<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270456">
    <dcterms:title><![CDATA[Six Centuries of Verse]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of selections from English poetry, accompanied by pertinent illustrations and social context, with topics ranging from Chaucer to the &quot;Later Twentieth Century, 1934-84.&quot; Chapter one (pp. 1-15) pertains to Chaucer, with brief biographical and linguistic comments, six illustrations, selections from GP (opening and Pardoner&#039;s description), and a translation of much of PardT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270605">
    <dcterms:title><![CDATA[Six Centuries of Verse: Poetry&#039;s Greatest Hits Brought to Life]]></dcterms:title>
    <dcterms:description><![CDATA[Dramatized readings of poetry from Beowulf to 1984. Disc one (episode 3; track 7; 24 min.) includes the previously published &quot;Chaucer, 1340-1400&quot; (SAC 22 [2000], no. 12), an introduction to Chaucer and his works with recitation/dramatization of PardT. Presented by John Gielgud.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265005">
    <dcterms:title><![CDATA[Six Chaucer Notes]]></dcterms:title>
    <dcterms:description><![CDATA[CT I (A), 5 equals Catullus Car. XLVI 1-3, 7-11.  &quot;Pynce at&quot; CT I (A), 326 is not a pun but an idiom.  Mars is rightly red, as is the Wife; the number of her husbands evokes John 4:17-18.  The Miller&#039;s gold thumb refers to the method of his theft, not his rarity.  The Summoner&#039;s fiery face puns on &quot;fieri facies,&quot; a legal tag; the same pun appears in Nashe&#039;s &quot;The Unfortunate Traveller,&quot;  The dice throw in MkT VII (B2), 2661 evokes Alexander&#039;s grave-sized empire after death.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276781">
    <dcterms:title><![CDATA[Six Great Poets: Chaucer, Pope, Wordsworth, Shelley, Tennyson, the Brownings.]]></dcterms:title>
    <dcterms:description><![CDATA[The opening chapter offers subjective, impressionistic appreciation of Chaucer&#039;s life, language, poetry, and links among them, proclaiming Chaucer to be &quot;one of the most English of our poets&quot; in his &quot;tolerance, sweetness, and the lambent flame of an all-pervading irony,&quot; and one who &quot;stood alone&quot; in his own age for his realism, comedy, and acceptance of humanity, foibles and all. Includes summary descriptions of TC and CT, with emphasis on characterization and thematic generosity. Includes a b&amp;w reproduction of the National Portrait Gallery image.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267135">
    <dcterms:title><![CDATA[Sixty-Four Years of Polish Academic Writing on Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Polish academic writing on Chaucer follows a political pattern. Retreating from politically charged topics, students and professors have concentrated on linguistics topics, such as morphology, syntax, semantics, and loanwords. Most &quot;literary&quot; subjects have stressed a strong anti-imperialist or anticapitalist bent. American students studying in Poland have chosen religion and philosophy, poetics, gender, and love over language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273582">
    <dcterms:title><![CDATA[Skelton, Garnesche, and Henry VIII: Revels and Erudition at Court.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses how Skelton persistently mocks Henry&#039;s awarding knighthood to Garnesche by likening him to the silliest knights of romance. Claims that this portrayal of knighthood is influenced by Chaucer&#039;s mockery of knights in Th.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262312">
    <dcterms:title><![CDATA[Skelton&#039;s &#039;Garlande of Laurell&#039; and the Chaucerian Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;The Garlande of Laurell&quot; is Skelton&#039;s considered statement about poetry, the nature of poetic tradition, and his own role in it.  But &quot;the most substantial earlier treatment of the subject of &quot;The Garlande of Laurell&quot; in English poetry was Chaucer&#039;s &quot;House of Fame.&quot;  Skelton&#039;s poem is less inventive, philosophically less challenging, and much narrower in its conception of the fame of the poet than is Chaucer&#039;s.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268946">
    <dcterms:title><![CDATA[Skirting Damnation, or the Speech and Speechlessness of Griselda in Chaucer&#039;s The Clerk&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys recent criticism of ClT, focusing on Griselda as allegory, as &quot;a figure of divinity,&quot; and as a flat figure. Concludes that Griselda may simply be read as a real person.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275847">
    <dcterms:title><![CDATA[Slagveld van Gebroken Harten: Verhalen uit Chaucers &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat record indicates that this is a Dutch prose adaptation of CT for juvenile audience, with illustrations by Carll Cneut.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268968">
    <dcterms:title><![CDATA[Slanderous Troys : Between Fame and Rumor]]></dcterms:title>
    <dcterms:description><![CDATA[Bellamy considers Paridell&#039;s undermining of Britomart&#039;s &quot;nostalgia for the fallen Troy&quot; in Spenser&#039;s Faerie Queene, Book 3, and argues that the &quot;slippages&quot; between fame and rumor in HF influenced Spenser&#039;s presentation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267382">
    <dcterms:title><![CDATA[Slanders, Slurs and Insults on the Road to Canterbury : Forms of Verbal Aggression in Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Classifies instances of verbal aggression within and across narrative layers in CT in several groups: direct, embedded, mediated, or indirect. Considers the speaker, the addressee, and the target of aggression, exploring twenty-two examples.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263771">
    <dcterms:title><![CDATA[Slaying Python: Marriage and Misogyny in a Chaucerian Text]]></dcterms:title>
    <dcterms:description><![CDATA[Psychological and cultural interpretation of PhyT and ManT murders of women motivated by misogynistic violence and impulse to control women.  Both tales displace attention to trivialities:  woman and nature (PhyT) and natural lust (ManT).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277145">
    <dcterms:title><![CDATA[Sleep and Its Spaces in Middle English Literature: Emotions, Ethics, Dreams.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys medical and literary backgrounds and representations of sleep, naps, dreams, nightmares, and sleep-scapes in various Middle English genres and works. Chapter 4, &quot;The Hermeneutics of Sleep in Chaucer&#039;s Dream Poems,&quot; focuses on dreams, melancholy, ethics, emotions, and consolation in BD, and more briefly assesses related concerns in PF, LGWP, and NPT, arguing that Chaucer deploys an original hermeneutics of sleep and dreaming and &quot;reflects on the nature of poetry and poetic inheritance&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274886">
    <dcterms:title><![CDATA[Sleep and the Transformation of Sense in Late Medieval Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the permeable boundary between waking and sleep, sensation and dream, in Dante&#039;s &quot;Commedia,&quot; TC, and Machaut&#039;s &quot;Fontaine amoureuse.&quot; each sleep-scene drawing on Ovidian tales of transformation. Comments on Chaucer&#039;s adaptation in HF of Dante&#039;s golden eagle, and examines Pandarus&#039;s awakening in TC to the sound of a swallow/Procne, suggesting that the indeterminate nature of the waking reenacts Philomela&#039;s silence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264182">
    <dcterms:title><![CDATA[Sleep, Dreams, and Poetry in Chaucer&#039;s &#039;Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Although early, BD shows the development of the Chaucerian persona as narrator--&quot;the shy, self-concious man who seems to know so little about the truths he records so well.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276336">
    <dcterms:title><![CDATA[Sleeping Dogs and Stasis in &quot;The Franklin&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares Arveragus&#039;s sending of Dorigen to her tryst with Aurelius with the analogous scene in Bocaccio&#039;s &quot;Filocolo&quot; and argues that in FranT the husband is concerned with public honor, a reflection of the Franklin&#039;s own outlook that Arveragus is a &quot;perfect husband,&quot; a notion undermined by Chaucer in subtle ways. Arveragus regards Dorigen as a &quot;trophy wife,&quot; is disinclined to ask questions about the tryst, and seeks to maintain the status quo. Also considers other source materials, and suggests that lines 999-1000 be read between 1006-07, where they occur in ten manuscripts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277500">
    <dcterms:title><![CDATA[Slips of the Tongue: Some Overlooked Examples of the &quot;Misdirected Kiss&quot; Storytelling Motif (Thompson K1225).]]></dcterms:title>
    <dcterms:description><![CDATA[Explains how MilT has overdetermined scholarship concerning the folk motif of the misdirected kiss, limiting understanding of the range of the motif. Expands this range, and enlarges the number and variety  f analogues to Chaucer&#039;s use of the motif. Appends the Middle Dutch text and modern English translation of one of these analogues, published in 1641, here titled &quot;Refreins of the Young Chamber of Haarlem.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276004">
    <dcterms:title><![CDATA[Sloane MS 1009.]]></dcterms:title>
    <dcterms:description><![CDATA[E-book facsimile of London, British Library, MS Sloane 1009, which includes Mel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276005">
    <dcterms:title><![CDATA[Sloane MS 1098.]]></dcterms:title>
    <dcterms:description><![CDATA[E-book facsimile of London, British Library, MS Sloane 1098, which includes CYT, 1428–71.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276003">
    <dcterms:title><![CDATA[Sloane MS 320.]]></dcterms:title>
    <dcterms:description><![CDATA[E-book facsimile of London, British Library, MS Sloane 320, which includes CYT, 1428–81.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276111">
    <dcterms:title><![CDATA[Slow Pilgrimage Ecopoetics.]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates similarities and analogies between reading and walking and between medieval and modern pilgrimage narratives, commenting on ecopoetics, biopoetics, and topopoetics, and on relations between design and contingency, human and nonhuman encounters, and vernacularity and amendment. Refers recurrently to CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276162">
    <dcterms:title><![CDATA[Slow Practice as Ethical Aesthetics: The Ecocritical Strategy of Patience in Geoffrey Chaucer&#039;s &quot;The Clerk&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Draws on debates about slow cinema to suggest how ClT evokes a &quot;slow eco-aesthetics&quot; with an ethical impact. Based on the notion that medieval pilgrimage texts evoke a slow aesthetic, the strategies of slowness and patience in the tale of Patient Griselda are assessed as fundamentally ecocritical.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277279">
    <dcterms:title><![CDATA[Small World: An Academic Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[A comic novel that satirizes academic travel and conferencing, particularly in English studies. The &quot;Prologue&quot; opens with a quotation of GP 1-11 in modern translation, replacing pilgrimage with conference-going, followed by a quotation from TC 5.1815-16 in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263313">
    <dcterms:title><![CDATA[Smoky Reyn: From Jean de Meun to Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[TC 3.638 is a &quot;translation&quot; of the Virgilian rainstorm in bk. 4 of the &quot;Aeneid&quot; and of the emanations of Genius&#039;s aphrodisiac candle (&quot;Roman de la Rose&quot; 20638-48), and as such is symptomatic of Chaucer&#039;s tendency to follow Jean de Meun in providing a Boethian critique of the Ovidian erotic code.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275034">
    <dcterms:title><![CDATA[Snub and White: Chaucer, Logic, and Strode.]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes using a more philosophical reading of RvT to enhance understanding of Chaucer&#039;s &quot;academic knowledge and his relationship with Ralph Strode.&quot; An academic joke in RvT relies on snubness and whiteness as stock examples of inseparable and separable accidents. Symkyn&#039;s nose is inseparable from its snubness, but his wife misidentifies a &quot;white thyng&quot; (RvT, 4301) because whiteness is a separable accident. Argues that logician Ralph Strode may be Chaucer&#039;s source for this allusion; for the insult &quot;swynes-heed&quot; (4262); and for the logic-related terms &quot;impertinent&quot; (ClP, 54) and &quot;at dulcarnoun&quot; and &quot;flemyng of wrecches&quot; (TC, III.31, 33), which are academic nicknames for the Pythagorean theorem and the first difficult geometric proof.]]></dcterms:description>
</rdf:Description></rdf:RDF>