<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270142">
    <dcterms:title><![CDATA[A Bared Bottom and a Basket: A New Analogue and a New Source for the Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Among the four fabliaux in London, British Library Harley MS 2253, &quot;La gageure,&quot; featuring the &quot;misdirected kiss&quot; motif, is an analogue of MilT, while &quot;Le chevalier e la corbeille&quot; is a possible source, providing not only a container that forces &quot;the lovers&#039; antagonist&quot; into a punishing fall but also an architectural setting with the verticality necessary for such a descent.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274161">
    <dcterms:title><![CDATA[A Battle for &quot;Cherl&quot; Masculinity in Chaucer&#039;s &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that MilT and RvT &quot;revise the image of masculine chivalry constructed in&quot; KnT, the first offering a model of &quot;physical &#039;cherl&#039; masculinity,&quot; the second &quot;an image of masculinity that prizes internal desire over physical bravado.&quot; Through their tales, &quot;pilgrims clearly articulate their own private self-images.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267116">
    <dcterms:title><![CDATA[A Beastly Origin : Journeys from the &#039;Oxes Stalle&#039; in Chaucer&#039;s Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the imagery of oxen, stalls, and yoking in Boethian and Christian traditions, arguing that they underlie Chaucer&#039;s allegorical uses of the imagery in Truth, ClT, NPT, and the CT at large.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276391">
    <dcterms:title><![CDATA[A Biblical Allusion in &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explicates the &quot;striking instance of Chaucer&#039;s use of word-play and Scriptural allusion&quot; in TC 4.1585 to &quot;enrich his presentation of the lovers&#039; predicament&quot; and emphasize differences between earthly and divine happiness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264682">
    <dcterms:title><![CDATA[A Bibliography of Chaucer, 1964-1973]]></dcterms:title>
    <dcterms:description><![CDATA[The bibliography includes books, articles, dissertations, reviews, reprints, and background studies.  Annotations identify general, introductory, or background studies and those designed for undergraduates.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262812">
    <dcterms:title><![CDATA[A Bibliography of Chaucer, 1974-1985]]></dcterms:title>
    <dcterms:description><![CDATA[Definitive coverage of twelve years of Chaucer scholarship, including books, articles, dissertations, and reviews--numbered, cross-referenced, and indexed by author and subject.  A continuation, with added features, of previous standard bibliographies by Griffiths, Crawford, and Baird, this bibliography is preceded by a forty-three-page introductory review of Chaucer scholarship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276351">
    <dcterms:title><![CDATA[A Bibliography of Chaucer&#039;s French Sources.]]></dcterms:title>
    <dcterms:description><![CDATA[A topical, alphabetical listing of critical studies that pertain to Chaucer&#039;s French sources, compiled from previous bibliographies, with brief annotations added. The one-page introduction comments on the status of France and French in Chaucer&#039;s age.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261965">
    <dcterms:title><![CDATA[A Bibliography of Writings on Chaucer&#039;s English]]></dcterms:title>
    <dcterms:description><![CDATA[Language and word studies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268817">
    <dcterms:title><![CDATA[A Bibliography of Writings on Chaucer&#039;s English]]></dcterms:title>
    <dcterms:description><![CDATA[A selective bibliography of Chaucer studies, covering linguistic approaches through 1993, arranged topically under ten headings: Bibliographies (30 items); Manuscripts, Facsimiles, and Editions (26); Textual Criticism (53); English Linguistic Background (53); Medieval Rhetoric and Poetics (26); Dictionaries and Concordances (55); Phonology and Grammar (111); Lexicon (142); Meter and Versification (80); and Style and Rhetoric (130). Updates versions published in 1989 and 1990.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269513">
    <dcterms:title><![CDATA[A Blessed Shore: England and Bohemia from Chaucer to Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[Studies artistic, religious, and political exchanges between England and Bohemia in the late Middle Ages and the Renaissance, including Anne of Bohemia&#039;s influence in England, Wyclif&#039;s influence in Bohemia, Shakespeare&#039;s formulation of Bohemia, and the history of English men and women in Prague. Among topics of cultural exchange, Thomas discusses concerns with Troy in the two countries (mentioning TC) and the ways that Anne of Bohemia influenced English artists and writers, including Chaucer, from her arrival until the Merciless Parliament in 1388. Comments on a number of Czech and English works, such as PF, LGW, SNT, &quot;Pearl,&quot; and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274106">
    <dcterms:title><![CDATA[A Bloody Shame: Chaucer&#039;s Honourable Women.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses the &quot;handling of gendered shame&quot; in Chaucer&#039;s works, arguing that shamefastness (modesty) is a &quot;point of tension between medieval concepts of manliness and feminine honour.&quot; Paradoxically, shame is a feature of female honor, while ideals of masculinity entail the overcoming of female shamefastness. Explores this tension and its paradoxes in FranT, TC, PhyT, the tale of Lucrece in LGW, and elsewhere in Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272117">
    <dcterms:title><![CDATA[A Boethian Approach to the Problem of Genre in Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads TC as a critique of the &quot;old tragic idea&quot; of fall through fortune, emphasizing the poem&#039;s concern with human choice derived from Boethius&#039;s &quot;Consolation,&quot; and observing a &quot;Boethian comedy&quot; in Troilus and a &quot;Boethian tragedy&quot; in Criseyde. TC discloses the &quot;limitations of all tragedies and comedies&quot; as interpretations of human life, which only God can judge.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268926">
    <dcterms:title><![CDATA[A Book Arts Pilgrimage : Arts and Crafts Socialism and the Kelmscott Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[In his Kelmscott Chaucer, Morris presents Chaucer as a proponent of anti-capitalist socialism, consistent with Morris&#039;s own arts and crafts movement. The essay comments on the heteroglot voices of the Canterbury pilgrims and the Kelmscott illustrations of Chaucer that frame CT in this edition; compares these features with Morris&#039;s own interests and activities.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261517">
    <dcterms:title><![CDATA[A Book of Middle English]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to Middle English language, designed as a textbook with discussions of history, phonology, lexis, grammar, syntax, and meter.  Includes a reader of fourteen (non-Chaucerian) texts, with brief notes and glossary.]]></dcterms:description>
    <dcterms:description><![CDATA[The 2d rev. ed includes PF, RvT, and PrT, with notes, glossary, and brief bibliographies and introductions. The 3rd, rev. ed. adds TC 2.1-497. The 3rd ed. is available as an electronic book [2011].]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271708">
    <dcterms:title><![CDATA[A Borrowing from Tibullus in Chaucer&#039;s &#039;House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that the first line of HF derives directly from Tibullus (III.iv.95) and hypothesizes that Chaucer may have had access to a manuscript of Tibullus&#039;s work (Codex Ambrosianus) held by Coluccio Salutati in 1373.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274832">
    <dcterms:title><![CDATA[A Bradwardinian Benediction: The Ending of the &quot;Nun&#039;s Priest&#039;s Tale&quot; Revisited.]]></dcterms:title>
    <dcterms:description><![CDATA[Maintains that the referent for &quot;my lord&quot; at the end of NPT (7.3445) is Thomas Bradwardine, and identifies parallels between the ending and Bradwardine&#039;s &quot;De causa Dei.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273678">
    <dcterms:title><![CDATA[A Brief Comparison of the &quot;Knight&#039;s Tale&quot; and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on various aspects of KnT and &quot;Sir Gawain and the Green Knight&quot; (sources, dates, verse forms, etc.), discussing most extensively their uses of rhetorical devices. Finds KnT to be inferior because in it &quot;form dictates to matter&quot; and because the poem lacks the Gawain-poet&#039;s &quot;organic use&quot; of subtle characterzation and structural parallelisms. Focuses on details of the lists in KnT (1.1884ff.) and Gawain&#039;s view of Bercilak&#039;s castle.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268041">
    <dcterms:title><![CDATA[A Brief History of the NCS]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the founding of the Chaucer Society (1868), the New Chaucer Society (1977), and their accomplishments.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264881">
    <dcterms:title><![CDATA[A British Analogue for the Rock-Motif in the &#039;Franklin&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The eighth-century legend of St. Balred, who moved a rock dangerous to sailors, may have suggested to Chaucer the motif for Aurelius&#039; task.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273049">
    <dcterms:title><![CDATA[A Burnable Book]]></dcterms:title>
    <dcterms:description><![CDATA[Historical  novel set in London,1383, featuring John Gower as a first-person narrator, recounting events involved in the murder of a prostitute and a book prophesying an attempt on the life of Richard II. Gower&#039;s &quot;slippery  friend,&quot; Geoffrey Chaucer, plays a major role, along with other figures from history; includes a number of allusions to Chaucer&#039;s and Gower&#039;s works of literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269696">
    <dcterms:title><![CDATA[A Camp Wedding: The Cultural Context of Chaucer&#039;s Brooch of Thebes]]></dcterms:title>
    <dcterms:description><![CDATA[Askins treats Mars and Ven as two halves of a single poem, reading them together as the &quot;first epithalamium&quot; in English, a celebration of the marriage that took place in spring 1386 between Elizabeth of Lancaster (daughter of Gaunt) and John Holland. Askins argues that Philippa Chaucer died soon after the wedding, while accompanying the Lancastrian retinue to Spain; Chaucer and Oton de Grandson also attended the ceremony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266811">
    <dcterms:title><![CDATA[A Canon of Middle English Literature? Of Some Problems of Writing a Survey of the Age of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on changes in the &quot;canon&quot; of fourteenth- and fifteenth-century English literature, including the rise in importance of LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262223">
    <dcterms:title><![CDATA[A Canterbury Pilgrimage: Ridden, Written, and Illustrated by Joseph and Elizabeth Robins Pennell]]></dcterms:title>
    <dcterms:description><![CDATA[Published originally:  London: Seely, 1885.]]></dcterms:description>
    <dcterms:description><![CDATA[Records how two Americans from Pennsylvania made a honeymooon journey by tandem bicycle from London to Canterbury in the summer of 1884.  Elizabeth Robbins Pennell writes with a keen appreciation of Chaucer&#039;s earlier pilgrimage.  Joseph Pennell introduces numerous comparisons between medieval and Victorian wayfaring.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272885">
    <dcterms:title><![CDATA[A Canterbury Tale from the Wife of Bath: A Comedy in One Act]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; WorldCat records state that this drama is &quot;loosely based&quot; on WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276154">
    <dcterms:title><![CDATA[A Cart that Charged was with Hay: The Symbolism of Hay in Chaucer&#039;s &quot;Friar&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes hay as a symbol of ephemerality, materiality, and avarice in FrT and argues that &quot;the summoner&#039;s urging his companion (a fiend) to seize a cart of hay . . . draws him closer to the very substance that symbolizes his own sinful propensities and secures the certainty of his damnation well before the actual event.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>