<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269010">
    <dcterms:title><![CDATA[The Judaic Other in Dante, the &quot;Gawain&quot; Poet, and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Four chapters and an epilogue. Chapter 1 establishes the background for exploration of &quot;the late medieval legacy of early Christianity&#039;s appropriation of the Hebrew scriptures.&quot; Chapters 2-3 assess Dante&#039;s &quot;Commedia&quot; and &quot;Sir Gawain and the Green Knight,&quot; respectively. Chapter 4, &quot;The Jewish Pardoner and Chaucer&#039;s Canterbury Tales&quot; (pp. 111-44), explores how in PardPT and PrT Christian appropriations of the Old Testament are cast into relief by the conflicts and contingencies of scriptural interpretation. In this way, the appropriations &quot;betray a reliance upon the legitimacy and currency of the original precepts.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263792">
    <dcterms:title><![CDATA[The Judgment of the King of Bohemia (Le Jugement dou roy de Behaingne) by Guillaume de Machaut]]></dcterms:title>
    <dcterms:description><![CDATA[An edition of the fourteenth-century French text with English translation, introduction on Machaut and his influence on BD, and critical bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262886">
    <dcterms:title><![CDATA[The Judgment of the Trojan Prince Paris in Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Treats the Judgment of Paris motif in the ancient world, as history, and as allegory.  Includes an appendix on the Judgment of Paris in medieval art.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276064">
    <dcterms:title><![CDATA[The Juxtaposition of Chaucer&#039;s and PDE Epistemic Scenes of Discourse Organization.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Chaucer&#039;s uses of &quot;soth,&quot; &quot;sothly,&quot; &quot;verry,&quot; &quot;verrily,&quot; and &quot;lye&quot; as epistemic markers, contrasting the density of his usage with that found in present-day English to distinguish between medieval and modern worldviews as, respectively, based on faith and based on fact.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266694">
    <dcterms:title><![CDATA[The Kalendarium of John Somer]]></dcterms:title>
    <dcterms:description><![CDATA[Referred to by Chaucer in Astr, Somer&#039;s &quot;Kalendarium&quot; may have been a source for a number of the poet&#039;s astrological references.  This facing-page edition and English translation of the Latin &quot;Kalendarium&quot; includes descriptions of the manuscripts; discussion of Somer&#039;s works, biography, and influence; and appendices of Middle English versions of the &quot;Canon&quot; (part of the &quot;Kalendarium&quot;), Somer&#039;s star catalog, and descriptions of other scientific works attributed to Somer.]]></dcterms:description>
    <dcterms:description><![CDATA[Elaborate layout emulates some of the complexities of text and graphics in the original.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270301">
    <dcterms:title><![CDATA[The Kalendarium of Nicholas of Lynn]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page edition and translation of Nicholas of Lynn&#039;s &quot;Kalendarium,&quot; a source for Astr (as Chaucer tells us) and for the astronomical observations in three passages of CT (MLP, NPT, and ParsP). Based on Bodleian Library MS Laud Miscellaneous 662, the text is lightly emended, with a full set of the charts, illustrations, and canons that accompany it. Eisner&#039;s Introduction identifies Nicholas and his influence on Chaucer, explains the medieval kalendarium and its uses, and describes the extant manuscripts and editorial principles that underlie the volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276033">
    <dcterms:title><![CDATA[The Kantorbury Tails.]]></dcterms:title>
    <dcterms:description><![CDATA[A version of GP for children, with the pilgrims imagined and illustrated, verbally and visually, as puppies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271678">
    <dcterms:title><![CDATA[The Kelmscott &#039;Chaucer&#039; and the Golden Cockerel &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the aesthetic experiences of confronting two illustrated editions of Chaucer as reproduced in facsimile, arguing that the Eric Gill edition of CT provides greater pleasure to a modern user than does William Morris&#039; edition of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276465">
    <dcterms:title><![CDATA[The Kelmscott &quot;Chaucer&quot;: The Book-Object, Its Facsimiles, and Labor.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the &quot;temporal hybridity&quot; of the Kelmscott Chaucer and the challenge it poses to classification. Neither strictly functional book nor decorative object, the Kelmscott mirrors the Middle Ages&#039; abjectness and highlights medievalism&#039;s purchase on the uncanny. Also considers the ontology of facsimiles and Kelmscott as facsimile, as well as the Kelmscott&#039;s ongoing commodification in popular culture.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268461">
    <dcterms:title><![CDATA[The Kelmscott Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[The essay describes the personal and social conditions that led to the 1896 production of the Kelmscott Chaucer by William Morris and Edward Burne-Jones. Robinson compares preliminary sketches and final woodcut illustrations. Adapted from Robinson&#039;s &quot;Companion Volume to the Kelmscott Chaucer&quot; (1975).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271791">
    <dcterms:title><![CDATA[The Kelmscott Chaucer: A Census]]></dcterms:title>
    <dcterms:description><![CDATA[Complete census of all known extant copies of the Kelmscott &quot;Chaucer.&quot; Explores late nineteenth- and twentieth-century book history, and provides anecdotal and bibliographic details of the &quot;Chaucer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270614">
    <dcterms:title><![CDATA[The Kelmscott Chaucer: William Morris&#039;s Quest for the Medieval Reader]]></dcterms:title>
    <dcterms:description><![CDATA[Davis examines ramifications of the interplay between graphic design and text in William Morris&#039;s Kelmscott edition of Chaucer, arguing that the consequent mediation is a precursor to Walter Benjamin&#039;s theorized divorce of mechanically reproduced art from &quot;aura&quot; or &quot;authentic presence.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274966">
    <dcterms:title><![CDATA[The Key of Remembrance: A Study of Chaucer&#039;s Poetics.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how &quot;the problems and operations of poetry and the poet are repeatedly raised into the consciousness of the reader&quot; of Chaucer&#039;s poetry, adding a &quot;peculiar dimension&quot; to engaging with his works by requiring a &quot;deliberate assent to their artifices&quot; while pursuing meaning and ethical concerns. Surveys the classical and medieval poetic and rhetorical traditions that &quot;provided Chaucer&#039;s fundamental assumptions about the nature of poetry,&quot; and examines LGWP as an &quot;account of the main issues in the Chaucerian poetic,&quot; similar to BD, HF and PF in being structurally &quot;combinative&quot; and a variation on the &quot;book-experience-dream formula.&quot; Treats CT as an unresolved series of experiments in form and style as means to convey and confront the &quot;problems&quot; and potentials of poetry, while TC is Chaucer&#039;s &quot;most nearly satisfactory solution&quot; to such concerns, offering &quot;almost endlessly expanding concentric ironies which constitute Chaucer&#039;s way of reconciling human wisdom with human limitation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268377">
    <dcterms:title><![CDATA[The Keyhole Politics of Chaucerian Theatricality: Voyeurism in the Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on the occupatio that addresses Emelye&#039;s ritual ablutions in the temple of Diana. Discusses the way Chaucer identifies different modes of seeing--all-inclusive panoramic vision vs. the privileged view of the voyeur--with the Knight&#039;s staging of his own narratorial power and the specific politics of chivalric culture.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261765">
    <dcterms:title><![CDATA[The King&#039;s Business: Negotiating Chivalry in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The artistry of Chaucer&#039;s poetry is influenced by his historical role as a &quot;negociis regis&quot; employed to argue, persuade, and &quot;embrace opposing doctrines&quot; in the name of the king.  Chaucer&#039;s skill as a negotiator can be seen in TC, wherin Criseyde, Pandarus, and Hector are similarly skilled.  Chaucer&#039;s real-life role enabled him to tell an &quot;unpleasant and contradictory story&quot; as merely the report of an &quot;auctor.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271207">
    <dcterms:title><![CDATA[The King&#039;s Mistress: A Novel]]></dcterms:title>
    <dcterms:description><![CDATA[Historical fiction that follows the life of Alice Perrers an includes Chaucer as a minor character and friend of Alice. First published in 2009 in London (Century), without the subtitle.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271156">
    <dcterms:title><![CDATA[The Kingsbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[A novel in poetry that opens with direct reference to CT, and proceeds as a series of tales by various kinds of people:  historical tales, migrants&#039; tales, artists&#039; tales, etc.  The volume includes a Preface by John Kinsella in which he reports that the author claims that the CT provided &quot;very little&quot; influence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273123">
    <dcterms:title><![CDATA[The Knight]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a historical perspective on crusading in the Middle  Ages and provides historical details about the Knight&#039;s battle locations in GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265929">
    <dcterms:title><![CDATA[The Knight in Chaucer&#039;s &#039;Wife of Bath&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the knights in &quot;Wedding of Sir Gawain and Dame Ragnell&quot; and Gower&#039;s &quot;Tale of Florent&quot; with the knight in WBT to show that the Wife of Bath is an antifeminist character.]]></dcterms:description>
    <dcterms:description><![CDATA[The interaction between the Wife and the knight demonstrates a &quot;battle of the sexes&quot; that portrays women making generous sacrifices to unworthy men.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275313">
    <dcterms:title><![CDATA[The Knight: The First Mover in Chaucer&#039;s Human Comedy.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores comedy and irony in KnT, both extending from the Knight&#039;s perspective on Christian chivalric values in a pagan epic setting and his disclosure of the &quot;absurdity of earthly action.&quot; Focuses on Theseus&#039;s political opportunism and his ambiguities, as well as a more general indictment of human &quot;will and appetite,&quot; mirrored and highlighted in MilT, but also part of the drive toward &quot;higher fulfillment&quot; found throughout the CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274129">
    <dcterms:title><![CDATA[The Knight&#039;s Earnest Game in Chaucer&#039;s &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;game–earnest topos&quot; in KnT to understand better Chaucer&#039;s many uses of games in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276736">
    <dcterms:title><![CDATA[The Knight&#039;s Interruption of the &quot;Monk&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the implications of the Knight&#039;s &quot;cutting short&quot; of the MkT, contrasting the characterizations of the two pilgrims, describing the Monk as &quot;comic imitation of knighthood,&quot; and observing contrasts and parallels in the wording, details, and motifs of the GP descriptions of the two pilgrims. Also contrasts the psychological and philosophical limitations of the Monk&#039;s narratives and the Knight&#039;s sophisticated understanding of Boethian fortune that is reflected in his own tale and in his interruption--sophistication that the Host lacks when he agrees with the Knight.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277281">
    <dcterms:title><![CDATA[The Knight&#039;s Riddle: What Women Want Most.]]></dcterms:title>
    <dcterms:description><![CDATA[A detective mystery set in the court of King Arthur, featuring Gildas of Cornwall and Merlin as a team of sleuths. The second volume in the Merlin Mystery series; loosely, the plot adapts WBT, with touches from its analogues.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265722">
    <dcterms:title><![CDATA[The Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Recorded at Dartmouth College; read by Alan T. Gaylord.]]></dcterms:description>
    <dcterms:description><![CDATA[Re-edited and digitally mastered as a CD-ROM by Troy Sales and Paul Thomas in 2003.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270308">
    <dcterms:title><![CDATA[The Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Summary (without text) and commentary on the GP description of the Knight and on KnT, arranged in sections, accompanied by glosses to Middle English words and phrases. Also includes a brief introduction to Chaucer and his literature; commentary on knighthood, chivalry, and the themes of the KnT; its characterization, philosophy, and tone;  and suggestions for further study and reading.]]></dcterms:description>
</rdf:Description></rdf:RDF>