269928">
    <dcterms:title><![CDATA[The Medieval Poetics of the Reliquary: Enshrinement, Inscription, Performance]]></dcterms:title>
    <dcterms:description><![CDATA[Chaganti explores the &quot;dialectical interaction between inscription and performance&quot; that underlines the &quot;poetics of enshrinement&quot; in medieval visual art, literature, and discourse on representation. Individual chapters address &quot;Saint Erkenwald,&quot; the N-Town &quot;Assumption,&quot; &quot;Pearl,&quot; PardT, and the brief lyric &quot;In 8 is alle my love.&quot; Chapter 5, &quot;Reliquaries of the Mind: Figuration, Enshrinement, and Performance in the Pardoner&#039;s Tale&quot; (pp. 131-53), presents PardT as a &quot;self-enshrining performance,&quot; structured in a way that occludes differences between utterance and description of utterance. Chaganti also comments on the lyric &quot;I&quot; in BD and on the enshrining imagination in BD and HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267638">
    <dcterms:title><![CDATA[The Medieval Professional Reader at Work: Evidence from Manuscripts of Chaucer, Langland, Kempe, and Gower]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction and four essays suggest some methods and approaches for the recovery of medieval reader response from manuscript evidence. For two essays that pertain to Chaucer, search for Medieval Professional Reader at Work under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271843">
    <dcterms:title><![CDATA[The Medieval Python: The Purposive and Provocative Work of Terry Jones]]></dcterms:title>
    <dcterms:description><![CDATA[Eighteen essays comprise an &quot;&#039;Un&#039;festschrift&quot; that celebrates Terry Jones as a comedian, cinematographer, historian, and Chaucerian. For five contributions that pertain to Chaucer, search for Medieval Python under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263905">
    <dcterms:title><![CDATA[The Medieval Sinner: Characterization and Confession in the Literature of the English Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[From thirteenth-century sermons and confessional manuals we see attitudes toward penance and moral behavior reflected in the works of Langland, Gower, the &quot;Pearl&quot; poet, and Chaucer. Chaucer treats CT sinners with unusual humor and irony.  Penitential motifs begin in the prologues to the tales and culminate in Ret, a humorous, ironic confession of &quot;literary sins.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265942">
    <dcterms:title><![CDATA[The Medieval Student: Chaucer&#039;s Poor Clerk of Oxford]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264433">
    <dcterms:title><![CDATA[The Medieval Tale of the Lover&#039;s Gift Regained]]></dcterms:title>
    <dcterms:description><![CDATA[J. W. Spargo has not proved the existence of an extraliterary tradition among texts written by Chaucer and Boccaccio.  The oral circulation of the tale does not support the hypothesis that Chaucer and Boccaccio had a common source.]]></dcterms:description>
</rdf:Description></rdf:RDF>