<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265199">
    <dcterms:title><![CDATA[Phrasal Repetends and &#039;The Manciple&#039;s Prologue and Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Defines repetends as either (1) &quot;repeating fixed phrases,&quot; or (2) &quot;repeating collocations&quot; in which word order may change and other words may intervene.  Computer-assisted tabulation of repetends enables stylistic comparison of ManPT to GP, indicating that Chaucer alternated conventional and innovative language in patterns that may help us date his works in relation to each other.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275615">
    <dcterms:title><![CDATA[Physical Possibilities: Pedagogical Presence in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s poetry can inform contemporary discussions of teachers&#039; bodies and their relative absence from the classroom due to online learning and sexual concerns. Focuses on &quot;the power and purpose of poetry&quot; in SNT, CYT, and ManPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272612">
    <dcterms:title><![CDATA[Physiognomy and Characterization in the &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets details of physiognomy in the characterizations of Alison and Absolon in MilT; hers indicate her &quot;availability&quot;; his, his timidity and foppishness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275314">
    <dcterms:title><![CDATA[Physiognomy and Chaucer&#039;s Summoner and Alisoun.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers physiognomic evidence that the Summoner&#039;s black eyebrows (GP 1.627) and those of Alisoun (MilT 1,3245-46) indicate lecherousness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275462">
    <dcterms:title><![CDATA[Pictorial Allusion as a Distancing Technique from the Chaucerian Hypotext in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that, for Pasolini, &quot;Chaucer presages the spiritual corruption of the nascent bourgeoisie&quot; in the style and content of CT; yet, to &quot;represent [the] spoiled fruits&quot; of bourgeois corruption visually in &quot;I racconti di Canterbury,&quot; the filmmaker emulated Pieter Bruegel&#039;s paintings.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264345">
    <dcterms:title><![CDATA[Pictorial Illustration of Late Medieval Poetic Texts: The Role of the Frontispiece or Prefatory Picture]]></dcterms:title>
    <dcterms:description><![CDATA[The study of the relationship of text to picture in medieval manuscripts is worthwhile, but seldom performed for Middle English texts, especially Chaucer, except for the &quot;Troilus&quot; frontispiece in Corpus Christi College Cambridge MS 61.  It is important, both for what it tells us, enigmatically, of Chaucer&#039;s audience and for its reflection of the content of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276263">
    <dcterms:title><![CDATA[Pictures from Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts details of the illustrative portraits of the Canterbury pilgrims--illuminations from the Ellesmere manuscript and woodcuts from Richard Pynson&#039;s edition of 1491/92, here inaccurately called the &quot;first printed edition.&quot; Comments on ten pairs of illustrations, focusing on how features of the horses, their riders, and their equipage &quot;record a social and technical revolution in the sphere of riding&quot; between the times of Henry IV and Henry VII.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262599">
    <dcterms:title><![CDATA[Piers Plowman : A Glossary of Legal Diction]]></dcterms:title>
    <dcterms:description><![CDATA[Reference guide on fourteenth-century usage of legal terms, concepts, and officials, valuable for legal historians and students of Chaucer, Gower, and the &quot;Pearl&quot;-poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263937">
    <dcterms:title><![CDATA[Piers Plowman : The Z-Version]]></dcterms:title>
    <dcterms:description><![CDATA[The editors claim &quot;Z&quot; (a proto-A), found only in the defective MS Bodley 851, to be the earliest version of &quot;Piers Plowman.&quot;  Introduction examines textual, linguistic, and codicological evidence; edition compares &quot;Z&quot; with &quot;A.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270004">
    <dcterms:title><![CDATA[Piers Plowman and the Invention of the Lyric in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on &quot;Piers Plowman&quot; (and  considers TC), using &quot;modern lyric criticism&quot; as an approach to medieval narratives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262242">
    <dcterms:title><![CDATA[Piers Plowman and the New Anticlericalism]]></dcterms:title>
    <dcterms:description><![CDATA[The anticlericalism of &quot;Piers Plowman&quot; and its time period is not traditional, as has been assumed, but new and requires fresh examination.  It transforms and unifies traditional attacks on monastics, friars, and secular clergy into an attack on all clergy.  It is based on FitzRalph&#039;s analysis of dominion, natural and civil, a new examination of evangelical poverty, and a positioning of charity as the key to action and reform, including disendowment of the Church by lay power.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274623">
    <dcterms:title><![CDATA[Piers Plowman&quot; and the Poetics of Enigma: Riddles, Rhetoric, and Theology.]]></dcterms:title>
    <dcterms:description><![CDATA[Approaches Chaucer&#039;s works briefly through contrast with :&quot;Piers Plowman,&quot; which is treated here as the key text in a tradition of literature defined by &quot;a distinctive poetics of enigma.&quot; Observes that Chaucer explores horizontally across the earthly world of humanity and society, as opposed to the &quot;vertical,&quot; spiritual trajectory of :Piers Plowman.&quot; Considers Chaucer&#039;s emophasis to be exemplary of what would happen to enigma if the sacred and the secular were increasingly separated.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261296">
    <dcterms:title><![CDATA[Piety and Prejudice]]></dcterms:title>
    <dcterms:description><![CDATA[The anti-Semitism of PrT is not Chaucer&#039;s, and the tale is less about it than about the divine power of Mary to destroy the enemies of the Christian faith.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265786">
    <dcterms:title><![CDATA[Piety and Resistance: a Note on the Representation of Religious Feeling in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Leicester explores nuances of &quot;pietee&quot; and &quot;pietas,&quot; distinguishes between institutional and affective piety, and asserts that texts cannot be pious but can only represent piety.]]></dcterms:description>
    <dcterms:description><![CDATA[  CYPT is religious insofar as it represents the Yeoman&#039;s &quot;hunger to discover spirit behind the masks of matter.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267095">
    <dcterms:title><![CDATA[Pilgrim Chaucer : Center Stage]]></dcterms:title>
    <dcterms:description><![CDATA[Reads CT as a drama-with Chaucer as &quot;director/producer&quot; (158) and leading player-focusing on Th and Mel as psychological and moral extensions of Chaucer. Thopas and the father are one, with Thopas representing the phallus. Melibee is &quot;the elevated portion of the whole character-the portion dominated by the mind or soul&quot; (149); through Mel, Chaucer seeks personal redemption. Pilgrim Chaucer is the second book in a series that began with Chaucer&#039;s Host: Up-So-Doun (SAC 22 [2000], no. 174).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262338">
    <dcterms:title><![CDATA[Pilgrim Signs and the Ellesmere Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the medieval practice of selling &quot;Canterbury signs&quot; to the visitors of Beckett&#039;s shrine (as mentioned in &#039;The Tale of Beryn&#039;), the archeological finds, and the possibility that Ellesmere portraits may have been modeled on the signs.  The iconography of Beckett on horseback perhaps influenced the Ellesmere Chaucer protrait, especially the &quot;disproportionate relationship of rider to horse.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270981">
    <dcterms:title><![CDATA[Pilgrimage 87: A Souvenir Programme]]></dcterms:title>
    <dcterms:description><![CDATA[Produced to accompany a dramatic presentation of adapted versions of selections from CT. Includes comments on adapting the tales and directing the adaptations, accompanying music, parallels with medieval drama, medieval cooking, the &quot;Tale of Beryn,&quot; and more.  Contributors include Paula Neuss, Michael Philpot, Peter Field, Vanessa Harding, Darryll Grantley, Peter Brown, Peter Moore, and Claire Valentine.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264986">
    <dcterms:title><![CDATA[Pilgrimage and Storytelling in the &quot;Canterbury Tales&quot;: The Dialetic of &quot;Ernest&quot; and &quot;Game&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[The conception of CT is an inherent conflict between the pilgrimage to a martyr&#039;s shrine in Canterbury and the game of storytelling to be consummated by a feast in Southwark.  The development of the collection reveals movement away from Canterbury towards Southwark.]]></dcterms:description>
    <dcterms:description><![CDATA[The crucial moment came when Chaucer detached the Wife of Bath&#039;s developing confession from the Man of Law&#039;s epilogue and moved it to a position on the homeward journey.  In his final plan, CT was not intended to end with ParsT, but with the marriage group back at Southwark.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267089">
    <dcterms:title><![CDATA[Pilgrimage Explored]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays on aspects of the anthropology and archeology of medieval and pre-medieval pilgrimage. Related to Chaucer studies are Ben Nilson, &quot;The Medieval Experience at the Shrine&quot; (pp. 95-122), which uses &quot;The Tale of Beryn&quot; as a source; and A. M. Koldeweij, &quot;Lifting the Veil on Pilgrim Badges&quot; (pp. 161-88), on sacred and secular badges.]]></dcterms:description>
    <dcterms:description><![CDATA[Other essays discuss Christian and pre-Christian pilgrimage; Jacques de Vitry; pilgrimages to León, Santiago de Compostela, and Walsingham; and representations of Mt. Sinai.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266161">
    <dcterms:title><![CDATA[Pilgrimage Gone Awry: The Theatrics of the Chaucerian Unconscious]]></dcterms:title>
    <dcterms:description><![CDATA[CT develops &quot;horror and abjection&quot; through struggles for mastery of many kinds, leaving its characters suspended between the Tabard and Canterbury amid images of mutilation and death.  Chaucer critics may also be seen as pilgrims struggling among themselves for mastery.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267778">
    <dcterms:title><![CDATA[Pilgrimage in Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the activities, theology, sociology, and psychology of medieval English pilgrimage from its roots in Anglo-Saxon tradition to criticism of the institution in the late Middle Ages. Considers English and British sites primarily, discussing topics such as early saints, penitential traditions, imagery, indulgences, royal pilgrimages, local pilgrimages, pilgrim routes and stops, and pilgrim dress. Passim references to literary pilgrimages, including CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267791">
    <dcterms:title><![CDATA[Pilgrimage in Medieval English Literature : 700-1500]]></dcterms:title>
    <dcterms:description><![CDATA[A literal journey and lifelong spiritual experience, pilgrimage involves new surroundings and new levels of understanding. Dyas discusses pilgrimage in early Christian tradition and in Old and Middle English literature, including Chaucer&#039;s choice of the pilgrimage frame in CT and the role of ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271522">
    <dcterms:title><![CDATA[Pilgrimage in the Middle Ages: A Reader]]></dcterms:title>
    <dcterms:description><![CDATA[A sourcebook of &quot;fifteen centuries of history&quot; about the historical, social, political, and religious development of pilgrimages.  Includes a section on &quot;Pilgrimage and Piety in the Late Middle Ages,&quot; with an abridged version of GP, pp. 325-30. Discussion and study questions follow each of the sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261594">
    <dcterms:title><![CDATA[Pilgrimage in the Middle Ages: A Research Guide]]></dcterms:title>
    <dcterms:description><![CDATA[This annotated bibliography of 1,062 entries is analyzed in seven categories: history of pilgrimage, introduction to the study of pilgrimage, Jerusalem, Rome, Santiago de Compostela, other sites, and pilgriamge in the arts.  Each category includes descriptive materials, subcategories, and references to the annotated entries.  Chaucerian materials are described in subsections on Canterbury and on pilgrimage as a literary motif.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269232">
    <dcterms:title><![CDATA[Pilgrimage Route to Paradise: The Sacred and Profane Along the Dixie Highway]]></dcterms:title>
    <dcterms:description><![CDATA[Compares people and places of twentieth-century journeys on the Dixie Highway to several medieval pilgrimages, real and fictional, including CT.]]></dcterms:description>
</rdf:Description></rdf:RDF>