<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277153">
    <dcterms:title><![CDATA[&quot;But men seyn, &#039;What may ever last?&#039;&quot;: Chaucer&#039;s &quot;House of Fame&quot; as a Medieval Museum.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers possibilities of assessing material archeology in medieval literature and offers a case study concerning HF, observing connections between the brass-tablet account of Aeneas in the poem (lines 140ff.) and monumental brasses, hypothesizing Fame&#039;s palace as a medieval version of a museum, and connecting them both with the open-endedness of the poem and early modern sensibilities.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276044">
    <dcterms:title><![CDATA[&quot;But that was but favour of makers&quot;: Retractions, Editions, and Authorship in Malory&#039;s &quot;Le Morte Darthur.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the two instances of Malory&#039;s refutation of his sources in &quot;Morte&quot; are &quot;a form of retraction,&quot; and that combined with the work&#039;s final explicit they &quot;lie in the literary shadow Ret,&quot; comparing and contrasting Ret with Malory&#039;s withdrawals, and aligning them with learning through retrospection.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276155">
    <dcterms:title><![CDATA[&quot;But whan us liketh we kan take us oon&quot;: Vain Surfaces and Walking Corpses in Chaucer&#039;s &quot;Friar&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the &quot;literary context&quot; of FrT and shows that in his discussion of demons (1447–1522) Chaucer uses Vincent of Beauvais, Thomas Aquinas, and &quot;the broad cultural sediments of local revenant belief.&quot; Also suggests that the possibility that the demon in the tale has usurped a human corpse engages prevailing themes of appearance versus intention, &quot;spiritual and material economics,&quot; and mercantilism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277308">
    <dcterms:title><![CDATA[&quot;Canterbury Tales,&quot; F 1541-44.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that a portion of Dorigen&#039;s speech in FranT (5.1541-44) has wrongly been ascribed to her by various editors, indicating why it should better be assigned to the Franklin as narrator. Also suggests that the reference to a &quot;clerk&quot; (Fran 5.1611) by the &quot;philosophre&quot; is a correct reading, despite counter-suggestions by Manly and Rickert.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275973">
    <dcterms:title><![CDATA[&quot;Canterbury Tales&quot; for Children in China.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the first printings of Chaucer&#039;s works in China, during the Republican period (1912–1949). All are portions of CT translated into Chinese from modern English adaptations for children, providing for children and adults alike contact with &quot;western literary tradition&quot; and &quot;positive ethical viewpoints&quot; that &quot;met traditional Chinese moral standards.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274441">
    <dcterms:title><![CDATA[&quot;Canterbury Tales&quot; X (I) 424: &quot;The hyndre part of a she-ape in the fulle of the moone.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Offers evidence from medieval naturalists and bestiaries to clarify that the she-ape simile in ParsT 10.424 means that the &quot;proud dandy . . . is ridiculously like a wretched ape sticking up its bare bottom when the moon is full.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276611">
    <dcterms:title><![CDATA[&quot;Charitable and trewe&#039;: Multiplicity, Prudence, and Pity in the Prologue of Chaucer&#039;s &quot;Legend of Good Women.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines LGW as a poetic work that invites criticism as a function of how it is structured. Looks in depth at Alceste and her efforts in the poem, reappraising how she achieves success with the God of Love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276251">
    <dcterms:title><![CDATA[&quot;Chaucer no Yasashisa to Nagusame no Shudai.&quot; [Chaucer and the Theme of Tenderness and Consolation].]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses occurrences of the diction and sentiment of tenderness, pity, and consolation in Chaucer&#039;s works (GP Prioress, BD, TC), linking them with Bothius&#039;s &quot;Consolation of Philosophy.&quot; In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273316">
    <dcterms:title><![CDATA[&quot;Chaucer Research, 1967. Report No. 28.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies books and articles pertaining to Chaucer--ones in progress, completed, and/or published in 1967.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274446">
    <dcterms:title><![CDATA[&quot;Chaucer&#039;s Cybele and the &quot;Liber Imaginum Deorum.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the explanation of Cybele as the &quot;flower of spring&quot; in the &quot;Liber Imaginum Deorum&quot; of  Albricius I (also known as Mythographer III, perhaps Alexander Neckham) may be the source of Chaucer&#039;s reference to Cybele in his praise of Alceste in LGWP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273759">
    <dcterms:title><![CDATA[&quot;Chaucer&#039;s Normalized Diction: A Comparison of Recurring Phrases in Chaucer and &quot;Beowulf&quot; to Determine the Validity of the Magoun Thesis.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates and analyzes Chaucer&#039;s &quot;normalized diction,&quot; i.e., a &quot;diction that is very repetitive and free from syntactic eccentricity, a diction that utilizes the same words to express the same ideas in different contexts.&quot; Compares and contrasts Chaucer&#039;s usage with that of the &quot;Beowulf&quot;-poet and Milton, deducing that similarities between Chaucer&#039;s usage and that of the &quot;Beowulf&quot;-poet challenge some of the criteria of the theory of oral composition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277054">
    <dcterms:title><![CDATA[&quot;Chaucer&#039;s World&quot; Study Days in Oxford for Post-16 Students: Enhancing Learning and Encouraging Wonder.]]></dcterms:title>
    <dcterms:description><![CDATA[Collaborative reflection on the presentation and value of a study-days enhancement program called &quot;Chaucer&#039;s World,&quot; designed both to help UK secondary education students prepare for the A-level English Literature exam and to increase appreciation of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273584">
    <dcterms:title><![CDATA[&quot;Collie&quot; and Chaucer&#039;s &quot;Colle.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Although the phrase &quot;Colle oure dogge&quot; (NPT 7.338) has been cited as support for the notion that &quot;collie&quot; derives from a medieval pet name, a review of attestations of &quot;colle&quot; provides no evidence that dogs given that name tended to be members of the sheep-herding breed.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275663">
    <dcterms:title><![CDATA[&quot;Compassion and benignytee&quot;: A Reassessment of the Relationship between Canacee and the Falcon in Geoffrey Chaucer&#039;s &quot;Squire&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews the scholarship concerning the bond between Canacee and the falcon in SqT and argues that this posthumanist bond &quot;derives from their femaleness, which for the tale-teller transcends species in favor of a gendered sameness borne of similar experiences; in particular, female experiences with figures of the opposite sex.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276171">
    <dcterms:title><![CDATA[&quot;Compassion and Benignytee&quot;: A Reassessment of the Relationship between Canacee and the Falcon in Geoffrey Chaucer&#039;s &quot;Squire&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;bond&quot; between Canacee and the falcon in SqT is &quot;grounded in the theme of female friendship&quot; although seen from the &quot;avian perspective&quot;--an &quot;intersectional&quot; approach that &quot;interprets Canacee as avian, rather than the falcon as humanlike.&quot; Treats the tale as something of a &quot;sequel&quot; to PF, even while the Squire reveals himself to be &quot;decidedly uncomfortable with women on an individual level.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275125">
    <dcterms:title><![CDATA[&quot;Concordia discors&quot;: The Traveling Heart as Foreign Object in Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relations among imagery of hearts, transplanting, &quot;bodily estrangement,&quot; and travel in TC, focusing on Criseyde, her brooch, her dream of the eagle, her departure from Troy, and how she &quot;begins to embody foreignness by the end of the narrative.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277468">
    <dcterms:title><![CDATA[&quot;Confessing Authority: Literary Immortality and Authorial Salvation in Chaucer&#039;s &quot;Retraction.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews critical approaches to Ret, reading it as both confessional and aesthetic, comparing its duality with those in Purse and the ending of TC, and exploring resonances with ParsT. Assesses Ret as a recantatory formulation that asks its reader-confessors for prayer and commemoration--a confession of authorship that promotes &quot;enduring poetic authority.&quot; Addresses the fifteenth-century &quot;pray for Chaucer&quot; tradition and the excision of Ret from editions between the Reformation and the eighteenth century.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274864">
    <dcterms:title><![CDATA[&quot;Confessio Auctoris&quot;: Confessional Poetics and Authority in the Literature of Late Medieval England, 1350--1450.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates how Chaucer, Gower, Langland, Usk, and Hoccleve use confessional discourse to challenge Latinity and &quot;authorize their own literary productions.&quot; Includes discussion of the &quot;self-abasing literary self-portrayals as penitents&quot; found in Chaucer&#039;s LGW and Gower&#039;s &quot;Confessio Amantis.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274282">
    <dcterms:title><![CDATA[&quot;Cosyn&quot; and &quot;Cosynage&quot;: Complicated Punning in Chaucer&#039;s &quot;Shipman&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Adduces precedents in French for Chaucer&#039;s punning in ShT on &quot;cosyn&quot; and its derivatives to mean &quot;harlot&quot; as well as &quot;prospective victim,&quot; part of a larger pattern of &quot;mocking irony&quot; in his various uses of the words.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275194">
    <dcterms:title><![CDATA[&quot;Counterfeit&quot; Imitatio: Understanding the Poet-Patron Relationship in Machaut&#039;s &quot;Fonteinne amoureuse&quot; and Chaucer&#039;s &quot;Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the differing treatments of Morpheus in BD and Machaut&#039;s &quot;Fonteinne amoureuse&quot; &quot;reflect on the advantages and limitations of &#039;imitatio&#039; as a tool for authorial self-promotion.&quot; Underlying this reflection are contrasting strategies for harnessing poetic authority, either through literary history or through contemporary patronage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276184">
    <dcterms:title><![CDATA[&quot;Countrefete Cheere&quot;: Kitsch, Taste, and &quot;The Prioress&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses kitsch as a &quot;counter aesthetic&quot; that results from a &quot;failed dialectic of beauty and ugliness,&quot; and explores the Nazis&#039; &quot;Anti-Kitsch Law,&quot; Theodor Adorno&#039;s aesthetic theory, the Prioress&#039;s &quot;countrefete cheere&quot; and sentimentality, the gore and antisemitism of PrT, and the critical reception of the tale. Argues that PrT &quot;exposes the form that makes . . . anti-Semitism and its stories enjoyable: the aesthetics of kitsch and death.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277136">
    <dcterms:title><![CDATA[&quot;Crist spak hymself ful brode in hooly writ&quot;: Chaucer, Divine Speech, and the Silent Word.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers locations in Chaucer&#039;s corpus where he might have depicted divine speech, before highlighting how Jesus&#039; words serve as &quot;auctoritas&quot; in ParsT. Comparing this method to the absence of depictions of divine speech in Chaucer&#039;s other works, argues that Ret can be seen as sincere.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274777">
    <dcterms:title><![CDATA[&quot;Curious fact&quot;: Fading of Northernisms in &quot;The Reeve&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders the role of the clerks&#039; northern dialect in RvT as well as the Reeve&#039;s Norfolk dialect, paying particular attention to the fading of the former within the tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276739">
    <dcterms:title><![CDATA[&quot;De amore.&quot; Plesaunce of love. &quot;Chaucer.&quot; Cantata for Soprano and Tenor Soli, Mixed Chorus and Orchestra, op. 39.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes Middle English texts by Chaucer (with glossary appended at end of document) in nine parts: I Proem (PF 1-4); II Pastorale (19 lines selected from LGWP-F 35ff.; III Pleynte (TC 1.400-20); IV Invocation I (TC 3.1-14); V Invocation II (TC 2.827-33); VI Night-Spel I (TC 2.904-10); VII Night-Spel II (TC 2.918-24); VIII Lenvoy (TC 5.1835-41); IX Apotheosis (TC 3.1744-57).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275554">
    <dcterms:title><![CDATA[&quot;Dear Penis, My Love!&quot;: A Hilarious Study of a Penis Obsession.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate that this is a fictional narrative that includes phallic parodies of various works of literature; CT is among them in a short account of a pilgrimage to the ketchup-bottle-shaped water tower in Ketchup City, Illinois.]]></dcterms:description>
</rdf:Description></rdf:RDF>