<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273106">
    <dcterms:title><![CDATA[The Cambridge Introduction to Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Wide-ranging introduction to Chaucer&#039;s life and works for students and scholars. Includes philosophical, theoretical, and literary  connections that celebrate the canonical importance of Chaucer&#039;s authority.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272497">
    <dcterms:title><![CDATA[The Canaanite Woman, the Second Nun, and St Cecilia]]></dcterms:title>
    <dcterms:description><![CDATA[Observes that St. Matthew&#039;s account of the Canaanite&#039;s interaction with Christ is far more descriptively verbose than the version recorded by St. Mark, and argues that in SNP Chaucer very purposefully chose Matthew&#039;s version in order to augment his portrayal of the rhetorical prowess and power of women, evident throughout CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263024">
    <dcterms:title><![CDATA[The Canon&#039;s Yeoman and His Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer makes his commentary on alchemy by presenting the Yeoman as a simple, plain man.  While in most of his works the poet inserts an absolute point of view, here he looks at the physical world from a physical point of view.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275296">
    <dcterms:title><![CDATA[The Canon&#039;s Yeoman and the Cosmic Furnace: Language and Meaning in the &quot;Canon&#039;s Yeoman&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies alchemical puns and their thematic/metaphoric potential in CYPT, focusing on &quot;multiplie,&quot; &quot;fire,&quot; and the figure of the &quot;cosmic furnace&quot; in 8.1407-8. Provides conceptual and contextual backgrounds from alchemical commentaries and suggests that they underlie allegorical implications much as do biblical commentaries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264249">
    <dcterms:title><![CDATA[The Canon&#039;s Yeoman as Imperfect Paradigm]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer introduces the new pilgrim so that his confession may form an imperfect paradigm of repentance, as prelude to the more successful portrayal of this concomitant of pilgrimage that we find in ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276363">
    <dcterms:title><![CDATA[The Canon&#039;s Yeoman: Alchemist, Confidence Man, Artist.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Listed in Lorrayne Y. Baird, A Bibliography of Chaucer, 1964-1973 (Boston: G. K. Hall, 1977): item 1252.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274290">
    <dcterms:title><![CDATA[The Canon&#039;s Yeoman&#039;s Alchemical &quot;Mass.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the two canons of CYPT are functionally identical, that the canon is a consistent character, and that Pars Prima and Secunda of CYT parallel the two parts of medieval alchemical treatises and comprise an &quot;ironic image of the sacrilegious aspect of alchemy.&quot; Secunda Pars, particularly, offers &quot;quasi-sacramental&quot; details and patterns that lampoon alchemical pretensions to allegorical representations of the mass and Crucifixion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264901">
    <dcterms:title><![CDATA[The Canon&#039;s Yeoman&#039;s Breath: Emanations of a Metaphor]]></dcterms:title>
    <dcterms:description><![CDATA[Zephirus&#039; breath in GP contrasts the parody of divine inspiration in CYT, and CYP to the piety of SNT.  CYT stands in relation to SNT as MilT stands to KnT.  Both CYT and SNT exploit the metaphor of creative breath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271713">
    <dcterms:title><![CDATA[The Canon&#039;s Yeoman&#039;s Desperate Confession]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;ritual outlined in the confessional manuals&quot; underlies the depiction of the Canon&#039;s Yeoman&#039;s &quot;psychological predicament.&quot; Still attracted to alchemy and disguising the connection between his Canon and the canon of his tale, the Canon&#039;s Yeoman fails to &quot;reject completely his habit of sin&quot; because of his fear of hell and his &quot;spiritual benumbing.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274328">
    <dcterms:title><![CDATA[The Canon&#039;s Yeoman&#039;s Prologue and Tale from the Canterbury Tales of Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents CYPT in Middle English (following Robinson&#039;s 1957 edition) with end-of-text notes and glossary and a one-page appendix of the spurious link between CYT and PhyT. The Introduction (pp. 1-22) considers the &quot;surprise&quot; of the presence of CY materials in the CT, the &quot;science&quot; of alchemy, the relationship of CYP to CYT, sources, and Chaucer&#039;s attitude toward alchemy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267949">
    <dcterms:title><![CDATA[The Canon&#039;s Yoman&#039;s Tale, by Geoffrey Chaucer [stet]]]></dcterms:title>
    <dcterms:description><![CDATA[Illustrated, slightly modernized version (Globe ed.) of CYPT. Numerous monochromatic woodblock engravings (plates and marginal figures) illustrate the narrative and depict alchemical symbols.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274362">
    <dcterms:title><![CDATA[The Cantbeworried Tales: Some Modern Types Chaucerwise.]]></dcterms:title>
    <dcterms:description><![CDATA[A parody of GP in faux Middle English, rhymed in iambic pentameter couplets. Includes twenty characters, such as the Model, the Astronaut, the Beatnik, the Psychoanalyst, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277391">
    <dcterms:title><![CDATA[The Canter-beary Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[A children&#039;s book about a tale-loving bear named Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277402">
    <dcterms:title><![CDATA[The Canterbury Nightmares.]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven tales of macabre fiction by various authors, loosely modeled on CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273890">
    <dcterms:title><![CDATA[The Canterbury Pilgrims and Five Canterbury Tales: From Chaucer in Present-Day English.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate that this collection includes modernizations of GP, KnT, PardT, MkT, NPT, and SNT, portions of which were previously published in 1954 and 1960.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271677">
    <dcterms:title><![CDATA[The Canterbury Pilgrims: Music for Chaucer&#039;s Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in WorldCat, which indicates that it includes passages from GP read in modern English by John Touhey, interspersed with sung music from Chaucer&#039;s time, recorded at Dorchester Abbey (1994).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276665">
    <dcterms:title><![CDATA[The Canterbury Pilgrims: Portraits Chosen from the Prologue to Chaucer&#039;s &quot;Canterbury Tales&quot; and Set to Music for Chorus, Orchestra &amp; Three Soloists (Soprano, Tenor &amp; Baritone).]]></dcterms:title>
    <dcterms:description><![CDATA[Includes scoring for oratorio of fifteen cantatas: GP I, GP II, Knight, Squire, Nun, Monk, Clerk of Oxenford, Guildsmen and the Merchant, Sergeant at Law and Franklin, Shipman, Physician, Wife of Bath, Parson, and L&#039;Envoi. Performed and recorded recurrently, with an additional overture (&quot;At the Tabard Inn&quot;) and conclusion (&quot;In Honour of the City&quot;).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274305">
    <dcterms:title><![CDATA[The Canterbury Pilgrims.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes selections from GP in translation by Nevill Coghill, set to music, and narrated by Martin Starkie: the opening of GP and the descriptions of the Knight, the &quot;Knight&#039;s Son,&quot;, the &quot;Nun,&quot; the &quot;Guild,&quot; the Monk, the Wife of Bath, the Shipman, the Miller, the Doctor of Physic, the Summoner and Pardoner, and the &quot;Scene at the Tabard Inn &amp; Finale.&quot; Composed and arranged by John Hawkins and Richard Hill; music performed by The Gabrieli Brass.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275557">
    <dcterms:title><![CDATA[The Canterbury Sisters.]]></dcterms:title>
    <dcterms:description><![CDATA[A novel about a small group of women in a modern setting who travel on pilgrimage from Southwark to Canterbury, telling stories along the way. Includes occasional references and allusions to CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262412">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[The Oxford Guides offer summaries of what is known about Chaucer&#039;s work and include &quot;fresh interpretations based on recent advances in both historical knowledge and theoretical understanding.&quot;  Cooper includes commentary on all aspects of CT as a whole (with critical analyses of each tale) and surveys &quot;literary responses&quot; to CT during the fifteenth and sixteenth centuries.]]></dcterms:description>
    <dcterms:description><![CDATA[The second and third editions update the discussions of critical issues--especially social, historical, and theoretical matters--and revise the bibliographies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263087">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[2 vols.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266044">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[A reprint of the 1952 Coghill translation (Mel and ParsT in synopsis only), with extensive color and black-and-white illustrations from a variety of medieval sources:  all of the Ellesmere illuminations; woodcuts from Caxton&#039;s second edition of CT and from Wynkyn de Worde; and a variety of medieval maps, tapestries, windows, panels, and manuscripts.]]></dcterms:description>
    <dcterms:description><![CDATA[Illustrations depict details of the narratives and their backgrounds.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266632">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Readings of selections from CT, translated by Nevill Coghill, including GP, KnT, MilPT, RvPT, PrPT, PardPT, WBPT, FrPT, SumPT, MerPT, and Ret.  Read by Richard Breers, Alan Cumming, James Grout, Alex Jennings, Geoffrey Matthews, Richard Pasco, Tim Pigott-Smith, Andrew Sachs, Prunella Scales, and Timothy West.]]></dcterms:description>
    <dcterms:description><![CDATA[Accompanying booklet reprints selections from Brian Stone&#039;s &quot;Chaucer&quot; (SAC 13 [1991], no. 84).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267620">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Modern English reading (Nevill Coghill translation) of RvT, ShT, WBP, FranT, and SumT, each accompanied by readings of the GP description of the teller. Read by Fenella Fielding and Martin Starkie.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267954">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[29 July 2003. Critique of Pier Paolo Pasolini&#039;s &quot;I Racconti di Canterbury,&quot; commenting that it is the &quot;poor cousin&quot; within Pasolini&#039;s &quot;Trilogy of Life&quot; and observing its concern with death. Moliterno includes quotations from Pasolini about his adaptation of CT.]]></dcterms:description>
    <dcterms:description><![CDATA[Archived at &lt;www.sensesofcinema.com&gt;.]]></dcterms:description>
</rdf:Description></rdf:RDF>