<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264616">
    <dcterms:title><![CDATA[Synthesis and Orthodoxy in Chaucer&#039;s &#039;Parson&#039;s Tale&#039;: An analysis of the concordance of different authoritative &#039;sententiae&#039; according to the principles of the medieval &#039;artes praedicandi&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s treatment of &quot;sententiae&quot; in ParsT is best understood in terms of the schema provided by Thomas Walleys in his 14th-century &quot;De modo componendi sermones.&quot;  The Parson adopts many of Walleys&#039; 14 methods of linking &quot;senteniae&quot; to control logically the 160 biblical and patristic quototations and paraphrases used in his sermon, and to oppose the misleading use of &quot;sententiae&quot; by pilgrims like the Wife and Pardoner.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274287">
    <dcterms:title><![CDATA[Synthesis and the Double Standard in the &quot;Franklin&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Dorigen and Arveragus&#039;s agreement at the beginning of FranT &quot;to marry and remain courtly lovers&quot; reflects the Franklin&#039;s illusory &quot;double standard&quot; that falsely assumes compatibility between marital and courtly love, symbolically undercut by the stark contrast between rocks and garden. The plot of the Tale reveals the incompatibility of the two views of love and the Franklin&#039;s inability to perceive it.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275335">
    <dcterms:title><![CDATA[Szenischer Bildwechsel in Chaucers &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the style and techniques of Chaucer&#039;s quasi-optical, quasi-cinematic (&quot;quasi-optische,&quot; &quot;quasi-filmescher&quot;) scene changes in CT, with particular attention to those in MerT. Focuses on relations between external and internal drama in such transitions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270331">
    <dcterms:title><![CDATA[T. S. Eliot&#039;s Allusive Technique: Chaucer, Virgil, Pope]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the allusions to Chaucer&#039;s GP, Virgil&#039;s &quot;Aeneid,&quot; and, most extensively, Pope&#039;s &quot;Rape of the Lock&quot; in Eliot&#039;s &quot;The Waste Land&quot; as signals to his rejection of the &quot;Classical/Christian tradition.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266706">
    <dcterms:title><![CDATA[T. S. Eliot&#039;s Harvard College Senior Year: The Medieval Curriculum]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Eliot&#039;s senior-year courses at Harvard for their medieval focus (in art, literature, and philosophy) in the light of primary materials (including Eliot&#039;s annotated Chaucer textbook).]]></dcterms:description>
    <dcterms:description><![CDATA[Compares and contrasts CT and &quot;The Waste Land&quot; and analyzes medieval elements in Eliot&#039;s oeuvre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268947">
    <dcterms:title><![CDATA[T&#039;assaye in thee thy wommanheede : Griselda Chosen, Translated, and Tried]]></dcterms:title>
    <dcterms:description><![CDATA[In ClT, Chaucer expands notions of female power, helping to shape an idea of womanliness, especially as manifested in submissiveness, production of heirs, and self-sacrifice. Williams analyzes the linguistic and cultural category of &quot;womanhood&quot; in late medieval England.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263636">
    <dcterms:title><![CDATA[Taboo-Words in Fifteenth-Century English]]></dcterms:title>
    <dcterms:description><![CDATA[Latin-English glosses from BL MS Add. 37075 and other hitherto unpublished sources throw light on attitudes toward words for sex, body parts, and body functions as used by Chaucer and Scottish Chaucerians.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269267">
    <dcterms:title><![CDATA[Take Writing: News, Information, and Documentary Culture in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[In the context of an analysis of a news-hungry medieval culture, one chapter examines Chaucer&#039;s suspicion of written documents in MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262503">
    <dcterms:title><![CDATA[Taking Leave: Chaucer&#039;s Retraction and the Ways of Affirmation and Negation]]></dcterms:title>
    <dcterms:description><![CDATA[Traditions of simultaneous affirmation and negation found in pseudo-Dionysian mystical theology account for Ret&#039;s treatment of the reader and its relation to CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269895">
    <dcterms:title><![CDATA[Taking Stock of Middle English Popular Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts WBT to popular romance narratives of the period, arguing that notions of &quot;sentence&quot;--i.e., of &quot;meaning that is inscribed into a narrative by its author&quot;--force high cultural glossing onto popular texts that may not be best suited to such glosses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263153">
    <dcterms:title><![CDATA[Taking the Gold out of Egypt: The Art of Reading as a Woman]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the &quot;well-established &#039;topos&#039; of manuscript literature that women readers alone are offended by antifeminist texts&quot; and examines Chaucer&#039;s defense of himself in portraying Criseyde&#039;s guilt.  Asserts that Chaucer&#039;s Wife of Bath, being illiterate, can resist literary misogyny:  her mind is not full of texts that overwhelm her, and she simply rejects what she hears, changing it to suit herself. ]]></dcterms:description>
    <dcterms:description><![CDATA[Christine de Pisan, a literate reader, is burdened with old texts and must painfully learn to read them not as an emasculated woman but as a woman reader.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272717">
    <dcterms:title><![CDATA[Tales from Chaucer as Projections of Their Tellers&#039; Needs]]></dcterms:title>
    <dcterms:description><![CDATA[Psychological analysis of six of the Canterbury pilgrims (Knight, Man of Law, Narrator [in Mel], Pardoner, Clerk, and Second Nun, followed by &quot;six recreations&quot; in prose that attempt to project the characters as modern storytellers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271364">
    <dcterms:title><![CDATA[Tales from Past &amp; Present]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology compiled to promote reading among young readers in Eritrea. Includes international tales, ancient to modern, in modern English adaptation, including ClT (here titled &quot;The Scholar&#039;s Tale: The Test of a Good Wife.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263184">
    <dcterms:title><![CDATA[Tales of Canterbury: Fictions Within a Fiction That Purports Not to Be a Fiction]]></dcterms:title>
    <dcterms:description><![CDATA[Portraying himself as a participant in a supposedly actual pilgrimage, Chaucer freed his characters from his control and avoided predetermining the meaning of their tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274322">
    <dcterms:title><![CDATA[Tales of Magic and Enchantment.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes (pp. 256-76) KnT in a modern prose version from Eleanor Farjeon&#039;s &quot;Tales of Chaucer&quot; (1930), here &quot;slightly cut&quot; and titled &quot;Palamon and Arcite.&quot; Includes a b&amp;w illus. of Emelye walking below the prison tower.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276535">
    <dcterms:title><![CDATA[Tales of the Living Dead: Dealing with Doubt in Medieval English Law.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how medieval English law dealt with doubt and ambiguity, particularly in cases where the identity of the accused was uncertain Examines various legal cases, including the infamous case of the &quot;Green Children&quot; of Woolpit, and argues that legal decisions often relied on narratives and folk beliefs to fill in gaps in knowledge and to establish a sense of certainty. Of particular note is the inclusion of the reproduction of Seneca&#039;s work in SumT. Brief mention of subterfuge and disguise in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268280">
    <dcterms:title><![CDATA[Tales Told and Tellers of Tales: Illustrations of the Canterbury Tales in the Course of the Eighteenth Century]]></dcterms:title>
    <dcterms:description><![CDATA[Reproduces and assesses various eighteenth-century depictions of CT or the Canterbury pilgrims, including Thomas Stothard&#039;s illustrations for Bell&#039;s British Poets (1782-83), the set of pilgrim portraits (here associated with John Vanderbank) in John Urry&#039;s 1721 edition, and works drawn or executed by John H. Mortimer, James Jeffreys, Edward Francesco Burney, George Vertue, Lady Diana Beauclerk, Angelica Kauffman, John Francis Rigaud, Richard Westfall, and Henry Fuseli.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267439">
    <dcterms:title><![CDATA[Tales Within Tales : Apuleius Through Time: Essays in Honor of Professor Emeritus Richard J. Schoeck]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays, two fictional narratives, and one lecture on Apuleius, his legacy, and the traditions of folly. Reprints Holloway&#039;s &quot;The Asse to the Harpe: Boethian Music in Chaucer.&quot; For two new essays that pertain to Chaucer, search for Tales Within Tales under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275987">
    <dcterms:title><![CDATA[Talking about Chaucer with School Teachers.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews personal experiences of helping secondary teachers learn how to approach and teach Chaucer. Offers both a summary of the necessity of this kind of outreach and the results of these types of interactions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271907">
    <dcterms:title><![CDATA[Talking Animals, Debating Beasts]]></dcterms:title>
    <dcterms:description><![CDATA[Explores anthropomorphism and the &quot;connaturality&quot; of human and nonhuman animals in PF and Lydgate&#039;s &quot;Debate of the Horse, Goose, and Sheep,&quot; noting the comments of medieval and modern philosophers on the traditional animal-human binary. Lydgate&#039;s poem was as popular as Chaucer&#039;s in the Middle Ages, and it is more &quot;radical&quot; in its &quot;sympathy for animal suffering.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265519">
    <dcterms:title><![CDATA[Talking Back to the Text: Marginal Voices in Medieval Secular Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Medieval habits of reading characteristically produce &quot;a voicing and an inscription of that voicing&quot; (123), allowing for a fluidity of margin and text, reader and author.  Geffrey&#039;s position as author and glossed text in LGWP and the Wife&#039;s position as text and speaker in WBP exemplify this process.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270832">
    <dcterms:title><![CDATA[Talking Bird and Gentle Heart: Female Homosocial Bonding in Chaucer&#039;s Squire&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Canacee&#039;s kindness toward the formel eagle shows Chaucer&#039;s sympathy for women and appreciation of female friendship. The formel, like other females in Chaucer, has been abused by men--and warns Canacee against them. In creating a painted mew for the falcon (an ekphrasis), Canacee expresses her pity and affection for the injured bird. Their friendship is brief but ideal, crossing apparently formidable borders.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275858">
    <dcterms:title><![CDATA[Talking Dirty: Slang, Expletives, and Curses from Around the World.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive lexicon of &quot;dirty&quot; language, sexual and scatological, including a brief section (pp. 8-14) on Chaucer&#039;s vocabulary, listing sample words and describing several scenes and examples from MilT, WBP, and elsewhere. Reprinted under the title &quot;Come Again?: Racy Slang, Expletives, and Curses from Around the World&quot; (New York: Skyhorse, 2012).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271202">
    <dcterms:title><![CDATA[Talking Dirty: Vernacular Language and the Lower Body]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relations between vernacularity and scatology in MilT and &quot;Til Eulenspiegel,&quot; commenting on how use of the &quot;kultour&quot; in MilT plays upon the Knight&#039;s earlier reference to a plough and undermines clerical discourse in which the plough is a &quot;traditional analogue of the preacher&#039;s word.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273999">
    <dcterms:title><![CDATA[Taxonomies of Knowledge: Information and Order in Medieval Manuscripts. ]]></dcterms:title>
    <dcterms:description><![CDATA[Presents essays that explore ways that manuscript evidence is used to understand &quot;literary, geographic, scientific, devotional, and hagiographical knowledge&quot; in the later Middle Ages. For an essay that pertains to Chaucer, search for Taxonomies of Knowledge under Alternative Title.]]></dcterms:description>
</rdf:Description></rdf:RDF>