<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267085">
    <dcterms:title><![CDATA[Promiscuous Fictions : Medieval Bawdy Tales and Their Textual Liaisons]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on similarities between the mixture of bawdy and sublime in CT and in other medieval tales, collections, and contexts, exploring how bawdiness challenges official discourse. Examines at length Henri d&#039;Andeli&#039;s aristocratic fabliau, &quot;Aristote,&quot; and its occurrences in various kinds of anthologies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266240">
    <dcterms:title><![CDATA[Promises, Promises: Dorigen&#039;s Dilemma Revisited]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that oral promises were binding in the largely oral, late-medieval culture and considers the contemporary &quot;seriousness&quot; of both Dorigen&#039;s marriage vow to Arveragus in FranT and her contradictory promise to Aurelius.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269511">
    <dcterms:title><![CDATA[Promissory Notes on the Treasury of Merits: Indulgences in Late Medieval Europe]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve essays by various authors and an introduction by the editor. General commentary on the theology of indulgences and more focused studies of the history and literary depiction of indulgences in European nations/institutions in the late Middle Ages and early Reformation: Italy, Spain, Czech lands, the Low Countries, England, pilgrimage, and crusading. For an essay that pertains to Chaucer, see Alastair Minnis, &quot;The Construction of Chaucer&#039;s Pardoner,&quot; pp. 169-95.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267147">
    <dcterms:title><![CDATA[Promoting the Text : Teaching Chaucer through the Kress Collection]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how visual aids and a trip to a medieval collection in a museum (in this instance the Kress collection in Birmingham, Alabama) can help students confront medieval literature with greater depth and involvement.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275253">
    <dcterms:title><![CDATA[Prompts for New &quot;Pilgrims.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[This webpage coordinates and comments upon approaches to medieval texts as &quot;multimodal&quot;; designed for classroom use, with suggestions for further exploration and hypertext links to texts, illustrations, and related materials. Arranges the approaches in three groups: 1) Visual Narratives: Susan Crane, &quot;Chaucer&#039;s Earth and NASA&#039;s Space Photography&quot;; Tom Boyle, &quot;The Bayeux Graphic Novel&quot;; and Kathryn Vulic, &quot;Reading The Tale of Sir Thopas as Text and Image&quot;; 2) Unexpected Affinities: Vincent A. Lankewish, &quot;Victorianists, Victorians, and the &#039;Father of English Poetry&#039;&quot;; Lee Sheldon, &quot;Modular Storytelling in Literature and Video Games&quot;; Brendan Fitzgerald, &quot;Millennials, Monsters, and the Middle Ages&quot;; Christa T. Cottone, &quot;&#039;To Have of Sondry Tongues Ful Knowyng:&#039; Spanish, Middle English, and Me&quot;; and Kisha Tracy, &quot;A Community of Grieving Readers: &#039;The Book of the Duchess&#039;&quot;; 3) Creative Performances: Peter Sutton, &quot;Translating Piers Plowman&#039;s Landscapes and Soundscapes&quot;; Nicole Smith, &quot;Crafting an Edition: From Manuscript to Print&quot;; Christopher W. Totten, &quot;A Trip to &#039;La Mancha&#039;: Inhabiting Literature Through Games&quot;; and Baba Brinkman, &quot;Chaucer with a Beat&quot; [video recording].]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272664">
    <dcterms:title><![CDATA[Pronouncing &amp; Understanding Chaucer&#039;s Language: The Advanced Program]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; the WorldCat record indicates that this accompanies Zink&#039;s &quot;Pronouncing Chaucer&#039;s Language: The Basic Program.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272665">
    <dcterms:title><![CDATA[Pronouncing Chaucer&#039;s Language: The Basic Program]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; the WorldCat record indicates that this accompanies Zink&#039;s &quot;Pronouncing Chaucer&#039;s English: The Basic Program.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274315">
    <dcterms:title><![CDATA[Pronouns of Address and the Status of Pilgrims in the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates the uses of second-person singular pronouns (&quot;ye&quot; and &quot;thou&quot;) in speeches between pilgrims in CT, and focuses on instances in which the Host uses these pronouns to address his fellow pilgrims, observing a concern with rank.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276413">
    <dcterms:title><![CDATA[Pronouns of Address in the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates and assesses the uses of singular &quot;ye&quot; and &quot;thou&quot; in CT, considering usage norms, rhyme patterns, and scribal variants, and identifying patterns of high incidence of &quot;incorrect&quot; usage in CYPT, KnT, WBP, and Mel, while ParsT is also highly incorrect even when subjected to a special &quot;homiletic&quot; standard of usage. Suggests that the data may indicate intentional characterization in CYPT and WBP while, in the other cases, it may be attributable to an early date of composition or, perhaps, non-Chaucerian authorship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276810">
    <dcterms:title><![CDATA[Pronouns of Address in the &quot;Friar&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Records Chaucer&#039;s consistent and conventional usage of &quot;ye&quot; and &quot;thou&quot; in FrT, showing how it achieves &quot;irony and humor.&quot; Attends to manuscript variants and opines that &quot;that the English language lost something by the abandonment of the singular form of the pronoun of address.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269775">
    <dcterms:title><![CDATA[Pronouns of the Second Person in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s uses of ye and thou forms in CT, discussing plurality, formality, and  other usage. In  Japanese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275965">
    <dcterms:title><![CDATA[Propagating Authority: Poetic Tradition in &quot;The Parliament of Fowls&quot; and the Mutabilitie Cantos.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the thematic concern with poetic tradition in the narrator-Africanus exchange of PF and in Spenser&#039;s &quot;Mutabilitie Cantos,&quot; arguing that Chaucer and Spenser share an &quot;interest in rhetorically linking the earth-bound poet with a community of readers who also write, a community depicted as both historically bound and transcendent.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275688">
    <dcterms:title><![CDATA[Prophecy and Emendation: Merlin, Chaucer, Lear&#039;s Fool.]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the attribution and reception of Anel in the early modern period and views the six-line poem appended to Caxton&#039;s edition of Anel, known as<br />
&quot;Chaucer&#039;s Prophecy,&quot; as a source for the Fool&#039;s speech in Shakespeare&#039;s &quot;King Lear.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265819">
    <dcterms:title><![CDATA[Prophetic Song: The Psalms as Moral Discourse in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the influence of the book of Psalms on moral discourse in late-medieval England.]]></dcterms:description>
    <dcterms:description><![CDATA[Surveys the tradition of psalms commentary from St. Augustine to Richard Rolle&#039;s English &quot;Psalter,&quot; describes how psalms were used to encourage contrition in religious literature, and assesses the use of psalms for social and political complaint.]]></dcterms:description>
    <dcterms:description><![CDATA[Gives significant attention to Lollard texts, William Langland, John Lydgate, and miscellaneous works on verse and prose and makes brief references to Chaucer&#039;s Parson and Monk.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271379">
    <dcterms:title><![CDATA[Prose and Poetry of the Age of Chaucer, s.XIV]]></dcterms:title>
    <dcterms:description><![CDATA[This anthology of Middle English writing includes MilT and PardT(edited from the Ellesmere manuacript), with facing-page glosses and a brief introduction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267733">
    <dcterms:title><![CDATA[Proserpinan Memory in Dante and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Dante and Chaucer elaborate on the three aspects of the classical goddess who appears as &quot;Proserpina in hell, Diana on earth, and Luna&quot; in heaven. Medieval commentary associates her with memory. Chaucer treats her recurrently, sometimes parodically, in HF, PF, LGW, KnT, WBT, MerT, FranT, and ManT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272553">
    <dcterms:title><![CDATA[Proserpine: &#039;Liberatrix Suae Gentis&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the &quot;comic unity&quot; of the Pluto-Proserpine episode of MerT with the four biblical accounts women to: Rebecca, Judith, Abigail, and Esther (4.1362-74), all figures of deliverance rather than deception. By association, Proserpine should be read as the deliverer of May.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262598">
    <dcterms:title><![CDATA[Prosody and the Study of Chaucer: A Generative Reply to Halle-Keyser]]></dcterms:title>
    <dcterms:description><![CDATA[While Chaucer&#039;s line is iambic pentameter, it differs from Renaissance pentameter by virtue of a French Romance presence so strong as to constitute a motive rhythmic force in the poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275243">
    <dcterms:title><![CDATA[Protest, Complaint, and Uprising in the &quot;Miller&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the concern with the &quot;embodiment&quot; of peasants in medieval estates theory, explores physicality in the GP description of the Miller, and examines rebelliousness and animal imagery in MilPT, aligning them with &quot;peasant poetics&quot; and the Uprising of 1381. Designed for pedagogical use, includes several questions for discussion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275724">
    <dcterms:title><![CDATA[Protocol, or the &quot;Chivalry of the Object.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on how protocol, a term for systems of rules allowing communication and behavior, is frequently used in digital environments, and builds on Alexander Galloway&#039;s comparison of internet protocol to chivalry in &quot;Protocol: How Control Exists after Decentralization&quot; (2004). Argues that internet protocols reveal the medievalism of digital culture. Distinguishes protocol (based on behavioral norms) from regulation (based on rules, which if broken incur penalties) and compares protocol to chivalry as the latter is described in Gent.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267801">
    <dcterms:title><![CDATA[Protocols of Violence : Hunters, the Wife of Bath, and Pam Houston&#039;s &#039;Cowboys Are My Weakness&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Two possible versions of women&#039;s attitudes toward violence appear in WBPT: WBT idealizes women as a civilizing force working to curb male violence; WBP portrays a woman who uses violence when other means of control fail. Both constructs of female violence can be found in Pam Houston&#039;s collection of short stories.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265022">
    <dcterms:title><![CDATA[Prototype and Parody in Chaucerian Exegesis]]></dcterms:title>
    <dcterms:description><![CDATA[Drawing on exegetical tradition, Chaucer effectively combines piety and irreverence in his handling of biblical themes and characters.  In Mel and MLT he presents Old Testament platitudes and stereotypes as practical moral guides, while in MilT and MerT he parodies both allegorical and literal biblical interpretations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262016">
    <dcterms:title><![CDATA[Proude Bayard: &#039;Troilus and Criseyde&#039;, 1.218]]></dcterms:title>
    <dcterms:description><![CDATA[The literary history of the horse Bayard suggests that Chaucer&#039;s point in the reference is to underscore &quot;a lack of providence&quot; in Troilus conduct.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269173">
    <dcterms:title><![CDATA[Proverb Tradition as a Soft Source for the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Bradbury addresses Chaucer&#039;s uses of proverbs as a &quot;crucial&quot; form of &quot;quoting behavior&quot;--a form of &quot;soft source&quot; important to Chaucer&#039;s art and its reception in manuscripts and early editions. Draws examples from KnT and refers to uses of proverbs in other Tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273620">
    <dcterms:title><![CDATA[Proverbe of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Given his &quot;frequent equivocalness&quot; on matters of high seriousness, there is good reason to believe that Prov, a &quot;riddling poem&quot; (NIMEV 3914), is Chaucer&#039;s work, philologists&#039; objections on the basis of its inaccurate &quot;compace&quot;/&quot;embrace&quot; rhyme notwithstanding.]]></dcterms:description>
</rdf:Description></rdf:RDF>