<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275795">
    <dcterms:title><![CDATA[The Limits of Illusion: Faulkner, Fielding, and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges the universal applicability of the &quot;organic&quot; ideal (form equating to content) of New Criticism, arguing that it is applicable to modern novels but not earlier narratives. Explores Chaucer&#039;s and his audience&#039;s &quot;lively consciousness of his illusion-making powers&quot; in CT and especially in TC where &quot;fiction and fact are consistently played off against one another&quot; until the &quot;authentic accents of Geoffrey Chaucer&quot; are heard near the end of the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274157">
    <dcterms:title><![CDATA[The Limits of Narration: Lists and Literary History.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the list of trees in KnT and discusses as counterpoint the lists in PF. Contends that KnT refigures the trope of epic listing to insert a tragic tone into Chaucer&#039;s retelling of Boccaccio&#039;s &quot;Teseida.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271127">
    <dcterms:title><![CDATA[The Limits of Revelation: Visionary Knowing and the Medieval Dream Vision]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how the concern with vision as a way of knowing is a concern in a variety of medieval dream visions, including &quot;Pearl,&quot; &quot;Piers Plowman,&quot; and HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263953">
    <dcterms:title><![CDATA[The Lineaments of Desire: Wish-Fulfillment in Chaucer&#039;s Marriage Group]]></dcterms:title>
    <dcterms:description><![CDATA[Treats the motif of wish-fulfillment in WBT, KnT, FranT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270651">
    <dcterms:title><![CDATA[The Linguistic Stratification in the Cambridge Dd Copy of Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[The authors review previous scholarship concerning Cambridge MS. Dd.4.24 and evaluate the linguistic stratification indicated by orthographic variants. They argue that the manuscript appears to date from the late fourteenth century, that it originated in London-Westminster, and that it should be labeled a type III text of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263188">
    <dcterms:title><![CDATA[The Link Mechanism in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In CT, sentences are interlinked.  Structures are repeated:  MilT is a bawdy version of KnT; RvT, a nasty version of MilT.  The structure may reflect interlinked concepts in the Great Chain of Being.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267586">
    <dcterms:title><![CDATA[The Links in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Like individual tales, the links of The Canterbury Tales exist in several authorial versions, indicating that Chaucer prepared several versions of the whole during his lifetime. Thus, the notion of a single manuscript stemma is impossible or inappropriate. Comments on Merchant Endlink-Squire Headlink, Squire-Franklin Link, Man of Law Endlink, and Nun&#039;s Priest&#039;s Endlink.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266887">
    <dcterms:title><![CDATA[The Lion, the Lady, and the Curtain: Alisoun&#039;s Transformation Under Feminist Criticism]]></dcterms:title>
    <dcterms:description><![CDATA[Feminist criticism has changed perceptions of the Wife of Bath. Feminist critics perceive her not as a superficial and &quot;garish caricature&quot; of womanhood but as a serious person attempting to establish her identity, rejecting antifeminist tradition, interpreting masculine monopoly of the written word, and then providing a message on queenship. Explores pedagogical uses of WBPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270968">
    <dcterms:title><![CDATA[The Literary 100: A Ranking of the Most Influential Novelists, Playwrights, and Poets of All Time]]></dcterms:title>
    <dcterms:description><![CDATA[An international ranking which summarizes the lives and works of 100 writers. Chaucer is listed as number five (behind Shakespeare, Dante, Homer, and Tolstoy), and credited with a &quot;fundamental redefinition of the possibility of poetic expression.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262114">
    <dcterms:title><![CDATA[The Literary Activity of the Medieval Heralds]]></dcterms:title>
    <dcterms:description><![CDATA[Mentions HF 1321-22 as an early example of the role of heralds in the fifteenth century as &quot;court publicists.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272569">
    <dcterms:title><![CDATA[The Literary Context of Chaucer&#039;s Fabliaux: Texts and Translations]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of sources and analogues of MilT, RvT, MerT, and ShT, with more limited analogous materials for SumT, ManT, and FrT, in all cases providing facing-page translations of non-English materials. Each section includes an introduction that discusses the relations between Chaucer&#039;s narratives and the analogous acounts, with comments on the legacies of the stories after Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264138">
    <dcterms:title><![CDATA[The Literary Imagination: Studies in Dante, Chaucer, and Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[Treats (1) the theme of poetry in Dante&#039;s &quot;Purgatorio,&quot; (2) why Ulysses is in hell, (3) FranT, (4) ManT, (5) &quot;Unaccommodated Man&quot; in &quot;King Lear,&quot; (6) The imaginative and the real in &quot;Antony and Cleopatra,&quot; and (7) Shakespeare&#039;s dramatic illusion in &quot;The Tempest.&quot; For two essays that pertain to Chaucer, search for Literary Imagination: Dante, Chaucer, and Shakespeare under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273197">
    <dcterms:title><![CDATA[The Literary Lives of Intention in Fourteenth- and Fifteenth-Century England]]></dcterms:title>
    <dcterms:description><![CDATA[Linking the idea of intention to the moral self in the medieval understanding of the subject, considers TC along with Margery Kempe and &quot;The Testimony of William Thorpe.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272044">
    <dcterms:title><![CDATA[The Literary Relations of Chaucer&#039;s Shipman&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the source of ShT is Boccaccio&#039;s &quot;Decameron,&quot; and that their several differences were &quot;made necessary by Chaucer&#039;s alteration of the ending.&quot; Chaucer gave his tale the &quot;superficial appearance of a French fabliau&quot; in order to critique the genre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270457">
    <dcterms:title><![CDATA[The Literary Relations of William Dunbar]]></dcterms:title>
    <dcterms:description><![CDATA[Asserts that the label &quot;Scots Chaucerian&quot; clearly does not apply to William Dunbar, documenting the &quot;meagerness of the evidence of Chaucer&#039;s influence on him&quot; and demonstrating that Dunbar&#039;s poetry is &quot;completely continental&quot; rather than Chaucerian.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262520">
    <dcterms:title><![CDATA[The Literary Tradition in the &#039;Alceste Myth&#039;--Chaucer, &#039;Ovide Moralise,&#039; and &#039;Ovidius Moralizatus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[There was a new tendency to assimilate paganism to Christian doctrine in medieval European literature.  Emphasizing the influence of the sources and analogues of medieval Latin literature on Chaucer, Ebi discusses the meaning of the Alceste myth in LGW in relation to the theme of death and resurrection in Christianity.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262971">
    <dcterms:title><![CDATA[The Literary Use of Folktale in Medieval Japan and Europe: A Comparative Analysis of Literary Transformations of the Catskin Cinderella Tale in &#039;Oguri-Hogan&#039; and Chaucer&#039;s &#039;Man of Law&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Approached through anthropology, psychoanalysis, and theory of literary response, the two works resemble female initiation rituals.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265805">
    <dcterms:title><![CDATA[The Literary Use of Religious Formulae in Certain Middle English Romances]]></dcterms:title>
    <dcterms:description><![CDATA[Isolates various religious formulae that are &quot;more than mere line-fillers&quot; in Middle English romances; they are significant in the vows and prayers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261553">
    <dcterms:title><![CDATA[The Literary Uses of the New History]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the importance of the &quot;new history&quot; for Chaucer criticism and for our idea of medieval literature in general.  Examines interpretive models by historians such as Emmanuel Le Roy Ladurie, Natalie Davis, and Carlo Ginzburg.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268018">
    <dcterms:title><![CDATA[The Literary World of Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter titles include &quot;The Writer and His Age,&quot; The Poet&#039;s Craft,&quot; &quot;The Shorter Poems,&quot; &quot;Chaucer and Italy,&quot; and &quot;The Canterbury Tales.&quot;-]]></dcterms:description>
    <dcterms:description><![CDATA[In Korean.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274752">
    <dcterms:title><![CDATA[The Literature Book.]]></dcterms:title>
    <dcterms:description><![CDATA[In a chapter called &quot;Renaissance to Enlightenment, 1300- 1800,&quot; includes a section (pp. 68–71) entitled &quot;Turn over the Leef and Chese Another Tale: The Canterbury Tales (c. 1387–1400), Geoffrey Chaucer&quot; that describes CT, its innovations, and social variety, with several side-bar topics and illustrations in color and b&amp;amp;w.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273271">
    <dcterms:title><![CDATA[The Literature of Alchemy and Chaucer&#039;s Canon&#039;s Yeoman&#039;s Tale: Framework, Theme, and Characters.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys late medieval &quot;attitudes toward alchemy&quot; in order to establish their influence on CYPT. Although Chaucer&#039;s depiction is generally orthodox in its condemnation of alchemy, it derives language and details from treatises that promote the study, especially Geber&#039;s &quot;Sum of Perfection,&quot; Arnald of Villa Nova&#039;s &quot;Rosarium&quot; and his &quot;De Secretis Nature,&quot; and the work attributed to &quot;Senior,&quot; all cited in CYT. The Yeoman is critical of alchemy, but Chaucer&#039;s view is hard to determine, given his familiarity with these works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272759">
    <dcterms:title><![CDATA[The Literature of Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of literature produced in Britain and Ireland in the Middle Ages: Celtic, Latin, Old English, French, and Middle English. The section pertaining to Chaucer (pp. 467-569) includes introductions to Chaucer&#039;s life and language, along with glossed Middle English texts of GP, KnT, MilPT, WBPT, and PardPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277590">
    <dcterms:title><![CDATA[The Literature of Sovereignty in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Treats GP among a number of other works in Middle English, arguing that its uses of estates satire align with notions of individual responsibility found in Henry Bracton&#039;s legal discourse, &quot;De Legibus et Consuetudinibus Angliae.&quot; Also considers MLT and its analogues in light of the &quot;debate over the nature and scope of royal and individual sovereignty.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277273">
    <dcterms:title><![CDATA[The Literature of the Bedchamber in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;centrality of the bedchamber to the imaginative worlds&quot; of various texts:  TC, Chaucer&#039;s dream poems, &quot;Sir Gawain and the Green Knight, &quot;The Book of Margery Kempe,&quot; Christine de Pizan&#039;s &quot;The Book of the City of Ladies,&quot; and others. In TC, the differing &quot;generic concepts of privacy&quot; of Troilus and Criseyde are &quot;irreconcilable with each other.&quot; In the dream poems, Chaucer uses the bedchamber &quot;as a space for a secular version of meditative reading.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>