<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272124">
    <dcterms:title><![CDATA[Qiao sai gu shi ji [Tales from Chaucer]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268762">
    <dcterms:title><![CDATA[Qiaosou de meng huan shi he Ouzhou zhong shi ji meng huan wen xue chuan tong. [ Chaucer&#039;s Dream Poetry and the Medieval Tradition of Dream Vision]]]></dcterms:title>
    <dcterms:description><![CDATA[Describes adaptations of dream-vision conventions in Chaucer&#039;s early works, arguing that Chaucer transcends the genre.]]></dcterms:description>
    <dcterms:description><![CDATA[In Chinese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271158">
    <dcterms:title><![CDATA[Qiaosou Gong jue fu ren zhi shu zhong de &#039;zi ran&#039; [ &#039;Nature&#039; in Chaucer&#039;s &#039;Book of the Duchess&#039; ]]]></dcterms:title>
    <dcterms:description><![CDATA[BD presents human goodness and earthly happiness as idealized gifts of nature. In Chinese, with an English summary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271067">
    <dcterms:title><![CDATA[Quantité, Qualité, et Intensité dans &#039;The Faerie Queene&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the development of &quot;all&quot; and &quot;quite&quot; in English usage, focusing on Spenser&#039;s uses of them as adverbs and adjectives, and investigating Chaucer&#039;s usage as precedent.  Tabulates the usage of both poets. In French, with an English summary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261620">
    <dcterms:title><![CDATA[Quarrels, Rivals, and Rape: Gower and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[The persistent and untrue story of a &quot;quarrel&quot; between Gower and Chaucer can be explained by the notion of rape.  Gower&#039;s use of the Philomela legend in Confessio Amantis and Chaucer&#039;s use of it in TC suggest that in their &quot;interaction with one another both texts can be fully opened to reveal and resist the violent obliteration of the feminine.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270650">
    <dcterms:title><![CDATA[Quat Is This Fairy Burial Mound? The Gawain-Poet&#039;s Green Moment in &#039;Sir Gawain and the Green Knight&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Because of the lack of manuscript history, the works of the Gawain-poet must be studied in contexts different from those of Chaucer and his London contemporaries. The seriousness of poetic temperament is pronounced throughout the narrative of the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261564">
    <dcterms:title><![CDATA[Queens as Intercessors]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the intercessory roles of Phillippa and Anne in pleading, respectively, for the burghers of Calais and the citizens of London.  Analyzes the ideology of intercessory discourse in Chaucer&#039;s pleading queens, especially Alceste in LGWP, who reflects the environment that produced the account of Anne&#039;s intercession.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277446">
    <dcterms:title><![CDATA[Queens of the Wild. Pagan Goddesses in Christian Europe: An Investigation.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the origins and development of versions of the fairy queen and related figures in western tradition. Includes a brief description of Chaucer&#039;s contribution to this development in WBP, 860 (&quot;The elf-queen&quot;) where he blends &quot;the classic image of a royal fay . . . with the tradition of nocturnal revels of beautiful female beings and--in a vital step--give[s] her the definite article.&quot; Also comments on Proserpine as queen of the fairies in MerT, and Nature as goddess in PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276220">
    <dcterms:title><![CDATA[Queer Authority in Old and Middle English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of LGW, arguing that its narrator &quot;frustrates love conventions that are constructed around the author&#039;s presumed heteronormativity&quot; and &quot;privileges literary learning over lived experience within a gendered hierarchical structure.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275727">
    <dcterms:title><![CDATA[Queer Blood.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the iconography of Thomas Becket&#039;s blood in Canterbury Cathedral and its &quot;Christomimetic&quot; associations, and explores parallels between Becket&#039;s blood and the Pardoner&#039;s blood in the &quot;Canterbury Interlude&quot; that precedes the &quot;Tale of Beryn,&quot; suggesting the latter can be read as a queer, &quot;deviant strain of . . . redemptive blood&quot; and analyzing the implications of this suggestion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265535">
    <dcterms:title><![CDATA[Queer Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Queer theory, by emphasizing provisionality, enables us to think of sexuality and culture differently; it provides a means for gay/lesbian/bi- readers to engage Chaucer.  Contemporary constructions of sex, gender, and sexuality can be used as conditions of agency and potentiality to investigate premodern representations of sexualities.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268797">
    <dcterms:title><![CDATA[Queer Chaucer in the Classroom]]></dcterms:title>
    <dcterms:description><![CDATA[Argues for an expansion of the notion of queer readings of Chaucer, encouraging a broad concern with questions of identity and its formulations. Comments on possible queer approaches to Chaucer the Pilgrim and the &quot;Marriage Group&quot; of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277474">
    <dcterms:title><![CDATA[Queer Consolation: BDSM in Chaucer&#039;s &quot;The Clerk&#039;s Tale,&quot; Sadistic Epistemology, and the Ends of Suffering.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates queer consolation in ClT, exploring interconnections among consent, Griselda&#039;s masochistic suffering, Walter&#039;s sadistic testing and desire to know, their &quot;power exchange&quot; (a concept drawn from BDSM), the gameful earnestness of &quot;happiness restored&quot; at the tale&#039;s conclusion, and the tale&#039;s latent critique of &quot;hyper-heteronormativity.&quot; Includes consideration of complicating nuances of words such as &quot;entente,&quot; &quot;sadnesse,&quot; &quot;grucce,&quot; &quot;likerous,&quot; and lust.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275721">
    <dcterms:title><![CDATA[Queer Environments: Reanimating &quot;Adam Scrivyen.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Integrates queer theory and ecocriticism to reassess historical manuscript concepts of Adam, including contemporary print and digital media examples. Examines &quot;medieval homosocial networks of textual production&quot; and applies ecotheoretical viewpoints of &quot;&#039;trans-corporeality&#039; and &#039;distributed agency&#039;&quot; to digital media and textual items of production. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268203">
    <dcterms:title><![CDATA[Queer Pandarus: Silence and Sexual Ambiguity in Chaucer&#039;s Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Although not lovers, Troilus and Pandarus express deep affection for each other, and Pandarus gains Troilus&#039;s dependence. In addition, Pandarus&#039;s speeches, silences, and gaze (staging sexual scenes for his pleasure), as well as more fluid medieval conceptions of gender and sexuality, allow for a queer reading. Ultimately, though, Pandarus&#039;s friendship, like Criseyde&#039;s love, fails Troilus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274834">
    <dcterms:title><![CDATA[Queer Pedagogy, Medieval Literature, and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Urges clarification and deployment of queer pedagogy in teaching medieval literature, citing examples of its usefulness in a classroom discussion of production and reproduction in NPT, nuances of &quot;deviance&quot; in Middle English, and the tangibility of bodies in medieval understanding.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269880">
    <dcterms:title><![CDATA[Queer Punishments: Tragic and Comic Sodomy in the Death of Edward II and in Chaucer&#039;s Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Asserts several parallels between the window scene in MilT and reports of the sodomitical execution of Edward II.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268028">
    <dcterms:title><![CDATA[Queer Relations]]></dcterms:title>
    <dcterms:description><![CDATA[Plenary address to the Illinois Medieval Association; adapted from Dinshaw&#039;s Getting Medieval: Sexualities and Communities, Pre- and Postmodern (SAC 23 [2001], no. 184). Discusses late-medieval court records concerning cross-dressing and prostitution, comparing them at points with details and attitudes reflected in CkT, WBPT, and PardPT. Dinshaw argues that such materials can underpin a heterogeneous &quot;queer history.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275112">
    <dcterms:title><![CDATA[Queer Skin in the Wife of Bath&#039;s Prologue and Its Manuscript Glosses.]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates how the Wife of Bath&#039;s resistance to &quot;straight&quot; clerical exegesis is reflected in her skin&#039;s rejection of violently enforced &quot;cutaneous legibility&quot; and the forced reading of her &quot;seinte Venus seel&quot; as an innate and legible marker of her corruption. Claims, rather, that Alisoun&#039;s skin is like a manuscript palimpsest, in that essentialist gender binary is overwritten with queer possibility.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276935">
    <dcterms:title><![CDATA[Queer Time, Queer Forms: Noir Medievalism and Patience Agbabi&#039;s &quot;Telling Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how the &quot;circular and recursive form&quot; of Agbabi&#039;s poetic adaptations of CT in her &quot;Telling Tales&quot; (2015) &quot;showcases&quot; the &quot;queer time of medievalism and the queer form of adaptation.&quot; Focuses on Agbabi&#039;s versions of Mel (&quot;Unfinished Business&quot;), ClT (&quot;I Go Back to May 1967&quot;), and MLT (&quot;Joined-Up Writing&quot;).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273387">
    <dcterms:title><![CDATA[Queer Times: Richard II in the Poems and Chronicles of Late-Fourteenth Century England.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of MilT, arguing that it &quot;participates in the scandalous discourse on the perceived problem of Richard II&#039;s deviant sexuality,&quot; reading the scene of the hot coulter as an echo of the sodomitical execution of Edward II that engages attention to Richard by means of the name &quot;Absolon.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268513">
    <dcterms:title><![CDATA[Queering Genres, Battering Males: The Wife of Bath&#039;s Narrative Violence]]></dcterms:title>
    <dcterms:description><![CDATA[Reading the Wife of Bath&#039;s romance through her fabliau spirit reveals Chaucer&#039;s distaste for the Arthurian romance tradition (elsewhere seen in SqT, NPT) and (as seen in SqT, Th, and FranT) his ironic attitude toward male narrative authority, his &quot;queering of heteronormative masculine identity&quot; (135).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269241">
    <dcterms:title><![CDATA[Queering Harry Bailly: Gendered Carnival, Social Ideologies, and Masculinity Under Duress in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[In his initial governance of the carnivalesque &quot;play&quot; of tale-telling, Harry Bailly augments his masculinity by &quot;queering&quot; his fellow pilgrims; by the end of CT, his own masculinity is &quot;undermined&quot; by his inability to control the carnival he set in motion and by the self-queering personal &quot;revelations&quot; the Tales provoke him to make.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Pugh&#039;s Sexuality and Its Queer Discontents in Middle English Literature (New York: Palgrave Macmillan, 2008).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268798">
    <dcterms:title><![CDATA[Queering Medieval Genres]]></dcterms:title>
    <dcterms:description><![CDATA[Pugh assesses the &quot;nonnormative&quot; features of several genres in medieval literature--lyric, fabliau, tragedy, and romance--exploring not only representations and suggestions of homosexual behaviors but also how these behaviors disrupt readers&#039; expectations of genre and ideological power.]]></dcterms:description>
    <dcterms:description><![CDATA[One chapter considers Latin lyrics; another, &quot;Sir Gawain and the Green Knight.&quot; Two chapters pertain to Chaucer: one focuses on adaptations of genre expectation compelled by heteronormativity in the fabliaux of CT (especially MilT and WBPT, but others as well); the other, on how Pandarus&#039;s relations with Troilus in TC suggest resistance to courtly codes, Christian teleology, and the genre of tragedy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267694">
    <dcterms:title><![CDATA[Queering the Middle Ages: Court Poetry in the Age of Richard II]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays on queer issues, with responses by Kruger. Includes readings on a selection of medieval texts, including Christine de Pizan and Dante. For an essay and a response that pertain to Chaucer, search for Queering the Middle Ages under Alternative Title.]]></dcterms:description>
</rdf:Description></rdf:RDF>