<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267843">
    <dcterms:title><![CDATA[Queering the Summoner : Same-Sex Union in Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;same-sex union of adoptive brotherhood&quot; between the Summoner and the Pardoner and assesses the economic underpinnings of sworn brotherhood in FrT and SumT. Chaucer&#039;s alignment of homosexual and heterosexual issues in the Marriage Group and his presentation of the Summoner as bisexual are &quot;coded means for inscribing&quot; a forbidden topic in the Ricardian court, where imputations of Richard&#039;s relations with Robert de Vere were both known and kept secret.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275483">
    <dcterms:title><![CDATA[Queerly Productive: Women and Collaboration in Cambridge, University Library, MS Ff.1.6.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Cambridge University Library, MS Ff. 1.6 (the Findern manuscript), which includes extracts from PF and part of LGW, and considers its &quot;taste for writings relating to female desire.&quot; Argues that &quot;expression of female same-sex desires must be fundamental to theorizations of collaborative practices in medieval manuscript culture.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269860">
    <dcterms:title><![CDATA[Quelle victoire pour Thésée sur les Amazones dans le Conte du Chevalier de Chaucer?]]></dcterms:title>
    <dcterms:description><![CDATA[Feminist and postcolonial reconsideration of the figure of Emily that focuses on the Knight&#039;s adjustment of traditional material; Emily has not submitted to patriarchal values, despite the Knight&#039;s modifications.  In French.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268896">
    <dcterms:title><![CDATA[Quelques aspects de l&#039;influence des chanoines Augustins sur la production et la transmission littéraire vernaculaire en Angleterre (XIIIe-XVe siecles)]]></dcterms:title>
    <dcterms:description><![CDATA[Pouzet surveys the late medieval activities of Augustinian canons in the production of Anglo-Norman and Middle English manuscripts and texts. Considers evidence of the commitment of members of the order to the transmission of Chaucer material.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266521">
    <dcterms:title><![CDATA[Quest and Question in &#039;The Wife of Bath&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Comparison of WBT with its analogues reveals Chaucer&#039;s manipulation of generic expectations to create a sequence of &quot;evocations and subversions of romance optimism.&quot;  The hero&#039;s conventional quest is supplanted by &quot;a textual quest on the part of the reader.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270083">
    <dcterms:title><![CDATA[Questioning Arthurian Ideals]]></dcterms:title>
    <dcterms:description><![CDATA[Archibald surveys subversions and satires of Arthurian literature, commenting that Chaucer &quot;seems to be fairly hostile to the Arthurian world,&quot; even if implicitly so.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275451">
    <dcterms:title><![CDATA[Questioning Nature: Dryden&#039;s &quot;Fables, Ancient and Modern.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Advocates teaching John Dryden&#039;s &quot;Fables, Ancient and Modern&quot; as &quot;his most accomplished poetical production,&quot; discussing the status-resistant view of natural gentility in his translation of WBT and of Boccaccio&#039;s tale of Sigismunda and Guiscardo. Includes comments on similarities and differences between the original poems and Dryden&#039;s versions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266673">
    <dcterms:title><![CDATA[Questions of Evidence: Manuscripts and the Early History of Chaucer&#039;s Works]]></dcterms:title>
    <dcterms:description><![CDATA[Focusing on manuscripts of Chaucer&#039;s works, Partridge assesses the habits of scribes and book owners in the fifteenth century, showing how variants among texts alter meaning and how fifteenth-century readers, aware of such variants, made &quot;corrections&quot; to the texts for various reasons.  However, some of the changes reflect Chaucer&#039;s own revisions.  Includes a bibliography of further reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265520">
    <dcterms:title><![CDATA[Questions of Gender in Chaucer, from Anelida to Troilus]]></dcterms:title>
    <dcterms:description><![CDATA[Examining Chaucer&#039;s construction of gender roles and role reversals in light of contemporary medieval texts, Blamires argues that Chaucer manipulated gender stereotypes.  The poet ingeniously contrived Troilus and Anelida to confound specific medieval gender expectations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266048">
    <dcterms:title><![CDATA[Questions of Subjectivity and Ideology in the Production of an Electronic Text of the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[An electronic text of &quot;Canterbury Tales&quot; can give explicit attention to important philological issues--e.g., metrics, Middle English dialects, pronunciation, etymologies--so that class time can be devoted to the literary, historical, social, and theoretical issues raised by Chaucer&#039;s text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264336">
    <dcterms:title><![CDATA[Questions Without Answers--Yes or Ever? New Critical Modes and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucerians should welcome the new critical techniques, which will help them determine what it is in the words that causes us to respond as we do.  The application of these methods will transcend cultural differences that separate us from Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272396">
    <dcterms:title><![CDATA[Quick Fiction: Some Remarks on Writing Today]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the history, purpose, and effects of &quot;quick fiction.&quot; Royle draws examples from his own writings, as well as the works of past authors, noting how &quot;quick fiction&quot; explores themes of &quot;lifedeath [sic], spectrality, and radical otherness,&quot; seeing this genre as &quot;a sort of spectral writing: I think of fleeting appearances or apparitions in Chaucer, Shakespeare, Wordsworth . . . and so on.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267469">
    <dcterms:title><![CDATA[Quid est veritas?]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses &quot;treuth&quot; in Chaucer, treating Buk, GP, Truth, and Gower&#039;s Confessio amantis.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265940">
    <dcterms:title><![CDATA[Quid iuris questio]]></dcterms:title>
    <dcterms:description><![CDATA[In light of a passage in a Bibliotheque Nationale Paris manuscript, the sense of the phrase &quot;quid iuris questio&quot; in GP is &quot;The question arises of what is the law (upon these facts).&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275148">
    <dcterms:title><![CDATA[Quiet Riot: A Politics of Noise in the &quot;Cook&#039;sTale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the urban management of sound as found in CkT as a reflection of Chaucer&#039;s attitudes toward popular noise in London.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261788">
    <dcterms:title><![CDATA[Quod He, &#039;I Hoppe Alway Byhynde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Compared to figures in Boethius&#039;s &quot;Consolatio,&quot; Pandarus appears neither as Philosophia nor as Fortune but rather as an amplification of Fortuna.  The leaping and hopping of TC 1-2 echo the upward climb of Fortuna&#039;s wheel, while the silence and bewilderment of the final books echo the downward move of a wheel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273585">
    <dcterms:title><![CDATA[Quoting Chaucer: Textual Authority, the Nun&#039;s Priest, and the Making of the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Derek Pearsall&#039;s Variorum Edition of NPT and suggests that the Nun&#039;s Priest&#039;s &quot;self-conscious literary performance transforms&quot; the tales of CT, which are enhanced by Chaucer&#039;s quotations, allusions, and references to his own works. In particular, Chaucer&#039;s act of &quot;self-quotation&quot; is highlighted in NPT. Also discusses MLT, WBPT, and MkT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271861">
    <dcterms:title><![CDATA[Quoting Speech in Early English]]></dcterms:title>
    <dcterms:description><![CDATA[Comprehensive interdisciplinary and theoretical study of the history of the English language. Chapter 36 discusses Chaucer&#039;s language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264622">
    <dcterms:title><![CDATA[R. K. Gordon and the &#039;Troilus and Criseyde&#039; Story]]></dcterms:title>
    <dcterms:description><![CDATA[Gordon&#039;s translation of &quot;Le Roman de Troie&quot; distorts Benoit by omitting important passages.  The most critical omission is one of a moralizing nature which emphasizes the fickleness of Criseyde and all women.  Gordon must have been influenced by the gentle interpretation of Criseyde current in his time.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270815">
    <dcterms:title><![CDATA[Race and Conversion in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that racial differentiation--generally associated with the early modern period--was not necessarily secondary to religious distinctions in the late medieval period, using MLT and other texts as evidence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275227">
    <dcterms:title><![CDATA[Race and Racism in the Man of Law&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Treats geography, lineal descent, and &quot;religious and political difference&quot; as racial markers in MLT and its analogues, suggesting that skin color &quot;lurks in the shadows.&quot; Designed for pedagogical use, includes several exercises and questions for discussion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271958">
    <dcterms:title><![CDATA[Radial Categories and the Central Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies medieval understanding of the romance genre by exploring medieval catalogs of romances and applying George Lakoff&#039;s theory of &quot;radial&quot; categories. Includes comments on several of Chaucer&#039;s works and on several medieval lists that do not include them.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271581">
    <dcterms:title><![CDATA[Radical Pastoral, 1381-1594: Appropriation and the Writing of Religious Controversy]]></dcterms:title>
    <dcterms:description><![CDATA[Includes Chaucerian apocrypha, &quot;The Plowman&#039;s Tale&quot; and &quot;Jack Upland,&quot; in an examination of the figure of the plowman in English early modern imagination, from &quot;Piers Plowman&quot; to the 1590s. Argues that there was a &quot;highly politicized tradition of &#039;polemical pastoral&#039;&quot; in the sixteenth century, rooted in medieval satire. Notes the place in this tradition of Chaucer&#039;s alignment of Parson and Plowman in GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264395">
    <dcterms:title><![CDATA[Radical Therapy in the &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[John of Arderne&#039;s &quot;Fistula in ano&quot; and the &quot;Book of Quinte Essence&quot; provide insight into the illness references in MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265206">
    <dcterms:title><![CDATA[Rage, Play, and Foreplay in Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Middle English &quot;ragen&quot; acquires meanings within a defined semantic field of sexual activity and then attracts to itself a limited set of further energetic sexual meanings.  Among instances illustrating this usage are GP (1.257), MilT (1.3774), and RvT (1.3959).]]></dcterms:description>
</rdf:Description></rdf:RDF>