<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271813">
    <dcterms:title><![CDATA[The Hooly Blisful Martir for to Seke]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the shrines and holy places the pilgrims would have visited along their pilgrimage in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269245">
    <dcterms:title><![CDATA[The hooly blisful martir for to seke: Una aproximación a los personajes eclesiásticos en el Prólogo General a los Cuentos de Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses GP descriptions of the ecclesiastical pilgrims, showing that Chaucer&#039;s criticism of his church figures is ambiguous. Focuses on the Prioress but also comments on the Monk, the Friar, the Summoner, the Pardoner, and the idealized Parson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265315">
    <dcterms:title><![CDATA[The Hope for &#039;Pleasaunce&#039;: Richard Roos&#039; Translation of Alain Chartier&#039;s &#039;La Belle Dame sans mercy&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Thought to be the work of Chaucer until 1775, Roos&#039;s translation clarifies the role of the Lover as a &quot;woful lover.&quot;  The humor and criticism of the poem are aimed at the Lover, not the Lady.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273835">
    <dcterms:title><![CDATA[The Horse and Rider Figure in Chaucer&#039;s Works.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the prevalence of horse-and-rider imagery in Western culture, and explores Chaucer&#039;s uses of the imagery in BD (the hunt), TC (Bayard and Troilus&#039;s ride-bys), Wife of Bath (spurs, bridles, and other sexualized images), and various other contexts. Chaucer often &quot;deals with the tension inherent in the figure&quot; of the horse and rider and related imagery.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273117">
    <dcterms:title><![CDATA[The Host]]></dcterms:title>
    <dcterms:description><![CDATA[Offers reasons why Chaucer uses a &quot;recognizable contemporary,&quot; Henry Bailly, or Bailif (he used both names), as a model for the Host  in CT. Provides biographical details on Henry Bailly, or Bailif, of Southwark; historical background of innkeeping in England during the Middle  Ages; and details about the historical Tabard Inn.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276275">
    <dcterms:title><![CDATA[The Host--England&#039;s First Tour Director.]]></dcterms:title>
    <dcterms:description><![CDATA[Appreciative character description of the Host as director of the tale-telling contest, literary critic, and tour guide.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269859">
    <dcterms:title><![CDATA[The Host, His Wife, and Their Communities in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Harry Bailly&#039;s remarks about his wife Goodelief constitute a community among the husbands along for the pilgrimage; they also call attention to various affiliations of wives in CT, e.g., the Clerk&#039;s &quot;archewyves.&quot; As outlets for complaints about spouses, these communities based on &quot;marital identity&quot; have the salutary effects of revealing and addressing deficiencies of marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276140">
    <dcterms:title><![CDATA[The Host, the &quot;Man of Law&#039;s Tale,&quot; and the Fantasy of the Foreign Wife]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the wives of CT, and, in particular, Constance in MLT, suggesting that &quot;unruly&quot; wives are generally English and that virtuous ones are continental. Traces how Chaucer&#039;s use of these good wives offers space for him to rethink England, the Continent, and good wives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267098">
    <dcterms:title><![CDATA[The Host, the Law, and the Ambiguous Space of Medieval London Taverns]]></dcterms:title>
    <dcterms:description><![CDATA[Explores legal and historical records pertaining to innkeepers and innkeeping in late-medieval London as a backdrop to the character of Chaucer&#039;s Host. Harry Bailly is most notable for his shrewd handling of people and his responsible maintaining of social order in the &quot;disorderly space&quot; of the inn.]]></dcterms:description>
    <dcterms:description><![CDATA[Previously published in &quot;Of Good and Ill Repute&quot;: Gender and Social Control in Medieval England (New York: Oxford University Press, 1998), pp. 104-23.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273288">
    <dcterms:title><![CDATA[The Host&#039;s &quot;precious corpus Madrian.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies the referent of the Host&#039;s oath (MkP 7.1892) as the Greek martyr St. Adrian, explaining his history and legends, familiarity to Chaucer&#039;s audience, and appropriateness to the context of the Host&#039;s complaint that his wife Goodelief had not heard Mel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265868">
    <dcterms:title><![CDATA[The Host&#039;s Idiolect]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the Host&#039;s speech habits, assessing how they characterize him and how his various forms of address depict him as pilgrim, master of ceremonies, philosopher, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271027">
    <dcterms:title><![CDATA[The House of Blue Leaves and Chaucer in Rome]]></dcterms:title>
    <dcterms:description><![CDATA[Two plays by John Guare, with additional apparatus, including an &quot;Afterword,&quot; comprised of selections from Guare&#039;s journal that records, among other things, his thoughts about Chaucer while the playwright was composing &quot;Chaucer in Rome,&quot; a play about an American painter set in modern Rome.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261193">
    <dcterms:title><![CDATA[The House of Chaucer &amp; Son: The Business of Lancastrian Canon-Formation]]></dcterms:title>
    <dcterms:description><![CDATA[Thomas Chaucer continued the lease on his father&#039;s house in the garden at Westminster Abbey to provide a repository for Geoffrey Chaucer&#039;s literary remains.  His motive was to help form a Lancastrian poetic canon committed to social stability and religious orthodoxy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272910">
    <dcterms:title><![CDATA[The House of Chaucer&#039;s Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys studies of Chaucer topically (language, manuscripts, sources, etc.), with emphasis on works written between 1960 and 1967.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272683">
    <dcterms:title><![CDATA[The House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; the WorldCat records indicate that this is a reading by Piehler of HF in Middle English, with Kerrigan Prescott in Books 1 and 2 (1963); Piehler reads Book 3 alone (1980).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268965">
    <dcterms:title><![CDATA[The House of Fame : Unfamous Fame. La maison de papier, une enterprise de (dé)construction]]></dcterms:title>
    <dcterms:description><![CDATA[Yvernault explores the representation of space(s) and the problem of deconstruction in HF, focusing on the poem as textual architecture.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275348">
    <dcterms:title><![CDATA[The House of Fame Revisited.]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes and comments on HF, with particular attention to previous scholarly opinions, unity and structural balance, whether or not the dreamer learns anything, the nature of the man of great authority, and the possibility that the poem is &quot;a general admonition directed at gossip and gossipers&quot; and that the &quot;poet&#039;s search for news&quot; is foolish and vain.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275732">
    <dcterms:title><![CDATA[The House of Fame: Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints twenty essays on HF published between 1896 and 2006. The introduction by Ludwig (pp. 37-39) summarizes the plot and characters of HF, and comments on its plot and sources, major themes, and critical reception. Includes a selected bibliography of Chaucer&#039;s works and editions, and annotated suggestions for further reading about HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277243">
    <dcterms:title><![CDATA[The House of Fame.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates this is a translation of HF into Modern English verse.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262868">
    <dcterms:title><![CDATA[The Humane Medievalist: Essays in English Literature and Learning from Chaucer to Eliot]]></dcterms:title>
    <dcterms:description><![CDATA[Fifteen essays, some reprinted from earlier publications, including essays on Langland, Chaucer (one reprinted essay on PF), Gower, James I of Scotland, Henryson, the vernacular, liturgy, and the &quot;nosce te ipsum&quot; theme. For five essays that pertain to Chaucer, search for Humane Medievalist under Alternative Title Edited by Piero Boitani.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275824">
    <dcterms:title><![CDATA[The Humour of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies Chaucer&#039;s GP description of the Prioress, focusing on how he uses and adapts conventions of romance, style, and detail to produce humor.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272417">
    <dcterms:title><![CDATA[The Hundred Years War and the &#039;Creation&#039; of National Identity and the Written English Vernacular: A Reassessment]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the Hundred Years&#039; War has been overemphasized as a moment in which war, identity, and language coalesced to form distinct English and French nations and vernaculars. Portrayals of France in the works of Chaucer and others are not oppositional, and Chaucer&#039;s attitude towards French is self-deprecating.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274080">
    <dcterms:title><![CDATA[The Hundred Years War in Literature, 1337–1600.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the narrative and linguistic effects of the Hundred Years War, and claims that the war functions similarly to the Conquest of 1066 as an event that shapes a relationship between word and war and emphasizes the mimetic relationship between text and martial context. Chapter 3, &quot;&#039;God gyue you quaderamp!&#039;: Mimetic Language in the War Poetry of the Fourteenth and Fifteenth Centuries&quot; (pp. 101-163), defines Chaucer as the founder of a &quot;self-conscious vernacular poetic tradition&quot; because of his &quot;association with Englishness.&quot; ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262357">
    <dcterms:title><![CDATA[The Hundred Years&#039; War: England and France at War, c. 1300-c. 1450]]></dcterms:title>
    <dcterms:description><![CDATA[This distillation of modern scholarship traces not only the causes and conduct of the Hundred Years&#039; War but also its effects and reflections, including literature, in both societies, England and France.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264036">
    <dcterms:title><![CDATA[The Hunt as Metaphor: A Study of the Theme of Death in Four Middle English Poems]]></dcterms:title>
    <dcterms:description><![CDATA[Three other ME poems--&quot;The Parlement of the Thre Ages,&quot; &quot;Sir Gawain and the Green Knight,&quot; &quot;The Awntyrs off Arthure at the Terne Wathelyn&quot;--and BD associate hunting with death.  In Chaucer&#039;s dream vision the hunt draws the narrator to the bereaved so that he can begin to accept his grief.]]></dcterms:description>
</rdf:Description></rdf:RDF>