<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269716">
    <dcterms:title><![CDATA[Printing the Middle Ages. Material Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Echard studies the &quot;postmedieval life of medieval texts&quot; as they are embodied in material form, exploring strategies for representing the authenticity of the texts and for reimagining them for new audiences. The book includes chapters on design features in editions of Piers Plowman and Pierce the Plowman&#039;s Crede, typographical representations of Old English,  illustrations in Bevis of Hampton and Sir Guy of Warwick, the Trentham manuscript of Gower&#039;s works, juvenile adaptations of Chaucer&#039;s CT, the domesticating of Froissart&#039;s Chroniques into English, and a coda on &quot;digital avatars of medieval manuscripts&quot; (with comments on the Canterbury Tales Project). The chapter on Chaucer explores the role of sentiment in children&#039;s versions of CT, from Mary Eliza Haweis&#039;s Chaucer for Children (1877) to the &quot;decline of interest&quot; in such versions  in the 1930s.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277117">
    <dcterms:title><![CDATA[Prior to the Prioress: Chaucer&#039;s &quot;Clergeon&quot; in Its Original Context.]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders questions of the composition and occasion of PrT (here titled &quot;Clergeon&quot;) before Chaucer incorporated it into the CT, arguing on biographical, stylistic, and liturgical grounds that Chaucer may have originally composed the poem as early as 1383, to be performed as a &quot;boy-bishop sermon&quot; at Lincoln Cathedral, &quot;recited by and to youths on the Feast of the Holy Innocents.&quot; Considers analogous materials, argues that Chaucer&#039;s work helped to spread knowledge of Hugh of Lincoln, and suggests new directions for reading PrPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268866">
    <dcterms:title><![CDATA[Prisoners of Love: Troilus and Criseyde. [Koi no Toriko: Toroirusu to Kuriseide]]]></dcterms:title>
    <dcterms:description><![CDATA[Reprint of Japanese translation of TC with notes and commentary, based on F. N. Robinson&#039;s edition. First published in 1948.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270205">
    <dcterms:title><![CDATA[Privacy and Solitude in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys medieval notions and representations of privacy in relation to various religious and devotional practices, study, gardening, social spaces, and the demise of community. Comments recurrently on Chaucer&#039;s depictions of solitude, focusing on his &quot;acute sense of place and interior space&quot; in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262429">
    <dcterms:title><![CDATA[Privacy and the Boundaries of Fabliau in the &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[MilT serves as a corrective to KnT (where chaos in effect breaks down order) by exceeding the typical symmetry of the fabliau (a genre in which order properly has no part).  Departing from the &quot;pryvete&quot; set up in its many senses, MilT develops and climaxes as order opens up its secrets.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265639">
    <dcterms:title><![CDATA[Private and Public Space in &#039;The Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In MilT, the house and the space around it symbolize both the tale itself and the principal characters.  The top floor represents the &quot;heavenly&quot; sphere where the flood is predicted and awaited; the middle, or &quot;earthly,&quot; level is Alison&#039;s bedroom; and the lower, street level is where all the punishments take place.  Each male character seeks his private space with Alison at his own level and is &quot;rewarded&quot; accordingly.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273194">
    <dcterms:title><![CDATA[Private Matters: The Place of Privacy in English Legal Records, Romances, and Letters, 1300 -1500]]></dcterms:title>
    <dcterms:description><![CDATA[Compares elements of privacy (e.g., &quot;access, intimacy, and withdrawal&quot;)  in official  documents and records to canonical literary works including TC, &quot;Sir Gawain and the Green Knight,&quot; and Malory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269258">
    <dcterms:title><![CDATA[Private Practices in Chaucer&#039;s Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Explores links between privacy and urban spaces in Fragment 1 of CT, especially MilT, in which each of the major male characters fails to control his own &quot;pryvetee.&quot; The article follows Pierre Bourdieu in conceptualizing the practices of privacy as a developing &quot;habitus,&quot; exploring concerns with bodies, buildings, commerce, estate, and class competition among the characters and tellers of Part 1.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261740">
    <dcterms:title><![CDATA[Privileged Knowledge: St. Cecilia and the Alchemist in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers transformation &quot;both as a theme and as a methodological problem.&quot;  In SNT, faith is more &quot;real&quot; than experience, while in CYT, the &quot;real&quot; is not accessible to the Canon.  Chaucer experiments with the relationship between the material and the spiritual and tests the limits of his artistic epistemology.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269286">
    <dcterms:title><![CDATA[Privy Speech: Sacred Silence, Dirty Secrets in the Summoner&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Allusions in SumT to the &quot;silent canon&quot; - the clerical practice of offering the Eucharistic consecration prayers silently - open a window on &quot;lay-clerical relations,&quot; exposing the politics governing access to the secrets of the Eucharist. Through its critique of the silent canon, SumT &quot;endorses lay private devotional speech,&quot; while questioning the capacity for any human discourse to &quot;communicate with the divine or aptly articulate sacred mysteries.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272986">
    <dcterms:title><![CDATA[Probable Truth: Editing Medieval Texts from Britain in the Twenty-First Century]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays that discuss emerging challenges for scholars and editors in textual studies. For essays pertaining to Chaucer, search for Probable Truth under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270528">
    <dcterms:title><![CDATA[Problem-Areas of &#039;The Pardoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses inconsistencies in the character of the Pardoner and in the relation between the teller and his tale. Identifies the symbolic possibilities of the Old Man and tallies several ironies in the tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264225">
    <dcterms:title><![CDATA[Problematizing the Pentameter]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Chaucer&#039;s ME pentameter (if that is what it was) had become lost by the beginning of the 16th century and had to be reinvented.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272207">
    <dcterms:title><![CDATA[Problems in Chaucer&#039;s Description of Women]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on Chaucer&#039;s formal descriptions of women in Rom, BD, RvT, and MilT, focusing on his uses of rhetorical conventions, Continental models, and native English alliterative phrases and vocabulary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263925">
    <dcterms:title><![CDATA[Problems in Literary Herstory: Chaucerian Msconception]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes modern approaches to Chaucer&#039;s portrayal of women.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262829">
    <dcterms:title><![CDATA[Problems of &#039;Best Text&#039; Editing and the Hengwrt Manuscript of &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The grounds for &quot;best-text&quot; editing are uncertain.  In following a &quot;best-text,&quot; an editor may seek to &quot;place the modern audience in the position&quot; of the Ur-audience.  Hanna questions Hengwrt as basis for &quot;best text&quot; and Manly-Rickert&#039;s method of recension (grouping manuscripts by shared error to create stemmata).]]></dcterms:description>
    <dcterms:description><![CDATA[Variorum editors have seized &quot;lovingly upon the deviant lines&quot; of Hengwrt, &quot;editorialized out&quot; in Ellesmere.  It is incongruous to argue that the Ellesmere scribe was more Chaucerian than Chaucer.  Hengwrt should be examined more carefully on a variant-by-variant basis.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263554">
    <dcterms:title><![CDATA[Problems of Oral and Written Transmission as Reflected in Chaucer&#039;s &#039;House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the interrelationship in HF between oral and written forms of transmission of literature.  Only through the poet&#039;s journey through space (bk. 2) can limitations imposed by literary conventions of written text be overcome.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261196">
    <dcterms:title><![CDATA[Problems of Writing a Life of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Justifies writing a new biography of Chaucer despite objections that it may be impossible, useless, or superfluous.  The exceptional nature of Chaucer&#039;s life and the richness of his historical context make the undertaking worthwhile.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272095">
    <dcterms:title><![CDATA[Problemy Izucenija Poem Cosera [Problems of the Analysis of Chaucer&#039;s Poems]]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on aspects of convention, generic variety, and characterization in BD, PF, HF, LGW, and TC as evidence of Chaucer&#039;s status as a &quot;great representative of the mediaeval culture and a pioneer of Renaissance art.&quot; In Russian, with Lithuanian and English summaries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270410">
    <dcterms:title><![CDATA[Problemy Realizma v Rannem Anglijskom Vozrozdenii i Kenterberijskie Rasskazy Cosera]]></dcterms:title>
    <dcterms:description><![CDATA[In Russian; with English summary (p. 55): &quot;The realistic tendencies of &#039;The Canterbury Tales,&#039; a result of Chaucer&#039;s cultivating the traditions of medieval literature, are considered. According to contemporary scholars, the basis for these tendencies seems to have been supplied by Duns Scotus&#039; materialistic and individualistic concepts.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267458">
    <dcterms:title><![CDATA[Proceedings of the 10th International Conference of S.E.L.I.M.]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-six essays by various authors, with eight that pertain to Chaucer.  For essays pertaining to Chaucer, search for Proceedings of the 10th International Conference of S.E.L.I.M. under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268450">
    <dcterms:title><![CDATA[Proceedings of the 11th Annual Northern Plains Conference on Early British Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty essays by various authors on topics in British literature before 1800: five essays on Shakespeare; three on medieval uses of Christ&#039;s death (in Beowulf, Song of Roland, and El Cid). Other topics include Julian of Norwich and Margery Kempe, Richard Hooker, Thomas Heywood, Aphra Behn, protestant preaching in the Renaissance, More&#039;s Utopia, Montaigne and Bacon, Quaker women writers from 1650-1800, eighteenth-century smuggling in Rio de Janeiro, Jonathan Swift&#039;s puns, eighteenth-century popular music, and Mary Wollstonecraft. For two essays that pertain to Chaucer, search for Proceedings of the 11th Annual Northern Plains Conference under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269464">
    <dcterms:title><![CDATA[Proceedings of the 14th Northern Plains Conference on Earlier British Literature, April 7-8, 2006]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen papers on topics ranging from Old English to eighteenth-century British literature. For three papers that pertain to Chaucer, search for Proceedings of the 14th Northern Plains Conference on Earlier British Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266416">
    <dcterms:title><![CDATA[Proceedings of the 9th International Conference of the Spanish Society for Medieval Language and Literature [SELIM, 26-28 September 1996]]]></dcterms:title>
    <dcterms:description><![CDATA[Includes thirty-eight essays. For eight essays that pertain to Chaucer, search for Proceedings of the 9th International Conference of the Spanish Society for Medieval Language and Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266808">
    <dcterms:title><![CDATA[Proceedings of the Third International Conference on Scottish Language and Literature (Medieval and Renaissance). University of Stirling 2-7 July 1981]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-eight essays by various authors on Scottish language and literature of the Middle Ages and Renaissance. For two essays that pertain to Chaucer, search for Proceedings of the Third International Conference on Scottish Language and Literature under Alternative Title.]]></dcterms:description>
</rdf:Description></rdf:RDF>