<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266816">
    <dcterms:title><![CDATA[The Future of Chaucer Studies]]></dcterms:title>
    <dcterms:description><![CDATA[Describes three recent schools of Chaucer criticism: &quot;identity formation,&quot; New Historicism, and (three phases of) feminism.]]></dcterms:description>
    <dcterms:description><![CDATA[Opines that reading Chaucer, and English literary study generally, will be replaced by media studies in the near future, even though literature has the &quot;secret weapon&quot; of pleasure to forestall this process.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277445">
    <dcterms:title><![CDATA[The Future/History of England: Richard II, Reproductive Futurity, Literature, and History.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the history and literature of Richard II &quot;through a queer theoretical lens,&quot; including discussion of TC, Maidstone&#039;s &quot;Concordia,&quot; Shakespeare&#039;s &quot;Richard II &quot;(and its performance history), and modern fiction. Explores the &quot;cultural norm of royal fecundity&quot; in English insular romances to reveal how &quot;the conspicuous absence of children&quot; in TC resists the &quot;logics of reproductive futurity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266742">
    <dcterms:title><![CDATA[The Game of Chess in Chaucer&#039;s &#039;Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[At the beginning of BD, the Black Knight has an inaccurate conception of how chess is played.  The misconception must be corrected by the narrator as the poem progresses and before the castle bell strikes midday and the game, the hunt, and the poem all end.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263278">
    <dcterms:title><![CDATA[The Game of Chess: An Aspect of Medieval Knightly Culture]]></dcterms:title>
    <dcterms:description><![CDATA[Historical background of the chess game in knightly culture with a reference to BD.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276015">
    <dcterms:title><![CDATA[The Ganturbury Tales: A Sequel to Geoffrey Chaucer&#039;s The Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate that this sequel is written in modern English verse.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273247">
    <dcterms:title><![CDATA[The Garden Image in Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses garden imagery in &quot;The Phoenix,&quot; &quot;Roman de la Rose,&quot; &quot;Pearl,&quot; and MerT, focusing in the latter on the theme of lust and its relation to the ideal of spiritual salvation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270114">
    <dcterms:title><![CDATA[The Gender of Historicism]]></dcterms:title>
    <dcterms:description><![CDATA[Indicts the &quot;patrilineal logic by which the [masculine] gender of historicism is perpetuated and reproduced,&quot; surveying how recent publications in medieval studies (especially Chaucer studies) embody the structures of the &quot;patriarchal family.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269522">
    <dcterms:title><![CDATA[The Gender of Song in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Male singers in Chaucer&#039;s works recurrently--perhaps inevitably--embody narcissism and receive &quot;brutal,&quot; scatological punishment as a result of their deserved, comic victimhood. Psychoanalytic understanding of love as &quot;affect&quot; and of song as gender-bending underpins readings of Ros, MilT (both Nicholas and Absolon), MerT, the Pardoner, PrT, Th, ManT, NPT, and TC. Chaucer&#039;s depictions of male singing (and poetry?) may be phobic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264720">
    <dcterms:title><![CDATA[The General Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[Part 1A includes a new, variorum text and set of collations for GP, based on the Hengwrt manuscript and edited by Charles Moorman; textual notes by Daniel J. Ransom and Charles Moorman; textual commentary by Daniel J. Ransom, assisted by Lynne Hunt Levy; and a survey of critical commentary and bibliographical index by Malcolm Andrew.]]></dcterms:description>
    <dcterms:description><![CDATA[Part 1B includes explanatory notes and their bibliographic index by Malcolm Andrew.  The commentary and editorial practice follow the principles of previous contributions to the Chaucer Variorum, but the range and bulk of the explanatory notes necessitated their being printed in a separate volume; they cover through 1985.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264843">
    <dcterms:title><![CDATA[The General Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[GP not only is a brilliant poem in itself but also sets the tone for the entire work to follow.  It skillfully blends the real with the ideal world--all seen through the device of a narrative persona.  Chaucer uses several devices for description, but varies them for dramatic effect; he describes, for example, only one representative for each profession.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted from the first (1968) edition, with updated bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265435">
    <dcterms:title><![CDATA[The General Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[Directed and read by Paul R. Thomas.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270975">
    <dcterms:title><![CDATA[The General Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[Directed and read by Paul R. Thomas. Recorded digitally at Brigham Young University by Troy Sales. Edited in 27 tracks by Troy Sales and Paul Thomas.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272666">
    <dcterms:title><![CDATA[The General Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; the WorldCat records indicate that this is a reading by Piehler of GP in Middle English. Also re-issued (1986), with the title &quot;The General Prologue for Beginners.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271355">
    <dcterms:title><![CDATA[The General Prologue &amp; The Physician&#039;s Tale in Middle English &amp; in Modern Verse Translation]]></dcterms:title>
    <dcterms:description><![CDATA[Disc 1 comprises Richard Bebb&#039;s reading in Middle English of GP and PhyT; disc 2, Madoc and Maloney&#039;s reading of them in modern verse translation. The booklet includes notes by Derek Brewer and Perry Keenlyside.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267583">
    <dcterms:title><![CDATA[The General Prologue on CD-ROM]]></dcterms:title>
    <dcterms:description><![CDATA[Includes complete and interlinked digital images, transcriptions, collations, and descriptions of fifty-three fifteenth-century manuscripts and printed editions of GP. Spelling databases (original and regularized) enable examination of all variants.]]></dcterms:description>
    <dcterms:description><![CDATA[An &quot;Analysis Workshop&quot; (by Robinson) suggests the utility of the information for exploring textual history, and a &quot;Stemmatic Commentary&quot; (Robinson) assesses textual cruces. Includes a user guide, several essays (revised from SAC 20 [1998], no.11), a bibliography, and reproductions of the woodcuts first printed by Caxton, then reprinted by de Worde, and Pynson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261807">
    <dcterms:title><![CDATA[The General Prologue to &#039;The Canterbury Tales&#039; and The Canon&#039;s Yeoman&#039;s Prologue and Tale]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267775">
    <dcterms:title><![CDATA[The General Prologue to the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[School-text edition of GP, accompanied, on facing pages, by extensive glossing and pedagogical commentary and discussion questions. Also includes synoptic descriptions of Chaucer&#039;s pilgrims and brief essays on pertinent topics, including pilgrimage and social structure.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274369">
    <dcterms:title><![CDATA[The General Prologue to the Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[A textbook edition of GP, with text (following Robinson&#039;s 1957 edition), end-of-text notes and glossary, introduction, and commentary on Chaucer&#039;s language and the arrangement of the Tales.  The Introduction (pp.1-42) focuses on tale-teller relations, the characterizations of the pilgrims, narrator, and Host, Chaucer&#039;s satire, and thematic concerns.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268295">
    <dcterms:title><![CDATA[The Generation Gap in The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Most of the pilgrims seem to be about the same age, but the problem of age is not ignored: e.g., old and young husbands (WBPT); the relationship between father and son (Knight and Squire, Franklin, Chauntecleer) or daughter (RvT); and the relationship between parents and children (CIT, MLT). Comparisons with Molière set off Chaucer&#039;s attitude.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267476">
    <dcterms:title><![CDATA[The Generation of Identity in Late Medieval Hagiography : Speaking the Saint]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the voices in medieval vernacular saints&#039; lives: the controlling masculine voice and the submerged and subversive feminine voice. Defines female hagiography as a genre separable from male hagiography. French feminist critics (Cixous and Irigaray), however, help reveal tensions and fissures within the genre, evident in how the texts speak through silences, the presence of the feminine body, and the expression of these bodies. Includes discussion of MLT, ClT, and SNT, among other saints&#039; lives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272304">
    <dcterms:title><![CDATA[The Genesis of &#039;The Plowman&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Revises and adds to Henry Bradshaw&#039;s discussion of the origins of the &quot;Plowman&#039;s Tale,&quot; examining chronological and regional features of vocabulary, allusions to contemporary fashion and events, and Lollard ideology to argue that the poem was written no later than 1450, with several later revisions and interpolations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262080">
    <dcterms:title><![CDATA[The Genius to Improve an Invention : Transformations of the &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Boitani studies the chain of literary works that stem from Chaucer&#039;s KnT, namely &quot;The Two Noble Kinsmen&quot; of Shakespeare and Fletcher and Dryden&#039;s &quot;Palamon and Arcite.&quot;  The story of Palamon and Arcite has features in common with that of Troilus and Cressida, and both stories pass from the hands of Boccaccio to Chaucer, Shakespeare, and Dryden.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267919">
    <dcterms:title><![CDATA[The Genius to Improve an Invention: Literary Transitions]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Chaucer&#039;s adaptations of his sources and his influences on later tradition, examining his uses of Dante in TC (Paolo and Francesca, idea of gentility, and Paradiso 33) and tracing the transformations of the characters of KnT (particularly Palamon and Arcite) through Boccaccio, Chaucer, Shakespeare and Fletcher, and Dryden.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264537">
    <dcterms:title><![CDATA[The Genoese Saint Valentine and Chaucer&#039;s Third of May]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s St. Valentine is a Genoese Saint Valentine whose feast was May 2, and not the Valentine of February 14.  Thus the appropriateness of spring imagery.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273381">
    <dcterms:title><![CDATA[The Genre and Art of the Old French Fabliaux: A Preface to the Study of Chaucer&#039;s Tales of the Fabliau Type.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the &quot;literary qualities&quot; of Old French fabliaux, comparing and contrasting them with those of &quot;higher genres&quot; as a step toward gauging their influence on writers such as Chaucer.]]></dcterms:description>
</rdf:Description></rdf:RDF>