<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277346">
    <dcterms:title><![CDATA[Teluolesi yu Kelixide.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate this is a translation of TC into Chinese, with illustrations (some in color).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267380">
    <dcterms:title><![CDATA[Temporal and Spiritual Indebtedness in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the themes of debt and indebtedness in CT, showing how they are established in GP and how throughout the work attempts &quot;to manipulate obligations to one&#039;s own advantage&quot; result in &quot;superficial or ambivalent success.&quot; Material advantage often reflects spiritual indebtedness. Focuses on the themes in WBP, PardT, ShT, and FranT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269210">
    <dcterms:title><![CDATA[Temporal Circumstances: Form and History in the &quot;Canterbury Tales&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints seven of Patterson&#039;s essays, with a new introduction, &quot;Historicism and Postmodernity&quot; (pp. 1-18), that explains why he pursues the &quot;micronarratives&quot; of New Historicism rather than those of psychoanalytic criticism. Patterson affirms the functions of historical criticism despite postmodern challenges to certainty.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277228">
    <dcterms:title><![CDATA[Ten Summoner&#039;s Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[The title alludes to SumT, and the musician&#039;s surname derives from &quot;summoner&quot;/&quot;somnour.&quot; The ten songs vary in style and genre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274026">
    <dcterms:title><![CDATA[Tending to One&#039;s Garden: Deschamps&#039;s &#039;Ballade to Chaucer&#039; Reconsidered.]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that Deschamps&#039;s &quot;Ballade to Chaucer&quot; alludes to a poetic debate between Philippe de Vitry and Jean de le Mote, to Ovidian exile, and to a poet&#039;s oeuvre as a garden. Claims that Deschamps&#039;s emphasis on translation and use of French and classical sources in &quot;Ballade to Chaucer&quot; &quot;does vital cross-cultural work,&quot; and has implications for the reading of BD and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275967">
    <dcterms:title><![CDATA[Tendre Cropps and Flourishing Metricians: Gabriel Harvey&#039;s &quot;Chaucer.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Refers to a sidenote in Gabriel Harvey&#039;s copy of Speght&#039;s 1598 edition of Chaucer that is supposed to shed light on the date of Shakespeare&#039;s &quot;Hamlet.&quot; Argues that the ambiguities in the various interpretations circulating may be unriddled to produce a meaningful interpretation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272412">
    <dcterms:title><![CDATA[Tennyson&#039;s &#039;metre of Catullus&#039;: The Ambivalent Hendecasyllable]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that, &quot;while Tennyson thought he was composing quantitative hendecasyllables, he was in fact producing accentual verse of a type that English poets had been studiously avoiding for 500 years.&quot; Traces the development of Chaucer&#039;s iambic pentameter, through its recovery in Spenser and Sydney.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276977">
    <dcterms:title><![CDATA[Tense Shift in Chaucer&#039;s Narrative Text: With Special Regard to the Synchronization of Subjectivity and Phenomena.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Draws parallels between Chaucer&#039;s tense shift and Japanese I-mode, where tense shift occurs from the past to the present. Identifies tense shifts across various units, from a single metrical line to an extended piece of discourse consisting of sentences, and views them as influenced by cognitive subjectivity, orality, and generic/gnomic implications. In Japanese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263224">
    <dcterms:title><![CDATA[Tension astrologica y la Comadre de Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Treats the use of astrology in the character portrayal of the Wife of Bath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269072">
    <dcterms:title><![CDATA[Tereus, Procne, and Her Sister: Chaucer&#039;s Representation of Criseyde as a Victim]]></dcterms:title>
    <dcterms:description><![CDATA[Reads Chaucer&#039;s allusion to Tereus, Procne, and Philomela in TC as an &quot;ethical and moral&quot; gloss on his own poem, generating tensions between the refined love of Troilus and Criseyde and the raw passions in Ovid. Also comments on source relations between TC and both Petrarch&#039;s &quot;Zephiro torna&quot; and Dante&#039;s Purgatorio.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269994">
    <dcterms:title><![CDATA[Termes d&#039;adresse dans Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses invocations and  formulas used to address divinities, characters,and sources in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275605">
    <dcterms:title><![CDATA[Terpsichorean Form: Geoffrey Chaucer&#039;s &quot;Franklin&#039;s Tale&quot; and Robert Smithson&#039;s &quot;Spiral Jetty.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates relations among time, seriality, causality, movement, and dancing, exploring the experiences of moving through Robert Smithson&#039;s monumental contemporary sculpture &quot;Spiral Jetty&quot; and watching a film of the experience as analogues to the experiences of medieval dance and references to dancing in FranT, where style and syntax evoke kinetic participation and destabilize connections between movement in time and causation, challenging modern notions of literary form. Includes four b&amp;w illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271115">
    <dcterms:title><![CDATA[Terrorism for Self-Glorification: The Herostratos Syndrome]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the development of the traditional story of Herostratos, the arsonist of Diana&#039;s temple in Ephesus, and comments (pp. 23-24) that, in light of its inconsistencies with the traditional account, Chaucer&#039;s reference (HF 1844) to one who set fire to the temple of Isis in Athens may be seen to derive from &quot;exemplary oral tradition&quot; rather than weak memory of a literary source.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271391">
    <dcterms:title><![CDATA[Terry Jones no shin &#039;Chosa ron&#039; ga hamon]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in MLA International Bibliography as a discussion of Chaucer, parody, and Terry Jones.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271332">
    <dcterms:title><![CDATA[Testi, Intertesti, Contesti: Seminario su &quot;The Wife of Bath&quot; di Éilís Ní Dhuibhne]]></dcterms:title>
    <dcterms:description><![CDATA[Proceedings from a seminar on Éilís Ní Dhuibhne&#039;s short story, &quot;The Wife of Bath,&quot; in which a modern character (a Jane Austen fan) travels to Bath and meets a woman, Alice, whose life recalls Chaucer&#039;s character in several ways. The story is included (pp. 3-14), with a sequel (pp. 113-24), translations of the stories into Italian by Paola Biancolini Decuypère (pp. 15-27 and 125-37), and a question and answer session that considers translation of the story and its allusions, conducted by Giovanna Tallone (pp. 151-63). Also included are several critical essays, including &quot;The Wives of Bath: Chaucer and Ní Dhuibhne&quot; (pp. 67-75), by Maria Luisa Maggioni, who compares the two versions of the Wife of Bath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263989">
    <dcterms:title><![CDATA[Text and Context: Chaucer&#039;s &#039;Friar&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[FrT reflects hostility, especially among the lower classes, against widespread corruption and double standards among archdeacons and summoners, as surviving documents of the period amply and graphically suggest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265752">
    <dcterms:title><![CDATA[Text and Image in the Ellesmere Portraits of the Tale Tellers]]></dcterms:title>
    <dcterms:description><![CDATA[The twenty-three portraits in the Ellesmere manuscript are not closely related to Chaucer&#039;s text.  Only eight of the portraits show &quot;striking features&quot; described in GP, and even these eight show details not derived from the text. ]]></dcterms:description>
    <dcterms:description><![CDATA[The portrait artists derived their paintings not from study of the GP but from a team supervisor&#039;s general directions. ]]></dcterms:description>
    <dcterms:description><![CDATA[The miniatures mark the beginning of each tale, serving as visual incipits, part of the &quot;ordinatio&quot; of the manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268589">
    <dcterms:title><![CDATA[Text and Voice : The Rhetoric of Authority in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays by various authors on medieval verbal and visual rhetoric, with recurrent attention to authority, glossing, and vernacularity. For three essays that pertain to Chaucer, search for Text and Voice under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276879">
    <dcterms:title><![CDATA[Text Technologies: A History.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the study of text technologies, explaining concepts, providing history, and offering case studies. Among the latter is a brief study of the Kelmscott Chaucer as a text that &quot;was created specifically to have a particular aura&quot; in various ways and for various reasons. Also reproduces a sample illustration from Caxton&#039;s CT (London, British Library, G.11586), with questions for analysis or discussion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266455">
    <dcterms:title><![CDATA[Texts and Their Contexts: Papers from the Early Book Society]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays initially presented at the first three conferences of the Early Book Society:  Durham, 1989; Trinity College, Dublin, 1991; and Sheffield, 1993.  The essays consider texts and books produced between the late fourteenth and early sixteenth centuries, available to English readers. For an essay that pertains to Chaucer search for Texts and Their Contexts: Papers from the Early Book Society under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269981">
    <dcterms:title><![CDATA[Texts Concerning Scientific Instruments]]></dcterms:title>
    <dcterms:description><![CDATA[Laird edits and describes portions of Trinity College Cambridge MS R.14.52 that pertain to scientific instruments, including several sections from Chaucer&#039;s Astr (conclusions 2.37,40,39,and 38).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270458">
    <dcterms:title><![CDATA[Texts, Textual Criticism, and Fifteenth Century Manuscript Production]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that manuscripts ignored by editors &quot;often deserve far more than the total neglect&quot; they receive, drawing examples from manuscripts of Chaucer and Langland, including a number of cruces from manuscripts of Chaucer&#039;s CT and TC. Comments on stemmata construction, meter, the principle of &quot;lectio difficilior,&quot; and the value of reading a poem in its manuscript contexts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269209">
    <dcterms:title><![CDATA[Textual and Contextual Studies in Medieval English: Towards the Reunion of Linguistics and Philology]]></dcterms:title>
    <dcterms:description><![CDATA[Sixteen essays by various authors on linguistic topics in Old and Middle English, including a survey of the teaching of medieval English in Korea. The papers were presented at the first international conference of the Society of Historical English Language and Linguistics, Chiba University, Japan, September 1-3, 2005. For two papers that pertain to Chaucer, search for Textual and Contextual Studies in Medieval English under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266952">
    <dcterms:title><![CDATA[Textual Authority and the Works of Hoccleve, Lydgate, and Henryson]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the differing ways Hoccleve, Lydgate, and Henryson responded to and imitated Chaucer, observing their sensitivity to his metatextual concerns and his sense of literary history.  These three authors do not comprise a single and unified response to Chaucer, and therefore challenge our notions of a unified &quot;idea&quot; of English literary tradition.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Daniel J. Pinti, &quot;Writings After Chaucer&quot; (New York and London: Garland, 1998), pp. 177-99.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270630">
    <dcterms:title><![CDATA[Textual Copying and Transmission]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys textual practices in Old and Middle English literary culture, focusing on authorial anxieties about scribes, and comparing what is known and surmised about the texts of Ælfric&#039;s &quot;Catholic Homilies&quot; and Chaucer&#039;s CT.]]></dcterms:description>
</rdf:Description></rdf:RDF>