<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277321">
    <dcterms:title><![CDATA[The Golden Mirror: Studies in Chaucer&#039;s Descriptive Technique and Its Literary Background. ]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the conventions of &quot;impersonal&quot; style based in classical rhetoric and developed in medieval rhetorical handbooks Then anatomizes the characteristics of Chaucer&#039;s descriptive techniques in relation to his &quot;predecessors and contemporaries,&quot; assessing examples and trends throughout Chaucer&#039;s corpus of his descriptions of emotions, verbal portraits, and landscapes, with attention to structure, rhetoric, diction, and style, providing backgrounds and sources and analogues from classical, Continental, and English medieval literatures.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276945">
    <dcterms:title><![CDATA[The Good Wife of Bath: A (Mostly) True Story.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel in which the setting, plot, and first-person protagonist, Eleanor (later Alyson) are based on WBPT, with many characters adapted from history and from CT, including Chaucer. Includes a glossary, list of historical characters, author&#039;s note on composition, and a series of study questions for book groups.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267092">
    <dcterms:title><![CDATA[The Good, the Bad, and the Holy : Reading the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s use of worthy and the many ways CT plays with questions of value lead to a reading of CT in which SNT exemplifies the highest value in human living-holiness-and joins ParsT to challenge all other values and narratives.]]></dcterms:description>
    <dcterms:description><![CDATA[Includes abstracts in English and Korean.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266150">
    <dcterms:title><![CDATA[The Goose&#039;s Quill: The Production of Female Authorship in Late Medieval and Early Modern England]]></dcterms:title>
    <dcterms:description><![CDATA[After the anonymity of earlier times, fourteenth-century writing reveals increasing individuation and attention to the gender of an author.  Chaucer&#039;s fictional women writers indicate an anxious sense on his part of declining &quot;auctoritas, whereas Margery Kempe and Christine de Pizan exploit the disclocation to extend genres and break with tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264185">
    <dcterms:title><![CDATA[The Gothic Structure of Chaucer&#039;s &#039;House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[HF seems a transitional  and occasional poem but is unfinished and experimental, under contemporary Italian literary influence.]]></dcterms:description>
    <dcterms:description><![CDATA[In English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270357">
    <dcterms:title><![CDATA[The Gower Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the &quot;history of Gower&#039;s reputation,&quot; beginning with Chaucer&#039;s reference to him as &quot;moral Gower&quot; at the end of TC and his possible allusions to Gower&#039;s works in ManT and MLP. The idea of a &quot;quarrel&quot; between the two poets is perhaps &quot;exaggerated,&quot; but the epithet &quot;moral&quot; has &quot;stuck&quot; to Gower, The reputations of the poets were long linked.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276042">
    <dcterms:title><![CDATA[The Graceland Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Identified in WorldCat as a modern reworking of CT set on a twenty-first-century train trip from Chicago to Memphis to visit Graceland, home of Elvis Presley, with characters and tales adapted from Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276303">
    <dcterms:title><![CDATA[The Grain and the Spirit in Mediaeval Anatomy.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the &quot;greyn&quot; placed on the clergeon&#039;s tongue by the Virgin in PrT 7.662 may represent that his &quot;disembodied spirit [was] restored for a time,&quot; offering contextualizing background from biblical, classical, and medieval scientific sources on spirit-body relations. Also comments on how Arcite&#039;s &quot;spirit chaunged hous&quot; in KnT 1.2809.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275365">
    <dcterms:title><![CDATA[The Grain of Paradise.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses previous explanations of the &quot;greyn&quot; placed on the clergeon&#039;s tongue in PrT (7.662ff.), including comments on analogues, and suggests that it is best understood as a &quot;grain of paradise,&quot; i.e., the seed capsule of Aframomum melegueta (Roscoe), similar to cardamom, used as a medieval medicinal spice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264103">
    <dcterms:title><![CDATA[The Grain of the Text]]></dcterms:title>
    <dcterms:description><![CDATA[Praises E. Talbot Donaldson as a great textual scholar, using TC to explain Donaldson&#039;s ideas on rhyme and meter and discussing the final -&quot;e&quot; and the five-stress verse.  The reliability of scribes is examined.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269901">
    <dcterms:title><![CDATA[The Grammar of The Cook&#039;s Tale in The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Line-by-line, phrase-by-phrase commentary on the grammar and lexicon of CkPT, presented as a series of notes to a reprinting of the text from F. N. Robinson&#039;s 1957 edition.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273974">
    <dcterms:title><![CDATA[The Graphic Canon, Vol. 1, From &quot;The Epic of Gilgamesh&quot; to Shakespeare to &quot;Dangerous Liaisons.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes selections from international graphic literature, including an adaptation of WBPT by Seymour Chwast (pp. 293-304).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271790">
    <dcterms:title><![CDATA[The Graphic Canon: From the &quot;Epic of Gilgamesh&quot; to Shakespeare to &quot;Dangerous Liaisons&quot; Vol. 1]]></dcterms:title>
    <dcterms:description><![CDATA[Includes graphic adaptations of great works of western literature. Contains brief introduction to CT, with example of Seymour Chwast&#039;s WBPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272701">
    <dcterms:title><![CDATA[The Great Gatsby: Troilus and Criseyde Revisited]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies parallels between TC and F. Scott Fitzgerald&#039;s &quot;The Great Gatsby,&quot; treating plot, theme, and characterization, and regarding the two works as tragedies of false gentilesse or gentility.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261460">
    <dcterms:title><![CDATA[The Great History of Troy: A Reassessment of the Development of a Secular Theme in Late Medieval Art]]></dcterms:title>
    <dcterms:description><![CDATA[Examines tapestries dealing with the story of Troy from the fourteenth century onward.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269303">
    <dcterms:title><![CDATA[The Great Household in the City: The Shipman&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[As reflected in ShT, medieval urban space allows the powerful to exert political influence by converting capital into noncommercial culture.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265643">
    <dcterms:title><![CDATA[The Great Vowel Shift in the North of England, and Some Forms in Chaucer&#039;s &#039;Reeve&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Some northernisms in RvT have been dismissed as quasi-northern or as scribal misreadings.  However, these forms are genuine attempts by post-Shift southern scribes to reflect a pre-Shift northern pronunciation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275743">
    <dcterms:title><![CDATA[The Green Otherworlds of Early Medieval Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the ecopoetics of the Celtic underworld in the &quot;Immram Brain,&quot; &quot;Tochmarc Étaíne,&quot; and the &quot;Mabinogi&quot; as background to green-world concerns in &quot;Sir Gawain and the Green Knight.&quot; Closes with commentary on parallel concerns in the opening of GP and several aspects of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261932">
    <dcterms:title><![CDATA[The Green Yeoman as Loathly Lady: The Friar&#039;s Parody of the Wife of Bath&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Verbal echoes and character parallels such as the Wife&#039;s hag and the Friar&#039;s yeoman/fiend indicate that the Friar&#039;s purpose is parody.  He uses his theme of moral &quot;maistrie&quot; to debunk the Wife&#039;s marital &quot;maistrie.&quot;  His view of human nature is cynical and pessimistic; hers is wishful and romantic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265041">
    <dcterms:title><![CDATA[The Griselda Legend in English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[When the Griselda legend first appears in English literature, in ClT, Griselda is praised for her patience.  In subsequent versions, as the centuries pass, her patience loses its moral worth and comes to be equated with unhealthy submissiveness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263995">
    <dcterms:title><![CDATA[The Griselda Story in Boccaccio, Petrarch and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Although Chaucer&#039;s version of the Griselda story closely follows that of Petrarch, ClT makes the marquis less sympathetic and Griselda more so.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268773">
    <dcterms:title><![CDATA[The Grounds of English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Cannon combines Marxist and Hegelian ideas of &quot;form&quot; to argue that &quot;form is that which thought and things have in common&quot; (5), enabling a valuation of form as a record of thinking in and about a culture. Formalist criticism (in this sense) of Middle English literature reveals a poverty of categories in literary history and encourages an expansion of our ideas of literary potential and of the idea of form itself.]]></dcterms:description>
    <dcterms:description><![CDATA[Cannon challenges the traditional division of Old and Middle English literatures and explores the &quot;body of learning that informed&quot; particular texts (Layamon&#039;s Brut, the Ormulum, The Owl and the Nightingale, Ancrene Wisse and the Katherine-group, and several romances). He discusses romance in light of the &quot;closing down of formal possibilities,&quot; considering Chaucer&#039;s uses of this &quot;holographic&quot; form or genre in BD and Th and his awareness that literature projects particularities into forms.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263813">
    <dcterms:title><![CDATA[The Growth of Criseyde&#039;s Love]]></dcterms:title>
    <dcterms:description><![CDATA[Eugene Vance&#039;s belief that Criseyde&#039;s love is a matter of sexual arousal culminating when Troilus rides by is at odds with Chaucer&#039;s depiction of the growth of Criseyde&#039;s love, changed from the &quot;Filostrato,&quot; to show Criseyde falling in love at first sight but to prevent us from knowing what part sexual desire plays in her love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277416">
    <dcterms:title><![CDATA[The Guise of Translation: The Case for Chaucer&#039;s &quot;Oeuvre.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;contemporary critical translation theories shed light on&quot; Chaucer&#039;s &quot;translational environment&quot; and identifies &quot;a cluster of five translational actions&quot;--&quot;communication, transformation, transportation, hermeneutics, and liminality&quot;--that leave traces in Chaucer&#039;s works. Then addresses SqT as it takes on &quot;the guise of a translation, one that stretches&quot; widely &quot;beyond the British Isles.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268535">
    <dcterms:title><![CDATA[The Hack&#039;s Tale: Hunting the Makers of Media: Chaucer, Froissart, Boccaccio]]></dcterms:title>
    <dcterms:description><![CDATA[Hughes combines travelogue and appreciative criticism as he traces the lives and footsteps of Chaucer, Froissart, and Boccaccio, exploring what each author contributed to growth in popular literature. Focuses on Chaucer&#039;s life and CT.]]></dcterms:description>
</rdf:Description></rdf:RDF>