<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276788">
    <dcterms:title><![CDATA[Structure and Meaning in the &quot;Parlement of Foules.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that, although derived from differing sources, the three parts of PF--the prelude, the garden of love, and the debate--are unified in their presentation of three perspectives on love. Framed as a conventional love vision, the poem juxtaposes a stern, moralistic view of love, an exalted, courtly one, and a natural, &quot;realistic&quot; one. Together, the three provide a gentle &quot;comedy of attitudes&quot; that testifies to the power of love and the inadequacy of any single view of it.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262697">
    <dcterms:title><![CDATA[Structure and Pattern in Chaucer&#039;s &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The form of KnT not only is characterized by &quot;layers of order and disorder&quot; but also is &quot;circular, interlocking, and repeating.&quot;  Structurally, the tale can be divided into five parts:  a prologue (lines 1-1032), the conflict between Palamon and Arcite (lines 1033-1880), the lists and temples (lines 2438-2815), and an epilogue representing the restoration of order (lines 2816-3108).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262203">
    <dcterms:title><![CDATA[Structure as Deconstruction : &#039;Chaucer and Estates Satire&#039; in the &#039;General Prologue&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s GP actively encourages the adoption of a &quot;disenchanted perspective&quot; on society, on the pilgrims, and on discourse itself by constructing traditional estates-satire classifications.  The narrator successively adopts and then discards first a hierarchical and then an apocalyptic classification of the pilgrims, thus highlighting the tensions and contradictions constituting such classifications.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265362">
    <dcterms:title><![CDATA[Structure des modes pathetique et ironique dans le conte et le portrait de la Prieure des &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the rhetoric of pathos and irony in CT, drawing attention to how they clash and overlap in PrT and the GP description of the Prioress.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267982">
    <dcterms:title><![CDATA[Structure, Source, and Meaning in A Midsummer Night&#039;s Dream]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of the influence of KnT on Shakespeare&#039;s play, focusing on the play&#039;s structure and its concern with &quot;reconciling a faith in cosmic order with our experience of life&#039;s apparent chaos&quot; (256).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264999">
    <dcterms:title><![CDATA[Structures and Character-Types of Chaucer&#039;s Popular Comic Tales]]></dcterms:title>
    <dcterms:description><![CDATA[The character types in Chaucer&#039;s comic tales spring from the popular Aristophanic tradition; &quot;popular&quot; here does not exclude the learned or learning.  While the humor of the tales is ambivalent and derisive, it yet elicits acceptance and sympathy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266393">
    <dcterms:title><![CDATA[Structuring Images: Readers and Institutions in Late Medieval and early Modern English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Though the printing press and the Reformation have long been assumed to have altered radically the concepts of reader and writing, the persistence of the architectural trope in literature indicates that technology was less important than institutions.  Andersen&#039;s study considers works by Chaucer (HF), Milton, Herbert, and Marvell]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271529">
    <dcterms:title><![CDATA[Structuring Spaces: Oral Poetics and Architecture in Early Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Anglo-Saxon architecture and poetry and draws connections between physical spaces and literary texts. Argues that Anglo-Saxon buildings should be viewed as &quot;dynamic spaces&quot; to enrich an understanding of development of Anglo-Saxon literature. Chaucer&#039;s KnT is mentioned in the notes, pp. 325-327.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271525">
    <dcterms:title><![CDATA[Stubborn Against the Fact: Literary Ideals, Philosophy and Criticism]]></dcterms:title>
    <dcterms:description><![CDATA[Uses KnT as a sample premodern text to support a critical approach &quot;equally as concerned with literary ideals as it is with projects of subversion.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277560">
    <dcterms:title><![CDATA[Student Retellings: Adapting Middle English Literature in Singapore.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces a cross-cultural classroom &quot;assignment in which students make their own adaptations of Middle English texts,&quot; discussing three samples of undergraduate student projects as examples--on &quot;Sir Orfeo,&quot; &quot;Sir Gowther,&quot; and TC respectively. The TC project engages the theme of fate in the poem through puppeteering.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267795">
    <dcterms:title><![CDATA[Students&#039; Study Guides and the Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Errors in &quot;Cliffs Notes&quot; and &quot;MAX Notes&quot; guides on the Wife of Bath lead to an unsympathetic interpretation of the character and inaccurate reading of WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272825">
    <dcterms:title><![CDATA[Studien zum System und Gebrauch der &#039;Tempora&quot; in der Sprache Chaucers und Gowers]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Chaucer&#039;s and Gower&#039;s uses of the present, preterit, perfect, and pluperfect verb tenses, considering them in various syntactical contexts and identifying similarities and differences in their usage. Includes a bibliography and author and subject indexes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265159">
    <dcterms:title><![CDATA[Studies in &quot;Troilus&quot;: Chaucer&#039;s Text, Meter, and Diction]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses problems in producing editions of medieval poems, focusing on TC and the editions and textual commentaries by Windeatt and Root as well as on Barney&#039;s own contribution to &quot;The Riverside Chaucer.&quot;  Considers such issues as Chaucer&#039;s revisions of TC, his metrical and grammatical practices, and the use of sources in establishing Chaucer&#039;s texts.  Includes corrections to Windeatt&#039;s text and notes, and corroborates recent challenges to Root&#039;s theory of Chaucer&#039;s revisions of TC.]]></dcterms:description>
    <dcterms:description><![CDATA[Explores problems of recension and editing, identifying places where analysis needs to be continued and posing several exercises in editorial practice.  The study seeks to raise questions, arguing that they have not yet been answered.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268006">
    <dcterms:title><![CDATA[Studies in African and Medieval European Mysticism]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Chaucer, Dante, and Chrtien de Troyes to compare African and medieval European mysticism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264353">
    <dcterms:title><![CDATA[Studies in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Essays by various hands.  For five essays that pertain to Chaucer, search for Studies in Chaucer under Alternative Title (using &quot;starts with&quot; option).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268927">
    <dcterms:title><![CDATA[Studies in Chaucer [Chaucer Kenkyu ]]]></dcterms:title>
    <dcterms:description><![CDATA[A selection of essays on Chaucer&#039;s works, with attention to structure and meaning, focusing on CT.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272588">
    <dcterms:title><![CDATA[Studies in Chaucer and Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints forty-one essays by Kuhl, originally published between 1914 and 1960, brought together to celebrate Kuhl&#039;s ninetieth birthday. Twenty-one of the essays pertain to Chaucer, many dealing with biographical details, life records, and allusions to his works. The volume includes a preface and brief annotations of the essays, but no index. Compiled by Elizabeth K. Belting.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267158">
    <dcterms:title><![CDATA[Studies in Chaucer&#039;s English]]></dcterms:title>
    <dcterms:description><![CDATA[A descriptive approach to Chaucer&#039;s language, including the syntax of his progressive and perfect verbal forms and the functions of his present and past participles. Also includes lexical analysis of MilT (focus on &quot;pryvetee&quot;), RvT (&quot;bigylen&quot;), and PardT (&quot;deeth&quot;); descriptions of Chaucer&#039;s uses and meanings of &quot;wenen&quot;; and an argument that NPT is Chaucer&#039;s quintessential comedy, defined here as an ascent in fortune. Six of seven chapters are revisions of previously published material; the description of the perfect form is newly published.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277210">
    <dcterms:title><![CDATA[Studies in Chaucer&#039;s Imagery.]]></dcterms:title>
    <dcterms:description><![CDATA[Ranges throughout Chaucer&#039;s corpus, exploring imagery in a wide variety of works, arranged in five chapters: &quot;Chaucer&#039;s Imagery and the Colors of Rhetoric,&quot; &quot;The Appropriateness of the Subject Matter in Chaucer&#039;s Imagery,&quot; &quot;Chaucer&#039;s Treatment of Derived Imagery,&quot; &quot;The Imagery of Chaucer&#039;s Portraits,&quot; and &quot;Chaucer&#039;s Attitude Toward Imagery.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262607">
    <dcterms:title><![CDATA[Studies in Chaucer&#039;s Language of Feeling]]></dcterms:title>
    <dcterms:description><![CDATA[A collection of articles published between 1958 and 1974, including eight on the language of feeling.  Discusses tone,mood, and theme, emphasizing Chaucer&#039;s use of introspective language and his growing tendency toward &quot;emotional internalization.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263401">
    <dcterms:title><![CDATA[Studies in Chaucer&#039;s Use of Law]]></dcterms:title>
    <dcterms:description><![CDATA[Although probably not formally educated as a lawyer, Chaucer shows familiarity with common law, church, and &quot;customary&quot; courts, as investigated in a wide variety of his works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273889">
    <dcterms:title><![CDATA[Studies in Chaucer&#039;s Use of Ovid in Selected Early Poems]]></dcterms:title>
    <dcterms:description><![CDATA[Studies Chaucer&#039;s uses of Ovid in Mars, Ven, Pity, Anel, BD, HF, and TC, focusing on complaints and depictions of women, and providing lists of observed parallels between Chaucer and Ovid, work by work. This dissertation was completed in 1963.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269156">
    <dcterms:title><![CDATA[Studies in Chaucer&#039;s Words and His Narratives]]></dcterms:title>
    <dcterms:description><![CDATA[A study of Chaucer&#039;s works from a linguistic-stylistic approach, based on Jimura&#039;s doctoral dissertation (2002).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266093">
    <dcterms:title><![CDATA[Studies in Chaucer&#039;s Words: A Contextual and Semantic Approach]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Chaucer&#039;s epithetic adjectives, stock phrases, and asseverations.  Also considers his transformations of traditional similes and metaphors into fresh ones for poetic effects.]]></dcterms:description>
    <dcterms:description><![CDATA[The eighteen essays included have been previously published, although some are here translated from Japanese into English for the first time.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268026">
    <dcterms:title><![CDATA[Studies in English Historical Linguistics and Philology: A Festschrift for Akio Oizumi]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty essays by various authors, addressing synchronic and diachronic issues in English language study--lexicon, grammar, morphology, phonology, prosody, dialect, scribal variation, and syntax. Includes a curriculum vitae, a bibliography of Oizumi&#039;s publications, and an index of names. For three essays that pertain to Chaucer, search for Studies in English Historical Linguistics and Philology under Alternative Title.]]></dcterms:description>
</rdf:Description></rdf:RDF>