<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275809">
    <dcterms:title><![CDATA[&quot;Another Knot, Five-fingered-tied&quot;: Shakespeare&#039;s &quot;Troilus and Cressida,&quot; V.ii.157.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Shakespeare&#039;s knot-image may be related to the five fingers of the devil commented upon in ParsT 10.852-60.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277122">
    <dcterms:title><![CDATA[&quot;Anthophilia&quot; and the Medieval Ecologies of Grafting.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the tension between reading ecocritically and figuratively, highlighting moments of grafting in MkT and Rom, and reads these moments of horticulture more literally.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275934">
    <dcterms:title><![CDATA[&quot;Anticlericalism,&quot; Inter-Clerical Polemic, and Theological Vernaculars.]]></dcterms:title>
    <dcterms:description><![CDATA[Reassesses &quot;anti-clericalism,&quot; reframing what has been &quot;a concept useful within very real limits&quot; as a kind of inter-clerical polemic, as most of these examples of so-called anti-clericalism are clerically authored. Treats MkT and PardT as examples of inter-clerical polemic. Includes discussion of SNT and Chaucer&#039;s fluency in &quot;theological vernacularizing.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275815">
    <dcterms:title><![CDATA[&quot;Antony and Cleopatra&quot; and &quot;The Legend of Good Women.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the Cleopatra legend in LGW is the source of details in Shakespeare&#039;s &quot;Antony and Cleopatra.&quot; Also argues that Chaucer derived information about Cleopatra&#039;s marriage to her brother(s) from Vincent of Beauvais&#039; &quot;Speculum Historiale,&quot; not from Boccaccio.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274690">
    <dcterms:title><![CDATA[&quot;Apartheid&quot; in Tolkien: Chaucer and &quot;The Lord of the Rings,&quot; Books 1-3 (1925-1943).&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the roles of apartheid and linguistic queerness in the class-based characterizations of various hobbits in Tolkien&#039;s &quot;The Lord of the Rings,&quot; suggesting that Tolkien&#039;s scholarly study of Chaucer&#039;s literary dialects and his glossary for the never-published &quot;Clarendon Chaucer&quot; reflect similar concerns with race- and class-based linguistic features.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275179">
    <dcterms:title><![CDATA[&quot;Arnold of the Newe Toun&quot; Revisited: A Note on the Sources of the &quot;Canon&#039;s Yeoman&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates that in his remarks on distilling mercury, the Canon&#039;s Yeoman draws from Arnald Villanova&#039;s &quot;De secretis&quot; rather than from the &quot;Rosarium,&quot; as the Yeoman claims (CYT 8.1028-29). Claims that Chaucer&#039;s misidentification plausibly springs from the works&#039; frequently appearing together in manuscripts in which the term &quot;Rosarium&quot; would denote a florilegium.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274806">
    <dcterms:title><![CDATA[&quot;Artes that been curious&quot;: Questions of Magic and Morality in Chaucer&#039;s &quot;The Franklin&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the ambivalent role of magic in FranT, arguing that vacillation &quot;between belief and skepticism, truth and illusion, nature and sorcery&quot; help Chaucer to create &quot;a divide between perception and reality&quot; and undermine the &quot;purported moral system&quot; of the Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276633">
    <dcterms:title><![CDATA[&quot;As Far as Resoun Axeth&quot;: Chaucer&#039;s Challenge to the Griselda Tradition.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses ClT in comparison with its sources to argue that Chaucer&#039;s version critiques Griselda&#039;s complete submission of her will to Walter&#039;s, disclosing its ethical invalidity as lacking right reason.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276817">
    <dcterms:title><![CDATA[&quot;As fer as last Ytaille.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Provides lexical and grammatical evidence to argue that the verbal form &quot;last&quot; in ClT 4.266 &quot;more than likely&quot; means &quot;extend in space,&quot; a &quot;loan-sense from the French&quot; influenced by development of the similar meaning of &quot;dure.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276212">
    <dcterms:title><![CDATA[&quot;As I kan now remembre&quot;: Memory and Making in &quot;The House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets HF as &#039;an experiment in the exercise of poetic memory and poetic composition&quot; that &quot;suggests that memory&#039;s anarchic associations cannot fully be controlled,&quot; in part because of differences between &quot;the memory of things and the memory of words.&quot; Examines relations between architecture and memory in medieval rhetorical theory, uses of source materials in HF, the eagle as &quot;animalis motiua,&quot; contrasts between the constructions of Fame (authority) and Rumor experience), and the poem&#039;s inconclusiveness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277605">
    <dcterms:title><![CDATA[&quot;As Meeke as Medea, as honest as Hellen&quot;: English Literary Representations of Two Troublesome Classical Women, c1160-1650.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers representations of the power of Medea&#039;s magic and Helen&#039;s sexuality in works by male writers in medieval and early modern literature, clarifying their classical and early-medieval antecedents and assessing their powers in light of &quot;concerted male efforts to undermine&quot; them. Assesses a wide range of texts, including Chaucer&#039;s brief allusions and references to Medea and Helen, as well as their roles in longer narratives such as TC and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274070">
    <dcterms:title><![CDATA[&quot;As Thin as a Rake&quot;: But What Is a Rake?]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that &quot;rake&quot; in the proverbial simile &quot;thin as a rake/rail&quot; (first attested in English in the GP description of the Clerk&#039;s horse, I.288) means a fodder crib.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273433">
    <dcterms:title><![CDATA[&quot;Ası empieza lo malo&quot; de Javier Marıas: Rumor y fama, entre William Shakespeare y Geoffrey Chaucer.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Chaucer and Shakespeare in Javier Marıas&#039;s novel, &quot;Ası empieza lo malo.&quot; Chaucer&#039;s concepts of &quot;fame&quot; and &quot;rumor,&quot; as described in HF, are central to Marias&#039;s depiction of contemporary men and their incapacity to face rumor and establish the truth.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273493">
    <dcterms:title><![CDATA[&quot;Assege&quot; in Chaucer&#039;s &quot;Troilus and Criseyde&quot;: Investigating the Cognitive Process of Siege.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the implications of &quot;siege&quot; in TC from cognitive viewpoints. Argues that the siege of Troy as a prototype of &quot;siege&quot; is repeated in metaphorically diversified forms such as Pandarus&#039;s enclosure of Troilus and Criseyde, and that this &quot;siege&quot; is structured in terms of different speech agents, cognitive processes, and combinations of different spaces. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277045">
    <dcterms:title><![CDATA[&quot;Avant la lettre&quot;: Philip Perry, Reconversionist Aesthetics, and the Medieval Literary.]]></dcterms:title>
    <dcterms:description><![CDATA[Posits that Philip Perry, an eighteenth-century priest and early practitioner of medievalism, was a pioneer in using original sources, among them Chaucer. Perry&#039;s unpublished notebooks contain detailed information on many medieval writers and their work, including Gower, Lydgate, Julian of Norwich, Margery Kempe, and others. Focuses on the fact that Perry believed Chaucer, like Langland, was a satirist of Church practices, not a heretical writer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273554">
    <dcterms:title><![CDATA[&quot;Basu no nyobo no monogatari no fusawashi-sa-ko&quot; (&quot;The Fitness of The Wife of Bath&#039;s Tale&quot;).]]></dcterms:title>
    <dcterms:description><![CDATA[Compares WBT with its Middle English analogues and comments on the relations between WBPT and ShT. http://repository.seikei.ac.jp/dspace/bitstream/10928/86/1/bungaku-46_13-22.pdf (accessed January 12, 2016). In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273797">
    <dcterms:title><![CDATA[&quot;Bear on Hand&quot; in &quot;The Wife of Bath&#039;s Prologue.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explicates the thematic and characterizing recurrences of hands and hand imagery in WBP, focusing on the eleven variations of the phrase &quot;bear on hand&quot; as they evoke and sustain the Wife&#039;s concern with wifely control in marriage, convey a sense of her as a &quot;living, breathing lucky woman,&quot; and eventually reveal her belief that marital control should be mutual.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274035">
    <dcterms:title><![CDATA[&quot;Bede and Merlion and Arsaladone&quot;: The Persistence of Short Verse Prophecies in Late-Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the apocalyptic genre of English short-verse prophecies, which were attributed to authorities such as Merlin, Bede, and Chaucer, who existed safely in the past but often also on the margins of political and religious orthodoxy. Popular from the thirteenth to the sixteenth century, the circulation of these prophecies was linked to Welsh rebellions and Wycliffism in the early fifteenth century.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276649">
    <dcterms:title><![CDATA[&quot;Beowulf,&quot; Chaucer, and Their Backgrounds.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes an appreciative, discursive survey of critical studies and scholarship about Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276110">
    <dcterms:title><![CDATA[&quot;Bidding with Beowulf, Dicing with Chaucer, and Playing Poker with King Arthur&quot;: Neomedievalism in Modern Board-Gaming.<br />
Culture.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys &quot;(neo)medievalism in contemporary board-game culture,&quot; including discussion of two games inspired by CT: the &quot;roll-and-move&quot; &quot;Hazard: From the Canterbury Tales&quot; and &quot;The Road to Canterbury.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274956">
    <dcterms:title><![CDATA[&quot;Bihoold the Murye Wordes of the Hoost to Chaucer.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that &quot;popular superstition&quot; of &quot;ill-luck&quot; underlies the Host&#039;s reference to &quot;fynde an hare&quot; in Th-MelL 7.696, supported by his use of &quot;elvyssh&quot; at 7.703.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274012">
    <dcterms:title><![CDATA[&quot;Bonum est mortis meditari&quot;: Meanings and Functions of the Medieval Double Macabre Portrait.]]></dcterms:title>
    <dcterms:description><![CDATA[Refers to the death-bearing rioters in PardT as an example of the theme, found in medieval art, of &quot;death as living within&quot; the body.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275740">
    <dcterms:title><![CDATA[&quot;Bride-habited but maiden-hearted&quot;: Language and Gender in &quot;The Two Noble Kinsmen.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores aspects of the diction of &quot;The Two Noble Kinsmen,&quot; focusing on nuances derived from the glossaries in Thomas Speght&#039;s editions of Chaucer&#039;s Works, with particular attention to KnT, the source of &quot;Kinsmen,&quot; and to issues of gender identity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274251">
    <dcterms:title><![CDATA[&quot;Buried in an herte&quot;: French Poetics and the Ends of Genre in Chaucer&#039;s &quot;Complaint unto Pity.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Pity is both a &quot;clever critique&quot; of the French lyric genre of complaint and &quot;loving homage&quot; to it, assessing aspects of exaggeration, repetition, structure, conventional theme and diction, wordplay, etc. as evidence that the poem evokes delight in the genre by means of appreciative parody.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275528">
    <dcterms:title><![CDATA[&quot;Burn all he has, but keep his books&quot;: Gloria Naylor and the Proper Objects of Feminist Chaucer Studies.]]></dcterms:title>
    <dcterms:description><![CDATA[Centers on Gloria Naylor&#039;s novel &quot;Bailey&#039;s Café,&quot; and examines how feminist approaches have informed scholarship of Chaucer&#039;s work, often to battle the misogyny of his works, that nevertheless can upload the heteronormative and patriarchal values to which feminism and feminist critique is opposed. Further argues that Naylor&#039;s novel offers a way to center marginalized voices and texts in relation to Chaucer.]]></dcterms:description>
</rdf:Description></rdf:RDF>