<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266131">
    <dcterms:title><![CDATA[The Incubus in English Literature: Provenance and Progeny]]></dcterms:title>
    <dcterms:description><![CDATA[Includes passim references to Chaucer&#039;s works and reprints as &quot;Monks and Incubi in Chaucer&quot; (pp. 51-55) a slightly revised version of &quot;The Wife of Bath&#039;s Tale, D 878-81,&quot; (Chaucer Review 7 (1972): 113-17).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261222">
    <dcterms:title><![CDATA[The Indebtedness of the Canterbury Tales to the Clerk-Knight Debates]]></dcterms:title>
    <dcterms:description><![CDATA[Structurally, CT parodies the clerk-knight debate (an early type of courtly-love poem), especially The Council of Remiremont.  The idea of a pilgrimage on horseback may derive from these debates as well.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267190">
    <dcterms:title><![CDATA[The Index of Middle English Prose : Handlist XIII. Manuscripts in Lambeth Palace Library, Including Those Formerly in Sion College Library]]></dcterms:title>
    <dcterms:description><![CDATA[Describes, among others, Sion College Library MS E.44, which includes a text of ABC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267187">
    <dcterms:title><![CDATA[The Index of Middle English Prose : Handlist XIV]]></dcterms:title>
    <dcterms:description><![CDATA[Describes, among others, five manuscripts that contain Chaucer material: National Library of Wales MSS 3049 and 3567 and Peniarth MSS 359, 392, and 393.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267549">
    <dcterms:title><![CDATA[The Index of Middle English Prose : Handlist XVI. Manuscripts in the Laudian Collection, Bodleian Library, Oxford]]></dcterms:title>
    <dcterms:description><![CDATA[Describes all manuscripts in the Laudian collection that contain English prose composed ca. 1200-1500, including Laud misc. 600, which includes incomplete versions of Mel (one folio lacking) and ParsT (through 10.914, completed in seventeenth-century imitation of medieval script).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262872">
    <dcterms:title><![CDATA[The Index of Middle English Prose, Handlist IV: A Handlist of Douce Manuscripts Containing Middle English Prose in the Bodleian Library, Oxford]]></dcterms:title>
    <dcterms:description><![CDATA[Lists all pieces of Middle English prose in the Douce collection, giving about fifty words of the beginning of each text and twenty at the end, with an index of incipits and explicits.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274996">
    <dcterms:title><![CDATA[The Index of Middle English Prose, Handlist XXIII: The Rawlinson Collection, Bodleian Library, Oxford. ]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the contents of the 167 manuscripts in the Rawlinson Collection that include Middle English prose; the following have Chaucerian material: D.3 [1] (Astr); D.913 [9] (Astr); poet.141 [1] (Mel); poet.149 [1] (Mel); poet.149 [3] (ParsT); and poet.223 [1]–[2] (Mel and ParsT).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263665">
    <dcterms:title><![CDATA[The Index of Middle English Prose: Handlist I: A Handlist of Manuscripts Containing Middle English Prose in the Henry E. Huntington Library]]></dcterms:title>
    <dcterms:description><![CDATA[The &quot;Index of Middle English Prose&quot; identifies and locates every prose text in English, 1200-1500.  The initial volume in the series, Hanna&#039;s &quot;Handlist I&quot; describes 444 texts.  Search under title for additional volumes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263677">
    <dcterms:title><![CDATA[The Index of Middle English Prose: Handlist II: A Handlist of Manuscripts Containing Middle English Prose in the John Rylands University Library of Manchester and Chetham&#039;s Library, Manch]]></dcterms:title>
    <dcterms:description><![CDATA[Supplies opening and closing lines, rubrics, modern titles, descriptions of the works, manuscript locations, and bibliographies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263078">
    <dcterms:title><![CDATA[The Index of Middle English Prose: Handlist III. The Digby Collection, Bodleian Library, Oxford]]></dcterms:title>
    <dcterms:description><![CDATA[Describes manuscripts of works on religion, politics, medicine, and science, including Chaucer&#039;s Astr.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262571">
    <dcterms:title><![CDATA[The Index of Middle English Prose: Handlist V. Manuscripts Containing Middle English Prose in British Library Additional Manuscripts 10001-14000]]></dcterms:title>
    <dcterms:description><![CDATA[Includes listings of Wycliffite writing and Chaucer&#039;s Bo.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264918">
    <dcterms:title><![CDATA[The Inept Lover and the Reluctant Mistress: Remarks on Sexual Inefficiency in Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[TC reveals on a serious level a sexual pattern similar to that of the ludicrous MilT.  In spite of disparity of social status, Alisoun and Criseyde offer the same promise to a would-be lover; Absolon and Troilus suffer in similar ways; the same kind of parallel exists between Nicholas and Diomede.  Male sexual frustration in MilT and TC contrasts to the woman&#039;s tragedy in the Icelandic &quot;Gunnlaugssaga.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262061">
    <dcterms:title><![CDATA[The Infamous b-Text of &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In this study of Princeton MS 100.1, Boyd posits that the b-text, admittedly faulty, represents the parchment core of MS Helmingham, itself an effort to save CT through cutting and summarizing the text.  Its errors might also lie in the fact that whoever wrote it tried to change Chaucer&#039;s prosody to reflect internal changes in the English language, both in pronunciation and in leveling of inflections.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264326">
    <dcterms:title><![CDATA[The Influence of Academic Prologues on the Prologues and Literary Attitudes of Late-Medieval English Writers]]></dcterms:title>
    <dcterms:description><![CDATA[The academic prologue, which introduced commentaries on &quot;auctores,&quot; developed an Aristotelian form in the thirteenth century.  Chaucer did not employ any of the traditional prologue paradigms, but many of his literary attitudes seem to have been influenced by the academic literary prologue, as when he discusses the &quot;mateere,&quot; &quot;manere,&quot; and &quot;entente&quot; of a literary work, especially in MkT, Mel, NPT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266675">
    <dcterms:title><![CDATA[The Influence of Boethius and Dante upon Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The influence of Boethius and Dante &quot;gives shape and universal meaning&quot; to TC.  The operation of Fortune and her wheel, the four &quot;Classical cardinal emotions,&quot; Dante&#039;s three spiritual realms, and the code of knighthood are evident in the deep structure of the narrative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264942">
    <dcterms:title><![CDATA[The Influence of Boethius on &#039;Parlement of Foulys&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The Boethian neo-platonic truth (man is immortal) gives insight into love&#039;s complexities and purpose and thematic unity to the &quot;Somnium&quot; precis and the love-vision.  Nature&#039;s &quot;governaunce&quot; over the birds, like the Boethian bond of love, parallels the &quot;Somnium&#039;s&quot; spherical harmony.]]></dcterms:description>
    <dcterms:description><![CDATA[The &quot;ryal tersel&quot; relies on his own &quot;trouthe&quot;; his rivals lack a sense of higher things, a contrast like the dualities of selfishness and idealism in the &quot;Somnium,&quot; the entrance inscriptions, Venus&#039;s temple, and Nature&#039;s court.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262342">
    <dcterms:title><![CDATA[The Influence of Dante on Medieval English Dream Visions]]></dcterms:title>
    <dcterms:description><![CDATA[Payne first considers the question of Dante&#039;s influence on fourteenth-century English poets and the ways it can be studied.  In the following four chapters, she examines the relationship of the &quot;Divine Comedy&quot; to &quot;Pearl&quot; and to HF, studies the Dantesque elements in PF, and compares Criseyde&#039;s dream of the eagle in TC to the second chapter of the &quot;Vita Nuova.&quot;  Finally, she discusses Lydgate and James I:  &quot;Chaucer has become their Dante.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263094">
    <dcterms:title><![CDATA[The Influence of Dante on Medieval English Dream Visions]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Pearl&quot; is much more closely related to Dante than has previously been shown.  Chaucer draws on Dante not only in HF and PF but also for Criseyde&#039;s dream (TC), drawn from the &quot;Vita nuova.&quot;  Only a few other English works (Lydgate&#039;s &quot;Temple of Glass&quot; and the &quot;Kingis Quair&quot;) combine literary merit with such Dantesque borrowings.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268168">
    <dcterms:title><![CDATA[The Influence of Farid Al-Din Attar&#039;s Mantiq al-Tayr (The Conference of the Birds) on Western Writers: From Chaucer to Peter Brook]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies similarities among PF, the Persian Mant̓iq al-T̓ayr, and Peter Brook&#039;s theatrical adaptation, &quot;Conference of Birds.&quot; The author comments on titles, frame, and universality of message.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269769">
    <dcterms:title><![CDATA[The Influence of French and Other Languages on Chaucer&#039;s English]]></dcterms:title>
    <dcterms:description><![CDATA[Argues  that, despite the influence of French on the idioms, spelling, and pronunciation of Chaucer&#039;s English, the &quot;basic structure of  English as a Germanic language . . . remained intact.&quot;  In Japanese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266000">
    <dcterms:title><![CDATA[The Influence of Handbooks to the Inquisition]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the source of ParsT and concludes that the Tale was strongly influenced by Frere Laurent&#039;s &quot;Summe le Roy&quot; (1279).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267747">
    <dcterms:title><![CDATA[The Influence of Plautus and Latin Elegiac Comedy on Chaucer&#039;s Fabliaux]]></dcterms:title>
    <dcterms:description><![CDATA[Classical and medieval Latin influences on the fabliaux are as important to analyze as are the analogues Chaucer draws upon for his tales. Specifically, a close consideration of Plautus and Latin elegiac comedy can lead to a fuller understanding of the shaping of Chaucer&#039;s fabliaux.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267217">
    <dcterms:title><![CDATA[The Influence of Printed Editions and Manuscripts on the Canon of William Thynne&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Assessing tale order, various links, and the treatment of spurious works in William Thynne&#039;s 1532 edition of Chaucer&#039;s Works, Costomiris argues that Thynne depended on William Caxton&#039;s first edition of CT and on one or another d-class manuscript. Thynne probably had little to do with the later editions associated with his name.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272028">
    <dcterms:title><![CDATA[The Influence of Rhetoric on Chaucer&#039;s Portraiture]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the models of verbal portraiture in the &quot;Rhetorica ad Herennium&quot; and works by Geoffrey of Vinsauf and Matthew of Vendôme and their impact on Chaucer, arguing that the portraits of Fortune and Blanche in BD reflect the Black Knight&#039;s state of mind; that the portraits of Diomede, Troilus, and Criseyde in TC reflect the &quot;growth of Troilus&#039; character and the decline of Criseyde&#039;s&quot;; and that the portrait of Virginia in PhyT indicates the &quot;limitation of the Physician.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264778">
    <dcterms:title><![CDATA[The Influence of the Classics on Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s favorite Latin author was Ovid, followed by Virgil and Statius, as well as several prose writers.  The central problem in evaluating the Latin influence on Chaucer is to determine what sorts of manuscripts he used--not just texts,but glosses, commentaries, and the entire apparatus of his contemporary medieval scholarship.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted from the first (1968) edition, with updated bibliography.]]></dcterms:description>
</rdf:Description></rdf:RDF>