<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267000">
    <dcterms:title><![CDATA[[The Legend of Good Women: Reading the Author&#039;s &#039;Entente&#039;]]]></dcterms:title>
    <dcterms:description><![CDATA[In LGW, if the God of Love and Alceste criticize Chaucer, they do so as representatives of a text community based on Augustinian hermeneutics. Chaucer undermines the legitimacy of their view of poetry, inscribing his own presence and intent in the poem.]]></dcterms:description>
    <dcterms:description><![CDATA[In Korean, with English and Korean abstracts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272952">
    <dcterms:title><![CDATA[[The Meeting of Chaucer and Italian Literature]]]></dcterms:title>
    <dcterms:description><![CDATA[In Japanese; accessible online at CiNii Articles [http://ci.nii.ac.jp/].  Abstract in Italian included in the back matter of the volume (pp. 3-4), under the title &quot;L&#039;Incontro del Chaucer e la Letteratura Italiana.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266094">
    <dcterms:title><![CDATA[[The Transition from the Impersonal to the Personal Construction in English--with Reference to Data Analysis of the Sentences that Contain Infinitives]]]></dcterms:title>
    <dcterms:description><![CDATA[Draws examples from &quot;Beowulf&quot; and CT to demonstrate transition in impersonal constructions in the Middle English period, especially evident in uses of the expletive &quot;it&quot; with an infinitive (&quot;It happed hym to ride&quot;).]]></dcterms:description>
    <dcterms:description><![CDATA[In Korean with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266496">
    <dcterms:title><![CDATA[[This Worldes Transmutacioun&#039;: The Meaning of &#039;Loci&#039; in &#039;The Knight&#039;s Tale&#039;]]]></dcterms:title>
    <dcterms:description><![CDATA[Examines changes in the word &quot;loci&quot; in KnT, exploring the topography of &quot;to and fro&quot; and &quot;up and doun.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271215">
    <dcterms:title><![CDATA[[Troilus and Criseyde: Desire and Death]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in MLA International Bibliography, where it is described as written in Korean with English summary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277088">
    <dcterms:title><![CDATA[[Un]Licensed Riot: Prodigality, Hypocrisy, and Guild Discourse in Chaucer&#039;s &quot;Cook&#039;s Tale&#039;.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the social and economic dynamics of CkT and the GP descriptions of the Cook and the guildsmen, arguing that the tale &quot;indicts both the laterally mobile prodigal apprentice and the decadent hypocrisy&quot; of his master &quot;through the linked subversion of license and guild authority.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269914">
    <dcterms:title><![CDATA[[Virtue or Strategy: Three &#039;Restraints&#039; in The Clerk&#039;s Tale]]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Griselda&#039;s &quot;restraint&quot; is a subversive strategy and explores the implications of this subversion for understanding the Clerk as narrator and Chaucer as poet.]]></dcterms:description>
    <dcterms:description><![CDATA[In Chinese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277028">
    <dcterms:title><![CDATA[#NotAllMen: In Conversation with Lucia Akard and Samantha Katz Seal.]]></dcterms:title>
    <dcterms:description><![CDATA[Personal response to two essays concerning medieval female consent in light of a rape in London in 2021; both essays are included in this volume of &quot;Studies in the  Age of Chaucer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277317">
    <dcterms:title><![CDATA[100 Poems About People.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes a selection of poetic characterizations or descriptions of people, historical and fictional, from English poetry. Includes the GP description of the Clerk (1.285-309), in Frank Ernest Hill&#039;s 1930 translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277093">
    <dcterms:title><![CDATA[100 Poets: Anthology.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects selections from western poets, from Homer forward, including WBP, 587–608, translated by Carey, with a brief introduction that characterizes the Wife as having a &quot;good claim to be the first feminist in literature.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271275">
    <dcterms:title><![CDATA[1000 Years of English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of reproductions of selections from English literary manuscripts and books held at the British Library, including portraits of Chaucer (&quot;one of the earliest English writers to have been accurately represented in portraits&quot;) from Lansdowne MS 851, Harley MS 4866, and the beginning of GP in the Kelmscott Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274316">
    <dcterms:title><![CDATA[12 Poets: Alternate Edition.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a brief introduction to Chaucer and his works, with a selection from GP and PrT, NPT, and PardT (without their prologues), accompanied by marginal glosses and bottom-of-the-page notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274143">
    <dcterms:title><![CDATA[120 Banned Books, Second Edition: Censorship Histories of World Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Originally published in 2005. Treats CT (pp. 474-77) in a section called &quot;Literature Suppressed on Social Grounds,&quot; describing the pilgrimage and the social variety of the pilgrims, claiming that &quot;Risqué language and sexual innuendo pervade most of the tales,&quot; and summarizing the censorship history of the work in the USA, from the expurgated 1908 edition to the impact of the &quot;Red Scare&quot; in 1953 (because illustrator Rockwell Kent was charged as a communist), to later court proceedings concerned with sex and scatology (1986-95).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276498">
    <dcterms:title><![CDATA[21st-Century Refugee Writing as a Refraction of World Literature: Rerouting Multicultural Canons.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the role of refugee literature in the &quot;shifting contexts of [literary] canonisation&quot; and then explores &quot;the role of Chaucer in 21st-century refugee writing,&quot; focusing on aspects of CT (especially MLT) that resonate in Patience Agbabi&#039;s &quot;Telling Tales&quot; (2014) and in three volumes of &quot;Refugee Tales&quot; (2016, 2018, 2019) edited by David Herd and Anna Pincus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275946">
    <dcterms:title><![CDATA[30 Great Myths about Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the historical roots and evolution of thirty myths or misconceptions about Chaucer&#039;s life and his writings. Considers how contemporary academic discourse, biography, and popular medievalism contribute to an understanding of Chaucer&#039;s crucial role in English literary history. Includes chapters on PardT, WBT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271090">
    <dcterms:title><![CDATA[80 Great Poems from Chaucer to Now]]></dcterms:title>
    <dcterms:description><![CDATA[This anthology includes the description of the Clerk from the GP, with a commentary that explains details unfamiliar to modern readers and analyzes features of structure and prosody.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264966">
    <dcterms:title><![CDATA[A &#039;Boece&#039; Fragment]]></dcterms:title>
    <dcterms:description><![CDATA[The University of Missouri-Columbia fragment (&quot;Fragmenta Manuscripta&quot; 150) of Chaucer&#039;s Bo is not in book form.  This fragment is one of the few Chaucer manuscripts in North America, and the only one representing Bo.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271676">
    <dcterms:title><![CDATA[A &#039;Casa da Fama&#039; e o lugar da Arte poética no final da Idade Média]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in Encomia 32-33 (2010-2011): 208, with an abstract in French by Isabel de Barros Dias.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270067">
    <dcterms:title><![CDATA[A &#039;Clerkes Compleinte&#039;: Tolkien and the Division of Lit. and Lang. [sic]]]></dcterms:title>
    <dcterms:description><![CDATA[Fitzgerald places Tolkien&#039;s essay on RvT (1934) in its intellectual and professional context. She explores the role of Chaucer in Tolkien&#039;s scholarship and creative works, including the allusions to Chaucer&#039;s works that appear in Tolkien&#039;s satiric poem &quot;The Clerkes Compleinte.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267417">
    <dcterms:title><![CDATA[A &#039;Wheel&#039;-Motif in Chaucer&#039;s Reeve&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Considers a wheel-motif in RvT as an example of Chaucer&#039;s literary artistry.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271545">
    <dcterms:title><![CDATA[A &#039;Wrangling Parliament&#039;: Terminology and Audience in Medieval European Literary Studies and Lesbian Studies]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the validity and applicability of the critical concepts of &quot;reading lesbian&quot; and &quot;reading queer,&quot; briefly suggesting the implications of imagining lesbian and queer audiences for readings of MerT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275055">
    <dcterms:title><![CDATA[A &quot;Myrrovre&quot; for Magistrates: The Sociology of a Mid-Tudor Text.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that William Baldwin&#039;s &quot;Mirror for Magistrates&quot; (1559) was previously seen as linking the medieval literature of Chaucer and Boccaccio with the early moderns.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276927">
    <dcterms:title><![CDATA[A &quot;troubly dreme drempt al in wakynge&quot;: Hoccleve&#039;s Nearly-Dream Poem.]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how the &quot;framed first-person narrative with which [Hoccleve&#039;s] &quot;Regiment&quot; begins is a reconfiguration rather than a straightforward rejection of Chaucer&#039;s dream poetry.&quot; While both authors use dream-vision conventions to engage previous authors and texts, Hoccleve is concerned with &quot;contemporary political and religious discourses&quot; and his &quot;distinctive self-authorising strategy . . . involves both an imitation and a pointed refusal of Chaucer&#039;s dream poems,&quot; especially their effacements of their narrators&#039; poetic skills.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275813">
    <dcterms:title><![CDATA[A 1613 Chaucer Allusion.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies a citation of Chaucer&#039;s Friar and confession in Book 5.15 of Samuel Purchas&#039;s &quot;Puchas His Pilgrimage&quot; (1613).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272003">
    <dcterms:title><![CDATA[A 16th-Century Allusion to Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Quotes an extended allusion (1579) to Chaucer by John Jones, physician. that comments on the poet&#039;s use of vernacular English and his moral probity.]]></dcterms:description>
</rdf:Description></rdf:RDF>