<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275351">
    <dcterms:title><![CDATA[&quot;Hende Nicholas&quot; and the Clerk.]]></dcterms:title>
    <dcterms:description><![CDATA[Remarks on &quot;several points of resemblance&quot; between Nicholas in MilT and the Clerk in GP, suggesting that they may be attributable to the Miller&#039;s negative view of the Clerk.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276975">
    <dcterms:title><![CDATA[&quot;Hende&quot;: A Handy Middle English Adjective.]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the &quot;nuanced semantic versatility&quot; of &quot;hende&quot; in romances and fabliaux, with particular attention to MilT and &quot;Dame Sirith,&quot; showing how various connotations obtain in differing contexts, and suggesting that editors &quot;might apply distinct glosses to each of the eleven instances of the word applied to Nicholas&quot; in MilT, &quot;including a blend of positive, negative, physical, conceptual, and inverse meanings.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274841">
    <dcterms:title><![CDATA[&quot;Here taketh the makere of this book his leve&quot;: The &quot;Retraction&quot; and Chaucer&#039;s Works in Tudor England.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the absence of Ret from editions of CT published between 1532 and 1721, along with the publication of Adam in 1561, arguing that the combination affected views on textual accuracy and authorial control in Chaucer reception.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274449">
    <dcterms:title><![CDATA[&quot;Hert-huntyng&quot; in the &quot;Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies parallels between the effects of grief on the Black Knight in BD (486-512) and late-medieval medical descriptions of the &quot;falling of the heart&quot; due to sorrow or distress, quoting parallels from John of Gaddesden and Jacopo Berengario Da Carpi. Argues that Chaucer was influenced by writings on medicine and hunting when he depicted the Knight&#039;s grief in the context of a successful hert-hunt, suggesting a degree of consolation for lost love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276426">
    <dcterms:title><![CDATA[&quot;Hir Gretteste Ooth&quot;: The Prioress, St. Eligius, and St. Godebertha.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores resonances between the characterization of Chaucer&#039;s Prioress in GP and the life and legend of St. Eligius, clarifying how the Prioress&#039;s swearing by &quot;Seint Loy&quot; (i.e., Eligius; GP 1.120) is both appropriate and highly ironic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274240">
    <dcterms:title><![CDATA[&quot;His helm tohewen was in twenty places&quot;: Reconstructing Troilus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the &quot;gestalt of identity&quot; that armor represents in TC, assessing the private and public aspects of references to arms and armor in the poem, focusing on Troilus and Diomedes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277119">
    <dcterms:title><![CDATA[&quot;His robe was of syklatoun&quot;: Prächtige Stoffe in den Mittelenglischen Romanzen. Ornamental oder Bedeutungsvoll?]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the history and nuances of &quot;syklatoun&quot; as a kind of sartorial cloth used parodically in Th, a prelude to discussing the implications of clothing in &quot;Emaré&quot; as a popular romance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274192">
    <dcterms:title><![CDATA[&quot;His studie was but litel on the Bible&quot;: Materialism and Misreading in Chaucer&#039;s &quot;Physician&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the Physician&#039;s misreading and misapplication of his source material (the Sermon on the Mount and Jean de Meun) to be key to proper understanding that he is &quot;untrustworthy&quot; and that PhyT reveals his lack of &quot;spiritual sensitivity.&quot; Reads SNT for the ways that it &quot;highlights&quot; the &quot;worldliness&quot; of PhyT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274366">
    <dcterms:title><![CDATA[&quot;Hoolynesse or Dotage&quot;: The Merchant&#039;s January.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the &quot;chilling savagery&quot; of the Merchant&#039;s attitude toward January in MerT as well as January&#039;s materialism, sensualism, and self-delusion, arguing that the character generates a kind of pathos that verges on the tragic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273369">
    <dcterms:title><![CDATA[&quot;Hous of Fame,&quot; 7-12.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the sources and ironies of the disquisition on dreams that opens HF, and argues that its list of &quot;six dream words&quot; (HF 7-12) are made up of &quot;three contrasting pairs,&quot; each of which is &quot;distinguished by a contrast between a dream that conveys insight and one that does not.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275591">
    <dcterms:title><![CDATA[&quot;How Do We Know He Really Raped Her?&quot; Using the BBC &quot;Canterbury Tales&quot; to Confront Student Skepticism towards the Wife of Bath.]]></dcterms:title>
    <dcterms:description><![CDATA[Ponders the complications and implications of discussing rape in modern classroom considerations of WBT, and recommends using the BBC television version of the tale to help raise and confront its inherent questions and values.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275192">
    <dcterms:title><![CDATA[&quot;Hyt am I&quot;: Voicing Selves in the &quot;Book of the Duchess,&quot; the &quot;Roman de la rose,&quot; and the &quot;Fonteinne Amoureuse.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how the &quot;relationship between voice and identity&quot; is a preoccupation of both BD and one of its chief sources, Machaut&#039;s &quot;Dit de la fonteinne amoureuse.&quot; Highlights the formative influence of the composite &quot;Roman de la Rose&quot;--particularly its conjuring of an authorial &quot;je&quot;--on &quot;the powers and the limitations of the voice&quot; in the later narratives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276970">
    <dcterms:title><![CDATA[&quot;I am not against your faith yet I continue mine&quot;: Virginal Vocation in &quot;The Two Noble Kinsmen.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares Emelye of KnT and Emilia of Shakespeare and Fletcher&#039;s &quot;The Two Noble Kinsmen,&quot; arguing that Emelye&#039;s desire for a non-patriarchal subjectivity is developed in her literary descendant--that &quot;monastic connotations in Chaucer&#039;s depictions of Emelye&quot; adumbrate Emilia&#039;s &quot;attempts to carve out a homosocial space for herself,&quot; and that this &quot;Catholic resonance within the play&quot; is submerged but not wholly dispelled by prevailing Reformation sensibility that privileges marital chastity over virginity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274184">
    <dcterms:title><![CDATA[&quot;I moot speke as I kan&quot;: The Squire&#039;s Optimistic Attempt to Circumvent Rhetorical &quot;Following&quot; in &quot;The Canterbury Tales.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Contends that the SqT explores &quot;rhetorical imitation&quot; as a means to confront the postlapsarian &quot;fallen&quot; nature of language, &quot;multiplying the rhetorical conventions &#039;imitatio,&#039; inexpressibility, and &#039;translatio&#039;&quot; in order to &quot;probe the idea of poetic origin in the context of vernacular poetry.&quot; Engaging KnT, Anel, and &quot;Sir Gawain and the Green Knight,&quot; and deploying translatory objects (especially the ring), SqT considers relations among art, nature, and literary tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273448">
    <dcterms:title><![CDATA[&quot;I nolde sette at al that noys a grote&#039;: Repudiating Infamy in &quot;Troilus and Criseyde&quot; and &quot;The House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys classical and medieval skeptical views of the significance of fame and contrasts the attitudes toward reputation expressed by Criseida in Boccaccio&#039;s &quot;Filostrato&quot; and Criseyde in TC, focusing on the heroines&#039; views about infamy before leaving Troy. Chaucer&#039;s character briefly rejects the opinions of others and, like the narrator of HF, &quot;glimps[es] something interesting about personal sufficiency,&quot; without ultimately disregarding reputation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274887">
    <dcterms:title><![CDATA[&quot;I se and undirstonde&quot;: Vision, Reason, and Tragedy in Late Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the medieval conception of sight (both as sense and as ingress of the seen to the soul) in TC and Malory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274773">
    <dcterms:title><![CDATA[&quot;I shall thee quyte&quot;: Fabliau Women&#039;s Spatial Resistance in the &quot;Miller&#039;s Tale&quot; and the &quot;Reeve&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores spaces, places, and gendered power relations in MilT and RvT, arguing that Alisoun, Malyne, and Symkyn&#039;s wife all use trickery to evade spatial oppression and achieve pleasure.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273447">
    <dcterms:title><![CDATA[&quot;I wolde . . . han hadde a fame&#039;: Dante, Fame, and Infamy in Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how in Book III of HF Chaucer engages with Dante&#039;s &quot;Commedia&quot;, especially Canto XI of the &quot;Purgatorio&quot;; focuses particularly on speaking silences, tacit allusions, and concerns with infamy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273302">
    <dcterms:title><![CDATA[&quot;I wolde excuse hire yit for routhe&quot;: Chaucers Einstellung zu Criseyde.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Chaucer&#039;s characterization of Criseyde in light of Boccaccio&#039;s Criseide in &quot;Filostrato,&quot; arguing that Chaucer makes her more of a courtly ideal and therefore more reprehensible in her infidelity and a figure of all false, worldly love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275948">
    <dcterms:title><![CDATA[&quot;I&#039;m a Popularize&quot;&#039;: Rescuing Gardner&#039;s &quot;Life and Times of Chaucer.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that John Gardner&#039;s &quot;The Life and Times of Chaucer&quot; (1977) is better approached as a &quot;nonfiction novel&quot; than as a &quot;scholarly literary biography&quot; and that its strengths outweigh its weaknesses as a pedagogical text, offering suggestions for how to use it in undergraduate classrooms. Includes comparison of Gardner&#039;s report of Chaucer&#039;s affair with Cecily Chaumpaigne and its parallel in Derek Pearsall&#039;s &quot;The Life of Geoffrey Chaucer&quot; (1992).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274095">
    <dcterms:title><![CDATA[&quot;I&quot; and &quot;We&quot; in Chaucer&#039;s &quot;Complaint unto Pity.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes to resituate Pity within a &quot;medieval mode of metaphysical poetry&quot; because of its &quot;collective subjectivity.&quot; Reveals how Pity, because of its allegorical and lyrical metaphysical aspects, deserves closer attention as an &quot;example of medieval poetics engaging in metaphysics.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274763">
    <dcterms:title><![CDATA[&quot;If Death Is Just, What Is Injustice?&quot; Illicit Rage in &quot;Rostam and Sohrab&quot; and &quot;The Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses KnT as a &quot;comparand&quot; in understanding the tension between &quot;outrage and reason&quot; in the tale of Rostam and Sohrab in Fardowsi&#039;s medieval Persian frame-tale narrative &quot;Shahnameh&quot; (Book of Kings). Like Fardowsi&#039;s, Chaucer&#039;s Tale struggles and ultimately fails to console rationally the human despair and rage that result from disorder in the cosmos. Includes discussion of narrative frames and Boethian concerns.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275655">
    <dcterms:title><![CDATA[&quot;If women hadde written stories&quot;: Gender and Social Change in Geoffrey Chaucer&#039;s &quot;Wife of Bath&#039;s Tale&quot; and Jane Austen&#039;s &quot;Persuasion.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Jane Austen may have known WBPT and argues that there are similarities between Chaucer&#039;s Wife and Anne Elliot in Austen&#039;s &quot;Persuasion,&quot; in that both characters &quot;note that male authoritarian writing delimits women&#039;s social standing,&quot; and that each &quot;offers textual alternatives [textiles and texts] that challenge the hegemony of male writing&quot; and urges social change in order to inscribe women in literary tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276025">
    <dcterms:title><![CDATA[&quot;Ill Fares the Land&quot;: The Literary Influences and Agricultural Poetics of the Organic Husbandry Movement in the 1930s-50s.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the influence of the English poetic &quot;heritage of ruralism&quot; on the organicist movement of UK farm husbandry between the 1930s and the 1950s, including discussion of how and to what extent &quot;Chaucer was central to John Middleton Murry&#039;s conception of an organic rural society.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275945">
    <dcterms:title><![CDATA[&quot;Imperfect, Confused, Interrupted&quot;: Biography, Nationalism, and Generic Hybridity in William Godwin&#039;s &quot;Life of Chaucer.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Evaluates Godwin&#039;s &quot;Life of Chaucer&quot; and its impact on the Victorian reception of Chaucer, exploring how the biography critiques &quot;the politics of thinking national literature historically&quot; and challenges &quot;conventional models of literary biography&quot; that &quot;function ideologically&quot; and &quot;promote a homogeneous or colonizing model of national culture.&quot; Argues that the  work &quot;stresses a cosmopolitanism at the heart of Chaucer&#039;s writing which recasts Englishness as an interdiscipline, something that must be approached from multiple perspectives.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>