<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276511">
    <dcterms:title><![CDATA[Exploring Christian Literature in the Contemporary and Secular University.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that theological modes of inquiry are needed in interdisciplinary approaches to literature that have tended toward secular and &quot;reductive&quot; methodologies. Notes the difficulty of teaching theological modes of inquiry through Chaucer when few students have knowledge of basic Christian theological concepts. Contends that modern graduate schools&#039; focus on poststructuralist theories reduces medieval texts to a single &quot;message&quot; and leads to inaccurate conclusions, such as that Chaucer was a &quot;protodeconstructionist.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276510">
    <dcterms:title><![CDATA[Universalizing Doublets in Middle English Verse: Chaucer and Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Chaucer&#039;s &quot;universalizing doublets,&quot; such as &quot;up and doun,&quot; with those appearing in the Auchinleck Manuscript to suggest that Chaucer was not simply <br />
imitating the diction of medieval romance: his usage mirrors that of Middle English generally. While often used to fill out a line of verse, universalizing doublets can also be substantive; for example, the use of &quot;up and doun&quot; and &quot;to and fro&quot; in KnT underscores its Boethian themes of cycles and mutability.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276508">
    <dcterms:title><![CDATA[Meter and Modernity in English Verse, 1350–1650.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines &quot;uses and misuses&quot; of three metrical forms found in English literary history between 1350 and 1650:  alliterative meter, tetrameter, and pentameter. Rejects the traditional division between medieval and modern in reexamination of Chaucer&#039;s English metrical phonology during the &quot;age of the pentameter.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276507">
    <dcterms:title><![CDATA[Form, Time, and the &quot;First English Sonnet.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers John Metham&#039;s &quot;sonnet,&quot; which presents the first sonnet-like form in English. While disputing that Metham&#039;s poem should be viewed as the first sonnet in English, its similarities and interpretations help to advance considerations about form that illuminate later English sonnets. Includes brief comments on Chaucer and the sonnet form.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276506">
    <dcterms:title><![CDATA[Representations of Male Medieval Literary Characteristics and the Medieval Understanding of Gendered Characteristics.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes &quot;how medieval society understood the way gender characteristics were composed and balanced in a person by applying classical theories on biology, the humors, physiognomy, and astrology to medieval literary characters.&quot; Includes examination of &quot;hypermasculine characteristics&quot; of characters in RvT and KnT; &quot;[e]ffiminate characteristics&quot; in Absolon of MilT, the Squire, and Sir Thopas; &quot;[e]masculated and feminized characteristics in Mel; and rehabilitation and balance in the charac terizations of the rapist knight in WBT and Troilus in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276505">
    <dcterms:title><![CDATA[The Paston Women and Chaucer: Reading Women and Canon Formation in the Fifteenth Century]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that evidence of female readership drawn from the Paston letters indicates familiarity with works by Chaucer and by Lydgate, as well as popular spiritual writings, devotional works, hagiographies, and chivalric treatises. Emphasizes the importance of &quot;literary culture&quot; rather than &quot;scribal activity&quot; as indicators of the fifteenth-century English literary  canon.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276504">
    <dcterms:title><![CDATA[The Oxford Handbook of Victorian Medievalism.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes thirty-nine essays by various authors on a wide range of topics relating to medievalisms in Victorian culture, generally British and American, with attention to the historical development of interest in medieval languages, literature, arts, architecture, social attitudes, and religious practices. The capacious index includes numerous references to Chaucer, his works, and his influence. For one essay that pertains to Chaucer, search for  Oxford Handbook of Victorian Medievalism under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276503">
    <dcterms:title><![CDATA[Chaucer among the Victorians.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the &quot;growing fascination&quot; with Chaucer, his language, and his works in the nineteenth and early twentieth century, linking it with the cultural imagining of Chaucer &quot;as a predecessor to&quot; Victorian &quot;preferred aesthetics, ideologies, and mentalities.&quot; Surveys materials from &quot;antiquarians and gentlemen scholars,&quot; professional medievalists, and the &quot;strong interest&quot; among the public reflected in adaptations, translations, bowdlerizations, children&#039;s versions, and &quot;Penny Dreadfuls.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276502">
    <dcterms:title><![CDATA[Medievalism in English Canadian Literature: From Richardson to Atwood.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays exploring the origins, development, and &quot;manifestation of medievalism in Canadian literature.&quot; For three essays pertaining to Chaucer, search for Medievalism in English Canadian Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276501">
    <dcterms:title><![CDATA[Earle Birney as Public Poet: A Canadian Chaucer?]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that in his writing and public persona, Earle Birney &quot;engages in a conscious and self-conscious effort to make himself a public poet for Canada, using Chaucer&#039;s role as the father of English poetry as a model&quot; and echoing Chaucer&#039;s stylistic irony, themes, and efforts to achieve a wide appeal. Discusses archival materials that pertain to Birney&#039;s publications and radio broadcasts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276500">
    <dcterms:title><![CDATA[&quot;That&#039;s what you get for being food&quot;: Margaret Atwood&#039;s Symbolic Cannibalism.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on several &quot;manifestation[s] of the medieval&quot; in the writings of Margaret Atwood, focusing on her &quot;response to the patriarchal standards and conventions of the courtly tradition.&quot; Identifies connections with Chaucer&#039;s motif of &quot;enditynge,&quot; the open-endedness of his narratives, and the Petrarchan &quot;concept of the &#039;devouring&#039; male gaze&quot; in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276499">
    <dcterms:title><![CDATA[&quot;Lost in Allegory: Grief and Chivalry in Kit Pearson&#039;s &quot;A Perfect, Gentle Knight.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Maintains that Pearson&#039;s novel for juvenile readers &quot;A Perfect, Gentle Knight&quot; (2007) &quot;earns the quotation that provides its title&quot; from GP, 73, identifying echoes of the father–son relationship of Chaucer&#039;s Knight and Squire, even though the novel is more generally Arthurian in its allusions and references.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276498">
    <dcterms:title><![CDATA[21st-Century Refugee Writing as a Refraction of World Literature: Rerouting Multicultural Canons.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the role of refugee literature in the &quot;shifting contexts of [literary] canonisation&quot; and then explores &quot;the role of Chaucer in 21st-century refugee writing,&quot; focusing on aspects of CT (especially MLT) that resonate in Patience Agbabi&#039;s &quot;Telling Tales&quot; (2014) and in three volumes of &quot;Refugee Tales&quot; (2016, 2018, 2019) edited by David Herd and Anna Pincus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276497">
    <dcterms:title><![CDATA[Telling Stories, Saving Lives: The Value of 21st-Century Refugee Writing]]></dcterms:title>
    <dcterms:description><![CDATA[Describes uses of &quot;iconic extant narratives&quot; in twenty-first-century refugee writing, using CT as a &quot;key and core example,&quot; and focusing on how it adds &quot;to the ethical potential&quot; of three volumes of &quot;Refugee Tales&quot; (2016, 2018, and 2019) edited by David Herd and Anna Pincus, and Patience Agbabi&#039;s &quot;Telling Tales&quot; (2014), a &quot;modern-day remix&quot; of Chaucer&#039;s poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276496">
    <dcterms:title><![CDATA[Allegories of Influence: Spenser, Chaucer, and Italian Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores references and allusions to Chaucer (SqT and KnT), Ariosto, and Boiardo in Spenser&#039;s &quot;densely self-reflective meta-critical mediation&quot; on national and international poetic influences in Book IV of his &quot;Faerie Queene.&quot; Focuses on the character of Cambina who, &quot;perhaps not unlike Spenser himself,&quot; is &quot;an original and a combiner.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276495">
    <dcterms:title><![CDATA[Charles d&#039;Orléans&#039; English Aesthetic: The Form, Poetics, and Style of &quot;Fortunes Stabilnes.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Collects ten essays by various authors and an introduction by Perry, together showing that, in his &quot;Fortunes Stabilnes,&quot; Charles d&#039;Orléans was &quot;one of the great formal innovators of English poetry,&quot; examining the genres he engaged, his metrical dexterity, emotional intensity, lexical richness, and codicological contexts. Eight of the ten essays gauge Charles&#039;s innovations in light of Chaucer&#039;s influence (BD most extensively), while also attending to the influence of Gower, Lydgate, and others. Includes a partial index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276494">
    <dcterms:title><![CDATA[Shakespeare&#039;s &quot;Henriadic&quot; Monarchy and Chaucerian/Elizabethan Religion.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines views of monarchy and Catholic/Protestant conflicts in Shakespeare&#039;s &quot;second tetralogy,&quot; plays set during and soon after Chaucer&#039;s lifetime. Includes discussion of Falstaff as a figure viewed &quot;through the lens of Chaucer&#039;s time&quot;--a figure of Jovinian excess who rejects penance, and recalls at points Chaucer&#039;s Wife of Bath, as well as the Summoner, Friar, and Pardoner as false clerics. In these plays, Shakespeare &quot;turns, for his salvific, from honest penance--Chaucer&#039;s solution--to royal contrition and honest action.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276493">
    <dcterms:title><![CDATA[Naked Woman: &quot;Semmelweis&quot;; &quot;De Raptu Meo.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Item noit seen. The second of the two verse  dramas included here, &quot;De Raptu Meo,&quot; is an adaptation of a portion of O&#039;Connor&#039;s &quot;Chaucer&#039;s Triumph&quot; (2007), depicting Chaucer as he is accused of raping Cecily Chaumpaigne.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276492">
    <dcterms:title><![CDATA[Not Exactly Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Fictional account of twenty-one Australian tourists telling self-disclosing stories, modeled on CT, with many echoes, e.g., character-names such as Tony Knight, Giles Sumner, Barbara Bath, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276491">
    <dcterms:title><![CDATA[Translating Shimcheong: Between Form and Act.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses aspects of translation theory and presents a translation of Shin Jae Hyo&#039;s version of the &quot;p&#039;ansori Shimcheongga,&quot; &quot;rendered in the form of an estranging dialogue with Geoffrey Chaucer . . .  in order to interrupt the mechanical forms that translation takes.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276490">
    <dcterms:title><![CDATA[Fifteenth Century: Fathering Chaucer. Thoreau, Hoccleve, Lydgate, and the Invention of the First English Author]]></dcterms:title>
    <dcterms:description><![CDATA[Explores nuances in the tradition of attributing paternal authority to Chaucer as a poet, focusing on Thoreau, Hoccleve, and Lydgate, and disclosing differing ways in which they represent his authority and appropriate it to assert their own self-authorizations. Includes comments on the ambiguity of literary authority in WBPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276489">
    <dcterms:title><![CDATA[&quot;What strange ruin&quot;&#039;: Reading Backward to Thebes.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s uses of Theban material drawn from the tradition of Statius and Boccaccio, exploring how he adapted his sources and how, in turn, his works were adapted by others. Surveys the &quot;exemplary power&quot; of Thebes in Chaucer&#039;s works, and offers comparative analysis of Anel and stories analogous to KnT and &quot;The Two Noble Kinsmen.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276488">
    <dcterms:title><![CDATA[Asinine Heroism and the Mediation of Empire in Chaucer, Marlowe, and Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Theseus of LGW as a &quot;superlative of falseness,&quot; arguing that the figure, more so than the Theseus of KnT or its classical precedents, influenced Marlowe and Nash&#039;&#039;s &quot;Dido, Queen of Carthage&quot; and, subsequently, Shakespeare&#039;s &quot;A Midsummer Night&#039;s Dream.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276487">
    <dcterms:title><![CDATA[Chaucer&#039;s Pie Chart (to Philani Amadeus Nyoni).]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-seven-line poem in which the appearance of Chaucer in a classroom triggers an epiphany.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276486">
    <dcterms:title><![CDATA[Shakespeare&#039;s Medieval Co-Authors.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how in each of two Shakespearean plays &quot;there is a co-authorship with a past author&quot;: Gower in &quot;Pericles&quot; and Chaucer in &quot;The Two Noble Kinsmen.&quot; Argues that the presentation of Chaucer as a source in the prologue in &quot;Kinsmen&quot; engages concern with procreation and authorship, and presens Chaucer as a &quot;pure and noble breeder&quot; of literature and a &quot;diachronic co-author&quot; with Shakespeare and Fletcher.]]></dcterms:description>
</rdf:Description></rdf:RDF>
