<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272667">
    <dcterms:title><![CDATA[The Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; the WorldCat records indicate that this is a reading by Piehler of selections from KnT in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261667">
    <dcterms:title><![CDATA[The Knight&#039;s Tale and the Ideology of the Roman Antique]]></dcterms:title>
    <dcterms:description><![CDATA[KnT participates in the Roman Antique tradition by expressing a political ideology found in other medieval retellings of classical stories.  The Tale argues for harmonizing passion and wisdom through marriage and rewrites Theban history to conceal ideological contradictions in Chaucer&#039;s society.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272706">
    <dcterms:title><![CDATA[The Knight&#039;s Tale and the Limitations of Language (The Boundary Which Words Are)]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;idea of limitation&quot; in KnT, identifying &quot;statements and narrative situations [that are] suggestive of what we cannot know and cannot say.&quot; In some ways like the death of Blanche in BD, Arcite&#039;s death is inexplicable and inexpressible, given voice only ironically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267407">
    <dcterms:title><![CDATA[The Knight&#039;s Tale and Trecento Italian Historiography]]></dcterms:title>
    <dcterms:description><![CDATA[The representation of history in KnT is dependent on postplague historiographical views of the Decameron. The Teseida and Chaucer&#039;s version of it are tragedies, but with a hope of reconciliation represented in the final marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270985">
    <dcterms:title><![CDATA[The Knight&#039;s Tale by Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to KnT that includes an introduction to Chaucer&#039;s court culture and courtly tradition and discussion of KnT in relation to part one of CT (GP, MilT, RvT, and CkT). Includes a summary/commentary on KnT, arranged in narrative fragments, followed by discussion of the relation of KnT to Boccaccio&#039;s &quot;Teseida&quot; and the narrative techniques of the tale. Closes with a specimen passage in Middle English (with additional commentary), a brief description of critical approaches, and study questions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277244">
    <dcterms:title><![CDATA[The Knight&#039;s Tale by Geoffrey Chaucer in a Modern English Version.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates this is a translation of KnT into Modern English prose.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270930">
    <dcterms:title><![CDATA[The Knight&#039;s Tale from the Canterbury Tales by Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Edition of KnT, originally published in 1966, based on F. N. Robinson&#039;s 2d edition (1957), with a new Introduction (pp. 1-111), &quot;reconsidered&quot; notes, and a corrected glossary, both included at the end of the volume, much as in the 1966 original. The Introduction considers the Tale&#039;s relations with Boccaccio&#039;s &quot;Teseida&quot; and Boethius&#039;s &quot;Consolation of Philosophy&quot;; its composition and placement in CT, its characterizations, descriptions, and narrative techniques; and its thematic concerns as &quot;chivalric&quot; romance, &quot;philosophical romance,&quot; and &quot;pagan history.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272239">
    <dcterms:title><![CDATA[The Knight&#039;s Tale of Young Hugh of Lincoln]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the tradition of a &quot;fantasy of ritual murder&quot; of a Christian boy by Jews, focusing on its manifestations in accounts of the death of Hugh of Lincoln and various sources and analogues, both historical and literary, including PrT and later versions. Comments at length on the account by Matthew of Paris and on the life and activities of Sir John de Lexington who investigated the death of Hugh and carried out its judicial effects, including the &quot;judicial murder of nineteen Jews.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267935">
    <dcterms:title><![CDATA[The Knight&#039;s Tale, with Modern English Translation, Phonetic Transcription and Annotation]]></dcterms:title>
    <dcterms:description><![CDATA[Middle English text of KnT (based on The Riverside Chaucer), with interlinear phonetic transcription and facing-page translation. Annotations derived from earlier editions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269869">
    <dcterms:title><![CDATA[The Knight&#039;s Tale: Forms, Incongruities, and Chaucer&#039;s Intention]]></dcterms:title>
    <dcterms:description><![CDATA[Through various devices of style and narrative technique, Chaucer undermines the Knight&#039;s (and Theseus&#039;s) efforts to find or impose order on human and cosmic disruption and violence.]]></dcterms:description>
    <dcterms:description><![CDATA[In Korean, with  English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261668">
    <dcterms:title><![CDATA[The Knight&#039;s Tale: The Dialogue of Romance, Epic, and Philosophy]]></dcterms:title>
    <dcterms:description><![CDATA[KnT--a romance like none other in English--is clearly designed to set forth the Knight&#039;s &quot;declaration of intent.&quot;  An attempt to &quot;order existence,&quot; KnT eschews both the &quot;cosmic harmony&quot; of the traditional romance and the &quot;imminent defeat&quot; of the epic in favor of the &quot;heroic-tragic&quot; view, which reflects the &quot;inevitable collision between a harmonious ideal of society and human reality.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274154">
    <dcterms:title><![CDATA[The Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[An art-edition of KnT, with wood-cut style illustrations accompanying the text, followed by a summary of the tale, and comments on its sources, date, genre, structure, themes, style, prosody, historical context, and previous illustrations in manuscripts and printed editions. The commentary and illustrations emphasize the harsh tragedy of the tale and its mollifying humanism. Includes an audio-disc of selections read by Marc Guidry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276967">
    <dcterms:title><![CDATA[The Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[A murder mystery in which the investigator--Geoffrey Chaucer, &#039;Comptroller of His Grace&#039;s Woollens and poet to the court of the late king&quot;--seeks the murderer of Lionel, duke of Clarence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277077">
    <dcterms:title><![CDATA[The Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate this is an adaptation of KnT for early readers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277643">
    <dcterms:title><![CDATA[The Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Edits KnT, with an Introduction, bottom-of-page textual notes, end-of-text explanatory notes and glossary, and appendices (by R. T. Davies, reprinted), on Chaucer&#039;s language and meter, astrology and astronomy, and suggestions for further reading. The text is based on the Ellesmere manuscripts, and the Introduction includes sections on Chaucer&#039;s life and work (by R. T. Davies, reprinted), the relation of KnT to CT and its sources, and a summary of Boccaccio&#039;s &quot;Teseide.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270063">
    <dcterms:title><![CDATA[The Knowledge of John of Salisbury in the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the availability of manuscripts of John of Salisbury&#039;s &quot;Policraticus&quot; and allusions to this work among theologians, jurists, and political writers of the twelfth through the fifteenth centuries. Comments on uses of the text by various vernacular writers in Europe, including brief mention of Chaucer&#039;s uses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271293">
    <dcterms:title><![CDATA[The Knyghtes Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Unabridged reading of KnT in Middle English by Richard Bebb, with liner notes by Derek Brewer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269341">
    <dcterms:title><![CDATA[The Laborer&#039;s Two Bodies: Literary and Legal Productions in Britain, 1350-1500]]></dcterms:title>
    <dcterms:description><![CDATA[Five chapters explore the &quot;effects of labor laws&quot; on vernacular writing in late medieval England: chronicles, anonymous dream visions, LGW, the Paston letters, and morality plays. Robertson focuses on interactions between theories of labor and textual production. Chapter 2 (pp. 51-77) is a revision of Robertson&#039;s previously published essay. &quot;Laboring in the God of Love&#039;s Garden: Chaucer&#039;s Prologue to The Legend of Good Women&quot; (SAC 24 [2002]: 115-47), with an additional section on the role of William Morris&#039;s commentary on characterizing distinctions between Chaucer and Langland. [Editors&#039; note: The cover of Robertson&#039;s book lists a different subtitle: Labor and the &quot;Work&quot; of the Text in Medieval Britain, 1350-1500.]]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273579">
    <dcterms:title><![CDATA[The Lack of Interest in the &quot;Shipman&#039;s Tale&quot;: Chaucer and the Social Theory of the Gift.]]></dcterms:title>
    <dcterms:description><![CDATA[The exchanges of goods and services in ShT are often read following Bourdieu&#039;s theory that self-interest motivates all human actions. This essay claims that such analyses do not take into account other motivating factors clearly present in the tale, such as conjugal affection and the pleasures of generosity and friendship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275419">
    <dcterms:title><![CDATA[The Lady Brewer of London: A Novel.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel set in late-medieval England. Includes a character modeled on the Wife of Bath: Alyson, who owns a bathhouse/brothel in Southwark. Originally published as &quot;The Brewer&#039;s Tale,&quot; North Sydney: Harlequin, 2014; 584 pp.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267137">
    <dcterms:title><![CDATA[The Lady in Medieval England, 1000-1500]]></dcterms:title>
    <dcterms:description><![CDATA[Defines the late-medieval idea of a &quot;gentilwoman,&quot; its evolution, its relation to male gentility, and its representations in medieval art and literature. Briefly considers Chaucer&#039;s Prioress as a depiction of the &quot;behavioural traits&quot; of a medieval lady and the Wife of Bath as a realistic portrait of a woman who lives within the &quot;institutional and ideological parameters&quot; of late-medieval society.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264102">
    <dcterms:title><![CDATA[The Lady in the Tower: Medieval Courtesy Literature for Women]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses church treatises, didactic works, and books of advice to daughters, or of clerical instruction to women, and mirrors for princesses, to reveal medieval images of women:  the virgin, the coquette, the wife and mother, the ruler, the worker.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263992">
    <dcterms:title><![CDATA[The Lady, the Swineherd, and Chaucer&#039;s Clerk]]></dcterms:title>
    <dcterms:description><![CDATA[Some medieval readers or hearers would have considered ClT incredible or cruel.  The Clerk agrees with the Wife that gentilesse means &quot;trouthe,&quot; fidelity and integrity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264157">
    <dcterms:title><![CDATA[The Lament for Sir John Berkeley]]></dcterms:title>
    <dcterms:description><![CDATA[The fourteenth-century poem here edited is held to support the view that Chaucer&#039;s depiction of the Franklin in GP is straightforward and favorable, not ironic or satiric.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277615">
    <dcterms:title><![CDATA[The Landowner&#039;s Book of Courtly Love: Languages of Lordship and the &quot;Confessio amantis.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Kendall&#039;s abstract indicates that the &quot;vision poetry&quot; of both Chaucer and Sir John Clanvowe share &quot;discursive territory&quot; with Gower&#039;s &quot;Confessio Amantis,&quot; particularly &quot;concepts of the late fourteenth-century aristocratic household and the social structures it supported,&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>