<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275746">
    <dcterms:title><![CDATA[&quot;Otium,&quot; &quot;Negotium,&quot; and the Fear of &quot;Acedia&quot; in the Writings of England&#039;s Late Medieval Ricardian Poets.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers background to late-medieval English literary notion of &quot;otium&quot; (idleness) and explores tensions between leisure and productivity in works by Chaucer, Gower, Langland, and the &quot;Gawain&quot; poet, particularly their representations of the morality of leisure and labor in aristocratic love (treating LGWP and TC) and in the daily lives of clerics and seculars (treating GP and SNP).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275539">
    <dcterms:title><![CDATA[&quot;Our Chaucer&quot;: Ted Hughes, Sylvia Plath and the Politics of Medieval Reading.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the lifelong development of Ted Hughes&#039;s attitudes toward Chaucer in published and archival materials, including comments on Hughes&#039;s view of Chaucer as the &quot;perfect model of a public poet&quot; and as a &quot;presiding presence&quot; in his relationship with Sylvia Plath. Also assesses Plath&#039;s appreciation of Chaucer&#039;s works, especially the character of the Wife of Bath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277405">
    <dcterms:title><![CDATA[&quot;Out, Harrow&quot; and &quot;Alas!&quot;: Chaucer, Shouts and Narrative.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses shouting in Chaucer&#039;s narratives, focusing on &quot;the hue and cry,&quot; which, &quot;strikingly frequent,&quot; engages &quot;with questions about the reliability of narratives, and also with problems of rape and sexual consent, misogynistic narratives and fictions of social class.&quot; Surveys cries of alarm and exclamations of misdeeds in Chaucer&#039;s works, with particular attention to NPT, MilT, RvT, and PrT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274502">
    <dcterms:title><![CDATA[&quot;Ovid&#039;s&quot; &quot;ictibus agrestis&quot; and the &quot;Miller&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Conjectures that the source of a recurrent glosses to MilT at 1.3381-82 (variously 3383) attributed to Ovid by the glossators resulted from a misreading of Ovid&#039;s &quot;Fasti&quot; 2.193.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274419">
    <dcterms:title><![CDATA[&quot;Owles and Apes&quot; in Chaucer&#039;s &quot;Nun&#039;s Priest&#039;s Tale,&quot; 3092.]]></dcterms:title>
    <dcterms:description><![CDATA[Aligns Chaucer&#039;s juxtaposition of owls and apes in NPT 7.3092 with the &quot;moral obliquity&quot; of the two animals in medieval art and sculpture, identifying origins in patristic commentary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276893">
    <dcterms:title><![CDATA[&quot;Pacience Is an Heigh Vertu&quot;: Managing the Canterbury Tales Project via Textual Communities.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the use of the online text-editing platform Textual Communities in ongoing developments of the Canterbury Tales Project, clarifying advantages and limitations of using such a platform, and offering advice for future changes to the project and similar endeavors]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276948">
    <dcterms:title><![CDATA[&quot;Palamon and Arcite&quot;: Early Elizabethan Court Theatre.]]></dcterms:title>
    <dcterms:description><![CDATA[Extracts information about Richard Edwards&#039;s now-lost play &quot;Palamon and Arcite,&quot; from three extant contemporary accounts of the visit of Queen Elizabeth I to Oxford, where she attended a performance of the play in 1566. The accounts--by Miles Windsor, Nicholas Robinson, and John Bereblock--evince plot and details (with one quotation recorded), staging and performance (including accidental deaths), and some awareness of relations with KnT as source.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273651">
    <dcterms:title><![CDATA[&quot;Pamphilus, de Amore&quot;: An Introduction and Translation.]]></dcterms:title>
    <dcterms:description><![CDATA[Translates &quot;Pamphilus&quot; into modern English prose (lineated as verse) and describes its influence on late medieval literature, including discussion of Chaucer&#039;s references to it in Mel and FranT and its role as a secondary source of the first three books of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276300">
    <dcterms:title><![CDATA[&quot;Past and Gone.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies four medieval instances (three from Mel) of collocation of forms of &quot;passen&quot; and &quot;gon&quot; that predate the OED&#039;s two quotations for &quot;past and gone,&quot; from 1598 and 1897.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275693">
    <dcterms:title><![CDATA[&quot;Pearl&quot; as a Gateway into Middle English Poetry: Comparative Approaches.]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies how students&#039; experiences with grief or loss can be useful in overcoming modern resistance to reading &quot;Pearl,&quot; and suggests comparative study of the poem with other texts in Middle English, including BD. Offers discussion questions for comparing such poems: for BD, comparing Pearl and Blanche, the Pearl-dreamer and the Black Knight, and the descriptive and narrative techniques of the two works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274727">
    <dcterms:title><![CDATA[&quot;Penelopees Trouthe&quot;: Female Faithfulness in Late Medieval English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Eamines uses of Penelope as the figure of the Faithful Woman in numerous late medieval works, including Anel, BD, FranT, and MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275028">
    <dcterms:title><![CDATA[&quot;Piers Plowman&quot; and the Books of Nature. ]]></dcterms:title>
    <dcterms:description><![CDATA[Presents Chaucer&#039;s and Langland&#039;s representations of the natural world, reading &quot;Langland&#039;s treatment of nature alongside Chaucer&#039;s as an expression of a continuous though diverse tradition of humanism.&quot; Chapter 1 focuses on nature in PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274857">
    <dcterms:title><![CDATA[&quot;Pite renneth soone in gentil herte&quot;: Ugly Feelings and Gendered Conduct in Chaucer&#039;s &quot;Legend of Good Women.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Connects LGW with the &quot;Livre du Chevalier de la Tour Landry&quot; and the &quot;Menagier de Paris.&quot; Suggests that the domestic sphere of &quot;Livre du Chevalier de la Tour Landry&quot; and the &quot;Menagier de Paris&quot; offers a place for productive, satisfying love; however, love that is illegible and destructive is revealed in LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277146">
    <dcterms:title><![CDATA[&quot;Poetical Works of Geoffrey Chaucer&quot; in the Nineteenth Century: Social Influences on Editorial Practice.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the text of BD found in the 1807 collected edition &quot;The Poetical Works of Geoffrey Chaucer,&quot; showing &quot;that it is fair to consider the work a new edition,&quot; based on John Urry&#039;s 1721 edition of BD and loosely following Thomas Tyrwhitt&#039;s critique of Urry. Attends to verb forms, pronouns, and punctuation, observing that the 1807 edition is evidently the first printed edition to use the title &quot;Book of the Duchess.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273727">
    <dcterms:title><![CDATA[&quot;Point&quot;: &quot;Canon&#039;s Yeoman&#039;s Tale&quot; 927.]]></dcterms:title>
    <dcterms:description><![CDATA[Corrects a line number in the citation of CYT in the &quot;OED&quot; definition of &quot;point,&quot; and comments on Chaucer&#039;s punning use of the term.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274663">
    <dcterms:title><![CDATA[&quot;Potent Raisings&quot;: Performing Passion in Chaucer and Shakespeare.]]></dcterms:title>
    <dcterms:description><![CDATA[<p>Maintains that Chaucer in TC and Shakespeare in "Troilus and Cressida" present love as detached from history or topicality, depicting it through irresolvable plural discourses--Platonic, Petrarchan, courtly love-sickness, and more--and thereby "performing it aesthetically, without any particular truth value but its own."</p>]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275558">
    <dcterms:title><![CDATA[&quot;Pronomination&quot; in the Poetry of Chaucer, Gower, and Skelton.]]></dcterms:title>
    <dcterms:description><![CDATA[Defines &quot;pronominatio&quot; and traces its background in medieval rhetorical handbooks; then surveys instances in the works of Chaucer, Gower, and Skelton, analyzing individual uses that convey either praise or censure given to characters by associating them with classical or biblical exemplars. For example, Chaucer&#039;s Troilus is &quot;Ector the secounde&quot; (TC, I2.158), the mother in PrT a &quot;newe Rachel&quot; (7.627), etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276626">
    <dcterms:title><![CDATA[&quot;Proverbs&quot; and Chaucer&#039;s Metrical Practice.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Prov, although attributed to Chaucer in medieval manuscripts and in the Riverside Chaucer, contains verse forms not found elsewhere in Chaucer&#039;s oeuvre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276731">
    <dcterms:title><![CDATA[&quot;Pullesdon&quot; in the &quot;Life-Records of Chaucer.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders the toponym &quot;Pullesdon&quot; as a location in archival records that pertain to Chaucer,  Philippa, and their patrons Lionel and Elizabeth, exploring possibilities for the location and implications concerning Philippa and Elizabeth.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274920">
    <dcterms:title><![CDATA[&quot;Pulling Finches and Woodcocks&quot;: A Comment.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the ambiguity of the phrase &quot;a finch eek koude he pulle,&quot; a detail in the GP description of the Summoner (CT 1.652).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273968">
    <dcterms:title><![CDATA[&quot;Qui bien aime a tarde oblie&quot;: Lemmata and Lists in the &quot;Parliament of Fowls.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets red-ink underlining of lovers&#039; and birds&#039; names in the text of PF in Bodley 638 and Fairfax 16 as a &quot;visual appeal to memory&quot; that activates pedagogical frameworks of language acquisition from medieval grammar school curricula. Viewing these MS notations as &quot;virtual lemmata&quot; establishes the prospect of a &quot;mental commentary&quot; performed on Chaucer&#039;s text by fifteenth-century gentry readers and encouraged by PF&#039;s bookish persona. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273965">
    <dcterms:title><![CDATA[&quot;Quy la?&quot;: The Counting-House, the &quot;Shipman&#039;s Tale,&quot; and Architectural Interiors.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the counting-house in ShT in light of the late medieval concern with &quot;architectural privacy&quot; and &quot;new formations of sociability&quot; in the bourgeois household. Contextualizes gendered space in ShT in relation to mercantile labor, developments in home design, and matters of perspective in painting and manuscript illumination. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277488">
    <dcterms:title><![CDATA[&quot;Refugee Tales&quot; (UK) Meets Chaucer&#039;s &quot;Canterbury Tales&quot;: An Australian&#039;sHistorical Perspective.]]></dcterms:title>
    <dcterms:description><![CDATA[Asks &quot;[w]hat kind of stories could let . . . refugees be admitted to the category &#039;Australian,&#039; in a more inclusive version of [the] actual and potential inhabitants&quot; of the nation? Explores how and to what extent CT might be a useful model for inclusiveness, assessing cultural and ideological underpinnings of Chaucer&#039;s works (especially MLT), and observin their reflections and refractions in the stories included in &quot;Refugee Tales,&quot; edited by David Herd and Anna Pincus (first 3 vols., 2016–21).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274155">
    <dcterms:title><![CDATA[&quot;Remenants&quot; of Things Past: Memory and the &quot;Knight&#039;s Tale.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;two medieval methods of memorializing&quot; are in tension in KnT: &quot;celebration&quot; of chivalric loss, and Boethian remembrance. Theseus&#039;s admonitions to remember Arcite &quot;leave little room&quot; for &quot;healthy&quot; mourning and reveal the limits of Theseus&#039;s and the Knight&#039;s outlooks. Boethian memory, especially as presented in Nicholas Trevet&#039;s commentary on the &quot;Consolation&quot; (and in Bo), enfigured in the imagery of the tale (especially the temples), insists upon the need for memory to be &quot;modeled imaginatively&quot; in artful mnemonics, although eventually extinguished from &quot;the minds of the living,&quot; a second death.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273543">
    <dcterms:title><![CDATA[&quot;Right in his cherles termes wol I speke&quot;: Chaucer&#039;s Self-Defeating Reeve and His Self-Destructing Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Although the Reeve claims a moral high ground by telling a story that deals out justice to its dishonest miller, this revenge does not accord with the moral virtue of justice nor with the amoral fabliau genre, undermining the Reeve&#039;s sanctimony and raising unanswered questions about the degree of consent given by the omen who become instruments of the clerks&#039; revenge]]></dcterms:description>
</rdf:Description></rdf:RDF>
