<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276459">
    <dcterms:title><![CDATA[&quot;Trophee&quot; and Triumph in the &quot;Monk&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Associates the genre of the &quot;poetic triumph,&quot; found in examples from Ovid and Virgil, with an analysis of &quot;Chaucer&#039;s &#039;Trophee&#039;&quot; in MkT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276458">
    <dcterms:title><![CDATA[Chorography and Topography: Italian Models and Chaucerian Strategies.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents examples from the &quot;classical genres of chorography and topography&quot; in analysis of ClT. Argues that Chaucer&#039;s &quot;untypical use of chorography . . . draws attention to Italy&#039;s international trade routes&quot; and reinforces the economic transactional state of Walter and Griselda&#039;s marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276457">
    <dcterms:title><![CDATA[The Aesthetics of &quot;Wawes Grene&quot;: Planets, Painting, and Politics in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relationship between &quot;astrology and governance,&quot; and Chaucer&#039;s ekphrastic descriptions of classical and Italian architectural and visual arts in KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276456">
    <dcterms:title><![CDATA[Vision and Touch in Dante and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on TC&#039;s connections with Dante&#039;s &quot;Convivio&quot; and &quot;Vita nuova.&quot; Although there is no &quot;evidence for direct borrowing from the &#039;Vita nova,&#039;&quot; Sturges claims that Chaucer&#039;s and Dante&#039;s &quot;sensory aspects of love&quot; are similar in the three works, therefore suggesting the &quot;indirect influence&quot; of Dante&#039;s texts upon Chaucer]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276455">
    <dcterms:title><![CDATA[The Haunting of Geoffrey Chaucer: Dante, Boccaccio and the Ghostly Poetics of the &quot;Trecento.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates &quot;intertexuality&quot; linking Chaucer with Dante&#039;s &quot;Inferno,&quot; 10, and Boccaccio&#039;s &quot;Decameron,&quot; 6.9. Argues for Chaucer&#039;s rich understanding of his Italian source material, which he uses &quot;purposefully and playfully.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276454">
    <dcterms:title><![CDATA[Chaucer and Italian Culture.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays focusing on Chaucer&#039;s engagement with &quot;Italian tradition&quot; and his use and interpretation of Italian sources. For eight individual essays, search for Chaucer and Italian Culture under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276453">
    <dcterms:title><![CDATA[Chaucerian Diplomacy.]]></dcterms:title>
    <dcterms:description><![CDATA[Emphasizes Chaucer&#039;s diplomatic experience in Italy to &quot;show how Chaucer drew on the work of Petrarch and Boccaccio to experiment with fictionalised<br />
forms of the ambassadorial process.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276452">
    <dcterms:title><![CDATA[The Complete Author.]]></dcterms:title>
    <dcterms:description><![CDATA[Outlines the &quot;origins of early modern traditions of &#039;lives of the poets&#039; and biographical reading&quot; of their works. Includes analysis of Thomas Speght&#039;s &quot;Life of Geoffrey Chaucer&quot; in his 1598 edition of Chaucer&#039;s Workes, commenting on revisions made in the 1602 edition and on remarks about Chaucer by Thomas Fuller and William Winstanley. Argues that Speght&#039;s biography &quot;could be regarded as an indirect consequence of debates in the 1590s about authors&#039; lives and works.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276451">
    <dcterms:title><![CDATA[Editors&#039; Introduction: #MeToo, Medieval Literature, and Trauma-Informed Pedagogy.]]></dcterms:title>
    <dcterms:description><![CDATA[Reports on contemporary cultural conditions for teaching medieval narratives about rape, and summarizes the contents of this issue of the journal. Includes brief comments on modern responses to &quot;Cecily Chaumpaigne&#039;s charges against Geoffrey Chaucer for &#039;de raptu meo&#039;.&#039;&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276450">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a discursive bibliography of Chaucer studies for 2019, divided into five subcategories: general, CT, TC, other works, and reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276449">
    <dcterms:title><![CDATA[Editors&#039; Introduction.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the launch of a new electronic journal related to the study of Chaucer, &quot;New Chaucer Studies: Pedagogy &amp; Profession,&quot; and summarizes the contents of the inaugural issue.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276448">
    <dcterms:title><![CDATA[Theory [Section 3 of Middle English].]]></dcterms:title>
    <dcterms:description><![CDATA[Discursive bibliography of theoretical approaches  to Middde  English literature published in 2019, including studies of the works of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276447">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2019.]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 273 items, plus a listing of reviews for 41 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276446">
    <dcterms:title><![CDATA[The Old Whore and Mediaeval Thought: Variations on a Convention.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores a variety of sources, analogues, and backgrounds to WBPT and to the characterization of the Wife of Bath:  the Bible (including St. Paul), St. Jerome, Philippe de Meziere&#039;s &quot;Presentation Play,&quot; the tradition of the Ovidian &quot;vetula&quot; and La Vieille, and related materials, including artistic renderings. Offers an allegorical (or exegetical, patristic, or iconographical) reading of the Wife as a figure of carnal old age whose character and views are undercut ironically. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276445">
    <dcterms:title><![CDATA[&quot;The Pattern of His Fancies&quot;: The Rhetoric of Chaucer&#039;s Dream Visions in the Works of F. Scott Fitzgerald.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues from internal and external evidence &quot;that there is the strong possibility&quot; that Chaucer&#039;s dream visions (BD, HF, PF, and LGWP) influenced five early works by F. Scott Fitzgerald: &quot;The Offshore Pirate&quot; (1920), &quot;The Ice Palace (1920), &quot;The Diamond as Big as the Ritz&quot; (1922), &quot;The Vegetable; Or, From President To Postman&quot; (1923), and &quot;The Great Gatsby&quot; (1925). Focuses on aspects of structure, style, and theme.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276444">
    <dcterms:title><![CDATA[Landmarks in English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes the GP description of the Prioress in Middle English and in Nevill Coghill&#039;s translation; also comments on issues of readability, subtlety, and meter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276443">
    <dcterms:title><![CDATA[Barron&#039;s Simplified Approach to Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[<br />
Introduces Chaucer&#039;s life and works, with a brief selected bibliography. Includes plot summaries and/or descriptions of BD, Rom, HF, PF, TC, LGW, each of the CT, and several lyrics.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276442">
    <dcterms:title><![CDATA[The Wife of Bath: Prologue and Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Dramatic reading of WBPT, in the translation of J. U. Nicholson, directed by Howard Sackler. Liner notes quotes portions of GP description of the Wife in Middle English. Also issued on cassette tape and on CD-ROM.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276441">
    <dcterms:title><![CDATA[They Lived Like This in Chaucer&#039;s England.]]></dcterms:title>
    <dcterms:description><![CDATA[Illustrated social history of late-medieval England for a juvenile audience, with occasional references to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276440">
    <dcterms:title><![CDATA[Chaucer&#039;s Artistry in the &quot;Manciple&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys prior criticism of ManT and observes recurrent irony in the tale, particularly in Chaucer&#039;s assigning unnecessary expansions and repetitions to the verbose narrator.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276439">
    <dcterms:title><![CDATA[Some Philosophical Aspects of &quot;The Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Chaucer&#039;s uses of Boccaccio and Boethius as source material in KnT, addressing the omission of Arcite&#039;s apotheosis and the subordination of the pagan gods to providential order. Focuses on Palamon&#039;s and Arcite&#039;s prayers and Theseus&#039; final speech, arguing that the plot traces the characters&#039; progress to learning that humans must submit to the &quot;law of love.&quot; For a response, see William A. Madden, College English 20 (1959):193-94.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276438">
    <dcterms:title><![CDATA[Kapriolen der Liebe: 33 Nicht Ganz Sittsame Geschichten.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes MilT in German poetic couplets (pp. 56-71), slightly abridged from Wilhelm Hertzberg&#039;s translation of 1866.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276437">
    <dcterms:title><![CDATA[Chaucer Minore (The Book of the Duchess, The House of Fame, The Parliament of Fowls, The Legend of Good Women, Troilus and Criseyde).]]></dcterms:title>
    <dcterms:description><![CDATA[Middle English edition of selections from BD (44-61, 270-79, 291-386, 444-576, 805-998), HF (1-65, 111-208, 480-508, 529-604, 711-822, 885-1045, 1110-1213, 1282-1320, 1340-1406), PF (1-210, 302-29, 365-525, 561-637, 666-699), LGW (LGWP-F 29-246 and Dido 924-1367), and TC (1.155-23, 267-385, 2.50-606), based on F. N. Robinson&#039;s text (1933), with bottom-of-page notes and glosses, critical introductions to each poem, a life of Chaucer, a social and cultural introduction to his times, a description of his language, and a brief bibliography--all in Italian.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276436">
    <dcterms:title><![CDATA[Thomas Speght as a Lexicographer and Annotator of Chaucer&#039;s Works.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes and critiques a number of the paratextual notes and hard-word glosses that Thomas Speght included in his editions of Chaucer&#039;s works, noting many inaccuracies, but also demonstrating Speght&#039;s efforts to clarify words and references for his readers, and illustrating the influence of Francis Thynne (in his &quot;Animadversions&quot;) on changes made between the 1598 and 1602 editions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276435">
    <dcterms:title><![CDATA[Chaucer as a Satirist in the General Prologue to the Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Cautions that familiarity can blunt readers&#039; awareness of the subtleties of satire in GP, recommending renewed attention to the characterization of the pilgrim narrator and differences between this character and &quot;Chaucer the poet&quot; as aspects of satiric technique. Comments on shifts in rhythm as signals to satire, and on subtle nuances in the use of &quot;common complaints&quot; against assumed character types, comparing some of Chaucer&#039;s techniques with Langland&#039;s, and gauging the extent to which Chaucer was &quot;influenced by classical satirists.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>
