<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262270">
    <dcterms:title><![CDATA[Reconceiving Chaucer: Literary Theory and Historical Interpretation]]></dcterms:title>
    <dcterms:description><![CDATA[A collection of seventeen essays arising out of a conference entitled &quot;History/Text/Theory:  Reconceiving Chaucer,&quot; held at the University of Rochester on 21-23 April 1988.  The essays use the discourses of modern literary theory to reconsider the study of Chaucer as a field of academic inquiry.]]></dcterms:description>
    <dcterms:description><![CDATA[For individual essays that pertain to Chaucer, search under t=exemplaria 02.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275158">
    <dcterms:title><![CDATA[Reconciling Competing Missions of English Education: A Story of Pedagogical Realism.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers &quot;pedagogical realism&quot; as an approach to reconciling the &quot;goals of social justice&quot; with canonical &quot;curricula standards&quot; in English instruction, illustrating how to use the motif of rape in teaching WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266487">
    <dcterms:title><![CDATA[Reconsiderations on the Theme of Marriage in &#039;The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates varying presentations of marriage in the Marriage Group of CT, concluding that the &quot;true idea of marriage is the result of combining the features that different characters exhibit.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266377">
    <dcterms:title><![CDATA[Reconsidering Chaucer&#039;s Prosody]]></dcterms:title>
    <dcterms:description><![CDATA[Reexamines Halle and Keyser&#039;s three principles of the iambic line as applied to Chaucer&#039;s verse, arguing that the verse is better explained by a prototypical hierarchy of stresses than by a pattern of alternating weak and strong stresses.  Kiparsky&#039;s Monosyllabic Word Constraint Principle better explains Chaucer&#039;s (and Shakespeare&#039;s and Milton&#039;s) inversions for meter than does Halle and Keyser&#039;s Stress Maximum Principle.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274424">
    <dcterms:title><![CDATA[Reconsidering Dunbar&#039;s &quot;Sir Thomas Norny&quot; and Chaucer&#039;s Tale of &quot;Sir Thopas.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Critiques the appropriateness of the label &quot;Scottish Chaucerian&quot; for William Dunbar, focusing on relations between Chaucer&#039;s Th and Dunbar&#039;s &quot;Sir Thomas Norny,&quot; observing that there is &quot;no reason to assume&quot; direct influence and identifying differences between the poems in genre, authorial intent, characterization, uses of allusion, and occasions for composition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276160">
    <dcterms:title><![CDATA[Reconsidering the Use of Gender Stereotypes in Medieval Romance: Figures of Vulnerability and of Power.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how medieval romances convey stereotypes that &quot;often appear as a feature of tales of identity in which the male subject position of active self-affirmation is partly developed in relation to female figures&quot; of vulnerability. Includes comments on how, in ClT, &quot;Griselda&#039;s Christ-like and Job-like qualities give her a masculine authority and an actively complicit role in her testing which disturbs the gender politics of wifely submission to a husband&#039;s will.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275114">
    <dcterms:title><![CDATA[Reconstructing the Pardoner: Transgender Skin Operations in Fragment VI.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Judith Butler&#039;s transgender theory to read the skin of the Pardoner as an example of cooperative agency resulting in a reconstructed identity, in contrast to the surgically enforced violence of cutting off Virginia&#039;s head in PhyT in order to maintain her gender identity as a virgin. Claims that both virgins and castrates have their identities shaped through &quot;the co-operation of a person&#039;s agency with associations written within and on their skin.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264618">
    <dcterms:title><![CDATA[Recurring Rhymes in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The repeated rhymes &quot;trouthe&quot;/&quot;routhe,&quot; &quot;serve&quot;/&quot;disserve,&quot; and &quot;mente&quot;/&quot;entente&quot; accentuate the poem&#039;s development.  The first two pairs underscore the perversion of &quot;fin amours.&quot;  Troilus asks for his lady&#039;s &quot;routhe&quot; in exchange for his &quot;trouthe,&quot; but her &quot;untrouthe&quot; causes him &quot;routhe.&quot;  He ideally deserves better for his service.  Repetition of &quot;mente&quot;/&quot;entente&quot; illustrates the disharmony between conscious and unconscious motives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262799">
    <dcterms:title><![CDATA[Recurring Rime-Fellows in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer makes the best of recurring rhyme pairs such as &#039;joye&#039;/&#039;Troye&#039;, &#039;gladnesse&#039;/&#039;destresse&#039;, and &#039;pleasaunce&#039;/&#039;remembraunce&#039; to describe the mutability of worldly happiness in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262703">
    <dcterms:title><![CDATA[Recurring Words in &#039;The Reeve&#039;s Prologue&#039; and &#039;Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the repetitive use and meaning of &quot;this miller,&quot; &quot;hooly,&quot; &quot;lo,&quot; and &quot;game&quot; in RvT.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277637">
    <dcterms:title><![CDATA[Recursive Origins: Writing at the Transition to Modernity.]]></dcterms:title>
    <dcterms:description><![CDATA[Theorizes &quot;recursivity&quot;--an alternative to &quot;originality&quot;--as a trope in fifteenth- and sixteenth-century English literary history, arguing that much often considered to be &quot;original&quot; or &quot;revolutionary&quot; in modernity is better understood as remaking and reasserting literary forms that came before, especially codicological forms. Recurrent attention to Chaucer&#039;s influence, including discussion of the role of Bo in the embedded philosophy of Caxton&#039;s &quot;Boecius,&quot; the cultural impact of sixteenth-century editions of Chaucer&#039;s works (single or collected), and intertextualities among Spenser, Lydgate, and Chaucer, particularly invocations to the book (TC 5.1786-92) and lodestar imagery (TC 5.1392 and KnT 1.2059).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263351">
    <dcterms:title><![CDATA[Recycling &#039;Anelida and Arcite&#039;: Chaucer as a Source for Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer plays with sources, including echoes of his own works in KnT, LGWP, SqT, MerT, PF, and Anel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272422">
    <dcterms:title><![CDATA[Red-Lining and Blue-Penciling &#039;The Kingis Quair&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the unique witness to the text of &quot;Kingis Quair&quot; (Bodleian MS Arch. Selden B.24), assessing what the two scribal practices of the manuscript indicate about the composition, reception, and meaning of the poem. Includes discussion of the codicological and thematic relations &quot;Kingis Quair&quot; and Chaucer&#039;s works that appear in the same manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262552">
    <dcterms:title><![CDATA[Redeemed Language and the Ending of &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[TC explores the &quot;breakdown of language as a vehicle for truth and...knowledge.&quot;  According to Augustine, language can be redeemed in the Incarnation.  Chaucer conveys the &quot;idea of language as a mirror of the divine, and through language we participate in the divine.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265449">
    <dcterms:title><![CDATA[Redefining Critical Editions]]></dcterms:title>
    <dcterms:description><![CDATA[Critiques print-based critical editions of CT and &quot;Piers Plowman,&quot; arguing that they are based on spelling- and punctuation-normalized texts that disguise so-called accidentals and may confuse the difference between accidentals and substantive variants. Recommends production of electronic editions and describes efforts to do so with WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272482">
    <dcterms:title><![CDATA[Redressing Griselda: Restoration through Translation in the &#039;Clerk&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s modification of Petrarch&#039;s Griselda material return ClT closer to Boccaccio&#039;s original version of the story. By working with multiple versions of the story, Chaucer places himself in the pantheon of Italian writers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266933">
    <dcterms:title><![CDATA[Redressing Nero&#039;s Array]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Chaucer&#039;s alterations of his sources (Jean de Meun and Boethius) in the Nero account of MkT. Through selection and emphasis, especially emphasis on clothing, Chaucer &quot;forges a link between the emperor&#039;s name and his deeds,&quot; associating Nero with knitting (Latin &quot;nere&quot;) and cutting (French &quot;nairon&quot;). In Chaucer, Nero&#039;s name is his fortune.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275168">
    <dcterms:title><![CDATA[Reescritura y traducción de los clásicos medievales ingleses en Argentina: Patricio Gannon y &quot;The Pardoner&#039;s Tale&quot; de Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the Spanish translation of PardT by Patricio Gannon published in 1944 in Argentina, a version that used as a source text John S. P. Tatlock&#039;s and Percy MacKaye&#039;s modernized version (1912). Studies the degree of rewriting in Gannon&#039;s version and the contextual aspects surrounding it through a &quot;post-translation studies&quot; lens.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273873">
    <dcterms:title><![CDATA[Reexamination of Chaucer&#039;s Old Man of the &quot;Pardoner&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers theories of the nature of the Old Man in PardT, suggesting that he might be thought to combine feature of the Good Angel and the Bad Angel of medieval mystery and morality plays insofar as he seems to be &quot;extra-human,&quot; advising and endangering the rioters simultaneously.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266314">
    <dcterms:title><![CDATA[References to Chaucer&#039;s Literary Reputation]]></dcterms:title>
    <dcterms:description><![CDATA[Assembles references to Chaucer&#039;s character and literary reputation recorded in English books 1475-1640, the dates of the Short Title Catalog. Entries include author, title, publisher, and STC and University Microfilm (UMD) numbers and establish the context for fifty citings.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265767">
    <dcterms:title><![CDATA[References to the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Listings of references to Chaucer and his work published 1475-1640, updating Caroline Spurgeon&#039;s &quot;Five Hundred Years of Chaucer Criticism and Allusion, 1357-1900.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265468">
    <dcterms:title><![CDATA[References to Troilus, Criseyde, and Pandaras]]></dcterms:title>
    <dcterms:description><![CDATA[Catalogues thirty-one previously unlisted references to Troilus, Criseyde, and Pandaras published 1475-1640.  Part of a work in progress:  an updating of the &quot;Short-Title Catalogue of Books Printed ... 1475-1640&quot; and of Caroline Spurgeon&#039;s &quot;Five Hundred Years of Chaucer Criticism and Allusion, 1357-1900.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266747">
    <dcterms:title><![CDATA[Refiguring Chaucer in the Renaissance]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays by various authors on the sixteenth- and seventeenth-century reception of Chaucer, as reflected in editing practice, growth of the canon, and poetic imitation and emulation. In &quot;Introduction:  Receiving Chaucer in Renaissance England,&quot; Krier theorizes the &quot;gratitude&quot; expressed in Renaissance culture for the &quot;generosity&quot; of Chaucer and his works, focusing on Francis Thynne&#039;s &quot;Animadversions.&quot; For nine essays that pertain to Chaucer, search for Refiguring Chaucer in the Renaissance under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265698">
    <dcterms:title><![CDATA[Refiguring Martyrdom: Chaucer&#039;s Prioress and Her Tale]]></dcterms:title>
    <dcterms:description><![CDATA[PrT expresses the notion of spiritual or &quot;white&quot; martyrdom popular in the Middle Ages.  Unlike physical martyrdom, white martyrdom was a mental act, often involving the preservation of virginity.  Through the character of the little boy, the Prioress suggests her own struggle with evil and chastity, thereby adding complexity to her own voice as a pilgrim.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275671">
    <dcterms:title><![CDATA[Refiguring Moderation in Eating and Drinking in Late Fourteenth-and Fifteenth-Century Middle English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of &quot;Chaucer&#039;s critique of the rhetoric of moderation in the speech of the Pardoner and the Friar John [in SumT] . . . , who attempted to assert their clerical superiority and cover up their gluttony by preaching moderation.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>